DOCSLIB.ORG

Starlog Magazine

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Celebrate Isaac Asimov's BICENTENNIAL MAN 2 Leonard * V Heather Nimoy Graham, speaks in ALIEN — AUSTIN POWERS' VOICES lady love 1 40 (PIUS) £>v < -! STAR WARS CA J OO Queen Amidala rules o> O) CO TOY STORY 2 </) 3 O) Tooning up the sequel ft CD GO JAMES BOND The two Q THE TRUTH If you're a fantasy sci-fi fanatic, and if you're into toys, comics, collectibles, Manga and anime. if you love Star Wars, Star Trek, Buffy, Angel and the X-Files. Why aren't you here - WWW.ign.COtH mm INSIDE TOY STORY 2 The Pixarteam sends Buzz & Woody off on adventure GALAXY QUEST: THE FILM Questarians! That TV classic is finally a motion picture HEROES OF THE GALAXY Never surrender these pin- ups at the next Quest Con! METALLIC ATTRACTION Get to know Witlock, robot hero & Trouble Magnet ACCORDING TO TIM ALLEN He voices Buzz Lightyear & plays the Questarians' favorite commander THAT HEROIC GUY Brendan Fraser faces mum mies, monsters & monkeys QUEEN AMIDALA RULES Natalie Portman reigns against The Phantom Menace THE NEW JEDI ORDER Fantasist R.A. Salvatore chronicles the latest Star Wars MEMORABLE CHARACTER Now & Again, you've seen actor ! Cerrit Graham 76 THE SPY WHO SHAGS WELL Heather Graham updates readers STARLOC: The Science Fiction Universe is published monthly by STARLOG GROUP, INC., 475 Park Avenue South, New York, on her career moves NY 10016. STARLOG and The Science Fiction Universe are registered trademarks of Starlog Group Inc' (ISSN 0191-4626) (Canadian GST number: R-124704826) This is issue Number 270, January 2000. Content is © Copy- 79 DEUS EX MACHINA right 2000 by STARLOG GROUP, INC. All rights reserved. Reprint or reproduction in part or in whole—including From out of the shadows, the reprinting or posting of articles and graphics on any internet or computer site—without the publishers' written permission is strictly forbidden. STARLOG accepts no Terry O'Quinn appears responsibility for unsolicited manuscripts, photos or other materials, but if submittals are accompanied by a self-addressed, stamped envelope, they'll be con- 84 OF POD PEOPLE PAST sidered and, if necessary, returned. Please do not call the editorial office re: this material. Freelancer phone calls will not be accepted. STARLOG does not publish fiction. Fiction submissions are not accepted and will be Dana Wynter recalls the Invasion of discarded without reply. Products advertised are not necessarily endorsed by STARLOG, and views expressed In the Body Snatchers editorial copy are not necessarily those of STARLOG. Periodicals postage paid at New York, NY and additional mailing offices. Subscription rates: $49.97 one year (12 issues! delivered In 90 U.S. only. Canadian and foreign sub- SOLAR LUMINARY scriptions $59.57 in U.S. funds only. New subscriptions send directly to STARLOG, 475 Park Avenue South, New Director Walter Hill ignites the York, NY 10016. Notification of change of address or renewals send to STARLOG Subscription Dept., P.O. Box 430, Supernova action Mt. Morris, IL 61054-0430 or for Customer Service, call toll-free 1-800-877-5549. POSTMASTER: Send change of address to STARLOG Subscription Dept., P.O. Box 430, Mt. Morris, IL 61054-0430. Printed In U.S.A. Photo: Copyright 1999 Danjaq LLC & United Artists Film Corp. SCI-FI SENSATIONS! Buffy Angel #1 Limited Cover Buffy #1 Origin Buffy #2 "BloodChrome' $10.00 $10.00 $14.95 Signed by Chris Golden Signed by Chris Bachalo and Dan Brereton $29.95 $24.95 f: Dynamic Premiere: Crimson Method of payment: Cash Check Money Order #1 Discover Master Card Visa $6.95 Exclusive Story! Dynamic ForcesgHHH Item, Quantity, Price Premiere Lady item, Quantity, Price Pendragon #1 $6.95 Account Number Exclusive Story! Card Expiration Date_ _ (mo/yr) TV Guide "Seinfeld' Name As It Appears On Card Limited Edition Still at Cover Price! $4.99 City Zip Signature Total Enclosed S SCI-FI STARTER PACKAGE If You Do Not Want To Cut Out Coupon, We Will Accept Written Orders. This Package Will Include a copy of a: Shipping Continental US: (excluding PO Boxesl Normal- 55, Alaska, Hawaii & Puerto Rico: For additional • Xena Comic Buffy Comic books or non-comic items, please ask our operators for exact shipping and optional insurance, Star Trek Comic • Star Wars Comic P0 Boxes, US Territories, APO, FP0: Normal- $10 Canada: Normal- $10, Europe, Australia: Normal- S25, South America.Pacific Rim, Mexico: $9.95 Normal-$28. Not responsible for mistakes or typos. All prominent names and characters TM & ©their respective companies and publishers. DF Logo is TM and © DYNAMIC FORCES, INC. 1999 All rights reserved. been made into a TV show, particularly by Chris President/Publisher Carter. Whatever respect I might have had for him as NORMAN JACOBS a creative artist evaporated when I started reading Executive Vice President interviews such as the one printed in your magazine RITA EISENSTEIN where he demeans his source material. If it was so useless, then why did he use it? It might not be much, Associate Publisher MILBURN SMITH but he is paying us for it; why bother if he just likes the title? The reason is because the TV show is much V.P./Circulation Director more closely married to the comic than he would ART SCHULKIN have your readers believe, and it definitely wasn't his Executive Art Director Mail cannot be forwarded. Other fans and advertisers idea, hence, he must pay us. W.R. MOHALLEY sometimes contact readers whose letters are printed here. Unluckily for Jim and I, our publisher Harris To avoid this, mark your letter "Please Withhold My Editor Comics didn't seem to care all that much about what DAVID Address." Otherwise, we retain the option to print it. MCDONNELL Write: STARLOG COMMLOG was or was not in our interests. They cooperated with Managing Editor Carter and Fox, and as a result there is yet another 475 Park Avenue South, 8th Floor KEITH OLEXA New York, NY 10016 sad story for the history books about comics creators or E-mail: being taken egregious advantage of so that a handful Special FX Editor DAVID HUTCHISON communications @ starloggroup.com of already wealthy producers can staff their pockets just a bit more. Contributing Editors ANTHONY TIMPONE HARSH WORLDS I would like to be able to share in everyone's MICHAEL CINCOLD ...I've just picked up issue #268 and I'm bloody delight that this TV show is a good one likely to do TOM WEAVER annoyed. James Hudnall and I created the Harsh well, but I can't. I have no incentive to root for its IAN SPELLING Realm comic back in 1991, well before either one of success whatsoever and that, more than anything, is Consultant us had any idea who Chris Carter was. I can guaran- the most depressing characteristic of this deal. When KERRY O'QUINN tee you he was not a part of the creative process when we made the comic almost 10 years ago, we crossed Senior Art Director the concept for the series was put together, and I can our fingers and hoped it would be produced into a JIM MCLERNON further assure you that the so-called "big departures" major TV series so that we could share in the rewards Art Director Carter has made from the comic are cosmetic only of same. Well, it was, but from where I stand, it looks RICK CJ TENC and all are allowed for in the comic's original like we're being punished, not rewarded. References premise. What he has done is to Harsh Realm in the pop- West Coast Correspondents The gadget James Bond hates the most. MARC SHAPIRO to alter the appearance of the ular media are proliferating BILL WARREN series so drastically that it is at an ever-accelerating clip James, it's a fine European "^n. Financial Director: Joan Baetz visually unrecognizable as writing instrument that has a day by day, and as each one Marketing Director: Daniel Sierra secret compartment containing a , derivative of the comic, but he J r arrives at the public 1 Circulation Manager: Maria Damlani perfectly legitimate instant will . M , „ has retained in whole not just ' No thank doorstep and my contribu- Art Staff: Yvonne Jang, John Dins- dale, Dmltriy Ostrovskiy, May Yung, the mechanics of the VR tion, Jim's, is ignored and ivette Zapata. premise, but also all of the or demeaned, we lose that Staff: Debbie Irwin, Dee Erwine, Jose Soto, sunny witchel, David Andreas. major character functions. much more in the process. I Correspondents: (West Coast) Kyle If your writer had gone to saw an ad on television two Counts, Pat Jankiewlcz; (NYC) Mike the trouble of reading the nights ago and the sight of MCAvennle, Maureen MCTIgue, Joe Nazzaro, Steve Swires, Dan Yakir; comic, he would have found a it made me want to throw (Boston) will Murray; (Chicago) Kim multitude of uncanny similar- the TV out my window. Howard Johnson; (The west) Bill Flo- rence, Jo Beth Taylor; (D.C) Lynne ities, such as: Harsh Realm is I notice you failed to Stephens; (Florida) Bill Wilson; (Cana- a VR game "simulation," the mention my name in your da) Peter Bloch-Hansen, Mark Phillips; (Booklog) Penny Kenny, Jean-Marc hero is sent in to retrieve the article. A heads-up for the Lofficler, Scott schumack, Michael villain over, who has taken future: Jim and I share co- Wolff; (Cartoons) Kev Brockschmldt, Alain chaperon, Fisher, magic works within the realm, etc. The fact that creator status and ownership of the copyright, as is Mike Tom Holtkamp, Bob Muleady. Carter has made the young, good-looking villain customary in comics for artist/writer teams.
Recommended publications

  • Manufacturing Realisms

    Manufacturing Realisms Product Placement in the Hollywood Film by Winnie Won Yin Wong Bachelor of Arts Dartmouth College 2000 Submitted to the Department of Architecture in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies at the Massachusetts Institute of Technology June, 2002 MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUN 2 4 2002 Signature of Author 3, 2002 LIBRARIES Winnie Won Yin Wong, Depar nt of Architecture, May ROTCH Certified by Professor David Itriedman, Assobiate Professor of the History of Architecture, Thesis Supervisor Accepted by Professor Julian\8e,jiart, Professorlof1rchitecture, Chair, Committee on Graduate Students Copyright 2002 Winnie Won Yin Wong. All Rights Reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part. 2 Readers Erika Naginski Assistant Professor of the History of Art Arindam Dutta Assistant Professor of the History of Architecture History, Theory and Criticism Department of Architecture 3 4 Manufacturing Realisms Product Placement in the Hollywood Film by Winnie Won Yin Wong Submitted to the Department of Architecture in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies Abstract Through an examination of filmic portrayals of the trademarked product as a signifier of real ownerships and meanings of commodities, this paper is concerned with the conjunction of aesthetic and economic issues of the Product Placement industry in the Hollywood film. It analyzes Product Placement as the embedding of an advertising message within a fictional one, as the insertion of a trademarked object into the realisms of filmic space, and as the incorporation of corporate remakings of the world with film fictions.
  • ANNUAL REPORT 2015 16 A70 TV Acad Ad.Qxp Layout 1 7/8/16 11:43 AM Page 1

    ANNUAL REPORT 2015 16 A70 TV Acad Ad.Qxp Layout 1 7/8/16 11:43 AM Page 1

    ANNUAL REPORT 2015 16_A70_TV_Acad_Ad.qxp_Layout 1 7/8/16 11:43 AM Page 1 PROUD MEMBER OF »CBS THE TELEVISION ACADEMY 2 ©2016 CBS Broadcasting Inc. MESSAGE FROM THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER AS THE QUANTITY AND QUALITY OF CONTENT HAVE INCREASED in what is widely regarded as television’s second Golden Age, so have employment opportunities for the talented men and women who create that programming. And as our industry, and the content we produce, have become more relevant, so has the relevance of the Television Academy increased as an essential resource for television professionals. In 2015, this was reflected in the steady rise in our membership — surpassing 20,000 for the first time in our history — as well as the expanding slate of Academy-sponsored activities and the heightened attention paid to such high-profile events as the Television Academy Honors and, of course, the Creative Arts Awards and the Emmy Awards. Navigating an industry in the midst of such profound change is both exciting and, at times, a bit daunting. Reimagined models of production and distribution — along with technological innovations and the emergence of new over-the-top platforms — have led to a seemingly endless surge of creativity, and an array of viewing options. As the leading membership organization for television professionals and home to the industry’s most prestigious award, the Academy is committed to remaining at the vanguard of all aspects of television. Toward that end, we are always evaluating our own practices in order to stay ahead of industry changes, and we are proud to guide the conversation for television’s future generations.
  • Peter Barnes and the Nature of Authority

    Peter Barnes and the Nature of Authority

    PETER BARNES AND THE NATURE OF AUTHORITY Liorah Anrie Golomb A thesis subnitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Centre for Study of Drarna in the University of Toronto @copyright by Liorah Anne Golomb 1998 National Library Bibliothèque nationale du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliagraphiques 395 Wellington Street 395, nie Wellington OttawaON K1AW Ottawa ON K1A ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à fa National Libmy of Canada to Bibliothèque nationale du Canada de reproduce, loaq distriiute or sell reproduire, prêter, distri'buer ou copies of this thesis in microfonn, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fkom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. PETER BARNES AND THE NATURE OF AUTHORITY Liorah Anne Golomb Doctor of Philosophy, 1998 Graduate Centre for Study of Drama University of Toronto Peter Barnes, among the most theatrically-minded playwrights of the non-musical stage in England today, makes use of virtually every elernent of theatre: spectacle, music, dance, heightened speech, etc- He is daring, ambitious, and not always successful.
  • Winter Arrives with a Wallop

    Winter Arrives with a Wallop

    weather Monday: Showers, high 42 degrees monday Tuesday: Partly cloudy, high 42 degrees Wednesday: Rain likely, high in the low 40s THE ARGO Thursday: Rain likely , high in the upper 30s Volume 58 Friday: Chance of rain , high in the low 30s of the Richard Stockton College Number 1 Serving the college community since 1973 m ihh Winter arrives with a wallop Dan G rote ed to engage in snowball fights The Argo despite or perhaps in spite of the decree handed down by the Much like the previous semes- Office of Housing and ter, when Hurricane Floyd barked Residential Life, which stated at Stockton, the new semester has that snowball fighters can expect begun with weather-related can- a one hundred dollar fine and loss cellations. In the past two weeks, of housing. four days of classes have seen One freshman, Bob Atkisson, cancellations, delayed openings, expressed his outrage at the and early closings. imposed rule. "I didn't think we Snowplows have crisscrossed should get fined for throwing the campus, attempting to keep snowballs. I went to LaSalle a the roads clear, while at the same couple days ago, and they actual- time blocking in the cars of resi- ly scheduled snowball fights dents, some of whom didn't real- there." ly seem to mind. Though many students were Optimistic students glued heard grumbling over having to themselves to channel 2 in hopes dig their cars out of the snow due of not having to go to their 8:30 to the plowing, they acknowl- classes, while others called the edged that plant management did campus hotline (extension 1776) an excellent job keeping for word of the same.
  • The Human Adventure Is Just Beginning Visions of the Human Future in Star Trek: the Next Generation

    The Human Adventure Is Just Beginning Visions of the Human Future in Star Trek: the Next Generation

    AMERICAN UNIVERSITY HONORS CAPSTONE The Human Adventure is Just Beginning Visions of the Human Future in Star Trek: The Next Generation Christopher M. DiPrima Advisor: Patrick Thaddeus Jackson General University Honors, Spring 2010 Table of Contents Basic Information ........................................................................................................................2 Series.......................................................................................................................................2 Films .......................................................................................................................................2 Introduction ................................................................................................................................3 How to Interpret Star Trek ........................................................................................................ 10 What is Star Trek? ................................................................................................................. 10 The Electro-Treknetic Spectrum ............................................................................................ 11 Utopia Planitia ....................................................................................................................... 12 Future History ....................................................................................................................... 20 Political Theory ....................................................................................................................
  • Washington University Record, September 25, 2008

    Washington University Record, September 25, 2008

    Washington University School of Medicine Digital Commons@Becker Washington University Record Washington University Publications 9-25-2008 Washington University Record, September 25, 2008 Follow this and additional works at: http://digitalcommons.wustl.edu/record Recommended Citation "Washington University Record, September 25, 2008" (2008). Washington University Record. Book 1153. http://digitalcommons.wustl.edu/record/1153 This Article is brought to you for free and open access by the Washington University Publications at Digital Commons@Becker. It has been accepted for inclusion in Washington University Record by an authorized administrator of Digital Commons@Becker. For more information, please contact [email protected]. Medical News: Project targets Focus on China: International Washington People: Doctor unilateral hearing, cochlear implants conference on campus Oct. 17-18 focuses on critically ill children Nri^iiiigtDri University in StLouis Sept. 25, 2008 record.wustl.edu Blood clot treatments subject of major trial BY MICHAEL C. PURDY Adjunctive Catheter-Directed Thrombolysis (ATTRACT) Trial, A$10 million, government- which will test the use of catheter- funded, multicenter clinical' mounted technology that can both trial of an aggressive treat- chew up DVTs and directly ad- ment for blood clots in the leg minister clot-busting drugs. The — known as deep vein thrombosis trial is funded by the National (DVT) — will be led by Heart, Lung, and Blood School of Medicine Institute. researchers. "This is the first large- About 250,000 U.S. scale test of these new patients are diagnosed techniques, and the with new DVTs every potential to change clini- year. Current clinical cal DVT practice on a standards call for the large scale is very excit- patients to be treated ing," said Vedantham, an with blood-thinning interventional radiologist agents, which prevent at Barnes-Jewish Hos- clot migration and for- Vedantham pital.
  • A Queer Analysis of the James Bond Canon

    A Queer Analysis of the James Bond Canon

    MALE BONDING: A QUEER ANALYSIS OF THE JAMES BOND CANON by Grant C. Hester A Dissertation Submitted to the Faculty of Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, FL May 2019 Copyright 2019 by Grant C. Hester ii MALE BONDING: A QUEER ANALYSIS OF THE JAMES BOND CANON by Grant C. Hester This dissertation was prepared under the direction of the candidate's dissertation advisor, Dr. Jane Caputi, Center for Women, Gender, and Sexuality Studies, Communication, and Multimedia and has been approved by the members of his supervisory committee. It was submitted to the faculty of the Dorothy F. Schmidt College of Arts and Letters and was accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Khaled Sobhan, Ph.D. Interim Dean, Graduate College iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to Jane Caputi for guiding me through this process. She was truly there from this paper’s incubation as it was in her Sex, Violence, and Hollywood class where the idea that James Bond could be repressing his homosexuality first revealed itself to me. She encouraged the exploration and was an unbelievable sounding board every step to fruition. Stephen Charbonneau has also been an invaluable resource. Frankly, he changed the way I look at film. His door has always been open and he has given honest feedback and good advice. Oliver Buckton possesses a knowledge of James Bond that is unparalleled. I marvel at how he retains such information.
  • (XXXIII: 11) Brian De Palma: the UNTOUCHABLES (1987), 119 Min

    (XXXIII: 11) Brian De Palma: the UNTOUCHABLES (1987), 119 Min

    November 8, 2016 (XXXIII: 11) Brian De Palma: THE UNTOUCHABLES (1987), 119 min. (The online version of this handout has color images and hot url links.) DIRECTED BY Brian De Palma WRITING CREDITS David Mamet (written by), Oscar Fraley & Eliot Ness (suggested by book) PRODUCED BY Art Linson MUSIC Ennio Morricone CINEMATOGRAPHY Stephen H. Burum FILM EDITING Gerald B. Greenberg and Bill Pankow Kevin Costner…Eliot Ness Sean Connery…Jimmy Malone Charles Martin Smith…Oscar Wallace Andy García…George Stone/Giuseppe Petri Robert De Niro…Al Capone Patricia Clarkson…Catherine Ness Billy Drago…Frank Nitti Richard Bradford…Chief Mike Dorsett earning Oscar nominations for the two lead females, Piper Jack Kehoe…Walter Payne Laurie and Sissy Spacek. His next major success was the Brad Sullivan…George controversial, ultra-violent film Scarface (1983). Written Clifton James…District Attorney by Oliver Stone and starring Al Pacino, the film concerned Cuban immigrant Tony Montana's rise to power in the BRIAN DE PALMA (b. September 11, 1940 in Newark, United States through the drug trade. The film, while New Jersey) initially planned to follow in his father’s being a critical failure, was a major success commercially. footsteps and study medicine. While working on his Tonight’s film is arguably the apex of De Palma’s career, studies he also made several short films. At first, his films both a critical and commercial success, and earning Sean comprised of such black-and-white films as Bridge That Connery an Oscar win for Best Supporting Actor (the only Gap (1965). He then discovered a young actor whose one of his long career), as well as nominations to fame would influence Hollywood forever.
  • Alien Encounters and the Alien/Human Dichotomy in Stanley Kubrick's &lt;Em&gt;2001: a Space Odyssey&lt;/Em&gt; and Andrei Tark

    Alien Encounters and the Alien/Human Dichotomy in Stanley Kubrick's <Em>2001: a Space Odyssey</Em> and Andrei Tark

    University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 4-1-2010 Alien Encounters and the Alien/Human Dichotomy in Stanley Kubrick‘s 2001: A Space Odyssey and Andrei Tarkovsky‘s Solaris Keith Cavedo University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the American Studies Commons Scholar Commons Citation Cavedo, Keith, "Alien Encounters and the Alien/Human Dichotomy in Stanley Kubrick‘s 2001: A Space Odyssey and Andrei Tarkovsky‘s Solaris" (2010). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/1593 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Alien Encounters and the Alien/Human Dichotomy in Stanley Kubrick‘s 2001: A Space Odyssey and Andrei Tarkovsky‘s Solaris by Keith Cavedo A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of English College of Arts and Sciences University of South Florida Major Professor: Phillip Sipiora, Ph.D. Lawrence Broer, Ph.D. Victor Peppard, Ph.D. Silvio Gaggi, Ph.D. Date of Approval: April 1, 2010 Keywords: Film Studies, Science Fiction Studies, Alien Identity, Human Identity © Copyright 2010, Keith Cavedo Dedication I dedicate this scholarly enterprise with all my heart to my parents, Vicki McCook Cavedo and Raymond Bernard Cavedo, Jr. for their unwavering love, support, and kindness through many difficult years. Each in their own way a lodestar, my parents have guided me to my particular destination.
  • MONSTERS INC 3D Press Kit

    MONSTERS INC 3D Press Kit

    ©2012 Disney/Pixar. All Rights Reserved. CAST Sullivan . JOHN GOODMAN Mike . BILLY CRYSTAL Boo . MARY GIBBS Randall . STEVE BUSCEMI DISNEY Waternoose . JAMES COBURN Presents Celia . JENNIFER TILLY Roz . BOB PETERSON A Yeti . JOHN RATZENBERGER PIXAR ANIMATION STUDIOS Fungus . FRANK OZ Film Needleman & Smitty . DANIEL GERSON Floor Manager . STEVE SUSSKIND Flint . BONNIE HUNT Bile . JEFF PIDGEON George . SAM BLACK Additional Story Material by . .. BOB PETERSON DAVID SILVERMAN JOE RANFT STORY Story Manager . MARCIA GWENDOLYN JONES Directed by . PETE DOCTER Development Story Supervisor . JILL CULTON Co-Directed by . LEE UNKRICH Story Artists DAVID SILVERMAN MAX BRACE JIM CAPOBIANCO Produced by . DARLA K . ANDERSON DAVID FULP ROB GIBBS Executive Producers . JOHN LASSETER JASON KATZ BUD LUCKEY ANDREW STANTON MATTHEW LUHN TED MATHOT Associate Producer . .. KORI RAE KEN MITCHRONEY SANJAY PATEL Original Story by . PETE DOCTER JEFF PIDGEON JOE RANFT JILL CULTON BOB SCOTT DAVID SKELLY JEFF PIDGEON NATHAN STANTON RALPH EGGLESTON Additional Storyboarding Screenplay by . ANDREW STANTON GEEFWEE BOEDOE JOSEPH “ROCKET” EKERS DANIEL GERSON JORGEN KLUBIEN ANGUS MACLANE Music by . RANDY NEWMAN RICKY VEGA NIERVA FLOYD NORMAN Story Supervisor . BOB PETERSON JAN PINKAVA Film Editor . JIM STEWART Additional Screenplay Material by . ROBERT BAIRD Supervising Technical Director . THOMAS PORTER RHETT REESE Production Designers . HARLEY JESSUP JONATHAN ROBERTS BOB PAULEY Story Consultant . WILL CSAKLOS Art Directors . TIA W . KRATTER Script Coordinators . ESTHER PEARL DOMINIQUE LOUIS SHANNON WOOD Supervising Animators . GLENN MCQUEEN Story Coordinator . ESTHER PEARL RICH QUADE Story Production Assistants . ADRIAN OCHOA Lighting Supervisor . JEAN-CLAUDE J . KALACHE SABINE MAGDELENA KOCH Layout Supervisor . EWAN JOHNSON TOMOKO FERGUSON Shading Supervisor . RICK SAYRE Modeling Supervisor . EBEN OSTBY ART Set Dressing Supervisor .
  • TV Outside The

    TV Outside The

    1 ALPHA HOUSE on Amazon Elliot Webb: Executive Producer As trailblazers in the television business go, Garry Trudeau, the iconic, Pulitzer Prize-winning cartoonist/creator of Doonesbury, has an unprecedented track record. In 1988, Trudeau wrote and co-produced (with director Robert Altman) the critically acclaimed, political mockumentary Tanner ’88 for HBO. It was HBO’s first foray into the original scripted TV business, albeit for a limited series. (9 years later, in 1997, Oz became HBO’s first scripted drama series.) Tanner ’88 won an Emmy Award and 4 cable ACE Awards. 25 years later, Trudeau created Alpha House—which holds the distinction of being the very first original series on Amazon. The single-camera, half-hour comedy orbits around the exploits of four Republican senators (played by John Goodman, Clark Johnson, Matt Malloy, and Mark Consuelos) who live as roommates in the same Capitol Hill townhouse. The series was inspired by actual Democratic congressmen/roomies: Senator Dick Durbin (D-IL), Senator Chuck Schumer (D-NY), and Representative George Miller (D-CA). Bill Murray did 2 cameos as hapless Senator Vernon Smits. Other real life politicians appeared throughout the series’ 2- season run. The series follows in the footsteps of Lacey Davenport (the Doonesbury Republican congresswoman from San Francisco), and presidential candidate Jack Tanner (played by Michael Murphy). All of Trudeau’s politicians are struggling to reframe their platforms and priorities while their parties are in flux. I think it’s safe to say that the more things change in Washington, the more things stay the same. Trudeau explores identity crises through his trademark trenchant humor.
  • Press Release

    Press Release

    Contact: Kristyn Souder Communications Director Email: [email protected] Phone: (267)536-9566 PRESS RELEASE Zenkaikon Convention to Bring Anime and Science Fiction Fans to Lancaster in March Hatboro, PA – January 21, 2013: On March 22-24, 2013, Zenkaikon will hold its seventh annual convention in a new location at the Lancaster County Convention Center in Lancaster, Pennsylvania. The convention expects to welcome over two thousand fans of Japanese animation (anime), comics (manga), gaming, and science fiction to downtown Lancaster for the weekend-long event. Zenkaikon had typically been held in the Valley Forge area of Pennsylvania. However, with the conversion of the Valley Forge Convention Center to a casino and the continued growth of the event, Zenkaikon moved its convention to Lancaster. Many convention attendees don costumes of their favorite characters to attend the annual convention. Planned convention events include a variety of educational panels and workshops hosted by volunteers and guests; anime and live action screenings; a costume and skit competition (the "Masquerade"); a hall costume contest; performances by musical guests; a live action role play ("LARP") event; video game tournaments and tabletop gaming; a formal ball and informal dances; and an exhibit hall of anime-themed merchandise and handmade creations from artists. A number of Guests of Honor have already been announced for Zenkaikon 2013. John de Lancie, best known for his roles on Star Trek and Stargate SG-1, and more recently known for his role as Discord on My Little Pony: Friendship is Magic, will be hosting panels and meeting attendees. Prolific voice and live action actor Richard Epcar (Ghost in the Shell, The Legend of Korra, Kingdom Hearts) and actress Ellyn Stern (Robotech, Gundam Unicorn, Bleach) will also be participating in a variety of programming.