List of objects proposed for protection under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (protection of cultural objects on loan)
Rembrandt's Light 4 October 2019 to 2 February 2020
Lender: COLLECTIE SIX IMAGE:
Title: Minerva in her Study
Title: Minerva in her Study
Date/period: 1652
Place of Origin: The Netherlands Date/period: 1652
Artist: Harmensz Van Rijn Rembrandt Artist: Harmensz Van Rijn Rembrandt
Accession Number: N/A Accession Number:
Medium: Pen and brown ink, brown and Medium:white wash Pen and brown ink, brown and white wash Dimensions: Image: 19 x 14 cm Closed:Dimensions: 27 x 20Image: x 3 cm 19 x 14 cm Closed: 27 x 20 x 3 cm
Provenance:
Provenance:
1. Collection Jan Six (1618 – 1700)
1. Collection Jan Six (1618 – 1700)
2. By descent in the Six family
3. Under the ownership of the Six Foundation from3. Under 1922 the ownership of the Six Foundation from 1922
Complete 1933-1945 provenance is known as indicated above
On temporary display in the UK for:
Rembrandt's Light
4 October 2019 to 2 February 2020
Dulwich Picture Gallery
Gallery Road Dulwich Village London SE21 7AD
Complete 1933-1945 provenance is known as indicated above
On temporary display in the UK for:
Rembrandt's Light 4 October 2019 to 2 February 2020
List of objects proposed for protection under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (protection of cultural objects on loan)
Rembrandt's Light 4 October 2019 to 2 February 2020
Lender: NATIONAL GALLERY OF ART IMAGE: Title: Philemon and Baucis
Date/period: 1658 Place of Origin: The Netherlands
Artist: Harmensz Van Rijn Rembrandt
Accession Number: 1942.9.65
Medium: Oil on Panel Transferred to Panel
Dimensions: Unframed: 54.5 x 68.5 cm Framed: 81.3 x 95.9 x 8.3 cm
Provenance: Captain William Baillie [1723-1792], London; (his sale, Langford & Son, London, 1-2 February 1771, 2nd day, no. 73). possibly English private collection, by 1772.[1] Major Stanton; (Earl of Essex sale , Christie & Ansell, London, 31 January-1 February 1777, 2nd day, no. 75); Moris.[2] (Charles Sedelmeyer, Paris); Charles T. Yerkes, Jr. [1837-1905], Chicago and New York, by 1893;[3] (his sale, American Art Association, New York, 5-8 April 1910, no. 1160); (Scott and Fowles, New York); Otto H. Kahn [1867-1934], New York, by 1914 until at least April 1922; sold 1922, perhaps through ( Scott and Fowles, New York) to Joseph E. Widener, Elkins Park, Pennsylvania;[4] inheritance from Estate of Peter A.B. Widener by gift through power of appointment of Joseph E. Widener, Elkins Park, Pennsylvania, after purchase by funds of the estate; gift 1942 to NGA.
[1] A mezzotint of the composition was executed in 1772 by Thomas Watson (John Charrington, A Catalogue of the Mezzotints After, or Said to Be After, Rembrandt_, Cambridge, 1923:151, no. 182). [2] The title page of the 1777 sale catalogue describes the collection as that of the Earl of Essex; however, in a copy of the catalogue at Christie's, London, the consignor's name is written in the margin as "Maj. Stanton." A handwritten results sheet bound into the same volume gives the following result: "75. 32/11/- Moris." [3] Catalogue from Collection of Charles T. Yerkes, Chicago, U.S.A._. Chicago, 1893: no. 45. [4] American Art News_ (9 December 1922):1 reported that the seller of the picture to Widener was Scott and Fowles. However, the journal also reported that Scott and Fowles had owned the painting since 1910, and various other sources, including Cornelis Hofstede de Groot, _ A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century ..._, 8 vols., London, 1907-1927: 6:141, indicate that the owner during the mid-1910s was Otto H. Kahn. In addition, Kahn lent the painting to exhibitions in both 1920 and 1922, the latter a Rembrandt exhibition at the Fogg Art Museum, and although no checklist or catalogue exists for this exhibition, the museum’s records show that the picture entered the museum on 26 March 1922, and left on 13 April 1922. Perhaps Scott and Fowles simply handled the sale for Kahn. List of objects proposed for protection under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (protection of cultural objects on loan)
Rembrandt's Light 4 October 2019 to 2 February 2020
Complete 1933-1945 provenance is known as indicated above
On temporary display in the UK for:
Rembrandt's Light 4 October 2019 to 2 February 2020
Dulwich Picture Gallery Gallery Road Dulwich Village London SE21 7AD
List of objects proposed for protection under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (protection of cultural objects on loan)
Rembrandt's Light 4 October 2019 to 2 February 2020
Lender: STAATLICHE MUSEEN ZU BERLIN - PREUßISCHER KULTURBESITZ IMAGE: Title: The Dream of Joseph
Date/period: 1645
Place of Origin: The Netherlands
Artist: Harmensz Van Rijn Rembrandt
Accession Number: Inv. 806
Medium: Oil On Panel
Dimensions: Unframed: 20.7 x 27.8 cm Framed: 40.8 x 47.4 cm
Provenance:
1. Private collection of Frederik Hendrik (Prince of Orange), The Hague – listed in 1632 inventory of the gallery of the Stadholder’s Quarters in The Hague
2. Private collection of Frederick I of Prussia, Berlin, Berlin City Palace – first listed in 1707 inventory, probably inherited on death of William III in 1702
3. Descent through Prussian Royal Family within the Berlin City Palace
4. Private collection of William II of Prussia – painting moved in 1891 to the Bildergalerie in Potsdam
5. Gemaldegalerie, Berlin – transferred to the Kaiser Friedrich Museum by William II (Germany, date unknown)
6. Stored in an air raid shelter of the Pergamonmuseum from 1939 (Germany, 1939)
7. September 1941-1942, located in the flak towers of the Leitturm Berlin-Friedrichshain (Germany, 1941-42)
8. 11 March – 7 April 1945, transferred to the salt mines of Kaiseroda-Merkers, stored until discovered and confiscated by Americans (Germany, 1945)
9. 17 April 1945, transferred to the Reichsbank, Frankfurt (Germany, 1945)
10. 20-31 August 1945, transferred to the Landesmuseum, Wiesbaden (Germany 1945)
11. 20 April 1949, American trusteeship handed over to the Hessen State (Hessen, 1949)
12. 11 January 1956, return to Gemaldegalerie (Current owner, Germany, 1956).
List of objects proposed for protection under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (protection of cultural objects on loan)
Rembrandt's Light 4 October 2019 to 2 February 2020
Complete 1933-1945 provenance is known as indicated above
On temporary display in the UK for:
Rembrandt's Light 4 October 2019 to 2 February 2020
Dulwich Picture Gallery Gallery Road Dulwich Village London SE21 7AD
List of objects proposed for protection under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (protection of cultural objects on loan)
Rembrandt's Light 4 October 2019 to 2 February 2020
Lender: STAATLICHE MUSEEN ZU BERLIN - PREUßISCHER KULTURBESITZ IMAGE:
Title: Tobit and Anna with the Kid
Date/period: 1645 Place of Origin: The Netherlands
Artist: Harmensz Van Rijn Rembrandt
Accession Number: Inv. 805
Medium: Oil On Panel
Dimensions: Unframed: 20.2 x 28 cm Framed: 41.7 x 47.3 cm
Provenance:
1. Private collection of Gerard Vandergucht, London, 1777
2. Private collection marquis of Stafford, London – bought at auction in 1815
3. Private collection of Sir George Hayter, London, 1818
4. Private collection of William Thomas Beckford, Fonthill Abbey, 1822
5. Private collection of Daniel Wade Acraman, Bristol – 1823 auction
6. Private collection of George Robins, London, 1836
7. Private collection of Laurent Durand-Duclos, France – 1847 auction
8. Private collection of Lambert Johannes Nieuwenhuys, Bruseels – art dealer, possession in 1854
9. Private collection of Barthold Suermondt, Aachen – 1857 auction
10. Sold to the Gemaldegalerie in 1874
11. Transferred to the Kaiser Friedrich Museum in 1904 List of objects proposed for protection under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (protection of cultural objects on loan)
Rembrandt's Light 4 October 2019 to 2 February 2020
12. September 1941-1942, located in the flak towers of the Leitturm Berlin-Friedrichshain
13. 11 March – 7 April 1945, transferred to the salt mines of Kaiseroda-Merkers, stored until discovered and confiscated by Americans
14. 17 April 1945, transferred to the Reichsbank, Frankfurt
15. 20-31 August 1945, transferred to the Landesmuseum, Wiesbaden
16. 20 April 1949, American trusteeship handed over to the Hessen State
17. 11 January 1956, return to Gemaldegalerie (Current owner, Germany, 1956)
Complete 1933-1945 provenance is known as indicated above
On temporary display in the UK for:
Rembrandt's Light 4 October 2019 to 2 February 2020
Dulwich Picture Gallery Gallery Road Dulwich Village London SE21 7AD
List of objects proposed for protection under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (protection of cultural objects on loan)
Rembrandt's Light 4 October 2019 to 2 February 2020
Lender: MUSÉE DU LOUVRE, PARIS IMAGE:
Title: The Pilgrims at Emmaus
Date/period: 1648 Place of Origin: The Netherlands
Artist: Harmensz Van Rijn Rembrandt
Accession Number: 1739
Medium: Oil On Panel
Dimensions: Unframed: 68 x 65 cm Framed: 93.5 x 92 cm
Provenance:
1. Private collection of Willem Six, Amsterdam – possibly inherited from his uncle Jan Six, sold at 1734 auction (Amsterdam, 1734)
2. Private collection of Th. Wilkens, Marquis de Lassay, Paris – mentioned as in his possession in 1754 (Paris, 1754?)
3. Private collection of Paul Randon de Boisset, Paris, (1709 - 1776)
4. Private collection of Charles-Claude Flahaut de la Billarderie, Comte d'Angiviller, Paris (1730 - 1810) – bought at 1777 auction (Paris, 1777), acquired by A. Paillet who probably functioned as a middleman on behalf of the Comte
5. Musée du Louvre – exhibited at the opening of the museum in 1793 (Paris, 1793 current owner)
Complete 1933-1945 provenance is known as indicated above List of objects proposed for protection under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (protection of cultural objects on loan)
Rembrandt's Light 4 October 2019 to 2 February 2020
On temporary display in the UK for:
Rembrandt's Light 4 October 2019 to 2 February 2020
Dulwich Picture Gallery Gallery Road Dulwich Village London SE21 7AD
List of objects proposed for protection under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (protection of cultural objects on loan)
Rembrandt's Light 4 October 2019 to 2 February 2020
Lender: NATIONAL GALLERY OF IRELAND, DUBLIN IMAGE:
Title: Landscape with the rest on the flight into Egypt
Date/period: 1647 Place of Origin: The Netherlands
Artist: Harmensz Van Rijn Rembrandt
Accession Number: NGI.215
Medium: Oil On Panel
Dimensions:
Unframed: 34 x 48 cm Framed: 56.5 x 69.6 x 7.4 cm
Provenance:
1. Private collection of Henry Hoare II, Stourhead (1705-1785), Partner in his granfather's bank (Sir Richard Hoare (1648-1718) - by 1752 (Toynbee 1928, p. 42)
2. Private collection Sir Richard Colt Hoare, Stourhead (1758-1838), grandson of Henry Hoare II
3. Private collection Henry Ainslie Hoare, Stourhead (1824-1894), Richard Colt's Half-Brother's (Henry Hugh) grandson
4. National Gallery of Ireland, Dublin – bought at auction in 1883 (2 June 1883)
Complete 1933-1945 provenance is known as indicated above
On temporary display in the UK for:
Rembrandt's Light 4 October 2019 to 2 February 2020
Dulwich Picture Gallery Gallery Road Dulwich Village London SE21 7AD
List of objects proposed for protection under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (protection of cultural objects on loan)
Rembrandt's Light 4 October 2019 to 2 February 2020
Lender: RIJKSMUSEUM IMAGE:
Title: The Denial of St Peter
Date/period: 1660 Place of Origin: The Netherlands
Artist: Harmensz Van Rijn Rembrandt
Accession Number: SK-A-3137
Medium: Oil On Canvas
Dimensions:
Unframed: 154 x 169 cm Framed: 177.4 x 192.1 x 82 cm
Provenance:
1. Private collection of Marten Davidsz van Ceulen, Amsterdam – listed in 1687 inventory
2. Private collection of Marc-René de Voyer d’Argenson, marquis de Paulmy, Paris – listed in 1752 inventory
3. Private collection of Claude-Alexander Villeneuve, Paris – probably purchased from d’Argenson in 1759-60
4. Private collection of Sylvain-Raphaël comte de Baudouin, Paris – listed in 1780 collection catalogue
5. Private collection of Catharine the Great, Saint Petersburg – purchased from Sylvain-Raphaël for the Hermitage in 1781
6. 1917 Russian Revolution – State collections presumably became part of Soviet Union’s state property
7. Rijksmuseum, Amsterdam – purchased from the Soviet Union in 1933 (Current owner, Netherlands, 1933).
List of objects proposed for protection under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (protection of cultural objects on loan)
Rembrandt's Light 4 October 2019 to 2 February 2020
Complete 1933-1945 provenance is known as indicated above
On temporary display in the UK for:
Rembrandt's Light 4 October 2019 to 2 February 2020
Dulwich Picture Gallery Gallery Road Dulwich Village London SE21 7AD