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Radio 4 Listings for 2 – 8 May 2020 Page 1 of 14
Radio 4 Listings for 2 – 8 May 2020 Page 1 of 14 SATURDAY 02 MAY 2020 Professor Martin Ashley, Consultant in Restorative Dentistry at panel of culinary experts from their kitchens at home - Tim the University Dental Hospital of Manchester, is on hand to Anderson, Andi Oliver, Jeremy Pang and Dr Zoe Laughlin SAT 00:00 Midnight News (m000hq2x) separate the science fact from the science fiction. answer questions sent in via email and social media. The latest news and weather forecast from BBC Radio 4. Presenter: Greg Foot This week, the panellists discuss the perfect fry-up, including Producer: Beth Eastwood whether or not the tomato has a place on the plate, and SAT 00:30 Intrigue (m0009t2b) recommend uses for tinned tuna (that aren't a pasta bake). Tunnel 29 SAT 06:00 News and Papers (m000htmx) Producer: Hannah Newton 10: The Shoes The latest news headlines. Including the weather and a look at Assistant Producer: Rosie Merotra the papers. “I started dancing with Eveline.” A final twist in the final A Somethin' Else production for BBC Radio 4 chapter. SAT 06:07 Open Country (m000hpdg) Thirty years after the fall of the Berlin Wall, Helena Merriman Closed Country: A Spring Audio-Diary with Brett Westwood SAT 11:00 The Week in Westminster (m000j0kg) tells the extraordinary true story of a man who dug a tunnel into Radio 4's assessment of developments at Westminster the East, right under the feet of border guards, to help friends, It seems hard to believe, when so many of us are coping with family and strangers escape. -
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre. -
Network Review #37 Cannes 2021
Network Review #37 Cannes 2021 Statistical Yearbook 2020 Cinema Reopening in Europe Europa Cinemas Network Review President: Nico Simon. General Director: Claude-Eric Poiroux Head of International Relations—Network Review. Editor: Fatima Djoumer [email protected]. Press: Charles McDonald [email protected]. Deputy Editors: Nicolas Edmery, Sonia Ragone. Contributors to this Issue: Pavel Sladky, Melanie Goodfellow, Birgit Heidsiek, Ste- fano Radice, Gunnar Rehlin, Anna Tatarska, Elisabet Cabeza, Kaleem Aftab, Jesus Silva Vilas. English Proofreader: Tara Judah. Translation: Cinescript. Graphic Design: Change is good, Paris. Print: Intelligence Publishing. Cover: Bergman Island by Mia Hansen-Løve © DR CG Cinéma-Les Films du Losange. Founded in 1992, Europa Cinemas is the first international film theatre network for the circulation of European films. Europa Cinemas 54 rue Beaubourg 75003 Paris, France T + 33 1 42 71 53 70 [email protected] The French version of the Network Review is available online at https://www.europa-cinemas.org/publications 2 Contents 4 Editorial by Claude-Eric Poiroux 6 Interview with Lucia Recalde 8 2020: Films, Facts & Figures 10 Top 50 30 European movies by admissions Czech Republic in the Europa Cinemas Network Czech exhibitors try to keep positive attitude while cinemas reopen 12 Country Focus 2020 32 France 30 French Resistance Cinema Reopening in Europe 34 46 Germany The 27 Times Cinema initiative Cinema is going to have a triumphant return and the LUX Audience Award 36 Italy Reopening -
Deepa Mehta (See More on Page 53)
table of contents TABLE OF CONTENTS Introduction Experimental Cinema: Welcome to the Festival 3 Celluloid 166 The Film Society 14 Pixels 167 Meet the Programmers 44 Beyond the Frame 167 Membership 19 Annual Fund 21 Letters 23 Short Films Ticket and Box Offce Info 26 Childish Shorts 165 Sponsors 29 Shorts Programs 168 Community Partners 32 Music Videos 175 Consulate and Community Support 32 Shorts Before Features 177 MSPFilm Education Credits About 34 Staff 179 Youth Events 35 Advisory Groups and Volunteers 180 Youth Juries 36 Acknowledgements 181 Panel Discussions 38 Film Society Members 182 Off-Screen Indexes Galas, Parties & Events 40 Schedule Grid 5 Ticket Stub Deals 43 Title Index 186 Origin Index 188 Special Programs Voices Index 190 Spotlight on the World: inFLUX 47 Shorts Index 193 Women and Film 49 Venue Maps 194 LGBTQ Currents 51 Tribute 53 Emerging Filmmaker Competition 55 Documentary Competition 57 Minnesota Made Competition 61 Shorts Competition 59 facebook.com/mspflmsociety Film Programs Special Presentations 63 @mspflmsociety Asian Frontiers 72 #MSPIFF Cine Latino 80 Images of Africa 88 Midnight Sun 92 youtube.com/mspflmfestival Documentaries 98 World Cinema 126 New American Visions 152 Dark Out 156 Childish Films 160 2 welcome FILM SOCIETY EXECUTIVE DIRECTOR’S WELCOME Dear Festival-goers… This year, the Minneapolis St. Paul International Film Festival celebrates its 35th anniversary, making it one of the longest-running festivals in the country. On this occasion, we are particularly proud to be able to say that because of your growing interest and support, our Festival, one of this community’s most anticipated annual events and outstanding treasures, continues to gain momentum, develop, expand and thrive… Over 35 years, while retaining a unique flavor and core mission to bring you the best in international independent cinema, our Festival has evolved from a Eurocentric to a global perspective, presenting an ever-broadening spectrum of new and notable film that would not otherwise be seen in the region. -
A Teaching Guide to Using Film and Television with Three- to Eleven-Year Olds Education
LOOKLOOK AGAIN!AGAIN! A teaching guide to using film and television with three- to eleven-year olds Education This publication has been made possible by the generosity of the Department for Education and Skills (DfES). LOOK AGAIN! A teaching guide to using film and television with three- to eleven-year-olds Education ma vie en rose | courtesy of bfi stills LOOK AGAIN ii CREDITS AND ACKNOWLEDGEMENTS This publication has been made possible by the British Library Cataloguing-in-Publication Data British Film Institute Primary Education Working bfi staff involved generosity of the Department for Education and A catalogue record for this book is available from Group 2002-2003 Cary Bazalgette, Head of Education Development Skills (DfES). the British Library. Wendy Earle, Resources Editor Ann Aston, Deputy Head Teacher, Robin Hood Hilary Pearce, 5–14 Development Officer Written and produced by the Primary Education ISBN: 1–903786–11–8 Primary School, Birmingham Dr David Parker, Research Officer Working Group convened by bfi Education. The copyright for this teaching guide belongs to Helen Bromley, independent Early Years the British Film Institute. consultant The Working Group would like to thank the Designed by: Alex Cameron and Kelly Al-Saleh Margaret Foley, Quality Improvement Officer numerous teachers, advisers and literacy If you would like to reproduce anything in this 0–14, Dundee City Council consultants in all parts of the UK who contributed Film stills: guide for any other purpose, please contact the Mary Hilton, Lecturer in Primary English, Faculty to the development process and the experiences courtesy of bfi Stills, Ann Aston, Christopher Resources Editor, bfi Education, 21 Stephen of Education, University of Cambridge cited in this Guide, and in particular Geoff Dean, Duriez, Juliet McCoen, Alison Hempstock, Street, London W1T 1LN. -
List of Films Considered the Best
Create account Log in Article Talk Read View source View history Search List of films considered the best From Wikipedia, the free encyclopedia Main page This list needs additional citations for verification. Please Contents help improve this article by adding citations to reliable sources. Featured content Current events Unsourced material may be challenged and removed. (November Random article 2008) Donate to Wikipedia Wikimedia Shop While there is no general agreement upon the greatest film, many publications and organizations have tried to determine the films considered the best. Each film listed here has been mentioned Interaction in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources Help About Wikipedia focus on American films or were polls of English-speaking film-goers, but those considered the Community portal greatest within their respective countries are also included here. Many films are widely considered Recent changes among the best ever made, whether they appear at number one on each list or not. For example, Contact page many believe that Orson Welles' Citizen Kane is the best movie ever made, and it appears as #1 Tools on AFI's Best Movies list, whereas The Shawshank Redemption is #1 on the IMDB Top 250, whilst What links here Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. Related changes None of the surveys that produced these citations should be viewed as a scientific measure of the Upload file Special pages film-watching world. Each may suffer the effects of vote stacking or skewed demographics. -
Rediscover Northern Ireland Report Philip Hammond Creative Director
REDISCOVER NORTHERN IRELAND REPORT PHILIP HAMMOND CREATIVE DIRECTOR CHAPTER I Introduction and Quotations 3 – 9 CHAPTER II Backgrounds and Contexts 10 – 36 The appointment of the Creative Director Programme and timetable of Rediscover Northern Ireland Rationale for the content and timescale The budget The role of the Creative Director in Washington DC The Washington Experience from the Creative Director’s viewpoint. The challenges in Washington The Northern Ireland Bureau Publicity in Washington for Rediscover Northern Ireland Rediscover Northern Ireland Website Audiences at Rediscover Northern Ireland Events Conclusion – Strengths/Weaknesses/Potential Legacies CHAPTER III Artist Statistics 37 – 41 CHAPTER IV Event Statistics 42 – 45 CHAPTER V Chronological Collection of Reports 2005 – 07 46 – 140 November 05 December 05 February 06 March 07 July 06 September 06 January 07 CHAPTER VI Podcasts 141 – 166 16th March 2007 31st March 2007 14th April 2007 1st May 2007 7th May 2007 26th May 2007 7th June 2007 16th June 2007 28th June 2007 1 CHAPTER VII RNI Event Analyses 167 - 425 Community Mural Anacostia 170 Community Poetry and Photography Anacostia 177 Arts Critics Exchange Programme 194 Brian Irvine Ensemble 221 Brian Irvine Residency in SAIL 233 Cahoots NI Residency at Edge Fest 243 Healthcare Project 252 Camerata Ireland 258 Comic Book Artist Residency in SAIL 264 Comtemporary Popular Music Series 269 Craft Exhibition 273 Drama Residency at Catholic University 278 Drama Production: Scenes from the Big Picture 282 Film at American Film -
THE COMMITTEE a NORDIC COLLABORATION Is Taking Place
PROGRAMME THE COMMITTEE A NORDIC COLLABORATION is taking place. Three delegates from Sweden, Norway and Finland are gathered in Lapland to decide on an art piece, which is to be placed where the three borders meet geographically. But the committee is in for a surprise. Instead of a sculpture, the commissioned artist presents his idea of a “Nordic Dance”. The delegates are faced with the true challenges of a democratic decision-making process. Is there something they can agree to be a Nordic movement? GUNHILD ENGER is known for her award- winning short films Subtotal , A Simpler Life and Premature . She studied at Edinburgh College of Art, Lillehammer College and the University of Gothenburg. Her graduation film Bargain was nominated for a BAFTA. JENNI TOIVONIEMI ‘s first film, The Date , was screened at multiple festivals, nominated for several awards and won the Short Film Jury Prize in Sundance and the Crystal Bear, Special Mention in Generation 14plus, Berlinale in 2013. KOMMITTÉN SWEDEN/NORWAY/FINLAND 2016 DIRECTORS Gunhild Enger and Jenni Toivoniemi PRODUCER Marie Kjellson CO-PRODUCERS Isak Eymundsson and Elli Toivoniemi SCREENPLAY Gunhild Enger and Jenni Toivoniemi CINEMATOGRAPHY Jarmo Kiuru, Annika Summerson CAST Cecilia Milocco, Tapio Liinoja, Kristin Groven Holmboe, Martin Slaatto, Teemu Aromaa. DURATION 14 min PRODUCED AND SUPPORTED BY Kjellson & Wik, Tuffi Films and Ape&Bjørn in co- production with Film Väst and SVT with financial support by Swedish Film Institute, Norwegian Film Institute, Finnish Film Foundation, AVEK, YLE and NRK. Commissioned by CPH:LAB INT. SALES TBA AVAILABLE WORLDWIDE EXCLUDING Sweden, Norway, Finland FESTIVAL CONTACT Norwegian Film Institute (in Haugesund, Toril Simonsen) 12 PROGRAMME THE DAY WILL COME THE DAY WILL COME IS A “David versus Goliat” story inspired by actual events. -
This Document Was Written in 1995 and Concerns Memories O
******************************************************** Disclaimer: This document was written in 1995 and concerns memories of 1930s life; as such there may be opinions expressed or words used that do not meet today’s norms and expectations. * Transcript ID: MH-95-111PL001 * Scan ID: MH-95-111PL001 * CCINTB Document ID: 95-111-1a-b * Number of pages: 4 * Date sent: 20 February 1995 * Transcribed by: TP Transcription Limited/Standardised by: Jamie Terrill * Format: Letter * Details: from Margaret Houlgate to Annette Kuhn and Valentina Bold * Notes: This transcription has rendered the original text as written, including some spelling and grammatical errors. Letter in response to 1995 campaign for the collection of cinemagoing memories. ******************************************************** [redacted], [redacted], Lyndhurst, Hants, [redacted] [redacted] Annette Kuhn and Valentina Bold Department of Theatre Film and Television Studies, University of Glasgow Florentine House, 53 Hillhead Street, Glasgow, G12 8QF. 20.2.95 Dear Both, I was interested to read your filmgoers' project and wonder whether any of my memories are of interest. I was growing up in Croydon in the 1920’s and 1930’s when "going to the pictures" was the main entertainment and interest of people of all ages. There were at least 10 cinemas within bus or cycling distance from my home, all with double features plus Pathe news, "Wonders of Nature", cartoons, and trailers for the following week, or part of the week if programmes were changed midweek. We had a wonderful choice. As well as the film programme, some of the larger cinemas had a floor show, or cinema organ which arose from the depths, and which played for 20 minutes as lights round the stage changed colour. -
The 35Th Norwegian Short Film Festival
35 The 35th Norwegian Short Film Festival Kortfilmfestivalen 2012 Katalog for den 35. Kortfilmfestivalen, Utgiver/Publisher: Grimstad 13.–17. juni 2012 Kortfilmfestivalen, Filmens Hus Dronningens gate 16, NO-0152 Oslo Design: Eriksen / Brown Med Celine Wouters Telefon/Phone: +47 22 47 46 46 Basert på en profil av Yokoland E-mail: [email protected] Short Film | Documentary | Music Video Trykk: Zoom Grafisk AS E-mail: [email protected] Papir: Munken Lynx 130 g. Satt i Berthold Akzidenz Grotesk www.kortfilmfestivalen.no Grimstad 13.6 – 17.6 2012 ProgramProgramProgram WednesdayWednesdayWednesday 13 13 13thth Juneth June June ThursdayThursdayThursday 14 14 14thth Juneth June June FridayFridayFriday 15 15 15thth Juneth June June SaturdaySaturdaySaturday 16 16 16thth Juneth June June SundaySundaySunday 17 17 17thth Juneth June June NKNK NK NorskNorskNorsk kortfilm/Norwegian kortfilm/Norwegian kortfilm/Norwegian Short Short Short Film Film Film CatilinaCatilinaCatilina PanPanPan VesleVesleVesle HestetorgetHestetorgetHestetorgetOtherOtherOther Venues Venues Venues CatilinaCatilinaCatilina PanPanPan VesleVesleVesle HestetorgetHestetorgetHestetorgetRicaRicaRica Hotel Hotel Hotel RicaRicaRica Hotel Hotel Hotel OtherOtherOther Venues Venues Venues CatilinaCatilinaCatilina PanPanPan VesleVesleVesle HestetorgetHestetorgetHestetorgetRicaRicaRica Hotel Hotel Hotel OtherOtherOther Venues Venues Venues CatilinaCatilinaCatilina PanPanPan VesleVesleVesle HestetorgetHestetorgetHestetorgetRicaRicaRica Hotel Hotel Hotel OtherOtherOther Venues Venues -
Paradox Presents a Film by Hans Petter Moland
PARADOX PRESENTS STELLAN SKARSGÅRD BRUNO GANZ PÅL SVERRE HAGEN A FILM BY HANS PETTER MOLAND 02 PRESSBOOK IN ORDER OF DISAPPEARANCE PARADOX FILM & TRUSTNORDISK PRESENT (KRAFTIDIOTEN) ACTION COMEDY, NORWAY/SWEDEN/DENMARK 2014 A FILM BY HANS PETTER MOLAND WITH STELLAN SKARSGÅRD, BRUNO GANZ, PÅL SVERRE HAGEN, BIRGITTE HJORT SØRENSEN, JAKOB OFTEBRO, KRISTOFFER HIVJU, ANDERS BAASMO CHRISTIANSEN WORLD PREMIERE IN BERLINALE COMPETITION, FEBRUARY 10TH SOUND 5.1, FORMAT DCP 2K, SCREEN RATIO 1:2,39 04 PRESSBOOK IN ORDER OF DISAPPEARANCE SYNOPSIS Nils snow ploughs the wild winter mountains of Norway, and is recently awarded Citizen of the Year. When his son is murdered for something he did not do, Nils wants revenge. And justice. His actions ignites a war between the vegan gangster “The Count“ and the Serbian mafia boss “Papa“. Winning a blood feud isn´t easy. Especially not in a welfare state. But Nils has something going for him: Heavy machinery and beginner‘s luck. PRESSBOOK IN ORDER OF DISAPPEARANCE 05 06 PRESSBOOK IN ORDER OF DISAPPEARANCE DIRECTOR: HANS PETTER MOLAND Hans Petter Moland never repeats himself. His films are eclectic and His adaptation of the famous Norwegian book, COMRADE PEDER- unique, and he explores both tragedy and – this time – comedy. SEN (2006) won him the award for Best Direction at the Montre- al World Film Festival, and his short film UNITED WE STAND won IN ORDER OF DISAPPEARANCE is Hans Petter Molands third Grand Prix in Clairmont Ferrand and an additional 23 awards world- Competition entry in the Berlinale. His last feature, A SOMEWHAT wide. GENTLE MAN won the Berliner Morgenpost Readers‘ Award at the Berlinale in 2010 and numerous prizes, including the Special Jury Moland has also won all major commercial film awards, including Prize at Chicago International Film Festival and a Norwegian Amanda Gold Lions in Cannes and Clio Awards, and he has directed a play for Best Actor. -
Intersections of Neoliberalism, Race, and Queerness in the Works of Jonas Hassen Khemiri and Ruben Östlund
Challenging Swedishness: Intersections of Neoliberalism, Race, and Queerness in the Works of Jonas Hassen Khemiri and Ruben Östlund by Christian Mark Gullette A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Scandinavian Languages and Literatures and the Designated Emphasis in Women, Gender, and Sexuality in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Linda Haverty Rugg, Chair Professor Mark Sandberg Professor Mel Y. Chen Spring 2018 © Christian Mark Gullette 2018 Abstract Challenging Swedishness: Intersections of Neoliberalism, Race, and Queerness in the Works of Jonas Hassen Khemiri and Ruben Östlund by Christian Mark Gullette Doctor of Philosophy in Scandinavian Languages and Literatures and the Designated Emphasis in Women, Gender, and Sexuality University of California, Berkeley Professor Linda Haverty Rugg, Chair This dissertation explores the work of author Jonas Hassen Khemiri and filmmaker Ruben Östlund, examining the ways both artists consistently negotiate racial identification and “Swedishness” in neoliberal economic contexts that are often at odds with other Swedish, exceptionalist discourses of social justice. Khemiri and Östlund represent contrasting perspectives and tonalities, yet both artists identify the successful competition for capital as a potentially critical component in achieving access to “Swedishness.” Khemiri and Östlund recognize that race and economics are intertwined in neoliberal arguments, even in Sweden, something their works help to elucidate. The implications of such similar observations from very different artists might go overlooked if discussed in isolation. I argue that it is crucial to analyze the negotiation of identity in these works not merely in abstract economic terms, but through their use of a very specific neoliberal economic discourse.