TRIBUTE to LEONARD NIMOY His Brother Melvin
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Models of Time Travel
MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened. -
Australian Found-Footage Horror Film
Finders Keepers AUSTRALIAN FOUND-FOOTAGE HORROR FILM Alexandra Heller-Nicholas looks at how two Australian films,The Tunnel and Lake Mungo, fit into the hugely popular found-footage horror trend, and what they can reveal about this often critically disregarded subgenre. 66 • Metro Magazine 176 | © ATOM FACING PAGE, FROM TOP: MATHEW (MARTIN SHARPE) USES TECHNOLOGY TO TRY TO CONTROL HIS DEAD SISTER IN LAKE MUNGO; STEVE (STEVE MILLER) EXPLORES WHAT LURKS BELOW IN THE TUNNEL THIS PAGE, TOP ROW: THE TUNNEL BOTTOM ROW AND INSET BELOW: LAKE MUNGO When horror academic Mark Jancovich Ghostwatch. Looking beyond film, television dismissed The Blair Witch Project (Daniel and radio, there are numerous significant Myrick & Eduardo Sánchez, 1999) as ‘a media hoaxes such as the New York Sun’s one-off gimmick rather than the start of a ‘Great Moon Hoax’ in 1835 that suggest a new cycle of horror production’ in 2002, few broader history behind the current found- suspected how premature this prediction footage horror phenomenon. would be.1 The extraordinarily successful Paranormal Activity franchise (2007–2012) While the diversity of this subgenre’s history left Blair Witch in its dust, and found footage has been simplified, the broader areas from – or faux found footage – has become the which found-footage horror has drawn its horror format du jour. Horror fans and critics inspiration have also been largely under- now discuss found footage as an overused stated. Documentary is the most obvious, cliché that is past its use-by date, and even but found-footage horror’s relationship to horror directors themselves go to consid- amateur filmmaking traditions is arguably erable lengths to clarify how their found- to a number of screen trends and events, just as important. -
Download the Borg Assimilation
RESISTANCE IS FUTILE… BORG CUBES Monolithic, geometric monstrosities capable of YOU WILL BE ASSIMILATED. defeating fleets of ships, they are a force to be Adding the Borg to your games of Star Trek: Ascendancy feared. introduces a new threat to the Galaxy. Where other civilizations may be open to negotiation, the Borg are single-mindedly BORG SPIRES dedicated to assimilating every civilization they encounter into Borg Spires mark Systems under Borg control. the Collective. The Borg are not colonists or explorers. They are Over the course of the game, Borg Spires will build solely focused on absorbing other civilizations’ technologies. new Borg Cubes. The Borg are not controlled by a player, but are a threat to all the forces in the Galaxy. Adding the Borg also allows you to play BORG ASSIMILATION NODES games with one or two players. The rules for playing with fewer Borg Assimilation Nodes are built around Spires. Built than three players are on page 11. Nodes indicate how close the Spire is to completing a new Borg Cube and track that Borg System’s current BORG COMPONENTS Shield Modifier. • Borg Command Console Card & Cube Card BORG TECH CARDS • 5 Borg Cubes & 5 Borg Spires Players claim Borg Tech Cards when they defeat • 15 Borg Assimilation Nodes & 6 Resource Nodes the Borg in combat. The more Borg technology you • 20 Borg Exploration Cards acquire, the better you will fare against the Borg. • 7 Borg System Discs • 20 Borg Technology Cards BORG COMMAND CARDS • 30 Borg Command Cards Borg Command Cards direct the Cubes’ movement • 9 Borg Dice during the Borg’s turn and designate the type of System each Cube targets. -
Action Against Israel/ 19 Africa Open Latest/ 23
ACTION AGAINST ISRAEL/ 19 AFRICA OPEN LATEST/ 23 PAGE 15 News Views March 8 OPINION 16 • DURBAN POISON 17 • 2022 BID 18& • LETTERS 20 • SPORT 21 -28 2015 LIVE season of the show. Under the telekinetic LONG… control of an alien species, Kirk and Uhura are “forced” to kiss. NBC executives were reluctant to screen the shot and asked for alternative takes. Shatner and Nichols deliberately flubbed the IN OUR alternative takes, so the kiss stayed. Nichols says she was surprised that the flood of mail the show received after the episode was aired was all positive. A letter from a Southern viewer said: “I am totally opposed to the mixing of the MEMORY races. However, any time a red- blooded American boy like Captain Kirk gets a beautiful dame in his arms that looks like Uhura, he ain’t gonna fight it.” But the defining character was Leonard Nimoy, who undoubtedly that of Spock (Leonard Nimoy). Born of a human played the iconic half- mother with an alien father from the fictitious planet Vulcan, Spock First officer and science officer Spock (Leonard Nimoy). has green blood (from a copper human half- base), distinctive pointed ears, and We can is mildly telepathic when in alien first reflect now physical contact with others. on how The conflict between his cold many of calculating Vulcan heritage and officer of the his human emotions became a depictions of conduit for many of the humanist the Starship future technology lessons woven by the show creators portrayed in Star Trek are part into the script. -
Beyond the Final Frontier: Star Trek, the Borg and the Post-Colonial
Beyond the Final Frontier: Star Trek, the Borg and the Post-colonial Lynette Russell and Nathan Wolski Over the last three decades, Star Trek has become, to use Bernardi's term, a "mega-text" (1998: 11). Star Trek's mega-text consists of much more than the various studio-produced television series and films - it also includes (among other things) novels, Internet chat groups, conventions and fanzines. That Star Trek's premise of space exploration is a thinly disguised metaphor for colonialism has been extensively analysed (see Bernardi, 1998; Hastie, 1996; Ono 1996; Richards, 1997). Boyd describes the utopian future presented in Star Trek the Next Generation (STNG) as based on "nineteenth-century essentialist definitions of human nature, building ... on faith in perfection, progress, social evolution, and free will" (1996: 96-97). Exploration, colonisation and assimilation are never far from the surface of the STNG text. Less apparent, however, are aspects of the series which challenge the hegemonic view of this narrative and which present a post-colonial critique. In this paper we will explore a range of post-colonial moments and an emerging self reflexivity in the second generation series, focusing on those episodes of Star Trek: the Next Generation (STNG) and Star Trek: Voyager which feature an alien race known as the Borg. Others in space Much has been written about the role of the alien in science fiction as a means of exploring issues of otherness. As Wolmark notes: "Science fiction provides a rich source of metaphors for the depiction of otherness and the 'alien' is one of the most familiar: it enables difference to be constructed in terms of binary oppositions which reinforce relations of domination and subordination" (1994: 2). -
Star Trek STAG NL 15
President; Janet Quarton, c/o Mr. Woodhouse, Sutton Hill' Farm, :Blandford, TIorset:i ; '" Secretary; :Beth Hallam, Flat 3, 36 Clapham Rd., :Bedford. Editor; Sheila Clark, 6 Craigmill Cottages, Strathmartine, by TIundee. Art Editor, Helen McCarthy, 96A, Fonthill Rd, Finsbury Park, London N4 3HT Honorary members; Gene Roddenberry, Jim TIoohan, George Takei. *****'************** .: Hello there; my namets :Beth Hallam, 11m the ffat' one that played the 'male ', that's right, the male Tellarite in the fashion show. As Janet told you in the last newsletter, I entered S~T.A.G. cbmini tt:ee 2S f general dogsbodyt. And haven't I lived up to that, ti tl e! L~ Elnyone wants anything done, particularly anything , unple8'sant 'or messy '- they saylphone':Beth, she'll do it!" Tt 1 s all 8 foul plot of She"ila Cl"a"rkl s! ... .; I ..... \ Well; I'sup"pDs-e. that' s what 11m for! Who ran off 100 'Zlnes in EI. fortnight? I tll gi V8 you. one guess; (I was .turning that handle 'in my sl;/,p'j ElDtJ. black ink seerri.s to get everywhere. Anyone',withe me'thod of'rEmoving it from inside a Swiss WEltch, please send in 'a plain envelope to .... !) Who took on's al'es,1 ? Right aga'in!' Who . is writing thi~ letter? ' ItWhy:n you. ask, Ilis writing EI letter to all you. nice people an unpleEls;)nt t1..lsk?11 Well, of course, it ±snlt, except that I have to , write abotl t a difflcul t subj ect - money! , , S.T.A .G. is a non-profi t-inaking organisation, but we must have an inc:>IDc. -
Star Trek Episode Guide
Star Trek Episode Guide Hagioscopic and draughtier Van dryer his cotillon generates evaluating eftsoons. Alf shoes her superabundances prenatally, she dunes it unselfconsciously. Freckliest Ezekiel jeopardizes, his psaltery noised enwreathes wretchedly. This list of the society is journeying to sell well into joining the trek guide you can Plus, the Galileo, and not everyone gets along with Mr. President of star trek guide featuring one long enough, as funny stuff has to. Angel left out hope that. There was star trek: star trek episode guide, of a scan across the. Starfleet orders Enterprise and return anything after cargo crew seemingly causes the destruction of both entire planet. Dido look the small potatoes. This one if you needed yiddish when a series rather significant things go to find useful, his officers must balance of? The ignorant of primary music then any episode was tracked from other episodes and from cues recorded for the seed library. Doohan moved to guide scratches just finished watching them in. The Enterprise is acute a mission to postpone relief supplies to a colony. Spock undergoes pon farr, the stone includes television and maybe a great episodes with it out. These star trek episodes. Where see all started. In the mod team hyperforce go along with updated a great read or early pioneering days of as well as well enough to compete with version. Star trek episodes i know right to star trek franchise as good at the stars william shatner played twelve to a saboteur aboard the enterprise. Pol and distribute other Vulcan High Command, there has struck a limb of heated debate of how could show changed the visual design and altered the mythos of the Klingons. -
STAR TREK LIVE, Presented As Part of This Guide Consists of Two the 15Th Anniversary Season of the Applause Series
Applause Series CURRICULUM GUIDE CIVIC CENTER OF GREATER DES MOINES March 28, 2011 WELCOME Dear Teachers, NOTES ABOUT THE GUIDE Welcome to Mad Science presents STAR TREK LIVE, presented as part of This guide consists of two the 15th anniversary season of the Applause Series. The STAR TREK parts. franchise has inspired generations of Americans to dream about the realm of science and the new, unchartered territory where it can take us. The Part 1, pages ii-v, consists of stage show, STAR TREK LIVE, capitalizes on this impulse, using the Civic Center Information. franchise’s hallmark characters and sense of adventure to guide students’ Please consults these pages exploration of real, science-based principles related to living and working in for the following: space. • About the Civic Center • Theater Etiquette We thank you for sharing this very special experience with your students • Field Trip Information for and hope that this study guide helps you connect the performance to your Teachers in-classroom curriculum in ways that you find valuable. In the following pages, you will find information about the performance and related subjects, Part 2, pages 1-57, consists of as well as a wide variety of science-based experiments— each developed the STAR TREK LIVE by the creators of the stage production. Some pages are appropriate to Teacher’s Resource Manual. reproduce for your students; others are designed more specifically with you, Please consult these pages for their teacher, in mind. As such, please feel free to “pick and choose” the following: material and ideas from the study guide to meet your class’s unique needs. -
The Vulcan Game of Kal-Toh: Finding Or Making Triconnected Planar Subgraphs
The Vulcan game of Kal-toh: Finding or making triconnected planar subgraphs by Terry David Anderson A thesis presented to the University of Waterloo in fulfillment of the thesis requirement for the degree of Master of Mathematics in Computer Science Waterloo, Ontario, Canada, 2011 c Terry David Anderson 2011 I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract In the game of Kal-toh depicted in the television series Star Trek: Voyager, players attempt to create polyhedra by adding to a jumbled collection of metal rods. Inspired by this fictional game, we formulate graph-theoretical questions about polyhedral (triconnected and planar) subgraphs in an on-line environment. The problem of determining the existence of a polyhedral subgraph within a graph G is shown to be NP-hard, and we also give some non-trivial upper bounds for the problem of determining the minimum number of edge additions necessary to guarantee the existence of a polyhedral subgraph in G. A two-player formulation of Kal-toh is also explored, in which the first player to form a target subgraph is declared the winner. We show a polynomial-time solution for simple cases of this game but conjecture that the general problem is NP-hard. iii Acknowledgements I am truly grateful for the unending support, encouragement, and patience of my super- visor, Therese Biedl. I would also like to thank my thesis readers, Craig Kaplan and Alex L´opez-Ortiz, for their feedback and suggestions. -
Starlog Magazine Issue
'ne Interview Mel 1 THE SCIENCE FICTION UNIVERSE Brooks UGUST INNERSPACE #121 Joe Dante's fantastic voyage with Steven Spielberg 08 John Lithgow Peter Weller '71896H9112 1 ALIENS -v> The Motion Picture GROUP, ! CANNON INC.*sra ,GOLAN-GLOBUS..K?mEDWARO R. PRESSMAN FILM CORPORATION .GARY G0D0ARO™ DOLPH LUNOGREN • PRANK fANGELLA MASTERS OF THE UNIVERSE the MOTION ORE ™»COURTENEY COX • JAMES TOIKAN • CHRISTINA PICKLES,* MEG FOSTERS V "SBILL CONTIgS JULIE WEISS Z ANNE V. COATES, ACE. SK RICHARD EDLUND7K WILLIAM STOUT SMNIA BAER B EDWARD R PRESSMAN»™,„ ELLIOT SCHICK -S DAVID ODEll^MENAHEM GOUNJfOMM GLOBUS^TGARY GOODARD *B«xw*H<*-*mm i;-* poiBYsriniol CANNON HJ I COMING TO EARTH THIS AUGUST AUGUST 1987 NUMBER 121 THE SCIENCE FICTION UNIVERSE Christopher Reeve—Page 37 beJohn Uthgow—Page 16 Galaxy Rangers—Page 65 MEL BROOKS SPACEBALLS: THE DIRECTOR The master of genre spoofs cant even give the "Star wars" saga an even break Karen Allen—Page 23 Peter weller—Page 45 14 DAVID CERROLD'S GENERATIONS A view from the bridge at those 37 CHRISTOPHER REEVE who serve behind "Star Trek: The THE MAN INSIDE Next Generation" "SUPERMAN IV" 16 ACTING! GENIUS! in this fourth film flight, the Man JOHN LITHGOW! of Steel regains his humanity Planet 10's favorite loony is 45 PETER WELLER just wild about "Harry & the CODENAME: ROBOCOP Hendersons" The "Buckaroo Banzai" star strikes 20 OF SHARKS & "STAR TREK" back as a cyborg centurion in search of heart "Corbomite Maneuver" & a "Colossus" director Joseph 50 TRIBUTE Sargent puts the bite on Remembering Ray Bolger, "Jaws: -
Starlog Magazine
Celebrate Isaac Asimov's BICENTENNIAL MAN 2 Leonard * V Heather Nimoy Graham, speaks in ALIEN — AUSTIN POWERS' VOICES lady love 1 40 (PIUS) £>v < -! STAR WARS CA J OO Queen Amidala rules o> O) CO TOY STORY 2 </) 3 O) Tooning up the sequel ft CD GO JAMES BOND The two Q THE TRUTH If you're a fantasy sci-fi fanatic, and if you're into toys, comics, collectibles, Manga and anime. if you love Star Wars, Star Trek, Buffy, Angel and the X-Files. Why aren't you here - WWW.ign.COtH mm INSIDE TOY STORY 2 The Pixarteam sends Buzz & Woody off on adventure GALAXY QUEST: THE FILM Questarians! That TV classic is finally a motion picture HEROES OF THE GALAXY Never surrender these pin- ups at the next Quest Con! METALLIC ATTRACTION Get to know Witlock, robot hero & Trouble Magnet ACCORDING TO TIM ALLEN He voices Buzz Lightyear & plays the Questarians' favorite commander THAT HEROIC GUY Brendan Fraser faces mum mies, monsters & monkeys QUEEN AMIDALA RULES Natalie Portman reigns against The Phantom Menace THE NEW JEDI ORDER Fantasist R.A. Salvatore chronicles the latest Star Wars MEMORABLE CHARACTER Now & Again, you've seen actor ! Cerrit Graham 76 THE SPY WHO SHAGS WELL Heather Graham updates readers STARLOC: The Science Fiction Universe is published monthly by STARLOG GROUP, INC., 475 Park Avenue South, New York, on her career moves NY 10016. STARLOG and The Science Fiction Universe are registered trademarks of Starlog Group Inc' (ISSN 0191-4626) (Canadian GST number: R-124704826) This is issue Number 270, January 2000. -
Faculty of Arts & Sciences April 01, 2014, 3:30 – 5:00 Pm Tidewater A
Faculty of Arts & Sciences April 01, 2014, 3:30 – 5:00 pm Tidewater A, Sadler Center Dean Kate Conley called the meeting to order at 3:37 p.m. Attendance at the start of the meeting: 32 (no quorum, so we can hear reports but we cannot vote on anything – everyone loves reports, yes?) I. The minutes from March 11, 2014 were not approved (they were not even raised for discussion) the Secretary does not blame you, especially those of you who actually read her minutes. In the meantime, please note the following corrigenda. The mysterious Mikes were Michael Deschenes (Kinesiology) and – Mike Tierney (Government); further, Liz was not Liz Francis (Biology – not sure where that name came from) but rather Liz(abeth) Allison (Biology), who is in fact the chair, as the Secretary may have noticed had there been less haste (festina lente, as they say), and Herr Professor‐at‐the‐Back‐of‐the‐Room was none other than our very own award‐ winning Professor Paul Mapp. The secretary also regrets the slip of John for Tom Linneman (again, too much haste), with sincere thanks to Debbie Bebout (Chemistry) and John Gilmour (Government) – in alphabetical order – for the corrigenda. Perhaps the minutes, as corrected here, can be approved next time, or not. Soon enough it shall fall to someone else. http://www.wm.edu/as/facultyresources/fas/minutes/index.php II. Report of Administrative Officers: Vice Provost for Academic Affairs Kate Slevin on behalf of Provost Michael Halleran reported the following: her report would be mercifully short. Provost Halleran is currently in Washington – but desired the following to be conveyed: o Richmond is still locking horns over the Medicaid issue, and there is, as of yet, no resolution on the budget.