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KATALOG KIPA.Pdf Krajowa Izba Producentów Audiowizualnych Polish Audiovisual Producers Chamber of Commerce Spis treśCI CONTENTS 4 INFORMACJE O KIPA / ABOUT KIPA 6 AUTORSKIE PROJEKTY I INICJATYWY KIPA / KIPA PROJECTS AND INITIATIVES 9 DLACZEGO WARTO DOŁĄCZYĆ DO KIPA? / WHY JOIN KIPA? 11 WŁADZE KIPA / MANAGEMENT BOARD OF KIPA 17 ZESPÓŁ KIPA / KIPA TEAM CZŁONKOWIE KIPA / KIPA MEMBERS: 20 PRODUCENCI / PRODUCERS 232 SZKOŁY FILMOWE / FILM SCHOOLS 254 REGIONALNE FUNDUSZE FILMOWE, KOMISJE FILMOWE / REGIONAL FILM FUNDS, FILM COMMISSIONS 272 WYKAZ WSZYSTKICH ZRZESZONYCH CZŁONKÓW (INDEKS) / A LIST OF ALL ASSOCIATED MEMBERS (INDEX) 278 AUTORZY ZDJĘĆ / PHOTOGRAPHS BY Informacje O KIPA ABOUT KIPA Krajowa Izba Producentów Audiowizualnych (KIPA) jest The Polish Audiovisual Producers Chamber of Commerce jedyną izbą gospodarczą rynku audiowizualnego w Polsce (KIPA) is the only audiovisual chamber of commerce in i jedną z największych niezależnych organizacji biznesu Poland, and is one of the largest independent business łączącą ponad 140 podmiotów. Są wśród nich firmy produ‑ organisations in the country. KIPA combines more than cenckie specjalizujące się w produkcji filmowej, telewizyjnej 140 entities, including companies specialising in pro- i reklamowej, a także szkoły filmowe i regionalne fundusze ducing films, TV programmes and advertisements, film filmowe (RFF). Od momentu powstania w 2000 r. aktywnie schools, and Regional Film Funds (RFF). Since its inception uczestniczy w rozwoju polskiego przemysłu audiowizual‑ in 2000, the Chamber has been actively involved in nego. Podstawowym zadaniem KIPA jest reprezentowanie the growth and advancement of the Polish audiovis- interesów gospodarczych swoich członków, w szczegól‑ ual industry. The primary task of KIPA is to represent ności wobec administracji rządowej i kluczowych graczy the commercial interests of its members, especially in rynku audiowizualnego. Działa na rzecz integracji środo‑ matters involving government administration and key wiska producentów, jest platformą wymiany doświadczeń players on the audiovisual market. KIPA works to inte- i współpracy, dostarcza informacji o bieżących zmianach grate the community of producers. It is a platform for legislacyjnych, w tym prawno‑podatkowych, oraz o najważ‑ exchanging experience and collaborating, and provides niejszych wydarzeniach branżowych. Zapewnia również information on changes to legislation, including taxation dostęp do usług prawnych świadczonych przez najlep‑ legislation, and major events in the industry. KIPA further szych specjalistów w zakresie zagadnień związanych z sek‑ ensures access to legal services with the best specialists torem audiowizualnym, a także kształtuje i upowszechnia in a range of issues associated with the audiovisual in- zasady etyki zawodowej. Dodatkowo organizuje cykliczne dustry, and helps draft, distribute and promote the rules szkolenia i warsztaty dla profesjonalistów oraz promuje of professional ethics. The Chamber additionally organ- działalność swoich członków. ises regular training sessions and workshops for industry professionals, and promotes the work of its members. 5 PROJEKTY KIPA PROJECTS I INICJATYWY KIPA AND INITIATIVES FUNDACJA POLSKIE CENTRUM POLISH AUDIOVISUAL CENTRE AUDIOWIZUALNE FOUNDATION Powołana przez Zarząd KIPA w grudniu 2005 r. Obecnie The Polish Audiovisual Centre Foundation was set up by realizuje dwa programy operacyjne dla twórców filmowych, the KIPA Management Board in 2005. The Foundation cur- tj. „Profesjonalizacja indywidualna” oraz „Promocja filmu pol‑ rently runs two operational programmes for filmmakers, skiego za granicą”. Inne działania FPCA to m.in. prowadzenie viz. “Individual Professionalisation” and “Promoting Polish serwisu internetowego Audiowizualni.pl. Films Abroad”, and hosts the audiowizualni.pl website. WWW.AUDIOWIZUALNI.PL WWW.AUDIOWIZUALNI.PL Strona internetowa działająca od 2008 r., przygotowywana The website was set up together with the Polish Audio- wspólnie z Fundacją Polskie Centrum Audiowizualne. visual Centre Foundation in 2008. It is constantly being Jest nieustannie rozbudowywana i stanowi cenne źródło upgraded and is a valuable source of information, not informacji nie tylko dla producentów, lecz także dziennika‑ only for producers, but also for journalists working in the rzy zajmujących się rynkiem audiowizualnym, partnerów audiovisual industry, and institutional associates, as well instytucjonalnych oraz czytelników zainteresowanych as people who want to learn more about the industry. informacjami branżowymi. Zawiera wiele baz danych zwią‑ The website has a lot of databases on the practical as- zanych z praktycznymi aspektami funkcjonowania sektora pects of how the film and television sector works. filmowo‑telewizyjnego. FILM COMMISSION POLAND POLSKA KOMISJA FILMOWA Film Commission Poland was set up in 2012 in order Powołana do życia w 2012 r. w celu zwiększenia rozpo‑ to make Poland and its regions better known as attractive znawalności Polski i jej regionów jako atrakcyjnych lokacji film locations, and to have the potential of the country’s filmowych oraz efektywnego wykorzystania potencjału pol‑ audiovisual industry more efficiently and effectively -uti skiego sektora audiowizualnego. Komisja ma trzy główne lised. The Commission has three objectives: to co-ordinate zadania: koordynowanie pracy krajowych i regionalnych the work of national and regional entities, so as to attract jednostek, by przyciągnąć do Polski zagraniczne produkcje foreign film productions to Poland; to see that the coun- filmowe, dbanie o spójność promocji potencjału audiowi‑ try’s audiovisual potential is promoted abroad in a cohe- zualnego za granicą i zapewnienie wsparcia produkcjom sive manner; and to ensure that foreign productions are zagranicznym na terenie Polski. KIPA jest jednym z fundato‑ given all the necessary assistance in Poland. KIPA is one rów, wspólnie z PISFem, SFP i FPCA, pod której auspicjami of the founders of the Film Commission Poland (together Komisja działa. with Polish Film Institute and Polish Filmmakers Association), which operates under the auspices of the Polish Audiovis- ual Centre Foundation. 6 SĄD ARBITRAŻOWY RYNKU THE COURT OF ARBITRATION AUDIOWIZUALNEGO (SARA) OF THE AUDIOVISUAL MARKET (SARA) Działa przy KIPA i jest pierwszą tego typu instytucją The Court of Arbitration of the Audiovisual Market, which w obszarze sektora audiowizualnego. Powołano go has the support of KIPA, is the first institution of its kind w czerwcu 2011 r. w celu rozstrzygania sporów wynikających to function as an arbitration court in the audiovisual z codziennej działalności polskich przedstawicieli rynku sector. The Court was convened in June 2011 in order filmowo‑telewizyjnego. Więcej informacji na stronie to settle disputes arising out from everyday activities on www. sara.kipa.pl the film and television market. For more information, go to www.sara.kipa.pl REJESTR UTWORÓW AUDIOWIZUALNYCH REGISTER OF AUDIOVISUAL WORKS KIPA prowadzi Rejestr Utworów, w którym obecnie jest zare‑ KIPA maintains a Register of Works. This currently has jestrowanych kilkaset projektów. Stanowi usystematyzowaną hundreds of projects registered with it. The Register bazę danych na temat utworów oraz zabezpiecza twórców comprises a systematised database of works. It offers i innych zgłaszających przed bezprawnym wykorzystaniem some protection to creators and applicants against the utworów, do których przysługują im prawa autorskie. W tym illegal use of their copyrighted work in that it constitutes znaczeniu wpis do Rejestru Utworów stanowi środek dowo‑ evidence in the event of litigation. dowy w ewentualnym postępowaniu sądowym. PUBLICATIONS PUBLIKACJE The Fine Art of Co-Producing was published through Sztuka koprodukcji została opublikowana w 2010 r. dzięki the efforts of the authors – Charlotte Appelgren and pomocy autorów – Charlotte Appelgren i Pera Neumanna. Per Neumann – in 2010. The book aims to acquaint Ma pomóc producentom i wszystkim osobom związanym producers and others involved in the film industry z przemysłem filmowym w zapoznaniu się z możliwościami with the prospects and pitfalls of international co- i zagrożeniami związanymi z koprodukcją międzynarodową. -production. The book analyses various approaches W książce znajduje się analiza różnych pojęć oraz omówienie and discusses the key features of co-production agree- kluczowych elementów umów koprodukcyjnych – od doboru ments – from choosing suitable partners to sharing the odpowiednich partnerów do podziału przychodów po zakoń‑ proceeds afterwards. It additionally includes 12 case czeniu filmu. Ponadto książka ta zawiera dwanaście studiów studies, which illustrate the complex nature of co- przypadku, które dodatkowo ilustrują złożony charakter -productions. KIPA’s most recent publication, Things koprodukcji. Ostatnią publikacją KIPA jest wydana w 2015 r. to Remember: Essential Contract Elements), was książka O czym warto pamiętać? Istotne elementy umów. published in 2015. This is a short guide to the essen- Jest to miniprzewodnik po ważnych elementach wybranych tial elements of typical contracts that producers work umów, które zawierają producenci w swojej codziennej under every day, e.g. contracts with DOPs, directors, działalności, jak np. umowy z operatorem obrazu, reżyserem, screenwriters, actors and composers. scenarzystą czy aktorem i kompozytorem. 7 POMOC PRAWNA / DORADZTWO LEGAL ASSISTANCE / TAXATION PODATKOWE ADVICE KIPA gwarantuje zniżki na pomoc prawną i doradztwo podat‑ KIPA guarantees discounts in legal assistance
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