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276 Bibliography "China-Japan: Treaty Concerning Basic Rights," American Journal of International Law 35, no. 3 (1941): 125–128. Akami, Tomoko, "Japan's new empire and the Dōmei News Agency in occupied Southeast Asia, 1942-45," Japan Focus 13, 1. no. 3 (2015): 1–28. Al-Ali, Nadje and Nicola Pratt, What Kind of Liberation? Women and the Occupation of Iraq (Berkeley, CA: University of California Press, 2009). American Information Committee, Japan's Cultural Aggression in Asia: A General Study of Methods and Results (Shanghai: American Information Committee, 1939), 13. Anon, "Fang Junbi nüshi ji hua chuban" [A collection of paintings by Ms Fan Tchunpi has been published], Nan Hua pinglun 3, no. 17 (December 1932): 8. _______, "Fang Junbi yuhua zhan jinri juxing yuzhan" [Preview of Fan Tchun-pi's exhibition of oil paintings starts today], Zhonghua ribao, May 4, 1945, 2. 277 _______, "Zhong-Ri funüjie de xiangqin xiang ai" [Mutual affection and love between Japanese and Chinese women], Xin Zhongguo 2, no. 11–12 (December 1939): no page numbers. _______, Quanguo meinü fengjing yuefenpai [Nationwide calendars of beauties and scenery] (Shanghai: Xin Zhonghua tushu gongsi, c.1940). _______, Xin Wuhan [New Wuhan] (Wuhan: Wuhan shi zhengfu, 1940). _______, "Fazhan zhong de hankou" [Developing Hankou], E bao 1 (November 1940): no page numbers. _______, "Hankou de jinjiao" [The environs of Hankou], E bao 2 (December 1940): no page numbers. _______, "Diyici huiyi jingguo" [Record of the first meeting], in Xuanchuanbu quanguo diyijie huiyi shilu [Record of the first national conference of the MoP), ed. Xuanchuanbu (Nanjing: Xuanchuanbu, 1941), 57–60. -
Xinjiang's 100000
Xinjiang’s 100,000: State-led Urban-to-Rural Population Resettlement in Socialist China by Charles Richard Kraus B.A. in History, May 2010, Hiram College M.A. in History, August 2014, The George Washington University A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 21, 2017 Dissertation directed by Edward A. McCord Professor of History and International Affairs The Columbian College of Arts and Sciences of The George Washington University certifies that Charles Richard Kraus has passed the Final Examination for the degree of Doctor of Philosophy as of March 3, 2017. This is the final and approved form of the dissertation. Xinjiang’s 100,000: State-led Urban-to-Rural Population Resettlement in Socialist China Charles Richard Kraus Dissertation Research Committee: Edward A. McCord, Professor of History and International Affairs, Dissertation Director Gregg Andrew Brazinsky, Associate Professor of History and International Affairs, Committee Member Shawn Frederick McHale, Associate Professor of History and International Affairs, Committee Member ii © Copyright 2017 by Charles Richard Kraus All rights reserved iii Acknowledgements It is immensely satisfying that, after five years of graduate study, I can finally acknowledge in writing the many mentors, colleagues, friends, and family members who supported the completion of this dissertation. The research for this project began in earnest in summer 2013, but it would have never started if not for several prior interventions. In January 2011, when I was a master’s student in the Elliott School of International Affairs, Professor Shawn McHale, then the director of the Asian Studies program and my advisor, called me to his office. -
Copyright © Ronald James Dziwenka 2010 a Dissertation
‘THE LAST LIGHT OF INDIAN BUDDHISM’ - THE MONK ZHIKONG IN 14TH CENTURY CHINA AND KOREA by Ronald James Dziwenka ______________________ Copyright © Ronald James Dziwenka 2010 A Dissertation Submitted to the Faculty of the DEPARTMENT OF EAST ASIAN STUDIES In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2010 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Ronald James Dziwenka entitled ‘The Last Light of Indian Buddhism’ – The Monk Zhikong in 14th Century China and Korea and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy ________________________________________________Date: March 5, 2010 Jiang Wu ________________________________________________Date: March 5, 2010 Chia-lin Pao Tao ________________________________________________Date: March 5, 2010 Noel Pinnington ________________________________________________Date: March 5, 2010 Yetta Goodman ________________________________________________Date: March 5, 2010 Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and Recommend that it be accepted as fulfilling the dissertation requirement. ________________________________________________Date: March 5, 2010 Dissertation Director: Jiang Wu 3 STATEMENT BY AUTHOR This dissertation has been submitted in partial fulfillment of requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this dissertation are allowable without special permission, provided that accurate acknowledgement of source is made. -
04-A. Shinohara-4.02
Bull. Natl. Mus. Nat. Sci., Ser. A, 35(4), pp. 249–278, December 22, 2009 The Species-group of Arge captiva (Insecta, Hymenoptera, Argidae) Akihiko Shinohara1, Hideho Hara2 and Jung-Wook Kim3 1 Department of Zoology, National Museum of Nature and Science, 3–23–1 Hyakunin-cho, Shinjuku-ku, Tokyo, 169–0073 Japan E-mail: [email protected] 2Hokkaido Forestry Research Institute, Koshunai, Bibai-shi, Hokkaido, 079–0198 Japan E-mail: [email protected] 3 Public Health Pest Management, DENR, Raleigh NC, USA E-mail: [email protected] Abstract Arge captiva (Smith, 1874) and its allied taxa are revised and four species are recog- nized. All relevant type material was studied, except for that of Arge praesternalis Malaise, 1934. Arge macrops sp. n. (ϭArge sanguinolenta auctt., nec Mocsáry, 1909) is described and illustrated from the Primorskij Kraj, Korea and China. The following synonymy is established or confirmed for Arge captiva: Arge captiva (Smith, 1874) (ϭHylotoma captiva Smith, 1874ϭHylotoma flavi- collis Cameron, 1876 [syn. n.]ϭArge sanguinolenta Mocsáry, 1909 [syn. n.]ϭArge kolthoffi For- sius, 1927 [syn. n.]ϭArge captiva rufoscutellata Takeuchi, 1927). Arge siamana Togashi, 1988, is removed from synonymy with A. captiva. A little known species, A. praesternalis, is treated as a valid species. Key words : Argidae, Arge captiva group, Arge macrops, new species, new synonymy. The sawfly genus Arge (Hymenoptera, Argi- a median carina and the nearly glabrous outer dae) is represented by more than 300 described margins of the wings. The larvae of A. rejecta are species in the world, including about 120 species known to feed on Rubus spp., whereas those recorded from eastern Asia (Gussakovskij, 1935; of A. -
NO LIMITS to BORROWING: the CASE of BAI and CHINESE Yeon-Ju Lee, Laurent Sagart
NO LIMITS TO BORROWING: THE CASE OF BAI AND CHINESE Yeon-Ju Lee, Laurent Sagart To cite this version: Yeon-Ju Lee, Laurent Sagart. NO LIMITS TO BORROWING: THE CASE OF BAI AND CHINESE. Diachronica, Netherlands: John Benjamins, 2008, 25 (3), pp.357-385. 10.1075/dia.25.3.03yeo. hal- 00781005 HAL Id: hal-00781005 https://hal.archives-ouvertes.fr/hal-00781005 Submitted on 25 Jan 2013 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. NO LIMITS TO BORROWING: THE CASE OF BAI AND CHINESE Lee Yeon-Ju (Kangwon National University, Chuncheon, Korea) and Laurent Sagart (Centre de Recherches Linguistiques sur l’ Asie Orientale, Paris, France) keywords: Sino-Tibetan, Chinese, Bai, contact, stratification, subgrouping, numerals Abstract Based on the large amount of Chinese-related basic vocabulary in Bai, scholars like Benedict, Starostin and Zhengzhang have claimed a special phylogenetic proximity between Bai and Chinese. In this paper we show that the Chinese vocabulary in Bai is stratified, forming successive layers of borrowings. We identify three such layers, describing the sound correspondences which characterize each of them: two Mandarin layers, one local, one regional for modern words; and an early Chinese layer, acquired during a long and complex period of intimate contact between Bai and Chinese, beginning in Han times and terminating in Late Tang, altogether a millennium or so. -
ICONOGRAPHIES of OCCUPATION Visual Cultures in Wang Jingwei's
ICONOGRAPHIES OF OCCUPATION ICONOGRAPHIES OF OCCUPATION Visual Cultures in Wang Jingwei’s China, 1939–1945 Jeremy E. Taylor University of Hawai‘i Press Honolulu © 2020 University of Hawai‘i Press The Open Access edition of this book is licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0), which means that digital editions of the work may be freely downloaded and shared for non-commercial purposes, provided credit is given to the author. Commercial uses and the publication of any derivative works require permission from the publisher. For details, see https://creativecommons.org/licenses/by-nc-nd/4.0/. The Creative Commons license described above does not apply to any material that is separately copyrighted. ISBN 9780824887704 (PDF) ISBN 9780824887711 (EPUB) ISBN 9780824887728 (Kindle) Open Access edition sponsored by the European Research Council. Advertising poster for Taiwanese green tea (circa 1941) featuring Manchukuo, RNG Chinese and Japanese women, and the flags of these three countries. Courtesy of the National Museum of Taiwan History, Tainan (Image ID 2013.038.0003). For my sons Contents Acknowledgments ix Introduction 1 Chapter 1 Contextualizing the Wang Jingwei Regime 19 Chapter 2 Visual Cultures under Occupation 39 Chapter 3 Visualizing the Occupied Leader 59 Chapter 4 Gendered and Generational Archetypes 88 Chapter 5 Rivers and Mountains 115 Conclusion Beyond the Colonial Gaze 145 Glossary 155 Notes 161 Bibliography 195 Index 221 vii Acknowledgments The idea for this book first emerged out of a number of research initiatives pursued from 2012 onward. It would never have been completed, however, had it not been for the support of the European Research Council (ERC), which in 2016 awarded me a Consolidator Grant. -
Pang Xunqin (1906-1985) – a Chinese Avant- Garde’S Metamorphosis, 1925-1946, and Questions of “Authenticity”
ABSTRACT Title of Dissertation: PANG XUNQIN (1906-1985) – A CHINESE AVANT- GARDE’S METAMORPHOSIS, 1925-1946, AND QUESTIONS OF “AUTHENTICITY” Xiaoqing Zhu, Doctor of Philosophy, 2009 Dissertation directed by: Professor Jason Kuo Department of Art History and Archaeology This dissertation has three goals. The first is to chart the artistic life of Pang Xunqin (1906-1985) and his art works from 1929 to 1946. Pang’s metamorphosis from an aspiring young artist in Paris and Shanghai in the 1920s and 30s, into an artist in his own right, a graphic designer, an educator, and a scholar of the history of Chinese art and craft, while ceaselessly trying to renew himself – all this is a record that deserves an art historical recognition. The second goal is to locate Pang Xunqin in the historiography of Chinese modern art in an attempt to problematize issues of inclusion and exclusion in the historiography of the field. The third goal, which is closely tied to the second, is to utilize post-colonial inquiries to explore myriad issues of non-Western modernism embodied in Pang Xunqin’s case. Such issues include the divisions among the “traditionalists,” the “academic realists,” and the “modernists,” colonial cosmopolitanism in the Shanghai of the 30s, and the appropriation of “primitivism” in the 40s. Attention also focuses on the issues of authenticity and “hybridity,” Western orientalization of the East and self- orientalization by the East in cross-cultural encounters, and identity politics and nationalistic agendas in the construct of the guohua (national painting) and xihua (Western painting) divide. The post-colonial methodology employed here helps raise questions regarding the binary construct of tradition vs.