Annual Review 2011 – 2012
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Horniman Museum to Reopen from Thursday 30 July
For immediate release Issued Wednesday 8 July 2020 Horniman Museum to reopen from Thursday 30 July The Horniman will reopen its doors to the public from Thursday 30 July, for the first time since mid- March. Visitors (including Members) will need to pre-book for a free, timed entry slot, via the website horniman.ac.uk. As well as the popular galleries of natural history, world cultures and musical instruments, the Permian Monsters exhibition will also reopen on 30 July, with ticket prices from £5, and an extended run until 3 January 2021. However, some attractions will remain closed initially, including the Aquarium and Butterfly House, and some interactive exhibits have been removed or covered up. Social distancing and other safety measures will be in place throughout the Museum, including hand sanitisation stations, an enhanced cleaning regime, updated signage and a one-way visitor route. During the Museum’s 134-day closure, the Horniman’s Gardens have remained open, giving local residents much-needed green space for their daily exercise during the Coronavirus lockdown. The Horniman has gradually reopened additional facilities including toilets and Café Kiosks in the Gardens, and the Sunday Market. The main Café will reopen at the same time as the Museum with specific safety measures in place. Nick Merriman, Chief Executive of the Horniman Museum and Gardens, says: ‘We’ve heard from many of our visitors how much they’ve missed the Museum. We are immensely grateful for their support during closure and look forward to welcoming them back. Our priority as we return is to increase the diversity of our visitors, address our colonial history and accelerate work on the climate and ecological emergency.’ Pre-booked tickets will be available on the website from Monday 20 July. -
National Dimensions
ONS NATIONAL DIM NATIONAL DIMENNATIONAL DIMENSIONS NAL DIMENSIONS DIMENSIONS NATIO This report was researched and written by AEA Consulting: Magnus von Wistinghausen Keith Morgan Katharine Housden This report sets out the collaborative work undertaken by the UK’s nationally funded museums, libraries and archives with other organisations across the UK, and assesses their impact on cultural provision across the nation. It focuses on the activities in recent years of members of the National Museum Directors’ Conference (NMDC), and is largely based on discussions with these institutions and selected partner organisations, as well as on a series of discussion days hosted by the NMDC in different regional centres in July 2003. It does not make specific reference to collaborative work between NMDC organisations themselves, and focuses on activities and initiatives that have taken place in the last few years. For the sake of simplicity the term ‘national museum’ is used throughout the report to describe all NMDC member organisations, notwithstanding the fact that these also include libraries and archives. In this report the term ‘national’ is used to denote institutions established by Act of Parliament as custodians of public collections that belong to the nation. It is acknowledged that the NMDC does not include all museums and other collecting institutions which carry the term ‘national’ as part of their name. Specific reference to their activities is not contained in this report. Published in the United Kingdom by the National Museum Directors' -
Artist Katie Schwab Joins New Collective to Co-Produce Horniman’S 2019 Studio Exhibition
For immediate release Issued 28 February 2019 Artist Katie Schwab joins new Collective to co-produce Horniman’s 2019 Studio exhibition London-based visual artist Katie Schwab has joined a new Collective of 10 local community members to co-produce the 2019 exhibition in the Horniman Museum and Garden’s new arts space, The Studio. The Collective will explore ideas around ‘memory’ and draw inspiration from the Horniman’s anthropology collections for the next Studio exhibition which will open in October 2019. The exhibition, bringing together new artwork and collections, will be accompanied by a programme of events and activities also co-produced by the Collective. The Collective members collaborating on the exhibition are: Ahmadzia, a volunteer at Southwark Day Centre for Asylum Seekers (SDCAS) and a kite maker, who came to the UK in 2006 from Kunduz, Afghanistan, and is a refugee Carola Cappellari, a photojournalism and documentary photography student who volunteered her skills to produce promotional material for the Indoamerican Refugee and Migrant Organisation, a community-led organisation supporting Latin Americans to build secure and integrated lives in the UK Francis Stanfield, a multi-tasker when it comes to music who describes himself as ‘the original stuporman’. He is influenced by surrealism, films and art, likes ‘anything out of the weird’ and joined the Collective through his involvement with St. Christopher’s Hospice Godfrey Gardin, from Kenya but living in London, who volunteers with SDCAS ‘because it enriches the community where I live’ and who also has an interest in gardening Jacqueline Benn, who has a career background in TV programming planning and immersive theatre, and whose interests lie also in the arts, and producing short films. -
Romantic Retreats
DISCOVER LONDON DISCOVER LONDON: BEHIND THE SCENES – THE INSIDER’S GUIDE The perfect way to travel the UK Win a five-star Romantic holiday to the UK retreats Secret gardens and passionate princes Constable Country Visit the places the master artist painted A castle courtship How Queen Elizabeth I lost her heart Steeple chase Race through 1,000 years with Britain’s cathedrals APRIL/MAY 2016 £4.50 1066: the year that changed history When William the Conqueror seized the crown discoverbritainmag.com OFC_DB_UKApr/May16Barcodes.indd 1 25/02/2016 16:23 Quote ͺDĂƌĐŚͬƉƌŝůϭϲͺh< Inspiring Breaks to National Trust Houses & Gardens with Just Go! Holidays Request a FREE 2016 brochure For our full selection of 2016 National Trust breaks please call 08432 244 246 Quote: ‘Discover Britain’ for discount a d e e R r s n i • a t t S i i r p B e c £25 off r i a e l per booking v D o c i s s i c o D A Wonderful Opportunity to Explore u nt f o r ŚŽŽƐĞĨƌŽŵĂŶĞdžĐůƵƐŝǀĞĐŽůůĞĐƟŽŶŽĨϮϭƚŽƵƌƐŽīĞƌŝŶŐ tĞŚĂǀĞĂĚĚĞĚŇĞdžŝďůĞƚƌĂǀĞůŽƉƟŽŶƐ on our tours ƚŚĞŽƉƉŽƌƚƵŶŝƚLJƚŽĚŝƐĐŽǀĞƌŵĂŶLJĞĐůĞĐƟĐƉůĂĐĞƐĂŶĚ ĂůůŽǁŝŶŐLJŽƵƚŽĐŚŽŽƐĞLJŽƵƌƉƌĞĨĞƌƌĞĚŵĞĂŶƐŽĨ ƐƉĂĐĞƐůŽŽŬĞĚĂŌĞƌďLJƚŚĞEĂƟŽŶĂůdƌƵƐƚ ƚƌĂŶƐƉŽƌƚͲǁŚĞƚŚĞƌŝƚ͛ƐĚƌŝǀŝŶŐLJŽƵƌƐĞůĨƚŽƚŚĞŚŽƚĞů͕ ũŽŝŶŝŶŐƚŚĞĐŽĂĐŚĂƚĂĐŽŶǀĞŶŝĞŶƚƉŝĐŬƵƉƉŽŝŶƚŽƌĞǀĞŶ A ĨƌŝĞŶĚůLJdŽƵƌDĂŶĂŐĞƌǁŝůůŵĞĞƚLJŽƵĂƚƚŚĞŚŽƚĞůĂŶĚ ƚĂŬŝŶŐĂŇŝŐŚƚƚŽLJŽƵƌĚĞƐƟŶĂƟŽŶ ĨĂĐŝůŝƚĂƚĞƚŚĞƐŵŽŽƚŚŽƌŐĂŶŝƐĂƟŽŶŽĨĂůůŽƉĞƌĂƟŽŶĂů ĂƐƉĞĐƚƐŽĨƚŚĞďƌĞĂŬ &ŽƌĞǀĞƌLJƉĞƌƐŽŶǁŚŽũŽŝŶƐƵƐŽŶŽŶĞŽĨŽƵƌŝŶƐƉŝƌŝŶŐ ďƌĞĂŬƐ͕ǁĞĂƌĞƉƌŽƵĚƚŽŐŝǀĞƚŚĞEĂƟŽŶĂůdƌƵƐƚάϮϱ ůƐŽĂĐŚĂŶĐĞƚŽĞdžƉůŽƌĞƐŽŵĞŽĨƚŚĞƌĞŵĂƌŬĂďůĞŐĞŵƐ ǁŚŝĐŚŚĞůƉƐƚŚĞŵƚŽĨƵŶĚǀŝƚĂůƌĞƐƚŽƌĂƟŽŶƉƌŽũĞĐƚƐƚŚĂƚ -
1891 Census of Thanet Places As Enumerated, with Index
1891 Census of Thanet Places as Enumerated, with Index Scope The full Registration District, piece RG12/725 to piece RG12/733 inclusive. Arrangement A summary of the places-related information recorded in the enumerators’ returns of households, in ‘as enumerated’ order, including all Thanet’s public houses and farm houses (although some of these are not explicitly identified in the original). Each entry includes : • piece and folio numbers : used with the PRO class (RG12) to locate the original • Dwelling : name of one or more dwellings ~ 'Rows' and 'Terraces' are usually under this heading, although some may have been considered 'streets' and their names used as street names • Street : names of a street, road, etc, and some hamlets ~ 'Places' are usually under this heading, although some may have been sub-divisions of a street • parish : the ecclesiastical parish, abbreviated as noted below • locality : the key guide to location, used to differentiate common street names in the Index There is a combined Index for Dwellings and Streets starting on page 56, each entry giving a piece and folio number(s). Abbreviations & Notations [ ] square brackets enclose annotation { } where a place-name spelling may be incorrect, the accepted version is given and the original enclosed in curly brackets ~ usually both are indexed *** unoccupied/being built, usually only noted if the name of a dwelling or street would otherwise be omitted aS All Saints, Birchington cC Christ Church, Ramsgate hT Holy Trinity, Broadstairs hTm Holy Trinity, Margate hTr Holy -
UK Seminars on Art, Science, & Exploration Since
H-Early-America UK Seminars on Art, Science, & Exploration since C18 Discussion published by John Daniel Saillant on Monday, August 25, 2014 Aaron Mulvany Monday, August 25, 2014 H-Asia DEADLINE: 5 September 2014 The Art Fund and Heritage Lottery Fund have generously funded a series of seminars (‘Travellers’ Tails’) at the National Maritime Museum and partner museums around the UK to investigate the histories, practices and interpretation of art, science and exploration from the Enlightenment to the present day. The seminars will bring together scholars, artists, scientists, explorers, members of the public and museum professionals to examine the changing nature, impact and legacies of European exploration since the mid-18th century. The seminars will focus on today’s audiences and discuss the display and interpretation of the material culture of exploration within gallery, heritage and museum environments. Seminars will interrogate the relevance of the subject and issues surrounding its presentation in a post-imperial world. George Stubbs’ iconic paintings of a kangaroo and dingo, recently acquired by the National Maritime Museum, will provide a starting point for wider-ranging papers and discussion within a multi-disciplinary environment. Proposals of no longer than 250 words, for presentations of 20 minutes, should be sent to [email protected] by no later than Friday, 5 September 2014. We welcome submissions for papers and less-formal presentations from academics, curators, artists and other specialists in the fields. Proposals from -
FACE to FACE Gallery News Issue No
P FACE TO FACE Gallery News Issue no. 6 Autumn 2003 Writing in this issue: Julian Fellowes, Bruce Oldfield and Gerald Scarfe FROM THE DIRECTOR The autumn exhibition Below Stairs: 400 Years of Servants’ Portraits offers an unusual opportunity to see fascinating images of those who usually remain invisible. The exhibition offers intriguing stories of the particular individuals at the centre of great houses, colleges or business institutions and reveals the admiration and affection that caused the commissioning of a portrait or photograph. We are also celebrating the completion of the new scheme for Trafalgar Square with the young people’s education project and exhibition, Circling the Square, which features photographs that record the moments when the Square has acted as a touchstone in history – politicians, activists, philosophers and film stars have all been photographed in the Square. Photographic portraits also feature in the DJs display in the Bookshop Gallery, the Terry O’Neill display in the Balcony Gallery and the Schweppes Photographic Portrait Prize launched in November in the Porter Gallery. Gerald Scarfe’s rather particular view of the men and women selected for the Portrait Gallery is published at the end of September. Heroes & Villains, is a light hearted and occasionally outrageous view of those who have made history, from Elizabeth I and Oliver Cromwell to Delia Smith and George Best. The Gallery is very grateful for the support of all of its Patrons and Members – please do encourage others to become Members and enjoy an association with us, or consider becoming a Patron, giving significant extra help to the Gallery’s work and joining a special circle of supporters. -
The National Gallery Review of the Year 2008-9
the national gallery review of the year 2008 – 2 0 0 9 national gallery staff publications april 2008–march 2009 Rachel Billinge, Research Associate, Angels by Quinten Massys’, National Raphael Research Resource: http://cima. Conservation Gallery Technical Bulletin, 29, The ng-london.org.uk/documentation) ‘The use of Gilded Tin in Giotto’s National Gallery Company, London 2008, Pentecost’, National Gallery Technical pp. 60–75 Caroline Marcus, Access Officer Bulletin, 29, National Gallery Company, ‘Cultural Immersion or Cultural Offer? An London 2008, pp. 76–80 (with D. Gordon) Susan Foister, Director of Collections investigation into the National Gallery’s Entries in Renaissance Faces: Van Eyck to and Regional Partners’ Cultural Xavier Bray, Assistant Curator, 17th- and Titian, exhibition catalogue, The National Placement Scheme as an educational 18th-Century Paintings Gallery, London 2008 resource for student teachers’, MA ‘El parangón español: El arte de pintar la Entries in El retrato del Renacimiento, dissertation, Institute of Education, escultura en el siglo de oro’, Los pintores exhibition catalogue, Museo del Prado, University of London, 2008 (published on de lo real, Museo del Prado, Madrid 2008, Madrid 2008 the DCSF website Learning Outside the pp. 181–95 Classroom: http://www.lotc.org.uk) Exhibition review: ‘The Colour of Life’, The Dillian Gordon, Curator of Italian Painting Burlington Magazine, CL, September before 1460 Antonio Mazzotta, Pidem Curatorial 2008, pp. 645–6 ‘Duccio’s adjustment to “The Temptation Assistant ‘La famille de l’Infant Don Luis: Goya of Christ on the mountain” from his Entries in Andrea Mantegna. 1431–1506, Portraitiste’, Dossier de l’Art, 151, 2008, “Maestà”’, The Burlington Magazine, exhibition catalogue, ed. -
Annual Review 2016/17
Historic Royal Places – Spines Format A4 Portrait Spine Width 35mm Spine Height 297mm HRP Text 20pt (Tracked at +40) Palace Text 30pt (Tracked at -10) Icon 20mm Wide (0.5pt/0.25pt) Annual Review 2016/17 1 2 06 Welcome to another chapter in our story Contents 07 Our work is guided by four principles 08 Chairman’s Introduction 09 Chief Executive – a reflection 10 The Year of the Gardens 14 Guardianship 20 Showmanship 26 Discovery 32 Independence 38 Money matters 39 Visitor trends 40 Summarised financial statements 42 Trustees and Directors 44 Supporters 46 Acknowledgments Clockwise from top left: The White Tower, Tower of London; the West Front, Hampton Court Palace; the East Front, Kensington Palace; the South Front, Hillsborough Castle; Kew Palace; Banqueting House. 4 This year, the famous gardens of Hampton Court Palace took Guardianship: Welcome to centre stage. Already a huge attraction in their own right, this Our work is We exist for tomorrow, not just for yesterday. Our job is to give year the historic gardens burst into even more vibrant life. these palaces a future as valuable as their past. We know how another Prompted by the 300th anniversary of the birth of Lancelot guided by four precious they and their contents are, and we aim to conserve ‘Capability’ Brown, we created a spectacular programme of them to the standard they deserve: the best. chapter in exhibitions, events and activities. A highlight was the royal principles Discovery: opening of the Magic Garden; our playful and spectacular We explain the bigger picture, and then encourage people to our story 21st century contribution to 500 years of garden history. -
Civil Ceremonies Weddings &
WEDDINGS & CIVIL CEREMONIES Dulwich Picture Gallery Dulwich Picture Gallery, situated at the heart of Dulwich Village, offers an exclusive setting for your special day. Founded in 1811, the unique building - designed by Sir John Soane - was the first purpose-built public art Gallery in the world. Displaying one of the finest collections of Old Masters in the world, your guests will be surrounded by some of the greatest names in Baroque painting, such as Rembrandt, Rubens, Canaletto, Murillo and Veronese. This prestigious venue with both indoor and outdoor options, offers flexible event spaces for your civil ceremony, drinks reception, wedding breakfast and dancing. Talk to us about your bespoke requirements or look at our ceremony packages and list of approved suppliers at the back of this brochure. Dulwich Picture Gallery is one of Britain’s most valued artistic and architectural treasures. All money generated through venue hire goes towards the conservation and care of the gallery and the development of our leading education and exhibition programmes. Contact the events team for more information: [email protected] Soane Gallery Sir John Soane’s design for Dulwich Picture Gallery has inspired gallery architecture world- wide. This suite of eight perfectly proportioned rooms interlink to form a stunning enfilade. Famous for its rich red walls and natural lighting, the Old Master paintings are densely hung to recall the Gallery’s Victorian splendour. Choose the Soane Gallery for your wedding breakfast or a drinks reception. The Soane Gallery is also licenced for civil ceremonies upon special agreement at 6pm Tuesday- Saturday, or throughout the day on a Monday when the Gallery is closed to the public. -
Darnley Portraits
DARNLEY FINE ART DARNLEY FINE ART PresentingPresenting anan Exhibition of of Portraits for Sale Portraits for Sale EXHIBITING A SELECTION OF PORTRAITS FOR SALE DATING FROM THE MID 16TH TO EARLY 19TH CENTURY On view for sale at 18 Milner Street CHELSEA, London, SW3 2PU tel: +44 (0) 1932 976206 www.darnleyfineart.com 3 4 CONTENTS Artist Title English School, (Mid 16th C.) Captain John Hyfield English School (Late 16th C.) A Merchant English School, (Early 17th C.) A Melancholic Gentleman English School, (Early 17th C.) A Lady Wearing a Garland of Roses Continental School, (Early 17th C.) A Gentleman with a Crossbow Winder Flemish School, (Early 17th C.) A Boy in a Black Tunic Gilbert Jackson A Girl Cornelius Johnson A Gentleman in a Slashed Black Doublet English School, (Mid 17th C.) A Naval Officer Mary Beale A Gentleman Circle of Mary Beale, Late 17th C.) A Gentleman Continental School, (Early 19th C.) Self-Portrait Circle of Gerard van Honthorst, (Mid 17th C.) A Gentleman in Armour Circle of Pieter Harmensz Verelst, (Late 17th C.) A Young Man Hendrick van Somer St. Jerome Jacob Huysmans A Lady by a Fountain After Sir Peter Paul Rubens, (Late 17th C.) Thomas Howard, Earl of Arundel After Sir Peter Lely, (Late 17th C.) The Duke and Duchess of York After Hans Holbein the Younger, (Early 17th to Mid 18th C.) William Warham Follower of Sir Godfrey Kneller, (Early 18th C.) Head of a Gentleman English School, (Mid 18th C.) Self-Portrait Circle of Hycinthe Rigaud, (Early 18th C.) A Gentleman in a Fur Hat Arthur Pond A Gentleman in a Blue Coat -
Jewel Tower – Final Interpretation Plan
Jewel Tower FINAL Interpretation Plan Curatorial Department 2012/13 Contents 1. Introduction 1.1 Site summary and context of the plan 1.2 Project team 2. History of the site 2.1 Summary 2.2 History of the building and important associations 2.3 Description and features 2.4 Points of significance 3. Conservation management 3.1 Designations 3.2 Condition survey 3.3 Conservation issues 3.4 Parameters for new interpretation 4. Collections 4.1 Summary of collections 4.2 Collections conservation 5. Audiences 5.1 Visitor numbers 5.2 Analysis 5.3 Education visits 5.4 Neighbouring attractions 5.5 Target audiences 6. Existing interpretation and visitor experience 6.1 Audit of current interpretation 6.2 Guidebook 6.3 Events 6.4 Website 7. Interpretation proposals 7.1 Themes 7.2 Interpretation approach 7.3 The scheme 7.4 Maintenance 8. Appendices i) Future work ii) Copy of visitor questionnaire and results iii) Collections in store iv) Activity sheet v) Education visits at the Houses of Parliament vi) Site plan 2 1. INTRODUCTION 1.1 Site summary and context of the plan The Jewel Tower is a three storey building lying opposite the Houses of Parliament in the heart of London. It was built around 1365 to house Edward III’s personal treasure as part of the palace at Westminster, and is one of the few buildings from this complex to survive today. In the 17th century, the Jewel Tower became the record office for the Houses of Lords and from 1869, it was the home of the Weights and Measures office, which set standards used across the British Empire.