Xiv Workshop the Art of Film Editing
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Central European Cinema at EFM 2006
Central European Cinema at EFM 2006 Czech Republic Hungary Poland Slovak Republic Slovenia Stand No. 111 – 1st Floor Phone: +49 (0)30 246 497515 EFM – Martin-Gropius-Bau Czech Republic in Figures Hungary in Figures Poland in Figures Slovak Republic in Figures Slovenia in Figures Contents Total population 10.2 million Total population 10.1 million Total population 38.2 million Total population 5.4 million Total population (2004) 2.0 million Czech Republic 2 Currency Czech crown (CZK) Currency Hungarian forint (HUF) Currency Polish zloty (PLN) Currency Slovak crown (SKK) Currency Slovenian tolar (SIT) Exchange rates 1 EUR = 29.0 CZK Exchange rates 1 EUR = 253 HUF Exchange rates 1 EUR = 3.92 PLN Exchange rates 1 EUR = 39 SKK Exchange rates 1 EUR = 240 SIT Hungary 8 1 USD = 24.6 CZK 1 USD = 215 HUF 1USD = 3.33 PLN 1 USD = 30 SKK 1 USD = 200 SIT Standard VAT rate 19% Standard VAT rate 20% Standard VAT rate 22% Standard VAT rate 19% Standard VAT rate 20% Poland 12 GDP 2004 95.43 billion EUR GDP 2004 80.7 billion EUR GDP 2004 235.2 billion EUR GDP 2004 21.2 billion EUR GDP 2004 26 billion EUR GDP per capita 2004 9 349 EUR GDP per capita 2004 8 025 EUR GDP per capita 2004 6 149.5 EUR GDP per capita 2004 6 911 EUR GDP per capita 2004 13 103 EUR Slovak Republic 16 Average monthly income 649 EUR Average monthly income 613 EUR Average monthly income 584 EUR Average monthly income 406 EUR Average monthly income 740 EUR Inflation rate (2005) 1.90% Inflation rate (2004) 6.80% Inflation rate (2004) 3.50% Inflation rate (2004) 7.50% Inflation rate (2005) -
Agata Buzek | Biography
AGATA BUZEK | BIOGRAPHY Agata Buzek was born in Gliwice, Poland and trained at the Theatre Academy in Warsaw. Since her film debut in LA BALLATA DEI LAVAVETRI (Peter del Monte, Italy, 1998), she has worked in many international co- productions including LIBRE CIRCULATION (Jean-Marc Moutout, 2002), VALERIE (Birgit Möller, 2007) as well as in films with renowned directors including: THE HIDDEN TREASURE (Skarby Ukryte, Krysztof Zanussi, 2000); THE REVENGE (Zemsta, Andrzej Wajda, 2002) for which Agata was nominated as Best Supporting Actress at the Polish Film Awards; NIGHTWATCHING (Peter Greenaway, 2007) and WITHIN THE WHILRWIND (Marleen Gorris, 2008). For her performance in Borys Lankosz’s REVERSE (Poland’s national submission for the 2010 Academy Award for Best Foreign Language Film), Agata received a Best Actress award at the 34th Polish Film Festival in Gdynia and she was named as Berlinale Shooting Star 2010 for Poland. In 2012 Agata was co-starring alongside Jason Statham in HUMMINGBIRD. IMDb Pro and IMDb www.spiel-kind.com | 28.09.2021 Agata Buzek | CV FEATURE | TELEVISION 2021 | Das Netz - Prometheus (AT) | TV series | Director: Andreas Prochaska, Daniel Prochaska | MR Film, Sommerhaus Serien, Red Bull Media House, Beta Film | ARD Degeto, Servus TV 2020 | Paradis Sale | feature film | Director: Bertrand Mandico | Ecce Films 2019 | Tak ma byc | feature film | Director: Lukasz Grzegorzek | Koskino Natalia Grzegorzek 2019 | The Pit | feature film | Director: Dace Puce | Marana Production, Inland Film Company 2019 | Dune Dreams | feature -
List of Films Considered the Best
Create account Log in Article Talk Read View source View history Search List of films considered the best From Wikipedia, the free encyclopedia Main page This list needs additional citations for verification. Please Contents help improve this article by adding citations to reliable sources. Featured content Current events Unsourced material may be challenged and removed. (November Random article 2008) Donate to Wikipedia Wikimedia Shop While there is no general agreement upon the greatest film, many publications and organizations have tried to determine the films considered the best. Each film listed here has been mentioned Interaction in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources Help About Wikipedia focus on American films or were polls of English-speaking film-goers, but those considered the Community portal greatest within their respective countries are also included here. Many films are widely considered Recent changes among the best ever made, whether they appear at number one on each list or not. For example, Contact page many believe that Orson Welles' Citizen Kane is the best movie ever made, and it appears as #1 Tools on AFI's Best Movies list, whereas The Shawshank Redemption is #1 on the IMDB Top 250, whilst What links here Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. Related changes None of the surveys that produced these citations should be viewed as a scientific measure of the Upload file Special pages film-watching world. Each may suffer the effects of vote stacking or skewed demographics. -
Tabla 1:Festivales Y Premios Cinematográficos
Tabla 1:Festivales y premios American Choreography Arts and Entertainment Critics cinematográficos Awards, USA Awards, Chile http://www.imdb.com/Sections/ American Cinema Editors, USA Artur Brauner Award Awards/Events American Cinema Foundation, Ashland Independent Film USA Festival American Cinematheque Gala Asia-Pacific Film Festival 2300 Plan 9 Tribute Asian American Arts 30th Parallel Film Festival American Comedy Awards, Foundation 7 d'Or Night USA Asian American International American Film Institute, USA Film Festival - A – American Independent Film Asianet Film Awards Festival Aspen Filmfest A.K.A. Shriekfest American Indian Film Festival Aspen Shortsfest ABC Cinematography Award American Movie Awards Association for Library Service ACTRA Awards American Screenwriters to Children AFI Awards, USA Association, USA Athens Film Festival, Georgia, AFI Fest American Society of USA AGON International Meeting of Cinematographers, USA Athens International Film Archaeological Film Amiens International Film Festival ALMA Awards Festival Athens International Film and AMPIA Awards Amnesty International Film Video Festival, Ohio, USA ARIA Music Awards Festival Athens Panorama of European ARPA International Film Amsterdam Fantastic Film Cinema Festival Festival Atlanta Film Festival ASCAP Film and Television Amsterdam International Atlantic City Film Festival Music Awards Documentary Film Festival Atlantic Film Festival ASIFA/East Animation Festival Anchorage International Film Atv Awards, Spain ATAS Foundation College Festival Aubagne International -
The Innocents
presents THE INNOCENTS A film by Anne Fontaine 115 min | France/Poland | 2016 | PG-13 | 1.85 In French and Polish with English subtitles Official Website: http://www.musicboxfilms.com/innocents Press Materials: http://www.musicboxfilms.com/innocents-press New York/National Press Contacts: Sophie Gluck & Associates Sophie Gluck: [email protected] | 212-595-2432 Aimee Morris: [email protected] | 212-595-2432 Los Angeles Press Contacts: Marina Bailey Film Publicity Marina Bailey: [email protected] | 323-962-7511 Sara Tehrani: [email protected] | 323-962-7511 Music Box Films Contacts Marketing & Publicity Yasmine Garcia | [email protected] | 312-508-5362 Theatrical Booking Brian Andreotti | [email protected] | 312-508-5361 Exhibition Materials Lindsey Jacobs | [email protected] | 312-508-5365 FESTIVALS AND AWARDS Official Selection – Sundance Film Festival Official Selection – COLCOA Film Festival Official Selection – San Francisco Int’l Film Festival Official Selection – Minneapolis St. Paul Int’l Film Festival Official Selection – Newport Beach Film Festival SYNOPSIS Warsaw, December 1945: the second World War is finally over and French Red Cross doctor Mathilde (Lou de Laage) is treating the last of the French survivors of the German camps. When a panicked Benedictine nun appears at the clinic begging Mathilde to follow her back to the convent, what she finds there is shocking: a holy sister about to give birth and several more in advanced stages of pregnancy. A non-believer, Mathilde enters the sisters’ fiercely private world, dictated by the rituals of their order and the strict Rev. Mother (Agata Kulesza, Ida). Fearing the shame of exposure, the hostility of the occupying Soviet troops and local Polish communists and while facing an unprecedented crisis of faith, the nuns increasingly turn to Mathilde as their beliefs and traditions clash with harsh realities. -
Beyond Words Presski
PRESSBOOK BEYOND WORDS DIRECTED AND WRITTEN BY URSZULA ANTONIAK WITH JAKUB GIERSZAL, ANDRZEJ CHYRA, CHRISTIAN LÖBER, JUSTYNA WASILEWSA PRODUCED BY OPUS FILM - PIOTR DZIĘCIOŁ, LUKASZ DZIĘCIOŁ FAMILY AFFAIR FILMS – FLOOR ONRUST, NOORTJE WILSCHUT THIS PRODUCTION WAS SUPPORTED BY THE POLISH FILM INSTITUTE, EC1 LÓDŹ – CITY OF CULTURE, THE NETHERLANDS FILM FUND, THE NETHERLANDS PRODUCTION INCENTIVE, EURIMAGES DURATION: 85 MINS POLAND / THE NETHERLANDS 2017 WORLD SALES: GLOBAL SCREEN GMBH | SONNENSTR. 21 | 80331 MUNICH | GERMANY [email protected] | WWW.GLOBALSCREEN.DE/CINEMA PH +49 89 2441 295 500 | F +49 89 2441 295 520 2 CAST MICHAEL JAKUB GIERSZAŁ STANISLAW ANDRZEJ CHYRA FRANZ CHRISTIAN LÖBER ALIN JUSTYNA WASILEWSKA CREW DIRECTOR URSZULA ANTONIAK WRITER URSZULA ANTONIAK PRODUCER PIOTR DZIĘCIOŁ LUKASZ DZIĘCIOŁ FLOOR ONRUST NOORTJE WILSCHUT LINE PRODUCER ALEKSANDRA SKRABA CHRIS STENGER DIRECTOR OF PHOTOGRAPHY LENNERT HILLEGE, NSC EDITOR MILENIA FIDLER, PSM SOUND DESIGN JAN SCHERMER PRODUCTION DESIGNER MIREN OLLER KATARZYNA JĘDRZEJCZYK COSTUME DESIGNER PAULINA SIENIARSKA HELEEN HEIJNTJES MAKE UP DEPARTMENT ANNA KIESZCZYŃSKA 3 SYNOPSIS Nothing in Michael, a young and successful Berlin lawyer, gives away his Polish roots. The sudden appearance of his father, who was long presumed dead, plunges Michael into an existential crisis. After his father leaves, Michael can’t return to his life as a German. Michael and his boss and best friend Franz feel at home in Berlin’s hip restaurants, bars and clubs. There is seemingly no difference between them, but Michael, who emigrated from Poland after the death of his mother several years ago, still pays extra attention to his accent. Michael is thrown into turmoil when a run-down Polish bohemian shows up on his doorstep and claims to be his father. -
Sparksofhoped:Layout 1
SPARKS OF HOPE IMPERIAL WAR MUSEUM POLISH HISTORY MUSEUM POLISH NATIONAL FILM ARCHIVE Maciej Buszewicz „Elections tomorrow. Red Sun, Go Under” (1990). Sun, Go Under” (1990). Red „Elections tomorrow. Maciej Buszewicz PRESENT Part 3 Images on previous page: Jacek Marczewski and Aleksandra Król, „Vote with us” (1989); and Aleksandra page: Jacek Marczewski Images on previous Król, „Vote POLISH PATHS TO FREEDOM We are grateful to Maciej Buszewicz for granting us the right to use the image of his poster. are grateful for granting to Maciej Buszewicz us the right to use image of his poster. We SPARKS OF HOPE POLISH FILM SEASON June 1 — July 6, 2009 Imperial War Museum Lambeth Road, London SE1 6HZ www.iwm.org.uk www.muzhp.pl The fall of the Berlin Wall became a symbol of the collapse of communism and the democratic changes in Central and Eastern Europe in 1989. It was the most spectacular event of the “Autumn of Nations”. It was also a very fitting symbol – a metaphor – for the fall of communism’s totalitarian system and for the reunification of Europe. Yet, the bringing down of the Berlin Wall was merely the final stage of a process that had been initiated nearly ten years earlier at the Gdansk Shipyards. In August 1980, as the result of a weeks-long workers’ strike, the ruling Polish United Workers Party agreed to the legalization of Solidarity, the first independent labour union in that part of Europe controlled by the Soviet Union. Solidarity was the first step towards freedom in the 40 years since the Red Army installed communist regimes throughout the Central European countries it had “liberated” during the war. -
PAPUSZA Press Kit.Pdf
ABOUT PAPUSZA Papusza is based on the true story of the Roma poet Papusza and the Polish poet Jerzy Ficowski, who discovered her great talent. Papusza was the first and only Roma woman who put her poems into writing and even published them. By doing so, she confronted the traditional female’s role in her community and as a result, she and her family were banished. It is a story of a gifted woman who wants to preserve her culture with words and has to pay a painful price for that decision. When a person is young, In heart and hope, The world opens easily With any kind of key. (Papusza) LOGLINE True story of Papusza - the first Roma woman who put her poems into writing and published them, and therefore confronted the traditional female image in the gypsy community. SYNOPSIS True story of Papusza - the first Roma woman who put her poems into writing and published them, and therefore confronted the traditional female image in the gypsy community. The film follows Papusza’s life from birth to old age: arranged marriage as a small girl, her life in a gypsy tabor before, during and after second world war, then forced settlement in communist Poland and urban life in poverty. Her meeting with the Polish poet Jerzy Ficowski, who discovered her great talent for poetry and published her works led to a tragic paradox: a famous poet was living in poverty, rejected by the Roma community, for betraying their secrets. PAPUSZA | Poland 2013 | Written & Directed Joanna Kos-Krauze & Krzysztof Krauze 2 WHAT MAKES PAPUSZA SPECIAL? ORIGINAL ROMA LANGUAGE The ensemble of actors includes mostly non-professionals from Roma families. -
Poland, Sweden 2020 a Film by Magnus Von Horn Synopsis Long Synopsis
POLAND, SWEDEN 2020 A FILM BY MAGNUS VON HORN SYNOPSIS LONG SYNOPSIS Sweat recounts three days in the Sweat is about three days in the life of Sylwia life of fitness motivator Sylwia Zajac, a 30 year old fitness motivator living in Zając, whose presence on social Warsaw who has gained celebrity status due to media has made her a celebri- her avid use of social media. She is self-made and ty. Although she has hundreds hard working, on one hand keeping her own body of thousands of followers, in the best possible shape as well as inspiring thou- is surrounded by loyal em- sands of others to do the same. When an Instagram ployees and admired by ac- post where she confesses to feeling lonely goes viral, quaintances, she is looking a stalker appears outside her apartment. Sylwia tries for true intimacy. to ignore the stalker and stick to her busy schedule but when his attempts to contact her become more and more vulgar she finds it difficult to remain positive and smiling. At her mother’s birthday party she tries too hard to get attention and admiration from her family and ends up breaking down in tears. When the stalker returns to her street at night she gets a friend to beat him up. But his bloody and deformed face fills Sylwia with fear, never did she imagine that she could inspire such evil. She takes the stalker to the hospital in an attempt to make things right. The next morning she has a live performance on Breakfast Television. -
UGC Présente
UGC presents a Page 114 and Why Not Productions production Marion Cotillard Matthias Schoenaerts RUST AND BONE A film by Jacques Audiard Armand Verdure Céline Sallette Corinne Masiero Bouli Lanners Jean-Michel Correia Winner, Best Film BFI London Festival, 2012 Official Selection Cannes Film Festival 2012 Toronto International Film Festival 2012 Telluride Film Festival 2012 East Coast Publicity West Coast Publicity Distributor Jeff Hill Block Korenbrot Sony Pictures Classics [email protected] Alexandra Glazer Carmelo Pirrone +1 917-575-8808 Ziggy Kozlowski Alison Farber 110 S. Fairfax Ave, #310 550 Madison Ave Los Angeles, CA 90036 New York, NY 10022 323-634-7001 tel 212-833-8833 tel 323-634-7030 fax 212-833-8844 fax 1 SYNOPSIS ALI (Matthias Schoenaerts) finds himself with a five-year-old child on his hands. SAM (Armand Verdure) is his son, but he hardly knows him. Homeless, penniless and friendless, Ali takes refuge with his sister ANNA (Corinne Masiero) in Antibes, in the south of France. There things improve immediately. She puts them up in her garage, she takes the child under her wing and the weather is glorious. Ali, a man of formidable size and strength, gets a job as a bouncer in a nightclub. He comes to the aid of STEPHANIE (Marion Cotillard) during a nightclub brawl. Aloof and beautiful, Stéphanie seems unattainable, but in his frank manner Ali leaves her his phone number anyway. Stephanie trains orca whales at Marineland. When a performance ends in tragedy, a call in the night again brings them togtether. When Ali sees her next, Stephanie is confined to a wheel chair : she has lost her legs and quite a few illusions. -
Contents & Festival Strands
CONTENTS & FESTIVAL STRANDS SPONSORS 1 Drama 39-55 UK TOUR 2 LOVE TRILOGY 40-41 WELCOME MESSAGE: 3 TV DRAMA 43 Michael Etherton ISRAELI DRAMA 44-49 WELCOME MESSAGE: 5 Jonathan Lewis Comedy 56-61 UK JEWISH FILM FESTIVAL 6-9 AWARDS A CRYSTAL BALL 60-61 A GUIDE TO THE PROGRAMME: 11 Shorts Programmes 63-71 Nir Cohen PEARS SHORT FILM FUND AT Galas 12-16 UK JEWISH FILM 64-65 Documentary 17-33 SPECIAL EVENTS 72-76 The Alan Howard 18-22 GUESTS 77-80 International Documentary Strand PEOPLE AND THANKS 81 EDUCATION 23 VENUES AND BOOKING 83 INFORMATION JEWISH WAYS OF SEEING 24-25 LONDON TIMETABLE 84-85 BEHIND THE MUSIC 26-27 Through The Maelstrom: 34-38 INDEX 86 Women And The Holocaust FESTIVAL PROGRAMME SPONSORS Alan Toni Schiff Howard Memorial Fund Media Partner Hotel Partner Festival Partner Festival Partner Shoresh The Sybil The John Charitable Shine Memorial S Cohen The Kobler Hirschel Trust Trust Foundation Trust Foundation PRESIDENT’S CIRCLE PATRONS David and Judy Dangoor Louise and Hilton Nathanson Carolyn and Harry Black The Diana and Allan Wendy Fisher Bianca and Stuart Roden Muriel and Gus Coren Morgenthau Charitable Alan Howard Isabelle and Ivor Seddon Charitable Foundation Trust David and Annie Lass Dr Edward and Mrs AWARD SPONSORS Andrew Stone Nadine Wojakovski Sponsored by: Sponsored by: DORFMAN BEST AUDIENCE BEST FILM The Diana and DOCUMENTARY Kirsh AWARD AWARD Allan Morgenthau AWARD Foundation Charitable Trust FUNDING CONTRIBUTORS FILM SPONSORS Anonymous Sharon and Jonathan Goldstein Anne Joseph and The Gerald and Gail Ronson Edward -
POLISH CINEMA CLASSICS Antczak Jerzy 12 the Lady of the Camellias / Dama Kameliowa 13 Nights and Days / Noce I Dnie
2 POLISH CINEMA of DIGITALLY RESTORED MASTERPIECES MASTERPIECES RESTORED DIGITALLY CLASSICS INTRODUCTION Since the Polish Film School cinema has become the exceptional trademark of Polish culture. Throughout the years behind the Iron Curtain Polish filmmakers proved many times that despite the isolation they were still the citizens of the world, who significantly contributed to the discussion of its condition through their output. Today their films are an important part of Polish culture. For years, they have been shaping our national identity, raising important existential questions, and uniting us around certain values. They have also brought on the social, political and moral changes and encouraged us to act. We owe them successes at international film festivals as well as rendering the Polish school of cinematographers famous. Polish films have many admirers around the world and thanks to the digital restoration the spectators can watch the most acclaimed ones in their best quality on HD TV, in cinemas as well as on DVDs and Blu-rays. 3 DIGITALLY RESTORED of POLISH CINEMA MASTERPIECES of POLISH CINEMA CLASSICS Antczak Jerzy 12 The Lady of the Camellias / Dama Kameliowa 13 Nights and Days / Noce i dnie Bajon Filip 14 Aria for an Athlete / Aria dla atlety Bareja Stanisław 15 A Bunet Will Call / Brunet wieczorową porą 16 Teddy Bear / Miś 17 There’s No Place Like Home / Nie ma róży bez ognia 18 Wanted: Male or Female / Poszukiwany, poszukiwana 19 What Can You Do to Me If You Catch Me / Co mi zrobisz, jak mnie złapiesz DIGITALLY RESTORED