New Polish Films 2015 Contents F INDEX
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Polish Cinema 2008
New Polish Films: WITH SENSE AND SENSIBILITY Andrzej Wajda’s School: THE MASTER AND HIS TRAINEES “Peter and the Wolf”: SECOND OSCAR FOR A FILM MADE IN SE-MA-FOR STUDIO Russia, Afghanistan and Belarus: IN POLISH DOCUMENTARIES „PETER AND THE WOLF” Polish Cinema 2008 THE TRAGEDY OF PRISONERS OF WAR, THE MISERY OF THEIR FAMILIES ANDRZEJ WAJDA’S “KATYŃ” Polish Cinema 2008 editorial “Kino” monthly , a journal providing a perceptive and original insight into various aspects of the film industry, has accompanied Polish cinema for over forty years now. In line with this tradition, in this special English language issue, we present a selection of articles published in “Kino” in the last year. They include reviews, interviews, as well as articles concerning the history of Polish cinema and opinion columns. However, we focus on the most interesting Polish feature films (of which 41 have been made there between the beginning of 2007 and May 2008), as well as documentary and animated films of the last year. Some of them could be seen at various international festivals, where they received numerous awards. The most prestigious award, an Oscar, came to the short animated film, “Peter and the Wolf”, which is a British-Polish co-production, directed by Suzie Templeton and made in the Studio Se-Ma-For in Łódź. On the other hand, the most awarded Polish film was “Tricks” by Andrzej Jakimowski, which till April 2008 received 12 awards, including at the festivals in Gdynia, Venice, Tokyo, Mannheim, Sao Paulo and Miami. However, what counts more than awards is the fact that Polish viewers have regained pleasure in watching Polish films. -
Polish Cinema for Beginners
Polish Cinema for Beginners "Polish Cinema for Beginners" is a unique project - the first of its kind - both in Wroclaw and all of Poland, whose first edition took place in 2012 and was very popular with audiences. It is aimed directly at foreigners in order to present them with the masterpieces of Polish cinema. This will be shown, with English subtitles, on the big screen in Kino Nowe Horyzonty (New Horizons Cinema). In order to present the historical and artistic context of the films, each screening is introduced by a lecture in English, led by renowned experts - film scholars , journalists and scientists. Thanks to this, the project has not only entertainment, but also educational value, thus serving as a valuable course in Polish culture. Each screening is followed by an open discussion in which different cultural viewpoints are shared. After the discussion, viewers are cordially invited to a Polish Party in Wroclaw’s Gradient Club (at Solny Square). Our goal Through regular meetings and screenings of Polish films, we want to support the integration process of foreigners living in Wroclaw. We also want to show the history of Polish cinema and, more broadly, Polish culture, by placing the films in a wider socio- historical context. English-speaking Polish viewers will have the opportunity to see their native Polish films from a slightly different perspective, which - as shown by the reactions of foreigners during post-screening discussions – is sometimes surprising. What is more, we want to co-create the identity of Wroclaw as a city that stands out on the Polish map by offering equal- opportunity access to the cultural heritage of our country, by being an open city, and – especially in the context of its being chosen as European Capital of Culture 2016 – by offering an interesting and unique range of cultural and educational activities. -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
Painful Past, Fragile Future the Delicate Balance in the Western Balkans Jergović, Goldsworthy, Vučković, Reka, Sadiku Kolozova, Szczerek and Others
No 2(VII)/2013 Price 19 PLN (w tym 5% VAT) 10 EUR 12 USD 7 GBP ISSN: 2083-7372 quarterly April-June www.neweasterneurope.eu Painful Past, Fragile Future The delicate balance in the Western Balkans Jergović, Goldsworthy, Vučković, Reka, Sadiku Kolozova, Szczerek and others. Strange Bedfellows: A Question Ukraine’s oligarchs and the EU of Solidarity Paweï Kowal Zygmunt Bauman Books & Reviews: Tadeusz Mazowiecki, Mykola Riabchuk, Robert D. Kaplan and Jan Švankmajer Seversk: A New Direction A Siberian for Transnistria? Oasis Kamil Caïus Marcin Kalita Piotr Oleksy Azerbaijan ISSN 2083-7372 A Cause to Live For www.neweasterneurope.eu / 13 2(VII) Emin Milli Arzu Geybullayeva Nominated for the 2012 European Press Prize Dear Reader, In 1995, upon the declaration of the Dayton Peace Accords, which put an end to one of the bloodiest conflicts in the former Yugoslavia, the Bosnian War, US President, Bill Clinton, announced that leaders of the region had chosen “to give their children and their grandchildren the chance to lead a normal life”. Today, after nearly 20 years, the wars are over, in most areas peace has set in, and stability has been achieved. And yet, in our interview with Blerim Reka, he echoes Clinton’s words saying: “It is the duty of our generation to tell our grandchildren the successful story of the Balkans, different from the bloody Balkans one which we were told about.” This and many more observations made by the authors of this issue of New Eastern Europe piece together a complex picture of a region marred by a painful past and facing a hopeful, yet fragile future. -
Obce Ciało Press Kit En
FOREIGN BODY Directed by Krzysztof Zanussi CAST Angelo Riccardo Leonelli Kris Agnieszka Grochowska Kasia Agata Buzek Mira Weronika Rosati Father Sławomir Orzechowski Tamara Chulpan Khamatova Adam Bartek Żmuda Róża Ewa Krasnodębsk a Alessio Mattia Mor Angelo ’ mother Victoria Zinny Journalist Jacek Poniedziałek Hypnotist Janusz Chabior Mother Superior Stanisława Celińska Priest Maciej Robakiewicz Focolarino Tadeusz Bradecki Police officer Bartosz Obuchowicz CREW Director Krzysztof Zanussi Screenplay Krzysztof Zanussi Director of photography Piotr Niemyjski Costium e designer Katarzyna Lewińska Production designer Joanna Macha Producer Krzysztof Zanussi Executive producer Janusz Wąchała PRODUCTION DETAILS Genre drama Country Pol and / Italy / R ussia Production company TOR Film Production Co -produc tion companies Revolver Film In cooperation with TVCo National Program „Within The Family” WFDiF TVP With suport of TZMO S.A., Bella, Rostec Co -financed by Polish Film Institute Ministry of Culture and National Heritage TOR Film Production, e-mail: [email protected], phone: +48(22)8455303, www.tor.com.pl The Director about the film: “The film, which is intended to be a psychological drama, gives an account of a clash of corporate cynicism with youthful idealism. The perversity of the story comes from the fact that the one persecuted is a young man, an Italian, who is a genuine Christian. On the other side stands a row of liberated women who outperform the men in their cynicism and brutality of conduct. The result of the clash is inconclusive – idealism falters, although it has its Lord, while cynicism cracks, even though it’s far from being converted. The genealogy of the liberated woman catches a glimpse back to the past. -
HM 06 FEBRUARY Page 10.Qxd (Page 1)
www.himalayanmail.com 10 JAMMU ☯ SATURDAY ☯ FEBRUARY 06, 2021 ENTERTAINMENT The Himalayan Mail Katrina looks marvelous in her recent Varun Dhawan joins Ranveer Singh & commercial video along with Amitabh, Nagarjuna! Katrina Kaif is shooting Rohit Shetty on the sets of Cirkus! for her next horror-comedy film Phone Bhoot alongside Ishaan Khatter and Sid- dhant Chaturvedi. Recently, the actress shared her shoot diaries on social media where she can be seen doing fun with her Phone Bhoot gang. Similar pictures were also shared by Siddhant Chaturvedi. On Friday, Katrina Kaif reposted a video by Amitabh Bachchan on Instagram and captioned it, "Trust - the only emotion that binds every relationship. #TrustI- sEverything #BharosaHiS- abKuchHai." In the shared commercial advertisement, Amitabh Bachchan was seen alongside his wife Jaya and daughter Shweta Bachchan. It also stars Nagarjuna, Kat- rina Kaif, and Punjabi ac- tress Wamiqa Gabbi. Check out the video post here - On the work front, Katrina will share the screen space with Ishaan Khatter and Siddhant Chaturvedi in the horror-comedy film 'Phone Bhoot', helmed by Gurmeet Ranveer Singh is shooting for his comedy flick Cirkus and has been enjoying his time while shooting with Singh and produced by his favorite director Rohit Shetty. On Varun Sharma's birthday, Ranveer's co-star in the film, celebrated Ritesh Sidhwani and Farhan his birthday on the film sets and was accompanied by the newly married Varun Dhawan. Akhtar. She is also waiting Ranveer Singh shared a picture from the sets of Cirkus on Instagram featuring Varun Dhawan, Rohit for her next release Rohit Shetty, Jacqueline Fernandez, Pooja Hegde, and himself. -
Central European Cinema at EFM 2006
Central European Cinema at EFM 2006 Czech Republic Hungary Poland Slovak Republic Slovenia Stand No. 111 – 1st Floor Phone: +49 (0)30 246 497515 EFM – Martin-Gropius-Bau Czech Republic in Figures Hungary in Figures Poland in Figures Slovak Republic in Figures Slovenia in Figures Contents Total population 10.2 million Total population 10.1 million Total population 38.2 million Total population 5.4 million Total population (2004) 2.0 million Czech Republic 2 Currency Czech crown (CZK) Currency Hungarian forint (HUF) Currency Polish zloty (PLN) Currency Slovak crown (SKK) Currency Slovenian tolar (SIT) Exchange rates 1 EUR = 29.0 CZK Exchange rates 1 EUR = 253 HUF Exchange rates 1 EUR = 3.92 PLN Exchange rates 1 EUR = 39 SKK Exchange rates 1 EUR = 240 SIT Hungary 8 1 USD = 24.6 CZK 1 USD = 215 HUF 1USD = 3.33 PLN 1 USD = 30 SKK 1 USD = 200 SIT Standard VAT rate 19% Standard VAT rate 20% Standard VAT rate 22% Standard VAT rate 19% Standard VAT rate 20% Poland 12 GDP 2004 95.43 billion EUR GDP 2004 80.7 billion EUR GDP 2004 235.2 billion EUR GDP 2004 21.2 billion EUR GDP 2004 26 billion EUR GDP per capita 2004 9 349 EUR GDP per capita 2004 8 025 EUR GDP per capita 2004 6 149.5 EUR GDP per capita 2004 6 911 EUR GDP per capita 2004 13 103 EUR Slovak Republic 16 Average monthly income 649 EUR Average monthly income 613 EUR Average monthly income 584 EUR Average monthly income 406 EUR Average monthly income 740 EUR Inflation rate (2005) 1.90% Inflation rate (2004) 6.80% Inflation rate (2004) 3.50% Inflation rate (2004) 7.50% Inflation rate (2005) -
Agata Buzek | Biography
AGATA BUZEK | BIOGRAPHY Agata Buzek was born in Gliwice, Poland and trained at the Theatre Academy in Warsaw. Since her film debut in LA BALLATA DEI LAVAVETRI (Peter del Monte, Italy, 1998), she has worked in many international co- productions including LIBRE CIRCULATION (Jean-Marc Moutout, 2002), VALERIE (Birgit Möller, 2007) as well as in films with renowned directors including: THE HIDDEN TREASURE (Skarby Ukryte, Krysztof Zanussi, 2000); THE REVENGE (Zemsta, Andrzej Wajda, 2002) for which Agata was nominated as Best Supporting Actress at the Polish Film Awards; NIGHTWATCHING (Peter Greenaway, 2007) and WITHIN THE WHILRWIND (Marleen Gorris, 2008). For her performance in Borys Lankosz’s REVERSE (Poland’s national submission for the 2010 Academy Award for Best Foreign Language Film), Agata received a Best Actress award at the 34th Polish Film Festival in Gdynia and she was named as Berlinale Shooting Star 2010 for Poland. In 2012 Agata was co-starring alongside Jason Statham in HUMMINGBIRD. IMDb Pro and IMDb www.spiel-kind.com | 28.09.2021 Agata Buzek | CV FEATURE | TELEVISION 2021 | Das Netz - Prometheus (AT) | TV series | Director: Andreas Prochaska, Daniel Prochaska | MR Film, Sommerhaus Serien, Red Bull Media House, Beta Film | ARD Degeto, Servus TV 2020 | Paradis Sale | feature film | Director: Bertrand Mandico | Ecce Films 2019 | Tak ma byc | feature film | Director: Lukasz Grzegorzek | Koskino Natalia Grzegorzek 2019 | The Pit | feature film | Director: Dace Puce | Marana Production, Inland Film Company 2019 | Dune Dreams | feature -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Raazi V10 22-7-17 Clean
DHARMA PRODUCTIONS JUNGLEE PICTURES DIRECTED BY MEGHNA GULZAR SCREENPLAY BHAVANI IYER & MEGHNA GULZAR DIALOGUE MEGHNA GULZAR BASED ON THE NOVEL “CALLING SEHMAT” BY HARINDER S SIKKA © Meghna Gulzar 2017 FADE IN: 1 INT. PAK ARMY HQ - SITUATION ROOM - EVENING Title Card: February 1971. Pakistan. A series of pictures, black-and-white, low exposure but clearly outlining two figures and faces that are in deep conversation are seen on an old fashioned projector screen. Uniformed top brass from all the defense services (Army, Navy and Air Force) and Pakistan’s Intelligence sit around a table, being briefed by BRIGADIER SYED (57), tall hard-eyed with a striking military bearing in his uniform. The meeting is already in session. Syed clicks a button to zoom in on one of the men in the projected photograph. SYED Bangaal mein aazaadi ki tehreek zor pakad rahi hai. Vahaan Awami League ki khufiya Military Council ke rehnuma ye shakhs hain – Colonel Usmani. Lt. GENERAL AMIR BEIG (68), grey-haired with cold eyes looks at the image. BEIG Election bhi jeet chuke hain. Inki neeyat kya hai? The other senior leaders at the table murmur similarly. SYED Mujibur Rahman ne apne saath kuchh aise log jama kar liye hain, jo ab apne-aap ko Mukti fauj kehlate hain... (looks around) Mukti - aazaadi.. Sniggers around the room. Syed clicks for the picture to zoom in to the other face, only partially seen. SYED (CONT’D) Aur ye shakhs hai Khalid Mir... Iski padtaal rakhna bahaut zaroori hai. Ye Hindustan ke Intelligence ke bade afsar hain... Murmurs around the room. -
THE BUCHAREST UNIVERSITY of ECONOMIC STUDIES The
THE BUCHAREST UNIVERSITY OF ECONOMIC STUDIES The Faculty of International Business and Economics The Department of Modern Languages and Business Communication of ASE Iuliu Hațieganu University of Medicine and Pharmacy Cluj- Napoca 7th International Conference: Synergies in Communication Bucharest, Romania, 22 - 23 November 2018 BEHIND THE SCREENS: A STUDY OF THE FILMS OF THREE INDIAN WOMEN DIRECTORS Minouti NAIK1 Abstract Indian films, even after 76 years of independence and 105 years of Indian Cinema, are a predominantly male domain. The percentage of women film makers, in the industry, is a mere 9.1%. Despite this, the films directed by women have compelled audiences to take notice, because of the wide spectrum of issues they have touched upon. Three women directors, whose movies have left an indelible mark on the audiences, include Tanuja Chandra, Meghna Gulzar and Gauri Shinde. This paper analyses the work of these three women directors, for the uniqueness of their themes and the characters they have sketched, and attempts to find out, what has led to their films being etched deeply, into the consciousness of their audience. This will be analysed against the backdrop of the realities of the society from which these films emerge, and as a reflection of the gender dynamics existing in Indian society. Keywords: Indian cinema, women, themes, characters, uniqueness 1. Introduction Men have sight, women insight. - Victor Hugo Victor Hugo‟s observation, penned down in his memoirs, might be an apt point to begin with, when one reflects upon films made by Indian women filmmakers. Despite films forming a very important facet of the Indian society and the fact that India completed 105 years of cinema, this year, the number of women making films in India is very small. -
Film Press Kit Collection
http://oac.cdlib.org/findaid/ark:/13030/kt8b69s3fs No online items Guide to the Film Press Kit Collection Department of Special Collections Davidson Library University of California, Santa Barbara Santa Barbara, CA 93106 Phone: (805) 893-3062 Fax: (805) 893-5749 Email: [email protected] URL: http://www.library.ucsb.edu/speccoll/speccoll.html © 2011 The Regents of the University of California. All rights reserved. Guide to the Film Press Kit PA Mss 39 1 Collection Guide to the Film Press Kit Collection Collection number: PA Mss 39 Department of Special Collections Davidson Library University of California, Santa Barbara Processed by: Staff, Department of Special Collections, Davidson Library Date Completed: 10/21/2011 Encoded by: Zachary Liebhaber © 2011 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Film Press Kit collection Dates: 1975-2005 Collection number: PA Mss 39 Creator: University of California, Santa Barbara, Arts and Lectures Collection Size: 9 linear ft.(28 boxes). Repository: University of California, Santa Barbara. Library. Dept. of Special Collections Santa Barbara, CA 93106 Abstract: Press kits for motion pictures, mostly independent releases, including promotional material, clippings, and advertising materials. Physical location: For current information on the location of these materials, please consult the library's online catalog. Languages: Languages represented in the collection: English Access The use of the collection is unrestricted. Many of these films were shown by the UCSB Arts and Lectures series. Publication Rights Copyright has not been assigned to the Department of Special Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections.