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Lions Film Awards 01/01/1993 at Gd Birla Sabhagarh

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1ST YEAR - LIONS FILM AWARDS 01/01/1993 AT G. D. BIRLA SABHAGARH LIST OF AWARDEES FILM BEST ACTOR TAPAS PAUL for RUPBAN BEST ACTRESS DEBASREE ROY for PREM BEST RISING ACTOR ABHISEKH CHATTERJEE for PURUSOTAM BEST RISING ACTRESS CHUMKI CHOUDHARY for ABHAGINI BEST FILM INDRAJIT BEST DIRECTOR BABLU SAMADDAR for ABHAGINI BEST UPCOMING DIRECTOR PRASENJIT for PURUSOTAM BEST MUSIC DIRECTOR MRINAL BANERJEE for CHETNA BEST PLAYBACK SINGER USHA UTHUP BEST PLAYBACK SINGER AMIT KUMAR BEST FILM NEWSPAPER CINE ADVANCE BEST P.R.O. NITA SARKAR for BAHADUR BEST PUBLICATION SUCHITRA FILM DIRECTORY SPECIAL AWARD FOR BEST FILM PREM TELEVISION BEST SERIAL NAGAR PARAY RUP NAGAR BEST DIRECTOR RAJA SEN for SUBARNALATA BEST ACTOR BHASKAR BANERJEE for STEPPING OUT BEST ACTRESS RUPA GANGULI for MUKTA BANDHA BEST NEWS READER RITA KAYRAL STAGE BEST ACTOR SOUMITRA CHATTERHEE for GHATAK BIDAI BEST ACTRESS APARNA SEN for BHALO KHARAB MAYE BEST DIRECTOR USHA GANGULI for COURT MARSHALL BEST DRAMA BECHARE JIJA JI BEST DANCER MAMATA SHANKER 2ND YEAR - LIONS FILM AWARDS 24/12/1993 AT G. D. BIRLA SABHAGARH LIST OF AWARDEES FILM BEST ACTOR CHIRANJEET for GHAR SANSAR BEST ACTRESS INDRANI HALDER for TAPASHYA BEST RISING ACTOR SANKAR CHAKRABORTY for ANUBHAV BEST RISING ACTRESS SOMA SREE for SONAM RAJA BEST SUPPORTING ACTRESS RITUPARNA SENGUPTA for SHWET PATHARER THALA BEST FILM AGANTUK OF SATYAJIT ROY BEST DIRECTOR PRABHAT ROY for SHWET PATHARER THALA BEST MUSIC DIRECTOR BABUL BOSE for MON MANE NA BEST PLAYBACK SINGER INDRANI SEN for SHWET PATHARER THALA BEST PLAYBACK SINGER SAIKAT MITRA for MISTI MADHUR BEST CINEMA NEWSPAPER SCREEN BEST FILM CRITIC CHANDI MUKHERJEE for AAJKAAL BEST P.R.O. SREE PANCHANAN for GHAR SANSAR SPECIAL AWARD FOR BEST PRODUCER DILIP KANKARIA for GHAR SANSAR TELEVISION BEST ACTOR SABYASACHI CHAKRABARTY for MAYER SANSAR BEST ACTRESS LABONY SARKAR for BISH BRIKSHYA BEST SUPPORTING ACTOR RANJAN BHATTACHARJEE for BIBAHO ABHIJAAN BEST SUPPORTING ACTRESS BINA for JUNOON BEST SERIAL BIBAHO ABHIJAAN BEST DIRECTOR DULAL LAHIRI for CINEMAWALA BEST NEWS READER BRATATI BANERJEE for DOORDARSHAN STAGE BEST ACTOR PRASENJEET for GAURAV BEST ACTRESS NAYANA DAS for MO SAHEB BEST DIRECTOR JNANESH MUKHERJEE for RAM MILAYE JODI BEST DRAMA MAYA JAAL OF SPANDAN BEST DANCER TANUSREE SHANKER BEST ANNOUNCER SHAKIL ANSARI 3RD YEAR - ANNUAL FILM AWARDS 30/12/1994 AT KALA MANDIR AUDITORIUM LIST OF AWARDEES FILM BEST ACTOR RANJIT MALLICK for ABBA JAN BEST ACTRESS DEBASHREE ROY for SANDHYA TARA BEST RISING ACTOR RISHI MUKHERJEE for BABA LOKNATH BEST RISING ACTRESS PALLAVI CHATTERJEE for ABBA JAN BEST FILM SANDHYA TARA of L. V. PRASAD BEST DIRECTOR VIJAY BHASKAR REDDY for NAG PANCHMI BEST MUSIC DIRECTOR NEETA SEN for BABA LOKNATH BEST FILM CRITIC SUBARNA GHOSH for AMRITA BAZAR PATRIKA BEST CAMERA MAN BISWAJIT BANERJEE for NILANJANA TELEVISION BEST ACTOR ANOOP KUMAR for SWARNA KUMBA BEST ACTRESS MOON MOON SEN for DE-RAY BEST SERIAL SESH PRASHNA OF SISHIR GUPTA BEST DIRECTOR ASHOKE VISHWANATHAN for BLIND LANE BEST TV DOCU FILM MEENU KA SAPNA (NOISE POLLUTIONS) BEST NEWS READER RAYA BHATTACHARYA BEST TV MAGAZINE YUG SHREE STAGE BEST ACTOR RABI GHOSH for HEERA LAL PANNALAL BEST ACTRESS LABONI SARKAR for UJAN GANGA BEST DIRECTOR PUNYA DARSHAN GUPTA for WAH ZINDAGI BEST DRAMA BANJARA OF JOCHAN DASTIDAR BEST DANCER JAYSHREE SARKAR for SHYAMA BEST COMPERER MAHMOOD BARRY BEST SINGER RITA DEY BEST SINGER RAJENDRA JAIN BEST STORY WRITER BUDHADEV BHATTACHARYA for DUSHSAMAY (Information Minister, West Bengal) 4TH YEAR - LIONS KALAKAR AWARDS 02/01/1996 AT KALA MANDIR AUDITORIUM LIST OF AWARDEES FILM BEST FILM WHEEL CHAIR BEST COMMERCIAL FILM MEJO BOU LIFETIME ACHIEVEMENT RAVINDRA JAIN LIFETIME ACHIEVEMENT TAPAN SINHA BEST DIRECTOR CHIRANJEET for SANSAR SANGRAM BEST UPCOMING DIRECTOR HARANATH CHAKRABORTY for SANGHARSHA BEST ACTOR TAPAS PAUL for MEJO BOU BEST ACTRESS SATABDI ROY for SANSAR SANGRAM BEST SUPPORTING ACTOR BIPLAB CHATTERJEE for MASHAL BEST SUPPORTING ACTRESS SOME MUKHERJEE for MEJO BOU BEST RISING ACTOR KUSHAL CHAKRABORTY for KAKA BABU HARAYE GELEN BEST RISING ACTRESS DOLAN ROY for KAKA BABU HARAYE GELEN BEST MUSIC DIRECTOR ANUPAM DUTTA for SANSAR SANGRAM BEST STORY & SCRIPT ANJAN CHOUDHURY for MEJO BOU BEST FILM CRITIC RUKUM JI for SANMARG DAILY BEST FILM MAGAZINE ANANDALOK SPECIAL AWARD BABLU SAMMADAR for MEJO BOU TELEVISION BEST SERIAL LOUHA KAPAT BEST DIRECTOR PROBHAT ROY for ANDOLAN BEST ACTOR SABYASACHI CHAKRABORTY for ANDOLAN BEST ACTRESS DEBASHREE ROY for LOUHA KAPAT BEST NEWS READER NUSRAT JAHAN BEST TV CHANNEL ZEE TV SPECIAL AWARD AMITABH BHATTACHARYA for LOUHA KAPAT STAGE BEST DRAMA BAISAKHI JHAR BEST DIRECTOR RAJENDRA SHARMA for GURBUR GHOTALA BEST ACTOR ARINDAM GANGULI for BADSAHI CHAAL BEST ACTRESS PIYA DAS for PROTIKSHA BEST CHOREOGRAPHER MAMATA SHANKER BEST SINGER AMRIK SINGH ARORA BEST SINGER JOJO MUKHERJEE BEST COMPERER MADHUMANTI MOITRA 5TH YEAR - LIONS KALAKAR AWARDS 01/01/1997 AT KALA MANDIR AUDITORIUM LIST OF AWARDEES FILM BEST FILM UNISHE APRIL BEST COMMERCIAL FILM BHOY LIFETIME ACHIEVEMENT SHAKTI SAMANTA LIFETIME ACHIEVEMENT PRAKASH MEHRA LIFETIME ACHIEVEMENT SANJAY KHAN LIFETIME ACHIEVEMENT PREM CHOPRA BEST DIRECTOR RITUPARNO GHOSH for UNISHE APRIL BEST ACTOR ARJUN CHAKRABORTY for KARNA BEST ACTRESS RITUPARNA SENGUPTA for ABUJH MON BEST SUPPORTING ACTOR ABHISHEK CHATTERJEE for JAMAI BABU BEST SUPPORTING ACTRESS BEENA for MAYER KATHA BEST INTRODUCING ACTRESS RANI MUKHERJI for RAJA KI AAYEGI BAARAAT & BIYER PHOOL BEST PLAYBACK SINGER (M) VIJAY BENEDICT for RAJA KI AAYEGI BAARAAT BEST PLAYBACK SINGER (F) SREERADHA BANDYOPADHYAY for AASTHA BEST FILM JOURNALIST RAJESH TRIPATHI for JANSATTA BEST FILM JOURNALIST SUMAN GUPTA for BARTAMAN TELEVISION BEST SERIAL SWAPNER BAJAAR BEST DIRECTOR SWAPAN PANJA for GAAN SHUDU GAAN BEST ACTOR FAROUQUE SHAIKH for CHAMATKAAR BEST ACTRESS INDRANI HALDER for AROTI BEST NEWS READER SANJUKTA SINHA BEST TV CHANNEL D.D. 7 STAGE BEST DRAMA RAM KATHA RAM KAHANI BEST DIRECTOR SAONLI MITRA for BITATA BITANGSHA BEST ACTOR ASIT MUKHOPADHYAY for SHAAM BHI THI DHUAN DHUAN BEST ACTRESS DOLLY BASU for SHAAM BHI THI DHUAN DHUAN BEST DANCER DONA ROY BEST COMPERER RATNA SARKAR 6TH YEAR - KALAKAR AWARDS 01/01/1998 AT SCIENCE CITY AUDITORIUM LIST OF AWARDEES FILM BEST FILM LAL DARJA (BUDDHADEB DAS GUPTA) LIFETIME ACHIEVEMENT B. R. CHOPRA for Contribution in Indian Cinema LIFETIME ACHIEVEMENT BISWAJIT for Contribution in Indian Cinema BEST DIRECTOR PRABHAT ROY for LATHI BEST RISING DIRECTOR PALLAB GHOSH for SAPTAMI (DEBAKI BOSE AWARD) BEST ACTOR ANJAN DUTTA for YUGANT BEST ACTRESS RUPA GANGULY for YUGANT BEST RISING ACTOR TAPAN CHATTERJEE for SREEMAN BHOOTNATH BEST RISING ACTRESS SREELEKHA MITRA for SAPTAMI BEST FILM CRITIC PRADEEP BISWAS for SCREEN, INDIAN EXPERSS BEST FILM MAGAZINE STAR DUST SPECIAL AWARD GOUTAM GHOSH (Director) – for GUDIA SPECIAL AWARD RITUPARNA Actress – for MONER MANUSH SPECIAL AWARD ALAMGIR (Actor) – Bangladesh TELEVISION BEST SERIAL JANMABHOOMI (Producer RAMESH GANDHI) BEST DIRECTOR RITUPARNO GHOSH for BAHANNO EPISODE BEST ACTOR RAZA MURAD for GHOOTAN (Hindi) BEST ACTOR SHANKAR CHAKRABORTY for BAHANNO EPISODE BEST ACTRESS SEEMA KAPOOR for INTEQUAM (Hindi) BEST ACTRESS INDRANI HALDER for KUASHA JAKHAN BEST COMPERER GUDDI MARUTI for SORRY MERI LORRY BEST NEWS READER MADHUMANTI MAITRA STAGE BEST DRAMA BANCHARAM KAPALI (KALA KRITI) BEST DIRECTOR USHA GANGULI for BETI AAYEE BEST ACTOR RUDRA PRASAD SENGUPTA for GOTRAHEIN BEST ACTRESS ANINDITA SAHA for KARNAWATI BEST CHOREOGRAPHER ASHISH BANERJEE for FASHION & DANCE BEST MODEL PINKY DUTTA BEST UP-COMING MODEL AYUSHI DEY BEST COMPERER RATNA SARKAR MUSIC BEST KING OF GAZAL GHULAM ALI (Pakistan) for Contribution in Music World BEST AUDIO ALBUM (MALE) RAJENDRA JAIN for BHARAT VARSH MAHAAN HAI BEST AUDIO ALBUM (FEMALE) RUNA LAILA for JADOO BEST LYRICS (AUDIO ALBUM) PRASANTA SAHA for HEI KARO KI THAKURPO SPECIAL AWARD LT. GULSHAN KUMAR for Contribution in Music World 7TH YEAR - BOROLINE KALAKAR AWARDS 04/01/1999 AT SCIENCE CITY AUDITORIUM LIST OF AWARDEES LIFETIME ACHIEVEMENT DHARMENDRA for Contribution in Indian Cinema LIFETIME ACHIEVEMENT HRISHIKESH MUKHERJEE for Contribution in Indian Cinema LIFETIME ACHIEVEMENT RAMANAND SAGAR for Contribution in Indian Cinema LIFETIME ACHIEVEMENT SHAMMI KAPOOR for Contribution in Indian Cinema LIFETIME ACHIEVEMENT SHATRUGHAN SINHA for Contribution in Indian Cinema BEST FILM SEDIN CHAITRA MASH BEST DIRECTOR HARANATH CHAKRABORTY for RAJA RANI BADSHA BEST ACTOR PROSENJIT for RANAKESHTRA BEST ACTRESS SATABDI ROY for RAJA RANI BADSHA SPECIAL AWARD INDRANI DUTTA for SEDIN CHAITRA MASH BEST SERIAL OGO PRIYATAMA BEST DIRECTOR NEENA GUPTA for SAANS BEST ACTOR KANWALJIT for SAANS BEST ACTRESS LABONI SARKAR for MOHINI BEST DRAMA APNE PARAYE (SKM PRODUCTION) SPECIAL AWARD BADAL DHAR CHOWDHURY for Promoting Music LIFE TIME ACHIEVEMENT JAGJIT SINGH for Contribution in Music World BEST AUDIO ALBUM (Hindi) ILA ARUN for KHICHDI BEST AUDIO ALBUM (Hindi) RAJENDRA JAIN for MEHBOOBA BEST AUDIO ALBUM (Bangla) AMRIK SINGH ARORA for BANGLA KE BHALOBASI BEST AUDIO ALBUM (Bangla) USHA UTHUP for DOOR DEEP BASINI BEST PLAYBACK SINGER REMO FERNANDES for PYAAR TO HONA HI THA SPECIAL AWARD USTAD RASHID KHAN for Contribution in Classical Music 8TH YEAR - KALAKAR AWARDS 25/01/2000 AT SCIENCE CITY AUDITORIUM LIST OF AWARDEES LIFE TIME ACHIEVEMENT PRADEEP KUMAR LIFE TIME ACHIEVEMENT DARA SINGH BEST DIRECTOR MRINAL SEN BEST ACTOR AMRISH PURI BEST ACTOR JASPAL BHATTI BEST ACTRESS SHABANA AZMI BEST ACTOR VICTOR BANERJEE BEST ACTRESS BINDU BEST ACTOR CHIRANJEET BEST ACTRESS MOON
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    Akshay Kumar Topic relevant selected content from the highest rated wiki entries, typeset, printed and shipped. Combine the advantages of up-to-date and in-depth knowledge with the convenience of printed books. A portion of the proceeds of each book will be donated to the Wikimedia Foundation to support their mis- sion: to empower and engage people around the world to collect and develop educational content under a free license or in the public domain, and to disseminate it effectively and globally. The content within this book was generated collaboratively by volunteers. Please be advised that nothing found here has necessarily been reviewed by people with the expertise required to provide you with complete, accu- rate or reliable information. Some information in this book maybe misleading or simply wrong. The publisher does not guarantee the validity of the information found here. If you need specific advice (for example, medi- cal, legal, financial, or risk management) please seek a professional who is licensed or knowledgeable in that area. Sources, licenses and contributors of the articles and images are listed in the section entitled “References”. Parts of the books may be licensed under the GNU Free Documentation License. A copy of this license is included in the section entitled “GNU Free Documentation License” All used third-party trademarks belong to their respective owners. Contents Articles Akshay Kumar 1 List of awards and nominations received by Akshay Kumar 8 Saugandh 13 Dancer (1991 film) 14 Mr Bond 15 Khiladi 16 Deedar (1992 film) 19 Ashaant 20 Dil Ki Baazi 21 Kayda Kanoon 22 Waqt Hamara Hai 23 Sainik 24 Elaan (1994 film) 25 Yeh Dillagi 26 Jai Kishen 29 Mohra 30 Main Khiladi Tu Anari 34 Ikke Pe Ikka 36 Amanaat 37 Suhaag (1994 film) 38 Nazar Ke Samne 40 Zakhmi Dil (1994 film) 41 Zaalim 42 Hum Hain Bemisaal 43 Paandav 44 Maidan-E-Jung 45 Sabse Bada Khiladi 46 Tu Chor Main Sipahi 48 Khiladiyon Ka Khiladi 49 Sapoot 51 Lahu Ke Do Rang (1997 film) 52 Insaaf (film) 53 Daava 55 Tarazu 57 Mr.
  • Provisional List of Candidates for Final Round of Viva-Voce for Admission to the Ph. D

    Provisional List of Candidates for Final Round of Viva-Voce for Admission to the Ph. D

    THE UNIVERSITY OF BURDWAN Office of the Secretary, Faculty Council (Arts, Com., Law, etc.) 3rd Floor Composite Arts Building, Golapbag P.O.- Rajbati, Dist.- Purba Burdwan, Pin. -713104, West Bengal. E-mail : [email protected] Website: www.buruniv.ac.in No.: FC(A)/Ph.D.& SFF, M.Phil. 2020/Final Round /Viva-Voce/10 Date: 06.08.2021 PROVISIONAL LIST OF CANDIDATES FOR APPEARING THE FINAL ROUND OF VIVA VOCE FOR ADMISSION TO Ph.D. PROGRAMME AND SFF- 2020 AND M.Phil. PROGRAMME 2020-2022 UNDER THE FACULTY COUNCIL (ARTS etc.) EXCEPT BENGALI IMPORTANT INSTRUCTION TO THE CANDIDATES: Provisional list of candidates for appearing the Final round of Viva-Voce for admission to Ph.D. Programme and SFF-2020 and M.Phil. Course 2020-2022 under the faculty council (Arts etc.) is published for information of all of the concerned candidates. The names of the candidates and other data, have been extracted from the data as submitted by the candidate during the submission of online application form, for preparation of the Provisional list of candidates for appearing the Final round of viva voce for admission to Ph.D. Programme and SFF-2020 and M.Phil. Programme 2020-2022 under the faculty council (Arts etc.). In case of any incorrect input, the candidature of the candidate will stand as cancelled. Dates of the Viva-Voce (Final Round) will be declared in due course. All lists including the final round of Viva Voce, rank list, merit list are provisional and only after the verification of the data/documents of the candidate, the admission shall be confirmed.
  • No No 45058 45217 45203 45109 45174 45144 45218 45116 45096

    No No 45058 45217 45203 45109 45174 45144 45218 45116 45096

    HINDI SONG Ace Karaoke Corp. NO TITLE SINGER NO TITLE SINGER 45058 Aa bhi ja Lucky Ali 45217 Chand Sa Mukhra Ali Haider(P) 45203 Aadat (P) Jal 45109 Chand sitare Kumar Sanu 45174 Aaj Main Oopar Kavita Krishnamoorthy & Kumar Sanu 45176 Chandu Ke Chacha 45144 Aajmain Oopar Kumar Sanu 45218 Channo ki aankh mein(P) Ali Zafar 45116 Aanewala pal jaanewala hai Kishore Kumar 45096 Chhadh Gayi Sonu Nigam & Anuradha Sriram 45141 Aankhe Khuli ho ya ho band Lata Mangeskar 45130 Chhoti chhoti raatein Sonu Nigam 45001 Aankhon se tune ye kya keh diya Kumar Sanu 45047 Chingari koi Bhadke Kishore Kumar 45201 Aao Na Sadhana Sargam & Udit Narayan 45072 Chinna chinna aasai Minmini 45077 Aap jai sa koi meri Nazia Hassan 45069 Choti si Asha Minmini 45045 Aapke pyar mein Alka Yagnik 45063 Chukar mere hum ko Kishore Kumar 45257 Aashiq Banaya Aapne HIMESH RESHAMMIYA, SHREYA GHOSHAL 45284 Chupke Chupke(P) Ghulam Ali 45061 Aashiq hoon mein Sonu Nigam 45121 Chura liya hai tum ne Asha Bosle 45142 Aate aate Alka Yagnik 45148 Churao na dil Udit Narayan 45002 Aati kya Khandala Aamir Khan & Alka Yagnik 45219 Cinderella Sajjad Ali(P) 45003 Ab tere bin Kumar Sanu & Alka Yagnik 45183 Dam Maaro Dam Asha Bhosle 45004 Ae mere humsafar Udit Narayan & Alka Yagnik 45285 Deedar De SUNIDHI CHAUHAN 45173 Agar Main Kahoon Udit Narayan & Alka Yagnik 45097 Deewana Deewana Udit Narayan 45211 Agar Tum Mil Jao SHREYA GHOSHAL 45177 Dekh Le Sunidhi Chauhan & Anu Malik 45098 Ai ajnabee Babul Supriyo 45059 Dekha na Kishore Kumar 45143 Aisa Jadoo Sunidhi Chauhan 45149 Der Se Hua Nadeem shravan
  • Film Genres, the Muslim Social, and Discourses of Identity C. 1935–1945

    Film Genres, the Muslim Social, and Discourses of Identity C. 1935–1945

    Article BioScope Film Genres, the Muslim Social, and 6(1) 27–43 © 2015 Screen South Asia Trust Discourses of Identity c. 1935–1945 SAGE Publications sagepub.in/home.nav DOI: 10.1177/0974927615586930 http://bioscope.sagepub.com Ravi S. Vasudevan1 Abstract This article explores the phenomenon of the Muslim social film and “Islamicate” cinema of pre-Partition India to suggest a significant background to cinema’s function in the emergence of new states. In particu- lar, it seeks to provide an account of how discussions of genre and generic difference framed issues of audience and identity in the studio period of Indian film, broadly between the mid-1930s and mid-1940s. Rather than focus too narrowly on identity discourses in the cinema, I try to move among amorphous and dispersed senses of audience, more calibrated understandings related to a trade discourse of who films would appeal to, and finally, an agenda of social representation and audience address that sought to develop in step with a secular nationalist imagining of the Muslim community and its transformation. Keywords Muslim social, Mehboob, K.A. Abbas, Islamicate, oriental, Lahore This article explores the phenomenon of the Muslim social film and “Islamicate” cinema of pre-Partition India to suggest a significant background to cinema’s function in the emergence of new states. In particu- lar, it seeks to provide an account of how discussions of genre and generic difference framed issues of audience and identity in the studio period of Indian film, broadly between the mid-1930s and mid-1940s. Rather than focus too narrowly on identity discourses in the cinema, I try to move among amorphous and dispersed senses of audience, more calibrated understandings related to a trade discourse of who films would appeal to, and finally, an agenda of social representation and audience address that sought to develop in step with a secular nationalist imagining of the Muslim community and its transformation.
  • 217 Semester – II

    217 Semester – II

    NAAC ACCREDITED Reference Material for Three Years Bachelor of English (Hons.) Code : 217 Semester – II DISCLAIMER :FIMT, ND has exercised due care and caution in collecting the data before publishing tis Reference Material. In spite of this ,if any omission,inaccuracy or any other error occurs with regards to the data contained in this reference material, FIMT, ND will not be held responsible or liable. COPYRIGHT FIMT 2020 Page 1 BA ENGLISH (HON) SEM IV PAPER CODE 202 LITERARY CRITICISM Q1. What are Aristotle's views on mimesis? Ans: Mimesis is a Greek term that means imitation. The first step in understanding Aristotle's account of mimesis is remembering that he spent many years studying at Plato's Academy. In Platonic thought, the things we encounter via our senses, the phenomena, are imitations of ideal forms. Art (whether poetry or painting), in imitating the phenomena, is thus merely an imitation of an imitation. Plato also divides imitation by medium (words, paint, marble, etc.). He further divides the verbal techniques of imitation into pure imitation or mimesis, in which an actor impersonates a character on stage, and diegesis, or narration, in which a narrator speaks in the third person about events. Epic is a mixed form, using both impersonation and narration when performed by a rhapsode. Plato tends to condemn imitation as degrading, because (1) impersonation can inculcate bad or non-rational habits and (2) because it focuses attention on mere phenomena. Aristotle accepts the Platonic distinction between mimesis and diegesis, but finds both valuable as modes of training and educating emotions.