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Models of Time Travel
MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened. -
Australian Found-Footage Horror Film
Finders Keepers AUSTRALIAN FOUND-FOOTAGE HORROR FILM Alexandra Heller-Nicholas looks at how two Australian films,The Tunnel and Lake Mungo, fit into the hugely popular found-footage horror trend, and what they can reveal about this often critically disregarded subgenre. 66 • Metro Magazine 176 | © ATOM FACING PAGE, FROM TOP: MATHEW (MARTIN SHARPE) USES TECHNOLOGY TO TRY TO CONTROL HIS DEAD SISTER IN LAKE MUNGO; STEVE (STEVE MILLER) EXPLORES WHAT LURKS BELOW IN THE TUNNEL THIS PAGE, TOP ROW: THE TUNNEL BOTTOM ROW AND INSET BELOW: LAKE MUNGO When horror academic Mark Jancovich Ghostwatch. Looking beyond film, television dismissed The Blair Witch Project (Daniel and radio, there are numerous significant Myrick & Eduardo Sánchez, 1999) as ‘a media hoaxes such as the New York Sun’s one-off gimmick rather than the start of a ‘Great Moon Hoax’ in 1835 that suggest a new cycle of horror production’ in 2002, few broader history behind the current found- suspected how premature this prediction footage horror phenomenon. would be.1 The extraordinarily successful Paranormal Activity franchise (2007–2012) While the diversity of this subgenre’s history left Blair Witch in its dust, and found footage has been simplified, the broader areas from – or faux found footage – has become the which found-footage horror has drawn its horror format du jour. Horror fans and critics inspiration have also been largely under- now discuss found footage as an overused stated. Documentary is the most obvious, cliché that is past its use-by date, and even but found-footage horror’s relationship to horror directors themselves go to consid- amateur filmmaking traditions is arguably erable lengths to clarify how their found- to a number of screen trends and events, just as important. -
Gwen Weiss BB.Indd
EXTRAORDINARY CENTENARIANS IN AMERICA Their secrets to living a long vibrant life R GWEN WEISSNUMEROFF PUBLISHING HOUSE 151 Howe Street, PUBLISHING HOUSE Victoria BC Canada V8V 4K5 COPYRIGHT© 2013, Gwen Weiss-Numeroff. PAGE All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or } transmitted, in any form or by any means (electronic, mechanical, photocopying, } recording or otherwise), without the prior A portion of the written permission of both the copyright author’s royalties owner and the publisher of this book. will be donated to the Ovarian Cancer For rights information and bulk \Research Fund. orders, please contact us through agiopublishing.com Extraordinary Centenarians in America is based on the recollections of the people commemorated in this book as well as their closest family members. Due to the possibility of human error, the author cannot guarantee the complete accuracy of the information. It should also be noted that since the time the interviews were conducted, some of these individuals have passed away. The author expresses her condolences to their loved ones and hopes this book will serve as a reminder of their incredible legacy. Although nutrition and lifestyle data has been collected and reported, the author is not dispensing medical advice or calling Extraordinary Centenarians in America this a scientifi c study. The intent of the ISBN 978-1-897435-86-1 (paperback) author is to provide information for ISBN 978-1-897435-87-8 (hardcover) readers to consider in consultation with ISBN 978-1-897435-88-5 (ebook) their health practitioners. -
Action Against Israel/ 19 Africa Open Latest/ 23
ACTION AGAINST ISRAEL/ 19 AFRICA OPEN LATEST/ 23 PAGE 15 News Views March 8 OPINION 16 • DURBAN POISON 17 • 2022 BID 18& • LETTERS 20 • SPORT 21 -28 2015 LIVE season of the show. Under the telekinetic LONG… control of an alien species, Kirk and Uhura are “forced” to kiss. NBC executives were reluctant to screen the shot and asked for alternative takes. Shatner and Nichols deliberately flubbed the IN OUR alternative takes, so the kiss stayed. Nichols says she was surprised that the flood of mail the show received after the episode was aired was all positive. A letter from a Southern viewer said: “I am totally opposed to the mixing of the MEMORY races. However, any time a red- blooded American boy like Captain Kirk gets a beautiful dame in his arms that looks like Uhura, he ain’t gonna fight it.” But the defining character was Leonard Nimoy, who undoubtedly that of Spock (Leonard Nimoy). Born of a human played the iconic half- mother with an alien father from the fictitious planet Vulcan, Spock First officer and science officer Spock (Leonard Nimoy). has green blood (from a copper human half- base), distinctive pointed ears, and We can is mildly telepathic when in alien first reflect now physical contact with others. on how The conflict between his cold many of calculating Vulcan heritage and officer of the his human emotions became a depictions of conduit for many of the humanist the Starship future technology lessons woven by the show creators portrayed in Star Trek are part into the script. -
Benjamin Graham: the Father of Financial Analysis
BENJAMIN GRAHAM THE FATHER OF FINANCIAL ANALYSIS Irving Kahn, C.F.A. and Robert D. M£lne, G.F.A. Occasional Paper Number 5 THE FINANCIAL ANALYSTS RESEARCH FOUNDATION Copyright © 1977 by The Financial Analysts Research Foundation Charlottesville, Virginia 10-digit ISBN: 1-934667-05-6 13-digit ISBN: 978-1-934667-05-7 CONTENTS Dedication • VIlI About the Authors • IX 1. Biographical Sketch of Benjamin Graham, Financial Analyst 1 II. Some Reflections on Ben Graham's Personality 31 III. An Hour with Mr. Graham, March 1976 33 IV. Benjamin Graham as a Portfolio Manager 42 V. Quotations from Benjamin Graham 47 VI. Selected Bibliography 49 ******* The authors wish to thank The Institute of Chartered Financial Analysts staff, including Mary Davis Shelton and Ralph F. MacDonald, III, in preparing this manuscript for publication. v THE FINANCIAL ANALYSTS RESEARCH FOUNDATION AND ITS PUBLICATIONS 1. The Financial Analysts Research Foundation is an autonomous charitable foundation, as defined by Section 501 (c)(3) of the Internal Revenue Code. The Foundation seeks to improve the professional performance of financial analysts by fostering education, by stimulating the development of financial analysis through high quality research, and by facilitating the dissemination of such research to users and to the public. More specifically, the purposes and obligations of the Foundation are to commission basic studies (1) with respect to investment securities analysis, investment management, financial analysis, securities markets and closely related areas that are not presently or adequately covered by the available literature, (2) that are directed toward the practical needs of the financial analyst and the portfolio manager, and (3) that are of some enduring value. -
The Heilbrunn Center's First Annual Letter 2012 – 2013
The Heilbrunn Center’s First Annual Letter 2012 – 2013 Greetings from the Heilbrunn Center! As we embark on another academic year, we are excited to announce the courses and events the Heilbrunn Center is supporting in conjunction with our two major themes for 2012 – 2013: highlighting women investors and celebrating 85 years of Benjamin Graham. Faculty We welcome back from sabbatical center co-director Professor Bruce Greenwald. Bruce taught Globalization with Joseph Stiglitz in July and will teach Economics Fall Semester Spring Semester of Strategic Behavior and Course Name Professor Course Name Professor Value Investing in Spring Applied Value Investing Artie Williams/ Advanced Investment Ken Shubin-Stein/Cheryl 2013. T. Charlie Quinn Research Einhorn Applied Value Investing Avi Berg/ We are very pleased to Applied Security Analysis Jon Salinas/Naveen Michelle Borre 1&2 Bhatia welcome new faculty Applied Security Analysis Ciara Burnham members: Rishi Renjen Applied Value Investing Jeff Gramm/ (EMBA) Terry Kontos (Maverick Capital), Lauren Applied Value Investing Tom Tryforos (EMBA) Applied Value Investing Mark Cooper Krueger ’02 (Esopus Creek Applied Value Investing Arnaud Ajdler Advisors), Yen Liow (Ziff (EMBA) Applied Value Investing Mike Blitzer/ Applied Value Investing Eric Almeraz/David Horn Brothers), Patrick Sullivan Guy Shanon ’11 (Ziff Brothers), Ellen Applied Value Investing Neal Nathani Carr (Capital Group), Eric Applied Value Investing Rishi Renjen/ Credit Markets and Margaret Cannella Kevin Oro-Hahn Leveraged Buy-Outs Almeraz ’02 (Apis Capital), Distressed Value Investing Dan Krueger and David Horn ’02 (Kiron Credit Markets and Margaret Cannella Economics of Strategic Bruce Greenwald Advisors), and Ciara Leveraged Buy-Outs Behavior (EMBA) Burnham ’93 (Evercore (EMBA) From Feast to Famine Margaret Cannella/Ellen (And Back Again) Carr Partners). -
Financial History: Irving Kahn
Personal History During Irving’s childhood, the family Irving Kahn lived on the Upper East Side of Manhat- tan, first at 14 E. 108th Street and later at 5 E. 106th Street. He was adventurous in his youth: as a Boy Scout, he hitchhiked across the country in his uniform with several of his friends. He attended De Witt Clinton High School on the far West Side of Manhattan in the neighborhood known as Hell’s Kitchen. As a student, he traveled back and forth to school each day by a variety of means, including riding the subway, walking and hitching rides on the backs of trucks and buses. After graduation, he enrolled at City College of New York (CCNY). He left after two years to pursue a career on Wall Street, frustrated by the lack of any practi- cal courses on investments. In 1931, Irving married Ruth Eastwood Perl, whom he met at Columbia Uni- versity where she was studying for her doctorate in psychology. After earning her PhD, Ruth was active in several charities, including the Jewish Board of Guardians, the First Hebrew Day Nursery and the Ackerman Institute for the Family. The couple had three children: Donald, Alan and Thomas, who was given the middle name Graham in tribute to Ben Graham. The young family lived at 413 Beach 137th Street in the Belle Harbor area of Rockaway, on the south shore of Long Courtesy Kahn of Andrew Island. He expanded the property by pur- chasing the lot in the rear and installed a tennis court there so he could enjoy his Value INvestor for the Ages favorite sport. -
Star Trek STAG NL 15
President; Janet Quarton, c/o Mr. Woodhouse, Sutton Hill' Farm, :Blandford, TIorset:i ; '" Secretary; :Beth Hallam, Flat 3, 36 Clapham Rd., :Bedford. Editor; Sheila Clark, 6 Craigmill Cottages, Strathmartine, by TIundee. Art Editor, Helen McCarthy, 96A, Fonthill Rd, Finsbury Park, London N4 3HT Honorary members; Gene Roddenberry, Jim TIoohan, George Takei. *****'************** .: Hello there; my namets :Beth Hallam, 11m the ffat' one that played the 'male ', that's right, the male Tellarite in the fashion show. As Janet told you in the last newsletter, I entered S~T.A.G. cbmini tt:ee 2S f general dogsbodyt. And haven't I lived up to that, ti tl e! L~ Elnyone wants anything done, particularly anything , unple8'sant 'or messy '- they saylphone':Beth, she'll do it!" Tt 1 s all 8 foul plot of She"ila Cl"a"rkl s! ... .; I ..... \ Well; I'sup"pDs-e. that' s what 11m for! Who ran off 100 'Zlnes in EI. fortnight? I tll gi V8 you. one guess; (I was .turning that handle 'in my sl;/,p'j ElDtJ. black ink seerri.s to get everywhere. Anyone',withe me'thod of'rEmoving it from inside a Swiss WEltch, please send in 'a plain envelope to .... !) Who took on's al'es,1 ? Right aga'in!' Who . is writing thi~ letter? ' ItWhy:n you. ask, Ilis writing EI letter to all you. nice people an unpleEls;)nt t1..lsk?11 Well, of course, it ±snlt, except that I have to , write abotl t a difflcul t subj ect - money! , , S.T.A .G. is a non-profi t-inaking organisation, but we must have an inc:>IDc. -
A Century of Ideas
COLUMBIA BUSINESS SCHOOL A CENTURY OF IDEAS EDITED BY BRIAN THOMAS COLUMBIA BUSINESS SCHOOL Columbia University Press Publishers Since 1893 New York Chichester, West Sussex cup.columbia.edu Copyright © 2016 Columbia Business School All rights reserved Library of Congress Cataloging-in-Publication Data Names: Thomas, Brian, editor. | Columbia University. Graduate School of Business. Title: Columbia Business School : a century of ideas / edited by Brian Thomas. Description: New York City : Columbia University Press, 2016. | Includes bibliographical references and index. Identifiers: LCCN 2016014665| ISBN 9780231174022 (cloth : alk. paper) | ISBN 9780231540841 (ebook) Subjects: LCSH: Columbia University. Graduate School of Business—History. Classification: LCC HF1134.C759 C65 2016 | DDC 658.0071/17471—dc23 LC record available at https://lccn.loc.gov/2016014665 Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 contents Foreword vii 1 Finance and Economics 1 2 Value Investing 29 3 Management 55 4 Marketing 81 5 Decision, Risk, and Operations 107 6 Accounting 143 7 Entrepreneurship 175 vi CONTENTS 8 International Business 197 9 Social Enterprise 224 Current Full-Time Faculty at Columbia Business School 243 Index 247 foreword Ideas with Impact Glenn Hubbard, Dean and Russell L. Carson Professor of Finance and Economics Columbia Business School’s first Centennial offers a chance for reflection about past success, current challenges, and future opportunities. Our hundred years in business education have been in a time of enormous growth in interest in university-based business education. Sixty-one students enrolled in 1916. -
Starlog Magazine Issue
'ne Interview Mel 1 THE SCIENCE FICTION UNIVERSE Brooks UGUST INNERSPACE #121 Joe Dante's fantastic voyage with Steven Spielberg 08 John Lithgow Peter Weller '71896H9112 1 ALIENS -v> The Motion Picture GROUP, ! CANNON INC.*sra ,GOLAN-GLOBUS..K?mEDWARO R. PRESSMAN FILM CORPORATION .GARY G0D0ARO™ DOLPH LUNOGREN • PRANK fANGELLA MASTERS OF THE UNIVERSE the MOTION ORE ™»COURTENEY COX • JAMES TOIKAN • CHRISTINA PICKLES,* MEG FOSTERS V "SBILL CONTIgS JULIE WEISS Z ANNE V. COATES, ACE. SK RICHARD EDLUND7K WILLIAM STOUT SMNIA BAER B EDWARD R PRESSMAN»™,„ ELLIOT SCHICK -S DAVID ODEll^MENAHEM GOUNJfOMM GLOBUS^TGARY GOODARD *B«xw*H<*-*mm i;-* poiBYsriniol CANNON HJ I COMING TO EARTH THIS AUGUST AUGUST 1987 NUMBER 121 THE SCIENCE FICTION UNIVERSE Christopher Reeve—Page 37 beJohn Uthgow—Page 16 Galaxy Rangers—Page 65 MEL BROOKS SPACEBALLS: THE DIRECTOR The master of genre spoofs cant even give the "Star wars" saga an even break Karen Allen—Page 23 Peter weller—Page 45 14 DAVID CERROLD'S GENERATIONS A view from the bridge at those 37 CHRISTOPHER REEVE who serve behind "Star Trek: The THE MAN INSIDE Next Generation" "SUPERMAN IV" 16 ACTING! GENIUS! in this fourth film flight, the Man JOHN LITHGOW! of Steel regains his humanity Planet 10's favorite loony is 45 PETER WELLER just wild about "Harry & the CODENAME: ROBOCOP Hendersons" The "Buckaroo Banzai" star strikes 20 OF SHARKS & "STAR TREK" back as a cyborg centurion in search of heart "Corbomite Maneuver" & a "Colossus" director Joseph 50 TRIBUTE Sargent puts the bite on Remembering Ray Bolger, "Jaws: -
Starlog Magazine
Celebrate Isaac Asimov's BICENTENNIAL MAN 2 Leonard * V Heather Nimoy Graham, speaks in ALIEN — AUSTIN POWERS' VOICES lady love 1 40 (PIUS) £>v < -! STAR WARS CA J OO Queen Amidala rules o> O) CO TOY STORY 2 </) 3 O) Tooning up the sequel ft CD GO JAMES BOND The two Q THE TRUTH If you're a fantasy sci-fi fanatic, and if you're into toys, comics, collectibles, Manga and anime. if you love Star Wars, Star Trek, Buffy, Angel and the X-Files. Why aren't you here - WWW.ign.COtH mm INSIDE TOY STORY 2 The Pixarteam sends Buzz & Woody off on adventure GALAXY QUEST: THE FILM Questarians! That TV classic is finally a motion picture HEROES OF THE GALAXY Never surrender these pin- ups at the next Quest Con! METALLIC ATTRACTION Get to know Witlock, robot hero & Trouble Magnet ACCORDING TO TIM ALLEN He voices Buzz Lightyear & plays the Questarians' favorite commander THAT HEROIC GUY Brendan Fraser faces mum mies, monsters & monkeys QUEEN AMIDALA RULES Natalie Portman reigns against The Phantom Menace THE NEW JEDI ORDER Fantasist R.A. Salvatore chronicles the latest Star Wars MEMORABLE CHARACTER Now & Again, you've seen actor ! Cerrit Graham 76 THE SPY WHO SHAGS WELL Heather Graham updates readers STARLOC: The Science Fiction Universe is published monthly by STARLOG GROUP, INC., 475 Park Avenue South, New York, on her career moves NY 10016. STARLOG and The Science Fiction Universe are registered trademarks of Starlog Group Inc' (ISSN 0191-4626) (Canadian GST number: R-124704826) This is issue Number 270, January 2000. -
American International Pictures (AIP) Est Une Société De Production Et
American International Pictures (AIP) est une société de production et distribution américaine, fondée en 1956 depuis "American Releasing Corporation" (en 1955) par James H. Nicholson et Samuel Z. Arkoff, dédiée à la production de films indépendants à petits budgets, principalement à destination des adolescents des années 50, 60 et 70. 1 Né à Fort Dodge, Iowa à une famille juive russe, Arkoff a d'abord étudié pour être avocat. Il va s’associer avec James H. Nicholson et le producteur-réalisateur Roger Corman, avec lesquels il produira dix-huit films. Dans les années 1950, lui et Nicholson fondent l'American Releasing Corporation, qui deviendra plus tard plus connue sous le nom American International Pictures et qui produira plus de 125 films avant la disparition de l'entreprise dans les années 1980. Ces films étaient pour la plupart à faible budget, avec une production achevée en quelques jours. Arkoff est également crédité du début de genres cinématographiques, comme le Parti Beach et les films de motards, enfin sa société jouera un rôle important pour amener le film d'horreur à un niveau important avec Blacula, I Was a Teenage Werewolf et Le Chose à deux têtes. American International Pictures films engage très souvent de grands acteurs dans les rôles principaux, tels que Boris Karloff, Elsa Lanchester et Vincent Price, ainsi que des étoiles montantes qui, plus tard deviendront très connus comme Don Johnson, Nick Nolte, Diane Ladd, et Jack Nicholson. Un certain nombre d'acteurs rejetées ou 2 négligées par Hollywood dans les années 1960 et 1970, comme Bruce Dern et Dennis Hopper, trouvent du travail dans une ou plusieurs productions d’Arkoff.