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Bibliography 276 Bibliography "China-Japan: Treaty Concerning Basic Rights," American Journal of International Law 35, no. 3 (1941): 125–128. Akami, Tomoko, "Japan's new empire and the Dōmei News Agency in occupied Southeast Asia, 1942-45," Japan Focus 13, 1. no. 3 (2015): 1–28. Al-Ali, Nadje and Nicola Pratt, What Kind of Liberation? Women and the Occupation of Iraq (Berkeley, CA: University of California Press, 2009). American Information Committee, Japan's Cultural Aggression in Asia: A General Study of Methods and Results (Shanghai: American Information Committee, 1939), 13. Anon, "Fang Junbi nüshi ji hua chuban" [A collection of paintings by Ms Fan Tchunpi has been published], Nan Hua pinglun 3, no. 17 (December 1932): 8. _______, "Fang Junbi yuhua zhan jinri juxing yuzhan" [Preview of Fan Tchun-pi's exhibition of oil paintings starts today], Zhonghua ribao, May 4, 1945, 2. 277 _______, "Zhong-Ri funüjie de xiangqin xiang ai" [Mutual affection and love between Japanese and Chinese women], Xin Zhongguo 2, no. 11–12 (December 1939): no page numbers. _______, Quanguo meinü fengjing yuefenpai [Nationwide calendars of beauties and scenery] (Shanghai: Xin Zhonghua tushu gongsi, c.1940). _______, Xin Wuhan [New Wuhan] (Wuhan: Wuhan shi zhengfu, 1940). _______, "Fazhan zhong de hankou" [Developing Hankou], E bao 1 (November 1940): no page numbers. _______, "Hankou de jinjiao" [The environs of Hankou], E bao 2 (December 1940): no page numbers. _______, "Diyici huiyi jingguo" [Record of the first meeting], in Xuanchuanbu quanguo diyijie huiyi shilu [Record of the first national conference of the MoP), ed. Xuanchuanbu (Nanjing: Xuanchuanbu, 1941), 57–60. _______,"Zhishang gongying: Riji yi ye" (Movie on paper: Page from a diary), Huawen Daban meiri 6, no. 1 (January 1941): no page numbers. 278 _______, "Guanyu xuanchuan de zuotanhui" [On a roundtable about propaganda], Huawen Daban meiri 6, no. 2 (January 1941): 6–9. _______, "Zhong-Ri wenhua jiaoliu: Lingnan meizhan diwu jie" [Sino-Japanese cultural exchange: The fifth exhibition of Lingnan painting], Dong Ya Lianmeng huabao 1., no. 4 (June 1941): no page numbers. _______, "Zhong-Ri lianxi dianying: Shanghai zhi yue" [Sino-Japanese joint production: Moon of Shanghai], Xin Zhongguo huabao 3, no. 7 (July 1941): no page numbers. _______, "De Yi deng ba guo chengren guomin zhengfu" [Eight countries, including Germany and Italy, recognize the national government], Huawen Daban meiri 7, no. 2 (July 1941): no page numbers. _______, "Ben kan zhu Hua banshichu zai Nanjing chengli" [The establishment of this magazine's China Office in Nanjing] Huawen Daban meiri 7, no. 7 (October 1941): 29. _______, Naka Shina genjō hōkoku [Report on the recent situation in central China] (Tokyo: Sōzōsha, 1942). 279 _______, "President Wang Ching-wei in uniform," Xin Zhonghua huabao 3, no. 10 (October 1941): no page number. _______, Xin guomin yundong yanlunji, shangce [Collection of NCM speeches, Vol I] (Nanjing: Nanjing tebieshi xuanchuanchu, 1942). _______, Qingshao xunlian yu xiuyang [The training and fostering of youth] (Nanjing: Zhongyang dianxunshe, 1942). _______, Qingxiangqu dangwu baogaoshu [Report on Party services in the Rural Pacification areas] (Suzhou: Guomindang qingxiangqu dangwu banshichu, 1942). _______, "Dong Ya wenyi fuxing yundong zhi zhankai" [The start of the movement for the revival of east Asian arts], Zhongyang daobao zhoukan 2, no. 39 (April 26, 1942): 89. _______, "Wang weiyuanzhang san ci xunshi qingxiangqu ji" [An account of Chairman Wang's third tour of the Rural Pacification areas], Zhongyang daobao zhoukan 2, no. 39 (April 1942): 19. _______, "Wang Zhuxi fang Ri zuo fan jing" [Chairman Wang returned to Nanjing yesterday after a visit to Japan], Zhong bao, September 24, 1943, 1. 280 _______, "Dong Lian xiangcun gongzuotuan hongzhao" (Traces of the East Asia League village work teams), Dong Ya lianmeng huabao 2.8 (September 1942): no page numbers. _______, Dai Tōa shashin nenpō [Photographic annual of Greater East Asia] (Tokyo: Dōmei Tsushinsha, 1943). _______, "Guofu huandu hou xinjun ren de yucheng" [The cultivation of new China's soldiers since the return of the national government], Dong Ya Lianmeng huabao 3, no. 3 (February 1943): no page numbers. _______, "Fa kan ci," (Remarks on the publication of the journal) Zhonghua huabao 1, no. 1 (August 1943): no page numbers. _______, "Quanguo minzhong, dadao Ying-Mei zong dongyuan" [General mobilization of the masses to overthrow Britain and America], Zhonghua huabao 1, no. 1 (August 1943): 8–9. _______, "Madame Chen Pi-chun," Xin Zhonghua huabao 5, no. 9 (September 1943): no page numbers. _______, "Xin Shanghai de mianmao" [The appearance of new Shanghai], Dong Ya Lianmeng huabao 3, no. 8 (October 1943): 18. 281 _______, "Shanghai diyiqu gongsuoshu chichu waitan dixing tongxiang" [The municipal office of the Number One District of Shanghai removes imperialist statues from the bund], Zhonghua huabao 1, no. 3 (October 1943): no page numbers. _______, "Renwu jieshao: Yan Wenliang" [Introducing Yan Wenliang], Zhonghua huabao 1, no. 4 (November 1943): 14. _______, "Guangdongsheng Da Dong Ya qingnian dahui" [The Greater East Asia Youth Convention in Guangdong], Dong Ya lianmeng huabao 3, no. 11 (December 1943): no page numbers. _______, "Xuanchuan huiyi qunxiang" [Group images of publicity conference attendees] Taiping 3, no. 1 (1944): no page numbers. _______, "Wang zhuxi banian qian liudan, anran quchu" [A bullet left in Chairman Wang eight years ago is safely extracted], Zhonghua huabao 2, no. 1 (February 1944): 2–3. _______, "Manhua dipan" [Cartoon base], Dong Ya Lianmeng huabao 4. no. 2 (April 1944): no page numbers. _______, "Nongfu ge" [Farmers' songs], Xin Zhonghua huabao 6, no. 4 (April 1944): no page numbers. 282 _______, "President Wang Ching-wei celebrates his 62nd birthday," Xin Zhonghua huabao 6, no. 6 (June 1944): no page numbers. _______,"Wang Jingwei sihou miwen" [Posthumous secrets about Wang Jingwei], Hanjian chousi (February 1945): 28–31. _______, Yi dai yinghou Chen Yunshang [Movie Queen of the age, Nancy Chan] (Beijing: Xinhua shudian, 2001). Arendt, Hannah, Men in Dark Times (New York: Harcourt, Brace & World, 1968). Asahi Shimbun Company, Media, Propaganda and Politics in 20th-century Japan, trans. Barak Kushner (London: Bloomsbury, 2015). Atkins, E. Taylor, Primitive Selves: Koreana in the Japanese Colonial Gaze, 1910–1945 (Berkeley, CA: University of California Press, 2010). Bai Ping, "Xi ren yu cheng huange qu" [The deceased has already ridden off on a yellow crane], Changjiang huakan 4, no. 1 (January 1941): no page numbers. Barlow, Tani E., "Buying in: Advertising and the sexy modern girl icon in Shanghai in the 1920s and 1930s," in The Modern Girl Around the World: Consumption, 283 Modernity, Globalization, ed. Alys Eve Weinbaum, et al. (Durham, NC: Duke University Press, 2008), 222–318 Barrett, David P., "Introduction," in Chinese Collaboration with Japan, 1932–1945: The Limits of Accommodation, eds. David P. Barrett and Larry N. Shyu (Stanford, CA: Stanford University Press, 2001), 1–17. _______, "The Wang Jingwei regime, 1940–1945: Continuities and disjunctures with Nationalist China," in Chinese Collaboration with Japan, 1932–1945: The Limits of Accommodation, eds. David P. Barret and Larry N. Shyu (Stanford, CA: Stanford University Press, 2001), 102–115. Baruch, Marc Olivier, "Charisma and hybrid legitimacy in Pétain's État français (1940–44)," Totalitarian Movements and Political Religions 7, no. 2 (2006): 215–224. Baskett, Michael, The Attractive Empire: Transnational Film Culture in Imperial Japan (Honolulu: University of Hawai'i Press, 2008). Baskett, Michael, The Attractive Empire: Transnational Film Culture in Imperial Japan (Honolulu: University of Hawai'i Press, 2008). Bate, Don, Wang Ching Wei: Puppet or Patriot (Chicago: Ralph Fletcher Seymour, 1941). 284 Beech, Hannah, "The world's next superpower announces itself with an epic parade," Time, September 3, 2015. Beijingshi Dang'anguan, ed. Ri-wei Beijing Xinminhui [The Japanese-bogus regimes' Xinminhui in occupied Beijing] (Beijing: Guangming Ribao chubanshe, 1989). Benton, Gregor, New Fourth Army: Communist Resistance Along the Yangtze and the Huai, 1938–1941 (Berkeley, CA: University of California Press, 1999). Berger, John, Ways of Seeing (London: Penguin, 1973). Bertrand Dorléac, Laurence, Art of the Defeat, France 1940–1944, trans. Jane Marie Todd (Los Angeles: Getty Research Institute, 2008). Bickers, Robert and Jeffrey N. Wasserstrom, "Shanghai's 'Dogs and Chinese Not Admitted' sign: Legend, history and contemporary symbol," China Quarterly 142 (June 1995): 444–466. Bickers, Robert, "Moving stories: Memorialisation and its legacies in treaty port China," Journal of Imperial and Commonwealth History 42, no. 5 (2014): 826–856. 285 Bonnell, Victoria E., Iconography of Power: Soviet Political Posters under Lenin and Stalin (Berkeley, CA: University of California Press, 1997). Boorman, Howard L., "Wang Ching-wei: China's romantic radical," Political Science Quarterly 79, no. 4 (1964): 504–525. Boyle, John Hunter, China and Japan at War, 1937–1945: The Politics of Collaboration (Stanford, CA: Stanford University Press, 1972). Bredekamp, Horst, "A Neglected Tradition? Art History as Bildwissenschaft," Critical Inquiry 29, no. 3 (Spring 2003): 418–428. _______, Image Acts: A Systematic Approach to Visual Agency, trans. Elizabeth Clegg (Berlin: De Gruyter, 2017). Brook, Timothy, "Collaborationist nationalism in occupied wartime China," in Nation
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