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FACE to FACE Gallery News Issue No
P FACE TO FACE Gallery News Issue no. 6 Autumn 2003 Writing in this issue: Julian Fellowes, Bruce Oldfield and Gerald Scarfe FROM THE DIRECTOR The autumn exhibition Below Stairs: 400 Years of Servants’ Portraits offers an unusual opportunity to see fascinating images of those who usually remain invisible. The exhibition offers intriguing stories of the particular individuals at the centre of great houses, colleges or business institutions and reveals the admiration and affection that caused the commissioning of a portrait or photograph. We are also celebrating the completion of the new scheme for Trafalgar Square with the young people’s education project and exhibition, Circling the Square, which features photographs that record the moments when the Square has acted as a touchstone in history – politicians, activists, philosophers and film stars have all been photographed in the Square. Photographic portraits also feature in the DJs display in the Bookshop Gallery, the Terry O’Neill display in the Balcony Gallery and the Schweppes Photographic Portrait Prize launched in November in the Porter Gallery. Gerald Scarfe’s rather particular view of the men and women selected for the Portrait Gallery is published at the end of September. Heroes & Villains, is a light hearted and occasionally outrageous view of those who have made history, from Elizabeth I and Oliver Cromwell to Delia Smith and George Best. The Gallery is very grateful for the support of all of its Patrons and Members – please do encourage others to become Members and enjoy an association with us, or consider becoming a Patron, giving significant extra help to the Gallery’s work and joining a special circle of supporters. -
A Geotrail in Richmond Park
A Geotrail in Richmond Park 1 Richmond Park Geotrail In an urban environment it is often difficult to ‘see’ the geology beneath our feet. This is also true within our open spaces. In Richmond Park there is not much in the way of actual rocks to be seen but it is an interesting area geologically as several different rock types occur there. It is for this reason that the southwest corner has been put forward as a Locally Important Geological Site. We will take clues from the landscape to see what lies beneath. Richmond Park affords fine views to both west and east which will throw a wider perspective on the geology of London. Richmond Park is underlain by London Clay, about 51 million years old. This includes the sandier layers at the top, known as the Claygate beds. The high ground near Kingston Gate includes the Claygate beds but faulting along a line linking Pen Ponds to Ham Gate has allowed erosion on the high ground around Pembroke Lodge. Both high points are capped by the much younger Black Park Gravel, which is only about 400,000 years old, the earliest of the Thames series of terraces formed after the great Anglian glaciation. Younger Thames terrace gravels are also to be found in Richmond Park. Useful maps and guide books The Royal Parks have a printable pdf map of Richmond Park on their website: www.royalparks.org.uk/parks/richmond-park/map-of-richmond-park. Richmond Park from Medieval Pasture to Royal Park by Paul Rabbitts, 2014. Amberley Publishing. -
Darnley Portraits
DARNLEY FINE ART DARNLEY FINE ART PresentingPresenting anan Exhibition of of Portraits for Sale Portraits for Sale EXHIBITING A SELECTION OF PORTRAITS FOR SALE DATING FROM THE MID 16TH TO EARLY 19TH CENTURY On view for sale at 18 Milner Street CHELSEA, London, SW3 2PU tel: +44 (0) 1932 976206 www.darnleyfineart.com 3 4 CONTENTS Artist Title English School, (Mid 16th C.) Captain John Hyfield English School (Late 16th C.) A Merchant English School, (Early 17th C.) A Melancholic Gentleman English School, (Early 17th C.) A Lady Wearing a Garland of Roses Continental School, (Early 17th C.) A Gentleman with a Crossbow Winder Flemish School, (Early 17th C.) A Boy in a Black Tunic Gilbert Jackson A Girl Cornelius Johnson A Gentleman in a Slashed Black Doublet English School, (Mid 17th C.) A Naval Officer Mary Beale A Gentleman Circle of Mary Beale, Late 17th C.) A Gentleman Continental School, (Early 19th C.) Self-Portrait Circle of Gerard van Honthorst, (Mid 17th C.) A Gentleman in Armour Circle of Pieter Harmensz Verelst, (Late 17th C.) A Young Man Hendrick van Somer St. Jerome Jacob Huysmans A Lady by a Fountain After Sir Peter Paul Rubens, (Late 17th C.) Thomas Howard, Earl of Arundel After Sir Peter Lely, (Late 17th C.) The Duke and Duchess of York After Hans Holbein the Younger, (Early 17th to Mid 18th C.) William Warham Follower of Sir Godfrey Kneller, (Early 18th C.) Head of a Gentleman English School, (Mid 18th C.) Self-Portrait Circle of Hycinthe Rigaud, (Early 18th C.) A Gentleman in a Fur Hat Arthur Pond A Gentleman in a Blue Coat -
The Earlier Parks Charles I's New Park
The Creation of Richmond Park by The Monarchy and early years © he Richmond Park of today is the fifth royal park associated with belonging to the Crown (including of course had rights in Petersham Lodge (at “New Park” at the presence of the royal family in Richmond (or Shene as it used the old New Park of Shene), but also the Commons. In 1632 he the foot of what is now Petersham in 1708, to be called). buying an extra 33 acres from the local had a surveyor, Nicholas Star and Garter Hill), the engraved by J. Kip for Britannia Illustrata T inhabitants, he created Park no 4 – Lane, prepare a map of former Petersham manor from a drawing by The Earlier Parks today the “Old Deer Park” and much the lands he was thinking house. Carlile’s wife Joan Lawrence Knyff. “Henry VIII’s Mound” At the time of the Domesday survey (1085) Shene was part of the former of the southern part of Kew Gardens. to enclose, showing their was a talented painter, can be seen on the left Anglo-Saxon royal township of Kingston. King Henry I in the early The park was completed by 1606, with ownership. The map who produced a view of a and Hatch Court, the forerunner of Sudbrook twelfth century separated Shene and Kew to form a separate “manor of a hunting lodge shows that the King hunting party in the new James I of England and Park, at the top right Shene”, which he granted to a Norman supporter. The manor house was built in the centre of VI of Scotland, David had no claim to at least Richmond Park. -
Annual Review 2011 – 2012
AnnuA l Review 2011 – 2012 Dulwich Picture Gallery was established more than 200 years ago because its founders believed as many people as possible should see great paintings. Today we believe the same, because we know that art can change lives. I w hat makes us world-class is our exceptional collection of Old Master paintings. I england – which allows visitors to experience those paintings in an intimate, welcoming setting. I w hat makes us relevant is the way we unite our past with our present, using innovative exhibitions, authoritative scholarship and pioneering education programmes to change lives for the better. Cover image: installation view of David Hockney, Mr and Mrs Clark and Percy, 1970-71, acrylic on canvas, 213 x 304. Tate, Presented by the Friends of the Tate Gallery 1971 © David Hockeny / Tate. Dulwich Picture Gallery is built on history. Picture Our From our founders’ wish to have an art Future: The Campaign for Dulwich Picture recognises a number of things of which gallery ‘for the inspection of the public’, Gallery has begun. Alongside my co-chair artists and scholars, aristocrats and school of the Campaign Cabinet, Bernard Hunter, particularly to celebrate our long-time children have come by horse, train, car we look forward to working with all of the Trustee and supporter Theresa Sackler, and bicycle to view our collection – Van Gallery’s supporters to reach this goal. who was recently awarded a DBE Gogh walked from Central London to view in the Queen’s Birthday Honours List, the Gallery in 1873. The paintings and The position we start from is a strong adding even more lustre to the Prince of building are a monument to the tastes of one: against the background of a troubled Wales’ Medal for Philanthropy which was two centuries ago, yet it is a testament world-economy, the Gallery exceeded its awarded to her in 2011. -
Introduction to the Abercorn Papers Adobe
INTRODUCTION ABERCORN PAPERS November 2007 Abercorn Papers (D623) Table of Contents Summary ......................................................................................................................2 Family history................................................................................................................3 Title deeds and leases..................................................................................................5 Irish estate papers ........................................................................................................8 Irish estate and related correspondence.....................................................................11 Scottish papers (other than title deeds) ......................................................................14 English estate papers (other than title deeds).............................................................17 Miscellaneous, mainly seventeenth-century, family papers ........................................19 Correspondence and papers of the 6th Earl of Abercorn............................................20 Correspondence and papers of the Hon. Charles Hamilton........................................21 Papers and correspondence of Capt. the Hon. John Hamilton, R.N., his widow and their son, John James, the future 1st Marquess of Abercorn....................22 Political correspondence of the 1st Marquess of Abercorn.........................................23 Political and personal correspondence of the 1st Duke of Abercorn...........................26 -
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vate collections to highlight the Queen’s accom- contradictions. This exhibition presents a major plishments as a devoted mother, a notable patron survey of Dial’s work, an epic gathering of over of the arts, and a loyal consort to the King. Royal fifty large-scale paintings, sculptures, and wall NC Institutional Galleries portraits by Allan Ramsay, Sir Joshua Reynolds, assemblages that address the most compelling continued from Page 43 and Sir William Beechey are featured in the exhi- issues of our time. Ongoing - The Mint Museum bition, as are representative examples of works Uptown will house the world renowned collec- a Charlotte resident and native of Switzerland fill the Gantt Center galleries with objects as from the English manufactories - Wedgwood, tions of the Mint Museum of Craft + Design, as who assembled and inherited a collection of diverse as the typewriter Alex Haley used when Chelsea, Worcester, and others - patronized by well as the American Art and Contemporary Art more than 1,400 artworks created by major he penned his Pulitzer Prize-winning book the Queen. Williamson Gallery, Through Dec. collections and selected works from the Euro- figures of 20th-century modernism and donated "Roots" to Prince’s guitar! Ongoing - Featur- 31 - Threads of Identity: Contemporary Maya pean Art collection. The building also includes it to the public trust. The Bechtler collection ing selections from the John & Vivian Hewitt Textiles. Maya peoples of Guatemala and south- a café, a Family Gallery, painting and ceramics comprises artworks by seminal figures such as Collection of African-American Art, one of the eastern Mexico are renowned for their time-hon- studios, classrooms, a 240-seat auditorium, a Alberto Giacometti, Joan Miro, Jean Tinguely, nation's most important and comprehensive ored tradition of magnificent attire. -
Your Guide to the Art Collection
ART AND ACADEMIA YOUR GUIDE TO THE ART COLLECTION Heriot-Watt University, Edinburgh EH14 4AS 0131 449 5111 www.hw.ac.uk AG1107 CONTEMPORARYFind out more SCOTTISH ART FURTHER READING Heriot-Watt University would like to thank the Patrick N. O’Farrell: Heriot-Watt University: artists, their relatives and estates for permission An Illustrated History to include their artworks. Pearson Education Ltd, 2004 Produced by Press and Public Relations, Heriot-Watt University: A Place To Discover. Heriot-Watt University Your Guide To The Campus Heriot-Watt University, 2006 Printed by Linney Print Duncan Macmillan: Scottish Art 1460-2000 Photography: Simon Hollington, Douglas McBride Mainstream, 2000 and Juliet Wood Duncan Macmillan Copywriter: Duncan Macmillan Scottish Art in the Twentieth Century Mainstream, 1994 © Heriot-Watt University 2007 THE ART COLLECTION 1 CONTENTS INTRODUCTION A highlight of the collection is a group of very fine INTRODUCTION 1 Heriot-Watt University’s art collection reflects paintings by artists associated with the College of SIR ROBIN PHILIPSON 2 its history and the people who have shaped its Art, a good many of them first as student and then development over two centuries. Heriot-Watt as teacher. Many of these pictures were bought JOHN HOUSTON 4 University has a long-standing relationship with by Principal Tom Johnston and gifted by him to the DAVID MICHIE 6 the visual arts. One of the several elements brought University. The collection continues to grow, however. ELIZABETH BLACKADDER 8 together to create Edinburgh College of Art in 1907 Three portraits by Raeburn of members of the was the art teaching of what was then Heriot-Watt Gibson-Craig family and a magnificent portrait DAVID McCLURE 10 College. -
The Isabella Plantation Conservation Management Plan February 2012
The Isabella Plantation Conservation Management Plan February 2012 Isabella Plantation Landscape Conservation Management Plan 2012 Prepared by The Royal Parks January 2012 The Royal Parks Rangers Lodge Hyde Park London W2 2UH Tel: 020 7298 2000 Fax: 020 7402 3298 [email protected] i Isabella Plantation Conservation Management Plan CONTENTS 1.0 INTRODUCTION .............................................................................. 3 Richmond Park ............................................................................................................................................. 3 The Management Plan ................................................................................................................................ 4 Aims of the Isabella Plantation Management Plan ................................................................................ 4 Structure of the Plan .................................................................................................................................. 6 2.0 GENERAL AND MANAGEMENT CONTEXT ............................... 7 Location ......................................................................................................................................................... 7 Existing TRP Management Framework ................................................................................................ 10 Management Structure of Richmond Park .......................................................................................... 10 Landscape Management -
Royal Borough of Kingston: Views Study I L P R a Views Vs
il pra Views Vs ese iews ae ee ise r ei siere as Ver il pra Views al e were siere ae a Ver i ale i a leas e e reeprs e Viewi lae e Viewer a e View ese iews are siere lill e V rieria a raial is V ese iews are sill siere il pra i represei e araer a asses e r a s sl e isreare we sieri psial ae i e r as e ae a e rle i sapi e appreiai e wsape ese iews are ere il pra Views A psial ae sl ae a psiie rii e eisi araerisis e iew 241 Highly Important Views (HIVs) Location Plan 242 APPRAISAL DATA SHEET FOR HIGH LEVEL ASSESSMENT OF VIEWS VIEWPOINT REF NO: 3 APPRAISED BY: AM/SR DATE: 11.04.17 VIEWPOINT LOCATION: E: 519349, N: 171062 Publically Accessible? Yes View outside Thatched House towards Guildhall LB of Richmond Viewing Location Rationale This views does not provide the clearest appreciation and views of the heritage assets associated with this specific location. This is part of a sequential view and it is considered that the location of 3 provides the optimum viewing place for the heritage assets in the view, which include the Guildhall and All Saints Church. 1 Nature of Access Public Path within Richmond Park 2 Is the view static or part of a series of views Series of Panoramic Views 3 Is the location designated • Since October 1987 the park has also been included, at Grade I, on the Register of Historic Parks and Gardens of special historic interest in England, being described in Historic England's listing as "A royal deer park with pre C15 origins, imparked by Charles I and improved by subsequent monarchs. -
Qeen Elizabeth II Homes
Qeen Elizabeth II Homes Elizabeth II and her homes ● Qeen Elizabeth II is one of the most popular women in Great Britain. She is the Qeen for 65 years. She is rich, her property is worth it 500 milions dolars. 1. Buckingham Palace ● Buckingham Palace – the official recidence of British monarchs.The palace was built in 1703 as a town recidence for a Duke of Buckingham, John Sheffield. In 1761, King George III of the Britain came into the possession of the palace, which was transformed into his private recidence. During the next 75 years, the palace was extended many times. Interior of the Buckingham Palace The Buckingham Palace has got: ● 600 rooms ● 78 bathrooms ● 300 clocks ● A dining table for 60 people ● A swimming pool ● A cinema ● A 40 – acre garden ● A lake A dining table for 60 people 2. Windsor Castle ● Windsor Castle – from 1110, the recindence of English kings, located in the city of Windsor. ● It was built 16 years.Togheter with Buckingham Palace in London and Holyrood Palace in Edinburgh is one of the main official residences of the British monarchs. ● Qeen Elizabeth II accepts official and private guests here. Windsor Castle ● Windsor Castle has got 800 m long and 19 towers. It's floor area approximately 45 000 m². It consists of numerous buildings surrounded by walls with towers and gates. ● Built in years 1070-1086 by Wilhelm I the Conqueror, then expanded by succesive rules; among others Edward III built here the Round Tower in the 14th century, and Edward IV in the 15th century began the construction of the late Gothic chapel of St.George. -
Surrey. Petersham
[)JRECTORY. J SURREY. PETERSHAM. 343 dent on pew rents about £154, in the gift of the Bishop of are also many valuable portraits and paintings, in excellent Southwark, and held since 1891 by the Rev. William Henry preservation, representing characters of note and various Oxley lii.A. of St. John's College, Oxford, and surrogate: the ancestors of the present family : John, second Dllke of impropriate tithe, about £50 yearly, belongs to the Earl of Argyll, was born here in 1678: James II. was ordered to Dysart. The vicarage house, a. structure of red brick. was retire here before he abdicated: the manor belonged to built by private subscription in 1889 and has since been en Chertsey Abbey, and afterwards successivE'ly to many royal larged by the present vicar. A cemetery of about half an acre and noble persons, including .Anne of Cleves, Ht>nry, Prince was formed as an addition to the churchyard in 1870 at a cost of Wales, Charles, Duke of York (afU>rwards Charles I.) and of £240, and is now under the control of the vicar. .Alms the Duke of Lauderdale. Douglas House is the property houses for six aged persons of the parish were rebuilt in 1!:!67, and residence of George T. Biddulph esq. By the " Richmond, at the cost of Madame Tildesley De Basset, who at her death Petersham and Ham Open Spaces .Act, 1902," the meadows left a legacy of £300 for the benefit of the female inmates ; they below the Hill, with the manorial rights in the Wood and Peter are now, together with the legacy, absorbed into a general sham common, to!!ether 49 acres, have been vested in the scheme for the administration of all the parochial charities Corporation of Richmond, to be perpetually used tor the of Petersham.