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Models of Time Travel
MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened. -
Star Trek" Mary Jo Deegan University of Nebraska-Lincoln, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UNL | Libraries University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sociology Department, Faculty Publications Sociology, Department of 1986 Sexism in Space: The rF eudian Formula in "Star Trek" Mary Jo Deegan University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/sociologyfacpub Part of the Family, Life Course, and Society Commons, and the Social Psychology and Interaction Commons Deegan, Mary Jo, "Sexism in Space: The rF eudian Formula in "Star Trek"" (1986). Sociology Department, Faculty Publications. 368. http://digitalcommons.unl.edu/sociologyfacpub/368 This Article is brought to you for free and open access by the Sociology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sociology Department, Faculty Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THIS FILE CONTAINS THE FOLLOWING MATERIALS: Deegan, Mary Jo. 1986. “Sexism in Space: The Freudian Formula in ‘Star Trek.’” Pp. 209-224 in Eros in the Mind’s Eye: Sexuality and the Fantastic in Art and Film, edited by Donald Palumbo. (Contributions to the Study of Science Fiction and Fantasy, No. 21). New York: Greenwood Press. 17 Sexism in Space: The Freudian Formula in IIStar Trek" MARY JO DEEGAN Space, the final frontier. These are the voyages of the starship Enterprise, its five year mission to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before. These words, spoken at the beginning of each televised "Star Trek" episode, set the stage for the fan tastic future. -
Australian Found-Footage Horror Film
Finders Keepers AUSTRALIAN FOUND-FOOTAGE HORROR FILM Alexandra Heller-Nicholas looks at how two Australian films,The Tunnel and Lake Mungo, fit into the hugely popular found-footage horror trend, and what they can reveal about this often critically disregarded subgenre. 66 • Metro Magazine 176 | © ATOM FACING PAGE, FROM TOP: MATHEW (MARTIN SHARPE) USES TECHNOLOGY TO TRY TO CONTROL HIS DEAD SISTER IN LAKE MUNGO; STEVE (STEVE MILLER) EXPLORES WHAT LURKS BELOW IN THE TUNNEL THIS PAGE, TOP ROW: THE TUNNEL BOTTOM ROW AND INSET BELOW: LAKE MUNGO When horror academic Mark Jancovich Ghostwatch. Looking beyond film, television dismissed The Blair Witch Project (Daniel and radio, there are numerous significant Myrick & Eduardo Sánchez, 1999) as ‘a media hoaxes such as the New York Sun’s one-off gimmick rather than the start of a ‘Great Moon Hoax’ in 1835 that suggest a new cycle of horror production’ in 2002, few broader history behind the current found- suspected how premature this prediction footage horror phenomenon. would be.1 The extraordinarily successful Paranormal Activity franchise (2007–2012) While the diversity of this subgenre’s history left Blair Witch in its dust, and found footage has been simplified, the broader areas from – or faux found footage – has become the which found-footage horror has drawn its horror format du jour. Horror fans and critics inspiration have also been largely under- now discuss found footage as an overused stated. Documentary is the most obvious, cliché that is past its use-by date, and even but found-footage horror’s relationship to horror directors themselves go to consid- amateur filmmaking traditions is arguably erable lengths to clarify how their found- to a number of screen trends and events, just as important. -
Star Trek and the 1960'S Sung J. Woo English 268 Professor Sawyer April
Star Trek and the 1960's Sung J. Woo English 268 Professor Sawyer April 26, 1993 Star Trek is an important cultural artifact of the Sixties. In the guise of science fiction, the series dealt with substantive concerns such as Vietnam...and civil rights. It explored many of the cultural conflicts of our society by projecting them onto an idealized future.i Not many television shows have accomplished what Star Trek has done. A show that ran for only three seasons, between 1966 and 1969, Star Trek has become a phenomenon of epic proportions. Frank McConnell considers Star Trek a myth: Now that's [Star Trek] what a real mythology is. Not a Joseph Campbell/Bill Moyers discourse...about the proper pronunciation of `Krishna,' but a set of concepts, stories, names, and jokes to fit, and fit us into, the helter-skelter of the quotidian."ii Star Trek survives because it was more than just a television show that made people laugh or cry. It was a show that reached for more, for new ideals and new ideas, for substance. Star Trek indeed is a cultural artifact of the Sixties, and this is readily apparent in many of the episodes. "Let That Be Your Last Battlefield" is a racial parable; "A Taste of Armageddon" is allegorical to Vietnam and war in general; "Turnabout Intruder" deals with women's rights; and "The Paradise Syndrome" and "The Way to Eden" reflects heavily on pop culture. Yet it is important to see that although these episodes mirrored the culture of the Sixties, not all of them were in approval of it. -
Action Against Israel/ 19 Africa Open Latest/ 23
ACTION AGAINST ISRAEL/ 19 AFRICA OPEN LATEST/ 23 PAGE 15 News Views March 8 OPINION 16 • DURBAN POISON 17 • 2022 BID 18& • LETTERS 20 • SPORT 21 -28 2015 LIVE season of the show. Under the telekinetic LONG… control of an alien species, Kirk and Uhura are “forced” to kiss. NBC executives were reluctant to screen the shot and asked for alternative takes. Shatner and Nichols deliberately flubbed the IN OUR alternative takes, so the kiss stayed. Nichols says she was surprised that the flood of mail the show received after the episode was aired was all positive. A letter from a Southern viewer said: “I am totally opposed to the mixing of the MEMORY races. However, any time a red- blooded American boy like Captain Kirk gets a beautiful dame in his arms that looks like Uhura, he ain’t gonna fight it.” But the defining character was Leonard Nimoy, who undoubtedly that of Spock (Leonard Nimoy). Born of a human played the iconic half- mother with an alien father from the fictitious planet Vulcan, Spock First officer and science officer Spock (Leonard Nimoy). has green blood (from a copper human half- base), distinctive pointed ears, and We can is mildly telepathic when in alien first reflect now physical contact with others. on how The conflict between his cold many of calculating Vulcan heritage and officer of the his human emotions became a depictions of conduit for many of the humanist the Starship future technology lessons woven by the show creators portrayed in Star Trek are part into the script. -
Sunday Morning Grid 1/15/17 Latimes.Com/Tv Times
SUNDAY MORNING GRID 1/15/17 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Paid Program College Basketball Michigan State at Ohio State. (N) Å 4 NBC News (N) Å Meet the Press (N) (TVG) Football Night in America Football Pittsburgh Steelers at Kansas City Chiefs. (10:05) (N) 5 CW News (N) Å News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) News Å Paid Program Eye on L.A. 9 KCAL News (N) Joel Osteen Schuller Pastor Mike Paid Program 11 FOX In Touch Paid Fox News Sunday Planet Weird DIY Sci Paid Program 13 MyNet Paid Matter Paid Program Best Buys Paid Program 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Local Local Local Local Local Local Local Local Local Local Local Local 24 KVCR Paint With Painting Joy of Paint Wyland’s Paint This Painting Cook Mexico Martha Hubert Baking Mexican 28 KCET 1001 Nights Bug Bites Bug Bites Edisons Biz Kid$ Biz Kid$ Forever Painless With Miranda Age Fix With Dr. Anthony Youn 30 ION Jeremiah Youssef In Touch Leverage Å Leverage Å Leverage Å Leverage Å 34 KMEX Conexión En contacto Paid Program Fútbol Central (N) Fútbol Mexicano Primera División República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Jesse In Touch PowerPoint It Is Written Pathway Super Kelinda John Hagee 46 KFTR Paid Program Escape From New York ››› (1981) Kurt Russell. -
Starlog Magazine Issue
'ne Interview Mel 1 THE SCIENCE FICTION UNIVERSE Brooks UGUST INNERSPACE #121 Joe Dante's fantastic voyage with Steven Spielberg 08 John Lithgow Peter Weller '71896H9112 1 ALIENS -v> The Motion Picture GROUP, ! CANNON INC.*sra ,GOLAN-GLOBUS..K?mEDWARO R. PRESSMAN FILM CORPORATION .GARY G0D0ARO™ DOLPH LUNOGREN • PRANK fANGELLA MASTERS OF THE UNIVERSE the MOTION ORE ™»COURTENEY COX • JAMES TOIKAN • CHRISTINA PICKLES,* MEG FOSTERS V "SBILL CONTIgS JULIE WEISS Z ANNE V. COATES, ACE. SK RICHARD EDLUND7K WILLIAM STOUT SMNIA BAER B EDWARD R PRESSMAN»™,„ ELLIOT SCHICK -S DAVID ODEll^MENAHEM GOUNJfOMM GLOBUS^TGARY GOODARD *B«xw*H<*-*mm i;-* poiBYsriniol CANNON HJ I COMING TO EARTH THIS AUGUST AUGUST 1987 NUMBER 121 THE SCIENCE FICTION UNIVERSE Christopher Reeve—Page 37 beJohn Uthgow—Page 16 Galaxy Rangers—Page 65 MEL BROOKS SPACEBALLS: THE DIRECTOR The master of genre spoofs cant even give the "Star wars" saga an even break Karen Allen—Page 23 Peter weller—Page 45 14 DAVID CERROLD'S GENERATIONS A view from the bridge at those 37 CHRISTOPHER REEVE who serve behind "Star Trek: The THE MAN INSIDE Next Generation" "SUPERMAN IV" 16 ACTING! GENIUS! in this fourth film flight, the Man JOHN LITHGOW! of Steel regains his humanity Planet 10's favorite loony is 45 PETER WELLER just wild about "Harry & the CODENAME: ROBOCOP Hendersons" The "Buckaroo Banzai" star strikes 20 OF SHARKS & "STAR TREK" back as a cyborg centurion in search of heart "Corbomite Maneuver" & a "Colossus" director Joseph 50 TRIBUTE Sargent puts the bite on Remembering Ray Bolger, "Jaws: -
Starlog Magazine
Celebrate Isaac Asimov's BICENTENNIAL MAN 2 Leonard * V Heather Nimoy Graham, speaks in ALIEN — AUSTIN POWERS' VOICES lady love 1 40 (PIUS) £>v < -! STAR WARS CA J OO Queen Amidala rules o> O) CO TOY STORY 2 </) 3 O) Tooning up the sequel ft CD GO JAMES BOND The two Q THE TRUTH If you're a fantasy sci-fi fanatic, and if you're into toys, comics, collectibles, Manga and anime. if you love Star Wars, Star Trek, Buffy, Angel and the X-Files. Why aren't you here - WWW.ign.COtH mm INSIDE TOY STORY 2 The Pixarteam sends Buzz & Woody off on adventure GALAXY QUEST: THE FILM Questarians! That TV classic is finally a motion picture HEROES OF THE GALAXY Never surrender these pin- ups at the next Quest Con! METALLIC ATTRACTION Get to know Witlock, robot hero & Trouble Magnet ACCORDING TO TIM ALLEN He voices Buzz Lightyear & plays the Questarians' favorite commander THAT HEROIC GUY Brendan Fraser faces mum mies, monsters & monkeys QUEEN AMIDALA RULES Natalie Portman reigns against The Phantom Menace THE NEW JEDI ORDER Fantasist R.A. Salvatore chronicles the latest Star Wars MEMORABLE CHARACTER Now & Again, you've seen actor ! Cerrit Graham 76 THE SPY WHO SHAGS WELL Heather Graham updates readers STARLOC: The Science Fiction Universe is published monthly by STARLOG GROUP, INC., 475 Park Avenue South, New York, on her career moves NY 10016. STARLOG and The Science Fiction Universe are registered trademarks of Starlog Group Inc' (ISSN 0191-4626) (Canadian GST number: R-124704826) This is issue Number 270, January 2000. -
American International Pictures (AIP) Est Une Société De Production Et
American International Pictures (AIP) est une société de production et distribution américaine, fondée en 1956 depuis "American Releasing Corporation" (en 1955) par James H. Nicholson et Samuel Z. Arkoff, dédiée à la production de films indépendants à petits budgets, principalement à destination des adolescents des années 50, 60 et 70. 1 Né à Fort Dodge, Iowa à une famille juive russe, Arkoff a d'abord étudié pour être avocat. Il va s’associer avec James H. Nicholson et le producteur-réalisateur Roger Corman, avec lesquels il produira dix-huit films. Dans les années 1950, lui et Nicholson fondent l'American Releasing Corporation, qui deviendra plus tard plus connue sous le nom American International Pictures et qui produira plus de 125 films avant la disparition de l'entreprise dans les années 1980. Ces films étaient pour la plupart à faible budget, avec une production achevée en quelques jours. Arkoff est également crédité du début de genres cinématographiques, comme le Parti Beach et les films de motards, enfin sa société jouera un rôle important pour amener le film d'horreur à un niveau important avec Blacula, I Was a Teenage Werewolf et Le Chose à deux têtes. American International Pictures films engage très souvent de grands acteurs dans les rôles principaux, tels que Boris Karloff, Elsa Lanchester et Vincent Price, ainsi que des étoiles montantes qui, plus tard deviendront très connus comme Don Johnson, Nick Nolte, Diane Ladd, et Jack Nicholson. Un certain nombre d'acteurs rejetées ou 2 négligées par Hollywood dans les années 1960 et 1970, comme Bruce Dern et Dennis Hopper, trouvent du travail dans une ou plusieurs productions d’Arkoff. -
ORDEM CRONOLÓGICA: 1ª Star Trek: the Original Series (1966-1969
ORDEM CRONOLÓGICA: 1ª Star Trek: The Original Series (1966-1969) 2ª Star Trek: The Next Generation (1987-1993) 3ª Star Trek: Deep Space Nine (1993-1999) 4ª Star Trek: Voyager (1995-2001) 5ª Star Trek: Enterprise (2001-2005) Jornada nas Estrelas: A Série Original (NCC-1701) Temporada 1 (1966-1967) 01. The Cage (1964) (A Jaula) -02. Where No Man Has Gone Before (1965) (Onde Nenhum Homem Jamais Esteve) 03. The Corbomite Maneuver (O Ardil Corbomite) 04. Mudds Women (As Mulheres de Mudd) 05. The Enemy Within (O Inimigo Interior) 06. The Man Trap (O Sal da Terra) 07. The Naked Time (Tempo de Nudez) 08. Charlie X (O Estranho Charlie) 09. Balance of Terror (O Equilíbrio do Terror) 10. What Are Little Girls Made Of? (E as Meninas, de que São Feitas?) 11. Dagger of the Mind (O Punhal Imaginário) 12. Miri (Miri) 13. The Conscience of the King (A Consciência do Rei) 14. The Galileo Seven (O Primeiro Comando) -15. Court Martial (Corte Marcial) 16. The Menagerie, Parts I & II (A Coleção, Partes I & II) 17. Shore Leave (A Licença) 18. The Squire of Gothos (O Senhor de Gothos) -19. Arena (Arena) 20. The Alternative Factor (O Fator Alternativo) 21. Tomorrow Is Yesterday (Amanhã é Ontem) 22. The Return of the Archons (A Hora Rubra) 23. A Taste of Armageddon (Um Gosto de Armagedon) 24. Space Seed (Semente do Espaço) 25. This Side of Paradise (Deste Lado do Paraíso) 26. The Devil in the Dark (Demônio da Escuridão) 27. Errand of Mercy (Missão de Misericórdia) 28. The City on the Edge of Forever (Cidade à Beira da Eternidade) 29. -
GUNSMOKE TV CAST and DETAILS Premiered
GUNSMOKE TV CAST AND DETAILS Premiered: September 10, 1955, on CBS Rating: TV-PG Premise: This landmark adult Western centered on Marshal Matt Dillon of Dodge City. John Wayne turned down the lead, suggesting James Arness (who remained for its entire run). Originating on radio (with William Conrad as Dillon), it moved to TV in September 1955. Its popularity spawned a number of copycats, but none would enjoy the longevity (and few the consistent quality) of this classic. Airing for 20 years, it's TV's longest running prime-time drama (a record that `Law & Order' is currently chasing). Gunsmoke Cast • James Arness : Marshal Matt Dillon • Milburn Stone : Dr. Galen `Doc' Adams • Amanda Blake : Kitty Russell • Dennis Weaver : Chester Goode • Ken Curtis : Festus Haggen • Burt Reynolds : Quint Asper • James Nusser : Louie Pheeters • Charles Seel : Barney Danches • Howard Culver : Howie Culver • Tom Brown : Ed O'Connor • John Harper : Percy Crump • Dabbs Greer : Mr. Jonus • George Selk : Moss Grimmick • Hank Patterson : Hank Miller • Glenn Strange : Sam • Sarah Selby : Ma Smalley • Ted Jordan : Nathan Burke • Roger Ewing : Clayton Thaddeus `Thad' Greenwood • Roy Roberts : Mr. Bodkin • Woody Chamblis : Mr. Lathrop • Buck Taylor : Newly O'Brien • Charles Wagenheim : Halligan • Pat Hingle : Dr. John Chapman • Fran Ryan : Miss Hannah Gunsmoke Credits • Sam Peckinpah : Screenwriter Gunsmoke Directors • Harry Horner : Director Gunsmoke Guest Cast • Aaron Saxon : Basset • Aaron Spelling : Weed Pindle • Abraham Sofaer : Harvey Easter • Adam West : Hall -
The Pygmalion-Galatea Myth in Relation to Simulation Scenarios in Star Trek
Xjenza Online - Journal of Malta Chamber of Scientists http://www.mcs.org.mt/ Doi: http://dx.medra.org/10.7423/XJENZA.2013.2.03 Review Article The Pygmalion-Galatea myth in relation to simulation scenarios in Star Trek Victor Grech1 1Paediatrics, Faculty of Medicine and Surgery, University of Malta, Malta Abstract. Star Trek has existed since 1966, with a ST accedes to this notion by attempting to explain total of 738 hours of viewing time. Like most science future scientific advances leading to the seemingly im- fiction, the series frequently alludes to religion or myth possible. Typical examples include travelling faster than but censors such references for the modern world-view light and other technological miracles, thereby eliciting by sanitising them with scientific or scientific-sounding a sense of wonder. explanation. This paper illustrates the depiction of the In all of these ways, the franchise provides an inter- Galatea-Pygmalion myth in the franchise and relates face between literature and other metanarratives, such these to simulation scenarios. as the sciences. Indeed, entire books have been written on the physics portrayed in ST (Krauss, 1995). Thus, and to quote just one example, the notion of the instan- taneous matter transporter has been explored in exten- 1 Introduction sive depth. This investigation details accidents that ST Star Trek (ST) has been with us since 1966, and com- has documented resulting from the utilisation of such prises a vast corpus of works that include twelve films exotic technology, the physics of the reality of what the and six series (one of which is animated).