sign in sign up
<<
Home , Apsley House, Dulwich Picture Gallery, Horniman Museum, William Beechey

AnnuA l Review 2011 – 2012 Picture Gallery was established more than 200 years ago because its founders believed as many people as possible should see great paintings.

Today we believe the same, because we know that art can change lives.

I w hat makes us world-class is our exceptional collection of paintings.

I – which allows visitors to experience those paintings in an intimate, welcoming setting.

I w hat makes us relevant is the way we unite our past with our present, using innovative exhibitions, authoritative scholarship and pioneering education programmes to change lives for the better.

Cover image: installation view of , Mr and Mrs Clark and Percy, 1970-71, acrylic on canvas, 213 x 304. , Presented by the Friends of the Tate Gallery 1971 © David Hockeny / Tate.

Dulwich Picture Gallery is built on history. Picture Our From our founders’ wish to have an art Future: The Campaign for Dulwich Picture recognises a number of things of which gallery ‘for the inspection of the public’, Gallery has begun. Alongside my co-chair artists and scholars, aristocrats and school of the Campaign Cabinet, Bernard Hunter, particularly to celebrate our long-time children have come by horse, train, car we look forward to working with all of the Trustee and supporter Theresa Sackler, and bicycle to view our collection – Van Gallery’s supporters to reach this goal. who was recently awarded a DBE Gogh walked from Central to view in the Queen’s Birthday Honours List, the Gallery in 1873. The paintings and The position we start from is a strong adding even more lustre to the Prince of building are a monument to the tastes of one: against the background of a troubled Wales’ Medal for Philanthropy which was two centuries ago, yet it is a testament world-economy, the Gallery exceeded its awarded to her in 2011. to the timeless quality of great art that fundraising targets for 2011-2012, broke A Message they remain as relevant today as they did records for shop sales, and enjoyed its is built on history, but it is also built on people, and it has from the honour to take up the chairmanship of this been my pleasure over the past few Chairman great institution, particularly during such ended his chairmanship of the Gallery months to meet and get to know them: an exciting time for the Gallery. in 2011, and was awarded a CBE in the the volunteers, teachers, technicians, of the 2012 New Year’s Honours List for his conservators, staff and of course the Trustees Our Bicentenary in 2011 was a time to philanthropy. For fourteen years as a Friends who commit their time, energy celebrate our past, but our 201st year is and passion into making this Gallery what about building for the future, and we look has advised and overseen the Gallery it is. My sincere thanks to all of them as we with ambition at the new goals ahead through considerable changes, including look to our 201st year and beyond. a major refurbishment, a huge swell in to be awarded a £2 million Catalyst: visitor numbers, and a boom in education Simon Freakley Endowment grant from the Heritage initiatives and fundraising activities. Lottery Fund/Department for Culture Media and Sport Catalyst: Endowment fund. For us to access this funding we Endowment, and they continue to support must raise a matching £4 million by 2016. us. My sincere thanks to them both. The gauntlet has therefore been thrown

1 a message from the chairman of the trustees Prince of Wales and The Duchess of Cambridge visit Dulwich Picture Gallery for the Great Art Quest, in association with The Prince’s Foundation for Children and the Arts

a message from the chairman of the trustees 2 A Message A new Chair of the Friends of Dulwich Page, a bicentenary gift from the Art Fund. The Friends made a special Bicentenary from The St Cecilia by Sackler an unknown Bolognese artist, which was unveiled in November. Conservation funding Director engagement came with two awards from the was provided by the Bank of America Merrill Lynch Art Conservation Project to conserve the Gallery’s great paintings by Murillo. importance of our Good Times programme for the elderly and isolated in the community; A remarkable year was marked by other clear the second was shared with the Oxford indicators of success. 149,000 visitors came, the second highest number ever (after last Celebration, SuCCeSS of that programme, entitled ‘This is Living’. year’s record). 38,000 of those came via and reCognition departing Chair of the Friends of Dulwich Meanwhile, the Friends’ excellent magazine the education department, a remarkable Picture Gallery, was similarly honoured InView, edited by Peter Belchamber, proportion. Over £3 million was raised as with an MBE for her long voluntary service. won – again! – the award for best Friends’ part of our campaign, Picture our Future: Dulwich Picture Gallery’s bicentenary year, newsletter, 2011, from the British Association The Campaign for Dulwich Picture Gallery a year of sustained celebration, success was awarded a CMG for services to British of Friends of . – exceeding our target, an achievement all and recognition for our engagement with business interests in Asia and Australasia. the more remarkable in a year of such global the community. Two people have been mentioned already in the Chairman’s the welcome form of support: Good Times: as if to underline these successes, the shop statement: our departing Chairman of Freakley, CEO of Zolfo Cooper Ltd, comes to Art for Older People is being presented by broke every conceivable record consistently us with a long history of engagement with The M&G Group for a further three years, over the year. CBE for his services to the Gallery; and one the arts, having served on Boards of The of our longest-serving Trustees, Theresa Grange Opera, the Folger Library and the donation to cover education department Sackler, was awarded the prestigious Prince English National Ballet. We look forward salaries. Meanwhile, the W D Foord Charitable including two Friends’ Gala Dinners and of Wales Medal for Philanthropy, and later, to a long and happy relationship with our Trust sponsored lighting for our beautiful some memorable Private Views, the St Luke’s in the Birthday Honours List, a DBE. Our new Chair. sculpture, Walking the Dog

3 a message from the sackler director Lupton, revitalising a 19th century tradition El and a brilliant Canadian artist-in-residence, Liz Magazine, the Telegraph and the Globe and Greco, the Vision of St John, to Domenichino’s Mail in Canada helped ensure unprecedented Adoration of the Shepherds, from the National Thomson and his fellow artists to a year of levels of press recognition, while a Press artists, but also provided a glimpse of some Gallery of Scotland. exciting teaching projects. Launch held at Hotel in silver that belonged to our founders, Noel and November 2011 attracted more than 60 Margaret Desenfans, and fascinating archival The summer exhibition Twombly and Poussin: Spring saw a unique and special pairing of members of the international press, despite material put together by the curatorial team. Arcadian Painters attracted a record number vividly different shows: the perfect scholarly general strike action on that day. The ever- of visitors for a summer show: 28,000 people revelation of Van Dyck in Sicily: Painting and the increasing importance of social media was Finally, the Gallery was honoured to receive a came to see this extraordinarily beautiful Plague (part of Rediscovering Old Masters: The demonstrated by the role of Twitter in helping and challenging juxtaposition. The sad death of Melosi Series), which, in a coup of research by Painting Canada achieve its spectacular word of Wales, accompanied by the Duchess of former Arturo and Holly Melosi Chief Curator of mouth success. Cornwall and the Duchess of Cambridge. This after the opening, turned this lovely show at Dulwich, Dr Xavier Salomon, shed light on a was to inspect educational work carried out in into a different kind of celebration, but one virtually unknown but fascinating episode in Van Our commitment to improving the experience collaboration with the Prince’s Trust, the visit that did justice to both masters. Tacita Dean’s Dyck’s career; this was paired with Ragamala of all our visitors was demonstrated by several culminating with an exhibition of children’s self- Paintings from India: Poetry Passion Song, an successful improvements to our facilities: the portraits made of felt, produced as part of the moving and poignant counterpoint. provision of a ramp for movement-impaired visitors, the upgrading and renovation of The show after that, Painting Canada: Tom Meanwhile, the Gallery was graced by the our public toilet facilities, the renovation of engagement with ViSitorS Thomson and the Group of Seven, again Sacraments from our exhibitions rooms and the installation of Dulwich Picture Gallery’s engagement with curated by myself, took many by surprise ’s original, seminal series of our esteemed curatorial team in new, less its visitors was led by a typically varied and as they watched it turn into – by Dulwich’s cramped accommodation in Chapel Cottage. fascinating programme of exhibitions and standards – a veritable blockbuster, with Meanwhile, for our ever-growing online displays within the Gallery. over 41,000 visitors over its short 11-week audience, a new online ticketing service was run, with queues forming all the way down for scholars of the . launched in February 2012, to become fully Masterpiece a Month: Presiding Genius, operational in time for Andy Warhol: The curated by myself, continued to tantalise symposium attracted a full house of fascinated Engagement with another very crucial Portfolios in Summer 2012. visitors with the prospect of a changing people discovering, in many cases, an entirely audience – the press and media – rose to new monthly masterpiece at the end of the new school of vibrant landscape painting; levels in this year. Partnerships with Apollo Ian A C Dejardin

a message from the sackler director 4 Celebrating the Collection Innovating with Exhibitions

masterpiece a month: Presiding genius, January – december 2011

As part of the Bicentenary celebrations, the Gallery had a near total embargo on loans out of the permanent collection, so that the possible light. This was all the more important as throughout 2011 around the world for Masterpiece a Month: Presiding Genius.

beauty of the collection, the Gallery’s unique place in history and our strong international status. The idea was a simple one: a parade of twelve of the world’s most glorious masterpieces loaned – one (1853 – 90), every month – from the world’s foremost museums, unfolding like a Self-portrait, 1887, oil on canvas, calendar marking each month of the Gallery’s passing Bicentenary Van Gogh Amsterdam (Vincent van Gogh Foundation) year. Each work was placed in star position at the end of the additional treat by way of a beautiful ‘birthday card’. A signed and The exhibition was made possible with the generous support of the Vincent left his mark at Dulwich numbered limited edition box set containing posters of each loan, Telegraph, The Linbury Trust, Friends of Dulwich Picture Gallery, The Picture Gallery when he signed interpretive texts, and special birthday messages from the Director Estate of Lesley Lewis, The Stanley Scott Trust, The Elizabeth Cayzer the visitor book, just one of the extraordinary stories examined in of each lending institution provided an elegant accompaniment to Charitable Trust, Apollo Magazine, Culture Critic, Mrs Helena Frost, this celebratory series of displays. the exhibition. Virgin Atlantic, The Sloane Club, The Big Give.

celebrating the collection. innovating with exhibitions 6 twombly and Poussin: more than 20 works of painting, drawing series of the Sacraments, Dulwich Picture arcadian Painters, 29 June – and sculpture by Twombly. Visitors were Gallery became one of the pre-eminent 5 September 2011 invited to explore direct comparisons Blackwell Green, The Sloane Club, galleries in Europe to see his work. Farrow & Ball Ltd, Martinspeed Ltd, and Painted for his friend and patron Cassiano nicolas Poussin: the Sacraments in a series of boldly hung rooms. The Virgin Atlantic. dal Pozzo between 1637 and 1642, and from 23 June 2011 opening room included two of Dulwich’s generously lent by the Trustees of the great Poussins - Landscape with Travellers Resting known as Roman Road, 1648, Gallery’s aims to celebrate the unique extraordinary work of two great painters: and The Nurture of Jupiter, c.1636-37 – qualities of the collection and space with Extreme Unction and Eucharist were and Nicolas Poussin. This displayed alongside Twombly’s allegorical displayed alongside the Gallery’s own illuminating exhibition examined how the Arcadia, 1958, and Aristaeus Mourning exhibiting work, an example of Twombly’s eight Poussins in Gallery 12. The natural careers of two artists, albeit 350 years the Loss of His Bees, 1973 – creating sculpture was displayed in Dulwich’s light and the intimacy of the space, as well apart, followed parallel paths. Both arrived two very different meditations on the mausoleum. This created a profound as the many visual connections between theme of Arcadia. The accompanying resonance in this often overlooked space all of these works which were being seen and stayed to become the pre-eminent catalogue, supported by Gagosian Gallery, that divides Dulwich’s temporary exhibition painters of their day. The idea of this included an essay by the curator with rooms. Alongside the exhibition, in Gallery unique aesthetic experience. exhibition came to Dr Nicholas Cullinan, contributions from Dr Xavier F Salomon 10, we were delighted to present Tacita and Katharina Schmidt. The exhibition Edwin Parker (2011), an Modern, via a series of conversations with drew 28,578 visitors. extremely rare portrayal of Cy Twombly. with Poussin was revealed. Twombly’s The exhibition was supported by Gagosian oeuvre has explored numerous themes in Gallery, Friends of Dulwich Picture Gallery, evocative contrast with the paintings. common with Poussin, particularly those American Friends of Dulwich Picture from classical mythology. This exhibition gave the curatorial team the opportunity to show a special display Dr Cullinan’s ambitious selection brought the Wyeth Foundation for American Art. of the permanent collection’s existing together over 30 works including Dulwich’s The grant from the American Friends was Poussins, and with the arrival of the artist’s own outstanding collection of Poussins and made possible through the generosity

7 celebrating the collection. innovating with exhibitions ‘One of those serendipitous happenings – enlightening, enchanting and exquisite – that none could predict and

none should miss’ Brian Sewell

A bold juxtaposition of two great painters, Twombly expressed his had a choice, in another time’

Twombly and Poussin: Arcadian Painters Painting Canada: tom thomson from the owners of these great works – Canada, Explore Canada. Media Partners and the group of Seven, 19 Dulwich took a somewhat daring decision were The Globe and Mail and the Daily october 2011 – 8 January 2012 to extend the exhibition into a room Telegraph. With the additional support of ordinarily reserved for the collection. The the Timothy Franey Charitable Foundation, This exhibition gave an account of result was an astonishing survey of 122 The Funding Network and Farrow & Ball Canada’s most famous collective of artists paintings – plus Tom Thomson’s Sketchbox. Ltd. The Canadian House Arts Trust and and their quest to depict Canada in paint. The accompanying catalogue included the Canadian Friends of Dulwich Picture illuminating essays by the curator, co- Gallery generously supported the Canadian curators and contributions from Nils Ohlsen was a welcome addition as the year-long Frederick Horsman Varley; so Dulwich Picture Gallery had the opportunity to bring this powerful visual legacy to new The exhibition was organised by Dulwich audiences. Household names in Canada, Picture Gallery and the of Canada, in collaboration with the dedicated to Thomson and the original National Museum of Art, Architecture Group of Seven. The 41,275 visitors who and Design, Oslo, and the Groninger came made this one of the Gallery’s most Museum, The Netherlands, and with the successful exhibitions ever. generous involvement of the McMichael Canadian Art Collection and the Art Gallery of Ontario. Director, with co-curators Katerina Atanassova and Anna Hudson, the exhibition included some of the Group of Seven’s most famous paintings. With Friends of Dulwich Picture Gallery, Friends such a broad story to tell – coupled with of Dulwich Picture Gallery, Kinnear an unprecedented willingness to lend Financial Limited, Stikeman Elliot, Air

9 celebrating the collection. innovating with exhibitions Painting Canada: Tom Thomson and the Group of Seven ragamala Paintings from india: Poetry Passion Song Picture Gallery to have two exhibitions 25 January – 27 may 2012 running alongside one another – Ragamala and Van Dyck – two very different displays. This collaboration with Brighton Museum With the earliest ragamala painting dating & Art Gallery brought a unique exhibition back to circa 1605 these concurrent of ragamala paintings from the Claudio exhibitions provided a wonderful Moscatelli collection to Dulwich. This was opportunity for visitors to compare the diversity of early seventeenth century England to focus exclusively on this artistic practice. miniature painting. The accompanying Ragamala catalogue with exquisitely reproduced colour plates For nearly 400 hundred years, ragamala was one of the most popular genres of L. Dallapiccola, edited by Lizzie Watson. becoming court painter to Shuja ud-Daula, painted melodies would have been The exhibition was supported by The the Subedar Nawab of Oudh. Dulwich’s commissioned and exchanged by admirers Friends of Dulwich Picture Gallery, The Luigi double portrait by Kettle of Mary and Eliza of painting, poetry and music. Some 24 and Laura Dallapiccola Foundation and the Davidson (DPG 582) shows the daughters paintings – loose pages from multiple media partner was the South London Press. ragamala sets – were mounted and framed Company servant, wearing ‘turbans’ in for the exhibition and assembled in an The Gallery also revealed a little-known their hair, an accessory brought back from eloquent hang. The 21,880 visitors were encouraged to examine the exquisite detail collection, with a fascinating display from the Courtauld MA course, did some of each painting and listen to examples of in Gallery 1 of the portrait painter Tilly fascinating research on the portrait, which ragas during their visit. Kettle (1734-1786). Kettle was one of the formed the subject of a small focused display in Gallery 1.

11 celebrating the collection. innovating with exhibitions celebratinga themessage collection. from innovatingthe chairman with of exhibitionsthe trustees 12 2 rediscovering old masters: Curated by Dr Xavier F Salomon, Curator the melosi Series of Southern Baroque, The Metropolitan Museum of Art, New York (until 2010 Van dyck in Sicily: 1624-1625 the Arturo and Holly Melosi Chief Painting and the Plague Curator here at Dulwich), this fascinating 15 February – 27 may 2012 chronicle opened with Dulwich’s own great portrait by Van Dyck, This, the second exhibition in Emanuele Filiberto, the Viceroy of Sicily. Rediscovering Old Masters: The Securing the loan of the garniture of Melosi Series armour Van Dyck depicted in the portrait programming for Dulwich Picture of the viceroy created a rare opportunity Gallery, told the extraordinary story to see sitter and armour united, of a year and a half in the life of the bringing Dulwich’s painting to life in the young Flemish painter. This period in exhibition. Dr Salomon’s research brought Sicily had been important for the artist’s generous loans to Dulwich including twelve paintings, one marble bust surrounded him as the plague raged and one sketchbook. through the island. The exhibition The exhibition was supported by the The accompanying catalogue gave American Friends of Dulwich Picture surviving works believed to have been further insight into this compelling Gallery and the Friends of Dulwich Picture painted during this time as he continued selection of works with an essay and Gallery, through the generosity of The to produce paintings, many of which catalogue entries by Dr Salomon Arthur and Holly Magill Foundation and including an animated account of Arturo and Holly Melosi. The exhibition heavenly intercessor against the epidemic. Dr Salomon’s sea journey from drew 22,454 visitors. Genoa to Palermo following in the artist’s footsteps.

13 celebrating the collection. innovating with exhibitions From left to right: Armour of Emanuele Filiberto of Savoy Emanuele Filiberto of Savoy, c.1635, marble. Galleria Sabauda, Turin. Emanuele Filiberto of Savoy, 1624, oil on canvas, Dulwich Picture Gallery, London. Art for All SChool Programme ‘ This has been truly an amazing

Education had a colourful year, with 37,928 28,000 pupils were taught across the Gallery’s experience for my class – one people participating in taught programmes, education programmes last year. Gallery visits while learning programmes continued to serve were over-subscribed with a waiting list. There they will never forget. Over the last months you’ve given my barriers to encourage engagement, access and forming new, long term relationships. One of the Gallery’s stand-out events this Highnesses The Prince of Wales, The Duchess boost and much needed fun of Cornwall and The Duchess of Cambridge see schools as part of the Great Art Quest, in time they craved. The amazing together. Meanwhile, curatorial continued their association with The Prince’s Foundation for press coverage is only one small standards of academic excellence with several Children and the Arts. This programme targets talks and publications. schools that might not usually participate in a long term Gallery learning programme, The Education Department relies on over with an exhibition of pupils’ work along with Year 6 Class Teacher, Goodrich Primary 40 freelance artists and specialist teachers creative workshops. The Schools Programme this year has be impossible for us to operate without the tireless and dedicated team of volunteer Weston Foundation. Good Times Volunteers, interns and Gallery guides. We remain immensely grateful for the time, energy and passion given by talented and generous people who enable us to offer a unique gallery learning experience.

15 art for all PubliC Programme

A vibrant range of new courses included Canadian Group of Seven inspired landscapes, patchwork quilting, wood engraving and Sketching Tours of London. After-school and holiday programmes were buzzing; and families were creative together with new intergenerational courses. One adult participant said that the course had improved the strained relationship between her and her daughter.

Masterclasses were free to talented young people of 16 and 18 ending with a Gallery Private View.

Family activities in the Gallery this year have been generously supported by The Mactaggart Third Fund and Harvey and Wheeler. enjoyed most was the intensity that came with working all day for days, becoming fully immersed in our art work’

Masterclass participant

art for all 6

Canadian artiSt in reSidenCe

Painting Canada and her own artwork while delivering inspiring teaching generously supported by The Canadian Friends of both in the Sackler Studio and out in the community. Dulwich Picture Gallery and Canada House Arts A fan of the Group of Seven since childhood, Liz has used Canadian art to inspire participants aged 3 to 90 to create striking landscapes. ‘ Thank you for Community engagement enriching the lives of around 1,400 people. reSearCh ProgrammeS Our award winning Prescription for Art persevering with initiative now includes Repeat Prescription, We collaborated with Canterbury Christ Programmes continued to engage Surgeries invite older isolated or vulnerable Contemporary Gallery on the project Viewing with partner centres and individuals patients to the Gallery for creative workshops. Together throughout South London, offering a range how 20 people with mild to moderate Good Times participant of creative workshops, lectures, tours, good timeS PubliC artwork dementia and their family carers engaged external exhibitions, public artwork and with the Gallery’s collection. This research is celebratory events. Growing Together was a successful to be published in academic journals. collaboration between Dulwich Picture good timeS: Gallery and Kings’ College Hospital. The Good Good Times: Art for Older People is art For older PeoPle Times team went weekly to work with staff, generously supported by The M&G Group PreSented by the m&g grouP carers and elderly patients in the Dementia ward. Though it was a challenging task, Last year we worked in partnership with 75 relationships were made in creative sessions centres for the elderly offering a menu of and a painted silk collage now hangs in the Gallery activities designed for older people, entrance of the newly refurbished ward.

art for all 18 Prescription for Art participant working with local school children on an intergeneration project

9 art for all urban youth inCluSiVe artS at the PiCture gallery Stepping Out, a dance project in collaboration Movement Factory (a community street Carers’ Week, free admission, tours of the dance initiative in South London) resulted Gallery and refreshments were offered to in a powerful performance in the Gallery those caring for someone at home. We were overwhelmed by the response from those in the collection. rarely able to have time for cultural activity. Specialist educational activities of this kind are was an intergenerational project currently supported by the Friends of Dulwich Picture Gallery. Charity Fairbridge working alongside older people from the Gallery’s Good Times: Art for Older People Programme. Together they explored digital and medium format ‘ Since the riots, it’s so photography across generations; the photographs were then displayed at a important to change Gallery Private View. people’s perception Youth activities at the Gallery are currently of young people… supported by The BAND Trust, The Embassy there’s never been Mactaggart Third Fund. an awkward moment on this project’

Youth worker from Fairbridge

art for all 20 Curatorial PubliCationS and leCtureS

amy ConCannon: PubliCationS

Chair and co-organiser of the symposium ‘A sense ‘A possible copy by Zacharie Astruc of Pedro de Mena’s of place: Artists in the Lake District’, held at the Saint Francis from Toledo Cathedral’, catalogue entry Wordsworth Trust, Grasmere, December 2011. in Buddha, Barok & Bryggeren: Carl Jacobsens ukendte samliger, eds. M. Molesen, C. Fischer and T. Thunø, Ny Carlsberg Glyptotek, 2012, cat. 101, pp. 205-7 XaVier bray:

Ian Dejardin has spent twenty-five years working CANADA PAINTING in museums, spending a year with English PAINTING CANADA Heritage before starting as curatorial assistant at TOM THOMSON AND THE GROUP OF SEVEN the Royal Academy in 1987. Between 1990 and 1998 he was back with , as Senior Curator and Head of the Historic Team (London PAINTING In early twentieth-century Toronto, Canada, Region) before accepting the post of Curator at the first stirrings of a new movement of painting Dulwich Picture Gallery. He became the Gallery’s were being felt. A group of artists started to Director in April, 2005. He has organized engage with the awesome Canadian wilderness, Van Dyckcountless exhibitions inover the years.Sicily a landscape previously considered too wild and untamed to inspire true art. Katerina Atanassova is Chief Curator at the CANADA Leading the way was Tom Thomson. McMichael Canadian Art Collection. She has In little more than three years of electrifying curated numerous exhibitions and has written creativity before his premature death in 1917 he

various publications including the award- THOMSON TOM formulated an artistic language that captured the specialwinning publication lecture and exhibition entitled at the Summerleaze Gallery, Tisbury TOM THOMSON AND unique qualities of the Canadian landscape. F.H.Varley: Portraits into the Light. Three years later his friends – Lawren Harris, J.E.H. MacDonald, Arthur Lismer, Frederick Anna Hudson is Associate Professor of Canadian THE GROUP OF SEVEN Varley, Frank Johnston, Franklin Carmichael Art History at York University, Toronto. She has and A.Y. Jackson – formed the Group of Seven. curated numerous exhibitions including They built on Thomson’s legacy to produce a and DilettantiThe Nude in Modern Canadian art, 1920-1950 Society,, London, February 2012. landscape style that to this day influences the way which received the 2011 Canadian Museums Canadians visualise their country. Their paintings Association Award of Outstanding Achievement are national icons in Canada. in Research. This book tells the story of Tom Thomson and the Group of Seven’s collective quest to

Nils Ohlsen is Director of Old Masters and SEVEN OF GROUP THE AND depict Canada in paint. It recounts their Modern Art at the National Museum of Norway. beginnings, the challenges they faced and the He has curated exhibitions and published books remarkable and often extreme journeys they on historic and contemporary art, including undertook in search of new subject matter. Garten Eden, The Garden in Art since 1900 (2007) Essays exploring various aspects of their practice and Realism, The Adventure of Reality (2010). consider the artists’ relationship with the Arctic Zurbarán: the painter of monks north, and analyse Thomson’s art through the Mariëtta Jansen is Curator of Twentieth-Century prism of the prevalent scientific theories of the Art at the Groninger Museum in the Netherlands. day. A fresh, European perspective on these She is a specialist on Northern European Canadians is offered in essays exploring their Expressionism and has written several links with Scandinavian art and European publications on contemporary Dutch art and expressionism. the De Ploeg artists. Beautifully illustrated with over 120 colour reproductions of their work, and maps indicating the geographical range covered by this selection of paintings, this book offers an insight into the history of this important artistic movement. autumnFront cover: Tom !2011.omson, Evening, Canoe Lake, 1915–16, oil on canvas, 41.3 x 51.5 cm, !e !omson Collection, Art Gallery of Ontario, Toronto

Back cover: Lawren Harris, Lake Superior Sketch XLVII (detail), c. 1923, oil on panel, 30 x 37.5 cm, Collection: A.K. Prakash

Philip Wilson Publishers 6 Salem Road London W2 4BU The Futurewww.philip-wilson.co.uk of Digital Technology in Museums speaker at a debate organised by the MA curating Painting Canada: Tom Thomson and the autumn 2011. Group of Seven, exh. Cat, Dulwich Picture Gallery by the Holly and the Arturo and Holly Melosi Chief Curator Xavier Bray Gallery, Philip Wilson Publishers, 2011

21 art for all The Bicentenary private trusts and the corporate sector, years of grant making. This gift enriched our and Beyond Dulwich Picture Gallery blossomed during a endowment enabling us to secure core artistic Canada and Aimia – two Canadian companies – and outreach activities. which became presenting sponsors of Painting two-thirds towards our target with almost Canada: Tom Thomson and the Group of Seven. we operate without the safety net of regular £14 million in cash and pledges. Dulwich We were also able to continue our Our longstanding partnership with the Bank Picture Gallery was fortunate this year in Rediscovering Old Masters: The Melosi Series of America Merrill Lynch continues to thrive income through admission fees, our shop and receiving continued pledges, in particular with Van Dyck in Sicily: Painting and the Plague, and we were extremely fortunate that our facilities, grants and donations, and income an outstanding gift from the Dr Mortimer made possible due to a major grant from the masterpieces by Murillo received conservation from our endowment. and Theresa Sackler Foundation for The American Friends of Dulwich Picture Gallery funding/grant provided by the Bank of America Sackler Director of Dulwich Picture Gallery, Merrill Lynch Art Conservation Project. This year we continued the quiet phase of and outstanding gifts from the Linbury Trust Arthur and Holly Magill Foundation and Arturo Picture Our Future: The Campaign for Dulwich towards our endowment appeal. and Holly Melosi. This is in addition to their The Gallery also established new relationships Picture Gallery, drawing on our tradition of substantial support of the Arturo and Holly across the Atlantic through the formation visionary philanthropy. Melosi Chief Curator at Dulwich Picture Gallery. of the Canadian Friends of Dulwich Picture towards our campaign goal. Support from Gallery who were also Presenting Sponsors of The campaign has three goals: our Friends, patrons and new connections Generous contributions from individual donors Painting Canada 1. Increase our endowment by £10 million helped conserve important works in our and we are grateful to the individual donors so that we can continue our core artistic stimulus to the Gallery. The accomplishments collection, fund posts, publications, exhibitions and members whose support helped make and outreach activities in perpetuity as well as the activities of our free community this ground-breaking exhibition possible. 2. Establish a £9 million Exhibitions possible as a result of substantial private programme which we offer every day without and Gallery Initiatives Fund that will support, for which we owe an enormous debt charge. We must also note that our loyal To the individual benefactors, trusts, allow us to develop new exhibitions of gratitude. Support from charitable trusts Friends of Dulwich Picture Gallery once again companies and lenders of paintings named and outreach opportunities provided a donation of more than £200,000 3. Invest £1 million in capital towards the Gallery’s greatest needs, our remember the Gallery by leaving a gift in their refurbishments to improve and maintain exhibition programme and our outreach Will, and to those who have chosen to remain the building, access and visitor experience activities, through their membership and event anonymous, the Gallery owes tremendous gratitude. Thank you. Thanks to the numerous acts of generosity Foundation selected the Gallery for a special by individual donors, grant-making trusts, birthday grant in celebration of their 50 to the generous support from The M&G Group,

art for all 12 SourCe oF giFt / grant SourCeS oF inCome

SOURCES OF InCOmE InCOmE / EXPEnDITURE TOTAl InCOmE TOTAl InCOmE ROUnD % % AmOUnT ROUnD % % AmOUnT RESOURCES RESOURCES Corporate 13 12.85 414 Donations, Grants 64 64.84 3,222 and Sponsorship 1811/Desenfans Circle 2 2.7 87 Shop Sales 7 6.8 338 General Giving 64 63.72 2,053 Catering and 3 2.78 138 Gifts in Kind 13 13.16 424 Gallery Hire Foundation Schools 0 0.47 15 Investment Income 12 12.26 609 Friends 6 6.21 200 Admission Charges 8 7.79 387 legacies 1 0.90 29 Corporate Education 2 1.97 98 Donations, Grants & Sponsorship 1811 / Desenfans Circle Shop Sales 99% 100.00% 3,222 Exhibition Sales and General Giving 4 3.56 177 Catering and Gallery Hire other collection Gifts in Kind Friends 100% 100.00% 4,969 Admission Charges Legacies Education Exhibition Sales and

alloCation oF giFt / grant alloCation oF eXPenditure

TYPE OF InCOmE TOTAl RESOURCES ROUnD % % AmOUnT EXPEnDED ROUnD % % AmOUnT Education 9 9.20 399 Operating 15 13.81 445 Exhibition 39 38.92 1,688 Exhibition 9 8.81 284 Collection & Building 28 27.53 1,194 Education 38 38.11 1,228 Publicity 5 5.05 219 Conservatn/Collection 2 2.17 70 Trading 8 7.63 331 Bicentenary Refurb 2 2.23 72 Fundraising and Expendable Endowm’t 7 6.92 223 11 10.68 463 Investment mgmt Permanent Endowm’t 28 27.93 900 Governance 1 0.99 43 101% 100.00% 3,222 Operating Education Exhibition 101% 100.00% 4,337 Exhibitions Education Collection and Building Conservation / Collection Publicity Trading Expendable Endowment Fundraising and Permanent Endowment Governance

23 the bicentenary and beyonde bicentenary and beyond ConSerVation: adoPt Having entered the collection in 1811 as an old maSter a work by Agostino Carracci but subsequently de-attributed, the unveiling This scheme continues with success and a of Saint Cecilia opened up a channel of pleasing number of paintings and frames discussion as to its authorship: suggestions have been conserved and returned to the from scholars around the globe included Gallery this year (see Appendix 1). The Ferrarese and Bolognese artists Pasquale largest and most challenging was the Saint Ottino and Carlo Bononi. Although we are Cecilia in her ornate frame, which was unveiled in November after spending two thrilling to see this restoration yield such a years away. response from experts and the public alike.

supporting the Gallery in any way, please contact our Development team below.

Email: [email protected] Telephone: 020 8299 8728

the bicentenary and beyond 24 aPPendiX 1: loanS out oF PARRY WAlTOn BOlOGnESE SCHOOl BARTOlOmé ESTEBAn mURIllO the Permanent ColleCtion Still Life (DPG429) Saint Cecilia (DPG 2) Exhibition: “Dead Standing Adopted by: The Friends of The Virgin of the BRITISH SCHOOl Dulwich Picture Gallery Immaculate Conception (DPG 187) William the Conqueror , London, 21 May and The Pilgrim Trust (DPG 521) 2012 – 16 September 2012 Adopted by: Simon and Meg Freakley Exhibition: a Portrait Set of Early Kings CIRClE OF and Queens BARTOlOmé National Portrait Gallery, list of adoptions Portrait of an Unknown Lady ESTEBAn mURIllO COmPlETED ADOPTIOnS (DPG 254) 4 December 2011 Adopted in Memory of David Three Boys (DPG 222) and Evelyn Douglas Adopted by: The Bank of

CARlO FRAnCESCO (DPG 111) America Merrill Lynch Art nUvOlOnE Conservation Project Adopted by: The Elizabeth Creation of Eve (DPG235) Cayzer Charitable Trust Exhibition: Reciprocal loan ongoing adoptions B ARTOlOmé Buscot Park, Oxfordshire, ESTEBAn mURIllO 8 November 2011 – AElBERT CUYP GERARD HOET Invitation to a Game 12 May 2013 An Evening Ride near a River of Argolla (DPG 224) (DPG 96) Apollo and Daphne and Pan and Syrinx (DPG 176 and 179) Adopted by: The Bank of SIR Adopted by: Peter and Win Ellis America Merrill Lynch Art George Digby, Conservator: Sophia Plender Adopted by: Adopted in Conservation Project 2nd Earl of Bristol (DPG170) memory of Gerard Talbot and Nina White Conservator: Sophia Plender Exhibition: Reciprocal loan Conservator: Sophie Plender , English Heritage, Philippe Jacques de A FTER BARTOlOmé London, 7 November 2011 – Loutherbourg (DPG 66) mATHIEU lE nAIn ESTEBAn mURIllO 27 May 2012 Adopted by: The Infant Christ as the Mrs Philip Poole-Wilson Musicians (DPG 180) Good Shepherd (DPG 272) RUBEnS Adopted by: Charles Wynn- Adopted by: Venus Mourning Adonis Evans and Alex McColl Mr and Mrs Michael Cronk (DPG 451) THOmAS GAInSBOROUGH Conservator: Sophia Plender Exhibition: Thomas Linley the Younger

lamenting Adonis (DPG 331)

Adopted by: The Friends of Dulwich Picture Gallery

25 listings FOllOWER OF AFTER BARTOlOmé BARTOlOmé CIRClE OF ESTEBAn mURIllO ESTEBAn mURIllO AnnIBAlE CARRACCI The Infant Christ as the The Infant Saint John (DPG 211) Portrait of an Unknown Lady Good Shepherd (DPG 272) (DPG 254) Adopted by: Mr and Mrs Adopted in Memory of Michael Cronk David and Evelyn Douglas Conservator: Tom Proctor JOHn OPIE Conservator: Tom Proctor B ARTOlOmé ESTEBAn Self-Portrait (DPG 94) BOlOGnESE SCHOOl mURIllO Adopted by: The Opie The Virgin of the Consortium Saint Cecilia (DPG 2) Immaculate Conception Conservator: Sophia Plender Adopted by: The Friends of (DPG 187) Dulwich Picture Gallery Adopted by: J OSHUA REYnOlDS Conservator: Tom Proctor Simon and Meg Freakley Conservator: Tom Proctor (DPG 333) OnGOInG Adopted by: The Sunley Trust AnDREA SOlDI Louis François Roubilliac W ORKSHOP OF TITIAn (DPG 603)

Venus and Adonis (DPG 209) Adopted by: Adopted by Adopted by: Sheila Boyle Conservator: Sophia Plender Conservator: Tom Proctor

F OllOWER OF adopt a Frame BARTOlOmé ESTEBAn mURIllO

COmPlETED The Infant Saint John (DPG 211) AnnIBAlE CARRACCI Conservator: Tom Proctor Madonna and Child with

Saint John (DPG 230) Adopted by NADFAS South West area Conservator: Tom Proctor

a message from the chairman of the listingstrustees 26 2 aPPendiX 2: liSt oF donorS and SuPPorterS

donorS Edith Callam Memorial Trust The M&G Group memberS Mr & Mrs Arturo Melosi Mr Phillip E Cox ameriCan Mr & Mrs Nicholas Merriman Mr & Mrs Andrew Cullen The Trustees are grateful 2011-12 FriendS oF Lazard Bros & Co Ltd DCMS/Wolfson Museums Mr & Mrs Christopher North Mr & Mrs Peter Ellis to those listed below, Sir Edwin Manton Dr & Mrs Tyrrell Evans dulwiCh and others who wish to Fund deSenFanS remain anonymous, who The Bernard Sunley PiCture The Daily Telegraph CirCle have supported Charitable Foundation Mr Hamish Parker Mr Marshall Field CBE Wolfson Foundation Lady Marie Alexander gallery the Gallery. of Weedon Mr & Mrs Michael Mr Nigel Fletcher & Mr & Mrs Andrew major Benefactors Ms Caroline Burton memberS Donors in 2011-12 Mr Patrick Mears Patron in 2011-2012 Mr & Mrs Brian Foord Mr & Mrs William Saunders 2011-2012 Blackwall Green Lord Sainsbury of Preston The Arthur and Holly Mr & Mrs Noël Annesley Mr & Mrs Derek Fordham Mr & Mrs Mark Smith The American Friends of Candover KG Magill Foundation Mr & Mrs Paul Barry Mr & Mrs Peter Frost Mr & Mrs Chris Smith Dulwich Picture Gallery is Dr Mortimer and Theresa Sackler Foundation Mr & Mrs Nicholas Barton Ms Hilary Gaster Mr & Mrs Patrick Spencer Founding The Elizabeth Cayzer exempt from federal Mr & Mrs Tom Beazley Dame Theresa Sackler DBE Mr & Dr Surojit Ghosh Benefactors Charitable Trust income tax under Section Benefactors in Mr & Mrs Michael Binnion Lord Sainsbury of Preston Mrs Marion Gibbs CBE Brooks & Mr Vivian The BAND Trust Bazalgette 2011-2012 The Hon Peter Candover KG Mr & Mrs Oliver Gillie Sir Peter The Helen Hamlyn Trust Mrs Ann Thornton 0391841]. & Sally Cadbury Mrs Victoria Sharp Pilgrim Trust Mr & Mrs Bruce Gregory We would like to thank Mr & Mrs Dominic Casserley Mr & Mrs David Trace Margaret Desenfans Linbury Trust the American Friends of Mr & Mrs David Tucker CBE Mr & Mrs Charles Covell Mr & Mrs Patrick Sumner Sir David & Lady Hancock Dulwich Picture Gallery Trust Mr & Mrs Michael Cronk Ms Eugenie Turton CB for their generosity and The Lesley Lewis Estate Ms Caroline Hansberry support. The grants from Friends of Dulwich Picture Outstanding Friends of Dulwich Picture Mr Dónall Curtin & Ms Anne Ms Helen Grace Hardy & the American Friends of Gallery O’Donoghue Mrs Ellen-Grethe Vines Benefactors Gallery Mr & Mrs Denis Tinsley Mrs Marion Cayless Dulwich Picture Gallery American Friends of Mr & Mrs Michael Cronk Polly Devlin OBE Mrs Penny Treadwell Ms Mary Haynes Mr Willis Walker & Friends of Dulwich Picture possible through the Mrs Gay Walker (Chairman) Gallery Mrs Penny Treadwell Mr & Mrs Wilf Weeks Mr & Mrs Bill Higman generosity of The Arthur Mr & Mrs Mark Evans Mr & Mrs Graham Walsh Heritage Lottery Fund Supporters in Timothy Franey Charitable The Hon Laura Weinstock *Dr Weston & and Holly Magill Foundation. Foundation Ms Nathalie Faure-Beaulieu The Lesley Lewis Estate 2011-12 Mrs Mary Weston CBE Mr & Mrs Denis Tinsley Mr & Mrs Simon Freakley Mr & Mrs Christopher King Mr & Mrs Thomas Wells Linbury Trust Aimia Professor Peter Mr & Mrs Blair Brown *Mrs Helena Frost G Whiteman QC Mr David Wells Globe and Mail Mr & Mrs Allan Daniel States of America Mr & Mrs Charles Lupton, CBE Lady Getty Tony & Marnie Woodward Mr & Mrs Martin Kramer Air Canada Charterhouse in Whiddington Esq The Arthur & Holly Mr & Mrs Charles Harman And others who wish to Lord & Lady Lester Bank of America Merrill Mr Simon White & Magill Foundation Mr & Mrs Tom Beazley remain anonymous of Lynch Dr Frances Woisin Mr Gregory Miller & National Heritage Mr & Mrs Mark Loveday Mr Michael Wiener The Canadian Friends of Mr Hugh Hudson-Davies Mr & Mrs Chris Wilkinson Memorial Fund Dulwich Picture Gallery Philip Saul 1811 Club Mr Martin Wyld CBE Dr Mortimer & Theresa Canadian Tourism Mr & Mrs Brian Foord CMG Sackler Foundation memberS And others who wish to Commission Ms Maralin Belchere Mr Bernard Hunter Mr & Mrs Sandy Alexander Mr Philip McHugh & remain anonymous Mr & Mrs Mortimer (Chairman) & Ms Byrna West The Funding Network Mr & Mrs Leslie Allan *Denotes donor has sadly Foundation Mr Alberto Badino Luigi and Laura Dallapiccola Mr & Mrs Nigel McNair Scott passed away George & Patti White major Benefactors Lord & Lady Kakkar Miss Valerie Austin Friends of Dulwich Picture Foundation Mr & Mrs Morris-Marsham Mr & Mrs Stephen Wilkinson Bank of America Merrill Gallery Dr Philip Kay & Lady Black Ms Annabelle Lupton Mrs Loraine Williams Lynch Apollo Magazine The Prince’s Foundation for & Mr Peter McKay British American Arts Mr & Mrs Dave Williams Gagosian Gallery Children and the Arts Mr Francis Carnwath CBE & Mr & Mrs Colin Pearson Foundation And others who wish to Mr & Mrs Herbert Kretzmer Ms Caroline Wiseman Lady Getty And others who wish to Mr Nicholas Powell remain anonymous Kinnear Financial remain anonymous & Dr Cecilia Powell Foundation CBE Mrs Pat A Cox

27 appendices aPPendiX 3: liSt oF lenderS aPPendiX 4: immunity From Seizure rePort 2011-2012

Canadian Sandy Sellers Our temporary exhibitions Gainsborough, Mrs Richard Painting Galleria Sabauda, Turin immunity from seizure & Katharine Smithrim programme is made Brinsley Sheridan, 1785-87 Liechtenstein. The Princely Secretary of State granted was granted, covering FriendS oF Dasha Shenkman possible by the provision Canada: tom Collections, Vaduz-Vienna Dulwich Picture Gallery a total of 35 works. dulwiCh Mr David Silcox C.M. of insurance through the thomSon The , London approved status under During this period no The Leaping Horse, 1825 PiCture Mr & Mrs Michael Tims and the Sackville Collection, Knole Part 6 of the Tribunals enquiries or claims were Scheme. Dulwich Picture Courts and Enforcement received under Section And others who wish to Tate: David Hockney, Galleria Sabauda, Turin gallery Gallery would like to Mr and Mrs Clark and Percy, grouP oF Act 2007 allowing us 7 of the Protection of remain anonymous Tatton Park, The Egerton thank HM Government for 1970-71 – where necessary – to Cultural Objects on memberS SeVen Collection (The National providing Government apply for protection Loan (Publications and National Gallery of Private Collections Trust) 2011-2012 Scotland: Domenichino, The Adoration of the Shepherds, National Gallery of Canada The Canadian Friends of Department for Culture, Houston, Texas exhibitions under the c 1607-10 Dulwich Picture Gallery is Media and Sport and Art Gallery of Ontario provisions of the Act. (includes the Thomson Gift of the Morris Collection, a designated Charitable for Exhibitions including twombly Collection) 2009 Dulwich Picture Gallery Organisation issued arranging the indemnity. McMichael Canadian Art Museo Diocesano, Palermo has continued to apply under the Canadian and PouSSin: Dulwich Picture Gallery Collection, Canada Museo de Arte de Ponce, the necessary processes Corporations Act (Charity Masterpiece a Month: are deeply grateful to arCadian Hart House Gallery, developed following Number: 81828 9860 the following institutions our approved status and Presiding Genius PainterS and individuals for loans Winnipeg Art Gallery, The , in accordance with our Private Collections of work. Canada Apsley House (English Due Diligence Policy. 4 paintings Mr Phillip Crawley Devonshire Collection: The Heritage) This involves compiling Trustees of the Chatsworth Collection, Canada The Menil Collection, obtainable provenance Painting Canada: Tom Ms Holly Coll Black maSterPieCe Settlement Houston information for each Thomson and the Group Ms Martha Durdin & Daros Collection, a month: Toronto, Canada Museo Nacional del Prado, loan, researching and of Seven Switzerland Madrid Museum London, Ontario, requesting further Mr & Mrs George C Estey PreSiding , 19 October 2011 – Canada information, running Mark & Dawn Fell geniuS Cambridge checks via art loss Karsten Greve 24 paintings Mrs Alison Fisher Canada databases, carefully lenders only Museo Nacional del Prado, considering any remaining from April to Madrid The Melosi Series: Mr & Mrs David Heffel gaps in provenance and Rediscovering Old Masters ragamala: evaluating risk of third Lawson A.W. Hunter Van Dyck in Sicily: The National PaintingS party claim. Florence: , Gallery, London 1624-1625 Painting From india Details of the works Mr Gregory Kane QC & Venus and Mercury before Bayerische Staatsgemäl- and the Plague The Claudio Moscatelli Ms Adrian Burns Jupiter, desammlunge, München, requiring immunity from Collection 15 February – c. 1555-60 seizure together with Mr & Mrs Michael Koerner 27 May 2012 C.M. Collection Francesca Galloway, London results of the relevant 6 paintings, 1 sculpture Mr George Lengvari provenance research are ’s son Titus Windsor, Lent by Her published on Dulwich dressed as a monk, 1660 Majesty the Queen Picture Gallery’s website Ms M Ann McCaig Van dyCk The Frick Collection, Tate Frith Street Gallery (for at least four weeks Sir Christopher & Tacita Dean) in SiCily: before the objects Lady Ondaatje A. K. Prakash Comtesse d’Haussonville, Painting the 1845 Mr & Mrs Ashley Prime Plague Over the 2011-2012 period three exhibitions Mr & Mrs Fred Schaeffer Van Gogh Museum, The Metropolitan Museum Amsterdam: Vincent van of Art, New York were shown at Dulwich Gogh, Self-portrait, 1887 Picture Gallery containing National Gallery of Art, works for which Washington: Thomas Madrid appendices 28 aPPendiX 5: liSt oF truSteeS, Committee memberS and StaFF oF dPg

Bernard Hunter Association Education Co-opted board oF Canadian Staff in post at the date Lay Member, Salisbury Advisory Board Gail Mitchell Management truSteeS Cathedral Chapter Tamara Tempera Friends of of this review are: Trustee, Anthony Brown Steve Viney dulwich Chairman, Desenfans Circle Chairman Christina Gascoigne Van Haeften Ltd Picture (until Dec 2011) Beatrice Lupton Former Director, Sainsbury Executive Committee Campaign Managing Director, Baroness Estelle Morris gallery Executive Assistant to Centre for Visual Arts Chair, member of The European Greenhill & Co Cabinet David Silcox (Chair) the Director and Board Ben O’Connor Clore Leadership Foundation Lady Normington of Trustees (until October 2011) Simon Freakley Former Vice Chairman of (Win Harris) Dame Theresa Sackler, DBE Gregory Kane Executive Assistant to the Chairman Museums Group Museums the Society of London Art Bernard Hunter Phillip Crawley Director and Board Harvey Marcus (from Dec 2011) Association Council Member Dealers CEO, Zolfo Cooper Europe Dame Theresa Sackler, DBE Ash Prakash of Trustees (from December 2011) Governor, Wymondham Former Council Member of The Hon Nicholas Wallop Michael Koerner Sarah Crompton College the British Antique Dealers Professor the Lord Kakkar Ashley Prime Arts Editor in Chief, Trustee, York Museums Trust Association Finance Ms Dalya Alberge Susie Tinsley Martha Durdin Telegraph Media Group Finance Director Paula Dimond Martin Wyld CBE Board Member, Lewis Mark Fell Marion Gibbs Conservation Consultant Glucksman Gallery, Peter Whiteman QC Lily Harriss (until Sep 2011) the Friends Headmistress, Art Foundation of dulwich Paula Dimond Gallery Events Manager Liz Herring Lily Harriss Trustee, Arvon Foundation (from Sept 2011) Picture gallery Member of Council, Society Finance Director, The Friends of Dulwich 20th Century Fox Home dulwiCh for Promotion of Hellenic Picture Gallery is an Finance Curatorial and Exhibitions Studies Entertainment Ltd. PiCture independent charity and audit Arturo and Holly Melosi Dame Theresa Sackler, DBE Colleen Harris MVO gallery (number 803727) which Chief Curator Xavier Bray (from May 2011) Trustee, World Committee Monuments Fund enterPriSeS Curatorial Collections Director, Colleen Harris Trustee, The Dr Mortimer to the Gallery as well as Manager Lucy Findley Associates ltd. board oF (Chair) and Theresa Sackler organising a programme Assistant Curator Amy Concannon Advisory Board, Sahara Simon Freakley Foundation direCtorS of concerts, lectures, and Assistant Curator Sarah Moulden Group (Middle East) Crispin Southgate Trustee, Capital City Eugenie Turton social events for members. (until August 2011) Member of Council, Academy CB (Chair) During 2011-2012 its Paula Dimond Andrew Shaw (until October 2011) Trustee YMCA (Central) committee members (until Mar 2012) Kerry Foster Head of Exhibitions Clare Simpson Board Member were: Managing Director, Paula Dimond american Hackney Empire North British Windpower Member, Cancer Ltd Friends of dulwich adViSory Pat Cox (Vice Chair) (from Sept 2011) Picture gallery The Master, CommitteeS Peter Frost (Hon Treasurer) Sons Ltd Susie Tinsley (President) Membership of the Education Eugenie Turton CB Airways Ltd Advisory Committees (Vice President) Director of Learning and Non-executive Director, Elected includes Trustees, staff, Public Affairs Gillian Wolfe CBE Director, HSBC Holdings Plc Wates Group Ltd Peter Belchamber Nancy Casserley Director of Governing Board, and other individuals with Senior Education Non-executive Director, relevant experience who Department Manager Stevie Edge-McKee Monique Quesada have agreed to make time School Programme Manager Louise Conaghan Trustee, Wessex Lata McWatt Holly Melosi Foundation available to the Gallery. Educational Public Archaeological Trust Member, Governing Body, Programme Manager Lettie McKie Trustee, Eve Mitleton-Kelly Sophie de Brito Community Engagement Pia Helena Ormerod of London Trustee, Sir Edward Heath Philip McHugh Manager Michelle Douek Charitable Foundation Lily Harriss Member, Finance and Policy Paula Dimond 29 appendices Good Times Coordinator Clare Ferdinando Full-time attendants ProFeSSional Bank of Scotland, Pentland Diana Crewes Nicky Villeneau Liz Butler (maternity leave) Patrick Butler House, 8 Lochside Avenue, Diana Fyfe Oliver Campbell Lou Abbotts (maternity SerViCeS Diana Heppenstall Olivia Willers Lois Strover cover until February 2012) The following have Dr. Susan Wood Oonagh Van Der Bourgh Emily Christou been appointed by the Edith Slee Pat Drew Martin Gayford (maternity cover) the SaCkler Andrew Kerr Trustees to provide Eileen Wilson Patricia Camerlynck Mik Brown Eriko Horsley Centre Penny Treadwell Nicola Dunn (until February 2012) professional services: Elinor Lewis Nunes Philippa Couch Paul Newland For artS Elizabeth Shuck Philippa Owen Peter Astwood Part-time and zero Painting eduCation Eva Helena Monson Peter Brown hours attendants Conservators The Gallery’s award- Freda Woodcock Francesca Centioni Meriel Adraham Sophia Plender Freya Folasen Erin O’Connor Stuart Allford winning Education Gill Hancock Flo Wales Bonner Simon Balcon Department runs a Gulnar Cepoglu Sally Elliott Sally Cutler Katherine Brennan Frame Conservator programme of courses Gareth Cadwallader and activities in the Hannah Belcher Sarah Ciacci Sara Lee Lucy Shipp Thomas Proctor Oliver Campbell Helene Latey Shirley Lumsden Sophie Herxheimer Freelance Programme Mary Brodrick Sackler Centre for Giuseppe Capone Hilary Gaster Stewart Ganley Coordinators Sarah Bridgland Arts Education at the Cailean Couldridge Auditors and Susan Cookson Susan Attenborough Eugene Ankomah Gallery, and at other Sandra Dwelly Tax Advisers Susan King Valerie McBride Dr Kenneth Wolfe sites throughout south Matteo Fuzzi Suzanne Harris Valerie Woodgate London. As well as the Nadan Hadzic Val Watkins Victor Opeyokun permanent staff listed Development and Communications Fraser Hollingworth London EC1M 3AP Victoria Henderson- above, the following Director of Development Cleland The Gallery is also Giuseppe Macchi artists, specialists, and Communications Lily Harriss vAT Advisers Virginia Tuck grateful to St Barnabas Olivia Mackay project co-ordinators, Development Manager, Wendy Hildreth Parish Hall for providing Trusts and Foundations Andrew Hayes Gemma Nelson assistants and volunteers a venue where visiting Development Manager, work with the Education London EC1M 3AP schools have lunch, Department according Artists and Subject South London Scout Colleen Selwyn to the needs of particular Solicitors Specialists Centre where Public projects: Membership and Patrons Kathleen Bice Thomas Vella Adrian Wood Courses meet and to Court, 30 Windsor Street, Development Services Freddy Williams Katya Hills Ben Senior Bartleys Flowers for their Teachers, Guides Administrator Kim Balukiewicz Kirsty Gould Bridget Bailey generous sponsorship and volunteers Communications Manager Eleanor Manwell Restaurant Carole Waller over the past year. Ali Benton Lady Gill Hancock Investment Caroline Nunan Digital Communications Anna Bonavia Claire Harmer manager Sueli Piñheiro. managers Anne Collins Deborah Andrews Communications and Baring Asset Management, Lise Fowle Drew Sinclair 155 Bishopsgate, London Barbara Hendrie Liz Day Erica Parrett EC2M 3XY Dulwich OnView Editor Shapa Begum Beatrice Braude Manuela Kerr-Smiley Felicity Montaigu Maria Asensio Hannah Carding Operations Managers, 33 King William Carla Pellegrinelli Maria Bartolo Hazel Adams Head of Operations Antonia Coonan Carol Cooper Mariska Beekenkamp Carol Craig Martina Nalesso Bankers Mary Herbert Barclays Bank PLC, Mary Poole-Wilson Charlotte George Mary-Beth Train David Lipscomb Meghan Goodeve Gallery Staff London SE15 4TY Karen Vost Millie Stoney Desmond Churcher Mireille Ellington Oliver Webster appendices 30

AnnuA l Review 2011 – 2012

Photo © Stuart Leech