Bibliography

Bibliography

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Arendt, Hannah, Men in Dark Times (New York: Harcourt, Brace & World, 1968). Asahi Shimbun Company, Media, Propaganda and Politics in 20th-century Japan, trans. Barak Kushner (London: Bloomsbury, 2015). Atkins, E. Taylor, Primitive Selves: Koreana in the Japanese Colonial Gaze, 1910–1945 (Berkeley, CA: University of California Press, 2010). Bai Ping, "Xi ren yu cheng huange qu" [The deceased has already ridden off on a yellow crane], Changjiang huakan 4, no. 1 (January 1941): no page numbers. Barlow, Tani E., "Buying in: Advertising and the sexy modern girl icon in Shanghai in the 1920s and 1930s," in The Modern Girl Around the World: Consumption, 283 Modernity, Globalization, ed. Alys Eve Weinbaum, et al. (Durham, NC: Duke University Press, 2008), 222–318 Barrett, David P., "Introduction," in Chinese Collaboration with Japan, 1932–1945: The Limits of Accommodation, eds. David P. Barrett and Larry N. Shyu (Stanford, CA: Stanford University Press, 2001), 1–17. _______, "The Wang Jingwei regime, 1940–1945: Continuities and disjunctures with Nationalist China," in Chinese Collaboration with Japan, 1932–1945: The Limits of Accommodation, eds. David P. Barret and Larry N. Shyu (Stanford, CA: Stanford University Press, 2001), 102–115. Baruch, Marc Olivier, "Charisma and hybrid legitimacy in Pétain's État français (1940–44)," Totalitarian Movements and Political Religions 7, no. 2 (2006): 215–224. Baskett, Michael, The Attractive Empire: Transnational Film Culture in Imperial Japan (Honolulu: University of Hawai'i Press, 2008). Baskett, Michael, The Attractive Empire: Transnational Film Culture in Imperial Japan (Honolulu: University of Hawai'i Press, 2008). Bate, Don, Wang Ching Wei: Puppet or Patriot (Chicago: Ralph Fletcher Seymour, 1941). 284 Beech, Hannah, "The world's next superpower announces itself with an epic parade," Time, September 3, 2015. Beijingshi Dang'anguan, ed. Ri-wei Beijing Xinminhui [The Japanese-bogus regimes' Xinminhui in occupied Beijing] (Beijing: Guangming Ribao chubanshe, 1989). Benton, Gregor, New Fourth Army: Communist Resistance Along the Yangtze and the Huai, 1938–1941 (Berkeley, CA: University of California Press, 1999). Berger, John, Ways of Seeing (London: Penguin, 1973). Bertrand Dorléac, Laurence, Art of the Defeat, France 1940–1944, trans. Jane Marie Todd (Los Angeles: Getty Research Institute, 2008). Bickers, Robert and Jeffrey N. Wasserstrom, "Shanghai's 'Dogs and Chinese Not Admitted' sign: Legend, history and contemporary symbol," China Quarterly 142 (June 1995): 444–466. Bickers, Robert, "Moving stories: Memorialisation and its legacies in treaty port China," Journal of Imperial and Commonwealth History 42, no. 5 (2014): 826–856. 285 Bonnell, Victoria E., Iconography of Power: Soviet Political Posters under Lenin and Stalin (Berkeley, CA: University of California Press, 1997). Boorman, Howard L., "Wang Ching-wei: China's romantic radical," Political Science Quarterly 79, no. 4 (1964): 504–525. Boyle, John Hunter, China and Japan at War, 1937–1945: The Politics of Collaboration (Stanford, CA: Stanford University Press, 1972). Bredekamp, Horst, "A Neglected Tradition? Art History as Bildwissenschaft," Critical Inquiry 29, no. 3 (Spring 2003): 418–428. _______, Image Acts: A Systematic Approach to Visual Agency, trans. Elizabeth Clegg (Berlin: De Gruyter, 2017). Brook, Timothy, "Collaborationist nationalism in occupied wartime China," in Nation

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