The Wallace Collection Annual Report and Accounts 2013-2014 HC
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National Dimensions
ONS NATIONAL DIM NATIONAL DIMENNATIONAL DIMENSIONS NAL DIMENSIONS DIMENSIONS NATIO This report was researched and written by AEA Consulting: Magnus von Wistinghausen Keith Morgan Katharine Housden This report sets out the collaborative work undertaken by the UK’s nationally funded museums, libraries and archives with other organisations across the UK, and assesses their impact on cultural provision across the nation. It focuses on the activities in recent years of members of the National Museum Directors’ Conference (NMDC), and is largely based on discussions with these institutions and selected partner organisations, as well as on a series of discussion days hosted by the NMDC in different regional centres in July 2003. It does not make specific reference to collaborative work between NMDC organisations themselves, and focuses on activities and initiatives that have taken place in the last few years. For the sake of simplicity the term ‘national museum’ is used throughout the report to describe all NMDC member organisations, notwithstanding the fact that these also include libraries and archives. In this report the term ‘national’ is used to denote institutions established by Act of Parliament as custodians of public collections that belong to the nation. It is acknowledged that the NMDC does not include all museums and other collecting institutions which carry the term ‘national’ as part of their name. Specific reference to their activities is not contained in this report. Published in the United Kingdom by the National Museum Directors' -
Artist Katie Schwab Joins New Collective to Co-Produce Horniman’S 2019 Studio Exhibition
For immediate release Issued 28 February 2019 Artist Katie Schwab joins new Collective to co-produce Horniman’s 2019 Studio exhibition London-based visual artist Katie Schwab has joined a new Collective of 10 local community members to co-produce the 2019 exhibition in the Horniman Museum and Garden’s new arts space, The Studio. The Collective will explore ideas around ‘memory’ and draw inspiration from the Horniman’s anthropology collections for the next Studio exhibition which will open in October 2019. The exhibition, bringing together new artwork and collections, will be accompanied by a programme of events and activities also co-produced by the Collective. The Collective members collaborating on the exhibition are: Ahmadzia, a volunteer at Southwark Day Centre for Asylum Seekers (SDCAS) and a kite maker, who came to the UK in 2006 from Kunduz, Afghanistan, and is a refugee Carola Cappellari, a photojournalism and documentary photography student who volunteered her skills to produce promotional material for the Indoamerican Refugee and Migrant Organisation, a community-led organisation supporting Latin Americans to build secure and integrated lives in the UK Francis Stanfield, a multi-tasker when it comes to music who describes himself as ‘the original stuporman’. He is influenced by surrealism, films and art, likes ‘anything out of the weird’ and joined the Collective through his involvement with St. Christopher’s Hospice Godfrey Gardin, from Kenya but living in London, who volunteers with SDCAS ‘because it enriches the community where I live’ and who also has an interest in gardening Jacqueline Benn, who has a career background in TV programming planning and immersive theatre, and whose interests lie also in the arts, and producing short films. -
The Wallace Collection — Rubens Reuniting the Great Landscapes
XT H E W ALLACE COLLECTION RUBENS: REUNITING THE GREAT LANDSCAPES • Rubens’s two great landscape paintings reunited for the first time in 200 years • First chance to see the National Gallery painting after extensive conservation work • Major collaboration between the National Gallery and the Wallace Collection 3 June - 15 August 2021 #ReunitingRubens In partnership with VISITFLANDERS This year, the Wallace Collection will reunite two great masterpieces of Rubens’s late landscape painting: A View of Het Steen in the Early Morning and The Rainbow Landscape. Thanks to an exceptional loan from the National Gallery, this is the first time in two hundred years that these works, long considered to be companion pieces, will be seen together. This m ajor collaboration between the Wallace Collection and the National Gallery was initiated with the Wallace Collection’s inaugural loan in 2019 of Titian’s Perseus and Andromeda, enabling the National Gallery to complete Titian’s Poesie cycle for the first time in 400 years for their exhibition Titian: Love, Desire, Death. The National Gallery is now making an equally unprecedented reciprocal loan to the Wallace Collection, lending this work for the first time, which will reunite Rubens’s famous and very rare companion pair of landscape paintings for the first time in 200 years. This exhibition is also the first opportunity for audiences to see the National Gallery painting newly cleaned and conserved, as throughout 2020 it has been the focus of a major conservation project specifically in preparation for this reunion. The pendant pair can be admired in new historically appropriate, matching frames, also created especially for this exhibition. -
NMDC Response to the Culture, Media and Sport Select Committee Inquiry Into Tourism
NMDC response to CMS Select Committee Inquiry into Tourism This response is submitted on behalf of the National Museum Directors’ Council (NMDC). The NMDC represents the leaders of the UK's national collections and major regional museums. Our members are the national and major regional museums in England, Northern Ireland, Scotland and Wales, the British Library, the National Library of Scotland, and the National Archives. While our members are funded by government, the NMDC is an independent, non- governmental organisation. For more information on our activity and a full list of members see our website: www.nationalmuseums.org.uk Summary Museums are a critical part of the UK tourism offer, and visiting museums has never been so popular. Museums continue to develop their offer and operation to attract both domestic and overseas tourists. Museums and heritage continue to be primary reasons to visit Britain. Museums play a very significant role in the development of the regional tourist industry. They are frequently the most visited attraction in a town, city or region. They are also active in workforce development in this aspect of the tourism sector, including via apprenticeships and the sharing of good practice through local networks. Museum partnerships are an excellent and successful way of encouraging regional tourism, as well as building on the success of London. These partnerships have also helped with the regeneration of coastal towns built around culture or heritage. However, despite being so integral to the tourist industry, and the fact that supporting tourism is an economic priority for the Government, local authority and central Government investment for museums has substantially reduced since 2010. -
Civil Ceremonies Weddings &
WEDDINGS & CIVIL CEREMONIES Dulwich Picture Gallery Dulwich Picture Gallery, situated at the heart of Dulwich Village, offers an exclusive setting for your special day. Founded in 1811, the unique building - designed by Sir John Soane - was the first purpose-built public art Gallery in the world. Displaying one of the finest collections of Old Masters in the world, your guests will be surrounded by some of the greatest names in Baroque painting, such as Rembrandt, Rubens, Canaletto, Murillo and Veronese. This prestigious venue with both indoor and outdoor options, offers flexible event spaces for your civil ceremony, drinks reception, wedding breakfast and dancing. Talk to us about your bespoke requirements or look at our ceremony packages and list of approved suppliers at the back of this brochure. Dulwich Picture Gallery is one of Britain’s most valued artistic and architectural treasures. All money generated through venue hire goes towards the conservation and care of the gallery and the development of our leading education and exhibition programmes. Contact the events team for more information: [email protected] Soane Gallery Sir John Soane’s design for Dulwich Picture Gallery has inspired gallery architecture world- wide. This suite of eight perfectly proportioned rooms interlink to form a stunning enfilade. Famous for its rich red walls and natural lighting, the Old Master paintings are densely hung to recall the Gallery’s Victorian splendour. Choose the Soane Gallery for your wedding breakfast or a drinks reception. The Soane Gallery is also licenced for civil ceremonies upon special agreement at 6pm Tuesday- Saturday, or throughout the day on a Monday when the Gallery is closed to the public. -
By Mike Klozar Have You Dreamed of Visiting London, but Felt It Would
By Mike Klozar Have you dreamed of visiting London, but felt it would take a week or longer to sample its historic sites? Think again. You can experience some of London's best in just a couple of days. Day One. • Thames River Walk. Take a famous London Black Cab to the Tower of London. The ride is an experience, not just a taxi. (15-30 min.) • Explore the Tower of London. Keep your tour short, but be sure to check out the Crown Jewels. (1-2 hrs.) • Walk across the Tower Bridge. It's the fancy blue one. (15 min.) From here you get the best view of the Tower of London for photos. • Cross over to Butler's Wharf and enjoy lunch at one of the riverfront restaurants near where Bridget lived in Bridget Jones's Diary. (1.5 hrs.) • Keeping the Thames on your right, you'll come to the warship HMS Belfast. Tours daily 10 a.m.-4 p.m. (30 min.-1 hr.) • Walk up London Bridge Street to find The Borough Market. Used in countless films, it is said to be the city's oldest fruit and vegetable market, dating from the mid-1200s. (1 hr.) • Back on the river, you'll discover a tiny ship tucked into the docks: a replica of Sir Francis Drake's Golden Hind, which braved pirates in the days of yore. (15 min.) • Notable London pubs are situated along the route and are good for a pint, a cup of tea and a deserved break. Kids are welcome. -
Annual Review 2011 – 2012
AnnuA l Review 2011 – 2012 Dulwich Picture Gallery was established more than 200 years ago because its founders believed as many people as possible should see great paintings. Today we believe the same, because we know that art can change lives. I w hat makes us world-class is our exceptional collection of Old Master paintings. I england – which allows visitors to experience those paintings in an intimate, welcoming setting. I w hat makes us relevant is the way we unite our past with our present, using innovative exhibitions, authoritative scholarship and pioneering education programmes to change lives for the better. Cover image: installation view of David Hockney, Mr and Mrs Clark and Percy, 1970-71, acrylic on canvas, 213 x 304. Tate, Presented by the Friends of the Tate Gallery 1971 © David Hockeny / Tate. Dulwich Picture Gallery is built on history. Picture Our From our founders’ wish to have an art Future: The Campaign for Dulwich Picture recognises a number of things of which gallery ‘for the inspection of the public’, Gallery has begun. Alongside my co-chair artists and scholars, aristocrats and school of the Campaign Cabinet, Bernard Hunter, particularly to celebrate our long-time children have come by horse, train, car we look forward to working with all of the Trustee and supporter Theresa Sackler, and bicycle to view our collection – Van Gallery’s supporters to reach this goal. who was recently awarded a DBE Gogh walked from Central London to view in the Queen’s Birthday Honours List, the Gallery in 1873. The paintings and The position we start from is a strong adding even more lustre to the Prince of building are a monument to the tastes of one: against the background of a troubled Wales’ Medal for Philanthropy which was two centuries ago, yet it is a testament world-economy, the Gallery exceeded its awarded to her in 2011. -
Thames Path Walk Section 2 North Bank Albert Bridge to Tower Bridge
Thames Path Walk With the Thames on the right, set off along the Chelsea Embankment past Section 2 north bank the plaque to Victorian engineer Sir Joseph Bazalgette, who also created the Victoria and Albert Embankments. His plan reclaimed land from the Albert Bridge to Tower Bridge river to accommodate a new road with sewers beneath - until then, sewage had drained straight into the Thames and disease was rife in the city. Carry on past the junction with Royal Hospital Road, to peek into the walled garden of the Chelsea Physic Garden. Version 1 : March 2011 The Chelsea Physic Garden was founded by the Worshipful Society of Start: Albert Bridge (TQ274776) Apothecaries in 1673 to promote the study of botany in relation to medicine, Station: Clippers from Cadogan Pier or bus known at the time as the "psychic" or healing arts. As the second-oldest stops along Chelsea Embankment botanic garden in England, it still fulfils its traditional function of scientific research and plant conservation and undertakes ‘to educate and inform’. Finish: Tower Bridge (TQ336801) Station: Clippers (St Katharine’s Pier), many bus stops, or Tower Hill or Tower Gateway tube Carry on along the embankment passed gracious riverside dwellings that line the route to reach Sir Christopher Wren’s magnificent Royal Hospital Distance: 6 miles (9.5 km) Chelsea with its famous Chelsea Pensioners in their red uniforms. Introduction: Discover central London’s most famous sights along this stretch of the River Thames. The Houses of Parliament, St Paul’s The Royal Hospital Chelsea was founded in 1682 by King Charles II for the Cathedral, Tate Modern and the Tower of London, the Thames Path links 'succour and relief of veterans broken by age and war'. -
Online Course Description
Online Course Introducing… Reynolds and His Rivals Dates Tuesday 14 and Wednesday 15 September 2021 Times 18.00–20.00 GMT Location Zoom Webinar Tutor Jacqui Ansell Level All Levels Joshua Reynolds, Miss Nelly O'Brien, about 1762-63 (detail) Course Description The great painter, Sir Joshua Reynolds, was famously the first President of the Royal Academy, founded in 1768. The son of a Devon schoolteacher, he rose through the ranks of society to achieve his ultimate aim – to paint for King George III. In his mission to raise the status of painting to the same rank as its ‘sister art of poetry,’ he developed a style of portraiture known as the ‘Grand Style’, imbued with intellectual content. Known as much for his experimental techniques as his innovative iconography, Reynolds’ paintings often suffered from the ravages of time and taste – with young artists of the 19th century christening him ‘Sir Sloshua’! Fashion, in terms of dress as well as approaches to portraiture, will be the key subject of this course, as we explore Reynolds’ attempts to appeal to posterity, as well as to his contemporaries. Session One: ‘Something Modern for the Sake of Likeness’ The 18th century was a ‘Golden Age’ for British portraiture, with Hogarth, Reynolds, Ramsay, as well as Wright of Derby, Gainsborough and Lawrence emerging to lead this field. The rise of Rococo fashions in art and dress created a concern for frills and fripperies, which posed a problem for artists. Not only were these fiddly and time- consuming to consign to canvas, but the rapid pace of fashion change meant that portraits could look old-fashioned before the paint was dry. -
DCMS-Sponsored Museums and Galleries Annual Performance
Correction notice: The chart showing the Total number of visits to DCMS - sponsored museums and galleries, 2002/03 to 2018/19 and Figure 2 showing the Total number of visits to the DCMS- sponsored museums and galleries, 2008/09 to 2018/19 were updated on 27 January 2020 to reflect the minor amendments made to the Tyne and Wear visitor figures for the years 2008/09 to 2014/15. This release covers the annual DCMS-Sponsored Museums performance indicators for DCMS- sponsored museums and galleries and Galleries Annual in 2018/19. The DCMS-sponsored museums Performance Indicators and galleries are: British Museum 2018/19 Geffrye Museum Horniman Museum Total number of visits to DCMS-sponsored museums and Imperial War Museums galleries, 2008/09 to 2018/19 National Gallery National Museums Liverpool National Portrait Gallery Natural History Museum Royal Armouries Royal Museums Greenwich Science Museum Group Sir John Soane’s Museum Tate Gallery Group Victoria and Albert Museum The Wallace Collection Responsible statistician: Wilmah Deda 020 7211 2376 Statistical enquiries: In 2018/19 there were 49.8 million visits to DCMS- [email protected] sponsored museums and galleries, an increase of @DCMSInsight 48.0% from 33.6 million visits in 2002/03 when records began. Media enquiries: 020 7211 2210 Of these1: Date: 24 October 2019 Contents 1: Introduction……………………..2 2: Visits to DCMS-sponsored museums and galleries………......3 3: Regional engagement...............9 4: Self-generated income……….10 were made by were made by Annex A: Background …...……..12 children under the overseas age of 16 visitors The total self-generated income for DCMS-sponsored museums and galleries was £289 million, an increase of 5.0% from £275 million in 2017/182. -
Digital Media at the Tower of London
Digital Media at the Tower of London Recommendations for a Mobile Application at the Mint Street Exhibition By: Michael Bartlett, Bryan Myers, Todd Pfizenmaier, Lauren Waring Digital Media at the Tower of London Recommendations for a Mobile Application at the Mint Street Exhibition An Interactive Qualifying Project Report Submitted to the faculty of the Worcester Polytechnic Institute In partial fulfillment of the requirements for Degree of Bachelor of Science In cooperation with The Tower of London On April 27, 2012 Submitted by: Submitted to: Michael Bartlett Megan Gooch Bryan Myers Dominique Driver Todd Pfizenmaier Professor Kathi Fisler Lauren Waring Professor Paul Davis i Abstract The following report evaluates the possible use of hand-held digital media in the Tower of London, specifically the Tower Mint Exhibition. Recommendations were created from visitor surveys, interviews with museum professionals, as well as, evaluations of digital media at other sites. Results show the implementation of an application adds value by letting visitors learn at their own pace, engage the whole family, as well as, share and extend their experience. These values correlate with possible characteristics for a successful application. i Acknowledgments Our team would like to thank our sponsor, the Tower of London, for the exciting opportunity to work on this project at the Tower of London. We would specifically like to extend our thanks to Megan Gooch and Dominique Driver whose consistent support made this project possible. We would also like to thank all the members of the Tower of London staff for their support, insight and assistance with the project. Finally, we would like to thank our Worcester Polytechnic Institute advisors, Paul Davis and Kathi Fisler, for their generous advice and support throughout this project. -
ART 1301 Honors Art Appreciation London Summer 2013 Dr
ART 1301 Honors Art Appreciation London Summer 2013 Dr. Denise Amy Baxter, Associate Professor of Art History Course Description: History and analysis of western art with reference to non-western cultures. Course Texts: These will be provided electronically and are indicated in the schedule of classes below. Course Content: The course will introduce you to ways of looking and thinking through works of art, visual culture, and material culture through the objects, images, and sites in and surrounding the city of London. Course Learning Outcomes: Despite the very narrow and art historical references of the official course description, this course will focus on developing the skills necessary to engage, in various ways, with works of art, visual culture, and material culture. By the end of this course you will be able to interpret and otherwise offer engagements with these objects and images, providing evidence to support these claims. You will also develop the skills necessary to collect various types of evidence and present different modes of engagement. Student Evaluation: Each student will present twice on-site during the London part of the course. In addition, students will prepare a journal of the trip which will include a captioned photo scavenger hunt as well essay and/or creative entries. Presentation 1 10% Presentation 2 10% Photo scavenger hunt – minimum 15 10% Journal entries – minimum 15 55% Alternative site entry 10% Active participation in discussion 5% and as a member of the course group Presentations: Presentations are intended to provide context for our on-site visits to the members of the course.