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Yashwantrao Chavan MESSAGE The birth centenary of Shri Yashwantrao Chavan (1913 - 1984) was celebrated last year in a befitting manner by the Government of Maharashtra and the Yashwantrao Chavan Pratishthan, Mumbai. It was an acknowledgement of his stellar contribution as first Chief Minister to the making of modern Maharashtra, as a State with progressive policies and a decentralized democratic set up of administration. In November, 1962, he became the Defence Minister in the aftermath of the India-China conflict. He worked hard to restore the morale of the armed forces and to enhance his strength through modern weapons, better equipment, organisational changes and a harmonious relationship with the armed forces. The efforts paid off in the India-Pakistan conflict in 1965. Subsequently, he held the high offices of Union Home Minister, Union Finance Minister and Foreign Minister of India. In 1979, he became the Deputy Prime Minister of India. He was a freedom fighter, effective parliamentarian and an astute administrator. He was a connoisseur of fine arts, a great lover of books and an author of acknowledged literary merit. He was very fond of watching good films, plays and stage performances of folk-art. The 'Yashwant' International Film Festival is a tribute to the outstanding personay of Yashwantrao Chavan. Yashwantrao Chavan Pratishthan Presents Jointly organized by: Supported by: Government of Maharashtra President Yashwantrao Chavan Pratishthan, Mumbai Shri Sharad Pawar Foreword The Sixth Yashwant International Film Festival is being held from 22nd to 28 th January 2016 at the Chavan Centre. It is being organized by the Yashwantrao Chavan Pratishthan, Mumbai in collaboration with the Pune Film Foundation with financial support from the Government of Maharashtra. In the course of the week, 75 films will be exhibited in various halls of the Chavan Centre. There will be 22 films in the global category, 14 films in the kaleidoscope category, 6 films from Latin America, 7 films in the nature of retrospective of renowned director from Brazil, Hector Babenco. In addition, there will be 5 Indian films and 5 Marathi films. Further, there will be 15 films from MTDC competition relating to touristic attractions of Konkan, Vidarbha and Marathwada. I am sure the discerning film viewers in Mumbai will welcome and enjoy this bonanza of selected films. At the inaugural function on 22nd January 2016 at 5 P.M. the Chief Guest will be Smt. Waheeda Rehman who had mesmerized film audiences with her masterly performances. She is a distinguished actor who has rendered valuable contribution to the Indian cinema. In honour of Smita Patil, an enigmatic heroine of several outstanding films in Hindi and Marathi, there will be a special memorial lecture by Shri Mahesh Bhatt who is well-known for leaving a distinct imprint of his personality on Hindi films. I hope film lovers in Mumbai will respond enthusiastically to the Film Festival which is replete with films from diverse nations, directors and social and political perspectives. My best wishes for the success of the Sixth Yashwant International Film Festival. Shri. Sharad Pawar Director’s Cut Dr. Jabbar Patel Director - 6th YIFF MESSAGE We are pleased to present the 6th Yashwant International Film Festival jointly organized by the Yashwantrao Chavan Pratishtan and the Pune Film Foundation. It makes me very happy to see the festival growing and more and more film buffs attending the festival and enjoying a variety of films that we have selected for them. This year, we are presenting the Distinguished Award for Outstanding Contribution to Ms. Waheeda Rehman - the most beautiful actress who has astounded audiences with her stupendous acting in various genres of films. She represents a uniquely creative era in Indian cinema when she worked with great filmmakers like Satyajit Ray and Guru Dutt. Smita Patil became the face of a radically different new Indian cinema of the 1970s and 1980s, acting under directors like Shyam Benegal, Govind Nihalani, G. Aravindan, Mrinal Sen and Satyajit Ray, to name just a few. To commemorate Smita Patil's 60th anniversary, YIFF has decided to organize the Smita Patil memorial lecture. Her memory will always be with us and we hope that naming the lecture after her will rekindle aspects of her cinematic contribution in the minds of people from the older as well as younger generations. Embassy of Serbia Embassy of Luxembourg Norwegian Embassy Royal Danish Embassy Embassy of Colombia Embassy of Ecuador Embassy of S.R of Vietnam Consulate General of Turkey Consulate General of Brazil RIFF - Rome Independent Film Festival INKO Polish Film Institute Film center Serbia Taipei Economic & Cultural Center in India The Match Factory Bankside Films Taat Films Antipode Sales Media Luna Films Enrico Falcom Enrico Falcone Piero Persello Austrian Film Commission Croatian House Foundation and Croatian Audio Visual Centre Magyar Filmunió International Divison of the Hungarian National Film Fund Istituto Italiano di Cultura di Mumbai Maya Movies Nilanjan Data Harry Toonz Studio Seven Arts Mohan Friends Communication New Europe Film Sales Human Power Films CREDITS Shri Sharad Pawar Shri Arun Gujarathi Smt. Supriya Sule PRESIDENT VICE PRESIDENT CHAIRPERSON Shri Hemant Takle Shri Sharad Kale Dr. Jabbar Patel TREASURER GENERAL SECRETARY FESTIVAL DIRECTOR Shri Samar Nakhate Shri Santosh Unecha Shri Satish Alekar CREATIVE DIRECTOR ASSOCIATE FESTIVAL DIRECTOR Shri Makrand Sathe Shri Abhijeet Ranadive FILM SELECTION COMMITTEE Shri Mahendra Teredesai Ms. Aditi Akkalkotkar Shri Sanjay Bansode CHIEF FESTIVAL COORDINATOR - FESTIVAL COORDINATOR Coordinator - YIFF YIFF Shri Mangesh Mardhekar Shri Vishal Shinde Impulse Advertising Pvt. Ltd. Shri Prasad Khatu ASSISTANT PROGRAMMER & LOGO, PUBLICITY & CATALOG Shri Jaising Londhe PRINTUNIT INCHARGE COVER DESIGNS PROGRAMMER Shri Datta Balsaraf Yukti Media Smt. Smita Raikar Shri Mahesh Chavan MEDIA PUBLICITY Shri Shailesh Chavan FESTIVAL ASSOCIATES OFFICE ADMINISTRATION Golden Publicity Supressa Graphics Pvt. Ltd. NFAI, Pune CATALOGUE PRINTERS VENUE PUBLICITY POSTER EXHIBITIION Ad-Mission Graphic House DELEGATE CARDS Dr. Prakash Joshi ACKNOWLEDGEMENTS Staff of Yashwantrao Chavan PHOTO EXHIBITION Pablo Ceaser Pratishthan, Mumbai LOGISTICS INDEX OPENING FILM Kurt Turns Evil 48 MARATHI CINEMA Money buddies 11 Jump Ashin 49 The Quest 84 Post partum 50 Bho Bho (A Dog Bark) 85 CLOSING FILM Sacrifice 86 Immortal 13 LATIN AMERICA Aakrandan 87 The Mushrooms 52 The Silence 88 WORLD CINEMA Chasing Fireflies 53 X/Y 15 Gabo: The Creation of MTDC SHORT FILM COMPETITION Rams 16 Gabriel García Márquez 54 Malgund-Clean & Lonely Beach 90 Perfect Obedience 17 The Wind Journeys 55 Konkan 90 The Plastic Cardboard Sonata 18 In the Name of the Girl 56 Come It's Our Own Konkan 90 Absolution 19 Behind You 57 Yetaskay Devbaug Sangmak..! 91 The last summer of rich 20 Hide and Seek 91 Ma Folie 21 COUNTRY FOCUS: VIETNAM Wilderness Of Tiger… Tadoba 92 Cowboys 22 Nostalgia for the countryside 59 Waghoba (The Tiger) 92 Halima's Path 23 White-eye bird 60 The Jewel Of Vidharbha 92 Paw 24 story of Pao 61 Vidarbha- Tiger Capital Swing 25 Back to Ngu Thuy 62 Of The World 93 Late Season 26 Sound of violin in My Lai 63 Tadoba Diaries! 93 My name is Maya 27 Lasting with time 64 Anwa- A Forgotten History 94 Set Me Free 28 The Beauty Of Bibi Ka Maqbara 94 A grain of truth 29 RETROSPECTIVE: HECTOR BABENCO Aurangabad 94 Journey to Rome 30 Kiss of the Spider Woman 66 Aurangabad As Tourist Destination 95 We will Be the World Champions 31 Carandiru 67 Aurangabad.. The City Of History 95 Klezmer 32 Foolish Heart 68 Dream Flight 33 Lucio Flavio 69 Sivas 34 The Past 70 Mamma's Boy 35 Pixote 71 King of the Night 72 KALEIDOSCOPE Vis-À-Vis 37 RETROSPECTIVE: RITWIK GHATAK Montage 38 The Cloud-Capped Star 74 Our Sunhi 39 E-Flat 75 Victoria 40 The Golden Thread 76 Pioneer 41 Falsifier 42 INDIAN CINEMA A Royal Affair 43 Birds With Large Wings 78 Elevator 44 The Head Hunter 79 Peppermint Candy 45 Radio Set 80 The Kautokeino Rebellion 46 Ottaal 81 The Man Who Loved Yngve 47 Like a play 82 OPENING FILM Money Buddies Opening Film La Buca Director: Daniele Ciprì 2015 - 90’- Italian - Colour - Italy , Switzerland , France Producer: Alessandra Acciai, Giorgio Magliulo, Roberto Lombardi, Villi Hermann Cast: Sergio Castellitto, Rocco Papaleo, Valeria Bruni Tedeschi, Jacopo Cullin, Ivan Franek Screenplay: Alessandra Acciai, Daniele Ciprì, Massimo Gaudioso, Miriam Rizzo Cinematographer: Daniele Ciprì Editor: Giogiò Franchini Sound Designer: Christophe Giovannoni Music Composer: Pino Donaggio, Zeno Gabaglio Costume Designer: Grazia Colombini Production Designer: Marco Dentici Production Company: Passione, Imago Films World Sales Address: The Match Factory GmbH Veteran ambulance chaser Oscar gets 'bitten' by a dog and decides to make some cash by Balthasarstr. 79-81, 50670 Cologne/Germany suing its owner. However, this turns out to be Armando, a penniless man just released World Sales Phone: +493 04 43 19 05 20 from jail after 30 years for a crime he didn't commit, shunned by everyone except his dog. World Sales Email: [email protected] Oscar sees the potential of getting millions in compensation from the state, and the two fifty-somethings team up in search of clues along with the help of a friendly Barista who Festival/Awards: owns the café. Daviddi Donatello Awards 2015 Golden Globes Italy 2015 Director’s Biography Director’s Filmography Daniele Ciprì spent a lot of time in his father's photographic laboratory, It Was The Son (2012) where he fell in love with films. He and Franco Maresco co-directed a number of feature films including 'How We Got The Italian Movie Business Into Trouble: The True Story Of Franco And Ciccio!' (’Premio Pasinetti’ award winner at the 2004 Venice International Film Festival). Ciprì is one of Italy's most respected cinematographers. 'It Was The Son', Ciprì's first solo directing project, was awarded the ‘Golden Osella’ (Best Photography) at the 2012 Venice Film Festival.
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  • Playing on Gender in Korea's 21St Century Traditional Performing Arts

    Playing on Gender in Korea's 21St Century Traditional Performing Arts

    ISSN: 2635-6619 (Online) Journal homepage: https://culturenempathy.org/ SsingSsing DanceDance: Playing on Gender in Korea’s 21st Century Traditional Performing Arts Jocelyn Clark, Pai Chai University To cite this article: Jocelyn Clark. 2019. “SsingSsing DanceDance: Playing on Gender in Korea’s 21st Century Traditional Performing Arts.” Culture and Empathy 2(2): 116-130. DOI: 10.32860/26356619/2019/2.2.0005 To link to this article: https://doi.org/10.32860/26356619/2019/2.2.0005. Published online: 30 Jun 2019. Submit your article to this journal Full Terms & Conditions of access and use can be found at https://culturenempathy.org/terms-and-conditions CULTURE AND EMPATHY Vol. 2, No. 2, pp. 116-130 https://doi.org/10.32860/26356619/2019/2.2.0005 SsingSsing DanceDance: Playing on Gender in Korea’s 21st Century Traditional Performing Arts Jocelyn Clark, Pai Chai University Abstract Gender identity would seem to be more settled in the world of traditional Korean music and dance than in any other corner of the world of performing arts. Classical gagok songs are divided into ARTICLE HISTORY female and male repertoires, and women and men both dress in the Received March 23, 2019 gendered costumes of the Joseon Dynasty (hanbok) as they perform Revised May 18, 2019 Accepted May 25, 2019 ultimate expressions of Korean moral rectitude—the story of the faithful wife, the filial daughter, the benevolent brother, the loyal minister. But a closer look reveals that gender roles in the old forms are not quite so fixed. This is particularly true, and increasingly so, KEYWORDS in Korea’s traditional folk genres.