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The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian -
Ii TABLE of CONTENTS INVENTORY ENTRY
ii TABLE OF CONTENTS INVENTORY ENTRY ......................................................... iii NOTE ON THE FINDING AID .................................................. iv POLITICAL CAREER ..........................................................4 Town of Westmount .......................................................4 Metropolitan Parks Commission ..............................................8 Miscellaneous Political Activities ..............................................8 ROYAL SOCIETY OF CANADA .................................................9 MANUSCRIPTS ..............................................................9 Archaeology and Anthropology ..............................................9 History and Biography ....................................................11 Novels ................................................................14 Philosophy .............................................................17 Poetry ................................................................19 Political Affairs ..........................................................20 Miscellaneous ..........................................................21 FINANCIAL PAPERS .........................................................22 SUBJECT FILES .............................................................22 PRINTED MATERIAL .........................................................23 MEMORABILIA .............................................................26 CLIPPINGS .................................................................28 APPENDIX -
A Comparative Study of French-Canadian and Mexican-American Contemporary Poetry
A COMPARATIVE STUDY OF FRENCH-CANADIAN AND MEXICAN-AMERICAN CONTEMPORARY POETRY by RODERICK JAMES MACINTOSH, B.A., M.A. A DISSERTATION IN SPANISH Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OP PHILOSOPHY Approved Accepted May, 1981 /V<9/J^ ACKNOWLEDGMENTS I am T«ry grateful to Dr. Edmundo Garcia-Giron for his direction of this dissertation and to the other mem bers of my committee, Dr. Norwood Andrews, Dr. Alfred Cismaru, Dr. Aldo Finco and Dr. Faye L. Bianpass, for their helpful criticism and advice. 11 ' V^-^'s;-^' CONTENTS ACKNOWI£DGMENTS n I. k BRIEF HISTORY OF QUE3EC 1 II• A BRIEF HISTORY OF MEXICAN-AMERICANS ^9 III. A LITERARY HISTORY OF QUEBEC 109 IV. A BRIEF OUTLINE OF ^MEXICAN LITERATURE 164 7» A LITERARY HISTORY OF HffiXICAN-AT/lERICANS 190 ' VI. A COMPARATIVE LOOK AT CANADZkll FRENCH AND MEXICAN-AMERICAN SPANISH 228 VII- CONTEMPORARY PRSNCK-CANADIAN POETRY 2^7 VIII. CONTEMPORARY TffiCICAN-AMERICAN POETRY 26? NOTES 330 BIBLIOGRAPHY 356 111 A BRIEF HISTORY OF QUEBEC In 153^ Jacques Cartier landed on the Gaspe Penin sula and established French sovereignty in North America. Nevertheless, the French did not take effective control of their foothold on this continent until 7^ years later when Samuel de Champlain founded the settlement of Quebec in 1608, at the foot of Cape Diamond on the St. Laurence River. At first, the settlement was conceived of as a trading post for the lucrative fur trade, but two difficul ties soon becam,e apparent—problems that have plagued French Canada to the present day—the difficulty of comirunication across trackless forests and m.ountainous terrain and the rigors of the Great Canadian Winter. -
Index Des Dix Premiers Numéros De Francophonies D'amérique
Document generated on 09/25/2021 4:37 a.m. Francophonies d'Amérique Index des dix premiers numéros de Francophonies d’Amérique France Beauregard Actes du colloque « Francophonies d’Amérique : Altérité et métissage » Number 10, 2000 URI: https://id.erudit.org/iderudit/1005101ar DOI: https://doi.org/10.7202/1005101ar See table of contents Publisher(s) Les Presses de l'Université d'Ottawa ISSN 1183-2487 (print) 1710-1158 (digital) Explore this journal Cite this document Beauregard, F. (2000). Index des dix premiers numéros de Francophonies d’Amérique. Francophonies d'Amérique, (10), 227–248. https://doi.org/10.7202/1005101ar Copyright © Les Presses de l'Université d'Ottawa, 2000 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ INDEX DES DIX PREMIERS NUMÉROS DE FRANCOPHONIES D'AMÉRIQUE France Beauregard Centre de recherche en civilisation canadienne-française Université d'Ottawa INDEX DES ARTICLES PAR RÉGIONS: ACADIE, ONTARIO, OUEST CANADIEN, ÉTATS-UNIS, GÉNÉRAL - AMÉRIQUE DU NORD, ET PAR ORDRE ALPHABÉTIQUE DES AUTEURS ACADIE dans Raconte-moi Massabielle de Jacques Savoie Abouelouafa, Mohamed 6,1996, p. 21-32 La quête initiatique comme lieu Brown, Anne d'écriture dans Pélagie-la-Charrette Zélica à Cochon Vert de Laurier d'Antonine Maillet et La Prière Melanson ou le carnavalesque de l'absent de Tahar Ben Jelloun en Acadie 8.1998, p. -
Creative Displacement and Corporeal Defiance
CREATIVE DISPLACEMENT AND CORPOREAL DEFIANCE: FEMTNIST CANADIAN MODERNISM iN MARGARET LAURENCE'S MANAWAKA NOVELS A Thesis Submitted to the College of Graduate Studies and Research in Partial Fulfillment of the Requirernents for the Degree of Doctor of Philosophy in the Department of English University of Saskatchewan Saskatoon BY Debra Lym Dudek September 2000 O Copyright Debra Lynn Dudek, 200 1. Al1 rights reserved. National Library Bibliothèque nationale du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. rue WeUingtm Onawa ON K1A ON4 OttawaON K1AW Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence dowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sel1 reproduire, prêter, distribuer ou copies of this thesis in microfom, vendre des copies de cette thése sous paper or electronic formats. la forme de microfiche/fïlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in tbïs thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fknit Ni la thèse ni des extraits substantiels may be printed or otheMrise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. PERMISSION TO USE In presenting this thesis in partial fùlfillment of the requirements for a Postgraduate degree 6om the University of Saskatchewan, 1 agree that the Libraries of this University may rnake it fieely available for inspection. 1 fùrther agree that permission for copying of this thesis in any rnanner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. -
Bailey Among the Modernists
5 PREFACE Rummagings, 20: A.G. Bailey among the Modernists My relationship with Alfred Bailey began in the late 1970s when he kindly agreed to serve on the Editorial Board of Canadian Poetry. I was never fortunate enough to meet him, but from that time until before his death in April 1997 we corresponded sporadically, and I benefitted greatly from his comments on my work and his learned and wise observations on such subjects as poetic form, the Fredericton members of the Confederation group,1 and the literary culture of New Brunswick and Canada. It was Bailey who pointed me in the direction of Arnold Toynbee’s remarks on “The Stimulus of Migration Overseas” in A Study of History” (1934-61) that provided the basis for my essay entitled “Breaking the ‘Cake of Custom’: The Atlantic Crossing as a Rubicon for Female Emigrants to Canada,” which appeared in Re(Dis)covering Our Foremothers (1989), Lorraine McMullen’s edition of the proceedings of a conference in the University of Ottawa’s Reappraisals: Canadian Writers series, so clearly I owe him a lasting debt of gratitude. I still deeply regret that in The Gay]Grey Moose: Essays on the Ecologies and Mythologies of Canadian Poetry, 1690-1990 (1992) I did not discuss Bailey’s “The Muskrat and the Whale” (1973), an ecologically resonant poem in his Thanks for a Drowned Island (1973) whose muskrat M. Travis Lane sees as a “lithe animal unobliged to make Great Pronouncements” and as typifying not just Bailey’s lyric voice, but a “certain kind” of Canadian poetry: “frisk[y],” “moderate,” “medium-conscious,” and characterized “by gaiety and seriousness together” (“A Sense of the Medium” 8).2 Several years before he died, Bailey sent me a copy of his “Literary Memories,” on the understanding that the manuscript was not for publication in Canadian Poetry but for interest as a source of information and insights about his evolution as a poet and thinker and about his involvement in the literary and intellectual currents of his day. -
Engagements Financiers De 25 000 $ Et Plus
Ministère de l’Économie et de l’Innovation ENGAGEMENTS FINANCIERS DE 25 K$ ET PLUS Juin 2019 Page 1 de 16 Formulaire 2 - CAP - Liste des contrats de 25 000 $ et plus publiés au SEAO Pour la période du 2019-06-01 au 2019-06-30 Date de Montant du Numéro Soumissionnaires (* = contractant; NC = Municipalité du Montant du Région administrative de No. Organisme I/M Type de contrat Nature du contrat conclusion Titre Montant soumis contrat avec SEAO non conforme; NA = non admissible) soumissionnaire contrat livraison du contrat option(s) 1 Ministère de l'Économie et de I Contrat de gré à Services 2019-04-12 1225686 Donner accès au programme de formation * FORUM FOR INTENATIONAL TRADE Ottawa 50 000,00 $ 100 000,00 $ Hors Québec l'Innovation gré professionnels spécialisé et poussé en commerce TRAINING (FITT) international en ligne : FITT habiletés aux conseillers en affaires internationales du secteur du Commerce Extérieur et octroyer l’abonnement corporatif. 2 Ministère de l'Économie et de I Contrat de gré à Services 2019-03-31 1250958 Effectuer des mandats en conception * Studio Alphatek inc. Québec 25 000,00 $ 75 000,00 $ Capitale-Nationale l'Innovation gré professionnels graphique, de design interactif et occasionnellement en infographie. 3 Ministère de l'Économie et de I Contrat de gré à Services 2019-03-29 1252344 Réaliser un défilé de mode présentant * PROMOTING ARTISTS REDEFINING Calgary 32 000,00 $ 32 000,00 $ Hors Québec l'Innovation gré professionnels 10 designers québécois, un événement KULTURE FOUNDATION (PARK) d’achat privé réalisé avec la Boutique ESPY. Les services inclut la location d’un espace d’exposition de type « pop-up shop » pour 10 designers. -
Uaac-Aauc Conference 2014
UAAC-AAUC CONFERENCE 2014 October 23 to October 26 OCAD University www.uaac-aauc.com Toronto, Canada 1 Bienvenue au congrès! Au nom du conseil d’administration de l’Association d’art des universités du Canada, je souhaite la bienvenue à tous les participants au congrès 2014 de Toronto. C’est toujours un plaisir pour l’Association de venir à Toronto, mais cette année, nous sommes particulièrement heureux d’être accueillis par l’Université OCAD, un établissement jouissant d’une longue et brillante feuille de route en ce qui a trait à la production de certains des plus importants artistes du Canada. J’aimerais remercier l’Université OCAD et sa présidente, Sara Diamond, pour le parrainage de cette conférence. Des remerciements particuliers vont aux coprésidents du comité d’organisation sur place, Charles Reeve et Caroline Langill, ainsi qu’aux membres de leur équipe, Claudette Lauzon, Keith Bresnahan, Anda Kubis, Adam Tindale, Audrey Hudson, Jessica Wyman, Laragh Halldorson et Sarah McLean Knapp. Le programme du congrès de cette année s’annonce très excitant—et rempli! Nous essayons une nouveauté cette année, une journée supplémentaire dédiée au perfectionnement professionnel et à des séances pédagogiques. En tant qu’Association d’art des universités du Canada, nous avons une responsabilité particulière à l’égard du perfectionnement professionnel de nos étudiants aux cycles supérieurs. Comme les emplois traditionnels en enseignement et dans les musées se raréfient, il nous faut aider nos étudiants à trouver des carrières intéressantes, tant au sein des universités qu’à l’extérieur de celles-ci. Je vous encourage à venir écouter notre conférencière Jennifer Polk, du site From PhD to Life, parler de ces possibilités dimanche matin à 9 h 30, et à participer aux tables rondes sur le perfectionnement professionnel et pédagogique qui suivront. -
The Language of the Incontinent Body in Margaret Laurence's the Stone
Technologies of Identity: The Language of the Incontinent Body in Margaret Laurence’s The Stone Angel DONNA PALMATEER PENNEE N AN ESSAY ENTITLED “Identity, Genealogy, History” Nikolas Rose explains the Foucauldian sense of “technology” that is signalled I in this paper: Technology, here, refers to any assembly structured by a practical rationality governed by a more or less conscious goal. Human tech- nologies are hybrid assemblages of knowledges, instruments, persons, systems of judgement, buildings and spaces, underpinned at the pro- grammatic level by certain presuppositions about, and objectives for, human beings.… Perhaps the insistence upon an analytic of human technologies is one of the most distinctive features of the approach, … an analysis which does not start from the view that the technologizing of human conduct is malign, but rather examines the ways in which human beings have been simultaneously capacitated and governed by their organization within a technological field. (132; emphasis added) Rose’s terms help to clarify something of what is meant by the “produc- tivity” of “power,” and, while “not start[ing] from the view that the technologizing of human conduct is malign” can permit a more complex view of the historical field than is usually available through cause-effect lenses, I want nevertheless to address the malignancy of technologies of the self. This hurtfulness of history is represented in the literal and figu- rative workings of the incontinent body in Margaret Laurence’s The Stone Angel, a novel that displays the armature of a self simultaneously capaci- tated and governed by the force fields of negative difference. -
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CANADIAN MUSIC SINCE 1940: a QUESTION of NATIONALISM a Thesis Submitted in Partial Satis
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CANADIAN MUSIC SINCE 1940: A QUESTION OF NATIONALISM A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Music by Ronald Frederick Erin August, 1983 J:lhe Thesis of Ronald Frederick Erin is approved: California StD. te Universi tJr, Northridge ii PREFACE This thesis represents a survey of Canadian music since 1940 within the conceptual framework of 'nationalism'. By this selec- tive approach, it does not represent a conclusive view of Canadian music nor does this paper wish to ascribe national priorities more importance than is due. However, Canada has a unique relationship to the question of nationalism. All the arts, including music, have shared in the convolutions of national identity. The rela- tionship between music and nationalism takes on great significance in a country that has claimed cultural independence only in the last 40 years. Therefore, witnessed by Canadian critical res- ponse, the question of national identity in music has become an important factor. \ In utilizing a national focus, I have attempted to give a progressive, accumulative direction to the six chapters covered in this discussion. At the same time, I have attempted to make each chapter self-contained, in order to increase the paper's effective- ness as a reference tool. If the reader wishes to refer back to information on the CBC's CRI-SM record label or the Canadian League of Composers, this informati6n will be found in Chapter IV. Simi- larly, work employing Indian texts will be found in Chapter V. Therefore, a certain amount of redundancy is unavoidable when interconnecting various components. -
Canadian Books for Schools: a Centennial Listing. INSTITUTION Alberta Teachers Association, Edmonton., PUB DATE Feb 68 NOTE 68P
DOCUMENT RESUME ED 044 397 TE 000 626 AUTHOR Snow, Kathleen M., Ed. TITLE Canadian Books for Schools: A Centennial Listing. INSTITUTION Alberta Teachers Association, Edmonton., PUB DATE Feb 68 NOTE 68p. AVAILABLE FROM National Council of Teachers of English, 508 South Sixth Street, Champaign, Illinois 61820 (Stock No. 42457R, $1.50) EDRS PRICE EDRS Price MF-$0.50 HC Not Available from EDRS. DESCRIPTORS *Annotated Bibliographies, Art, *Childrens Books, Cultural Background, *Cultural Education, Drama, Elementary Education, Folklore Books, History, *Literature, Mathematics, Poetry, Sciences, Secondary Education, Social Studies; I_ENTIFIERS *Canada ABSTRACT This annotated bibliography, prepared by the English Council and School Library Council of the Alberta Teachers' Association, lists approximately 320 works -- including novels, biographies, plays, nofiction and historical books, children's books, and books of short stories--written by Canadian authors abou'. Canada. For each entry, the information provided includes grade level (pre-K to High School), subject relevance (Art, Mathematics, Social Studies, Science, or English), Dewey classification number, and price. (3M) U.S. 01104491 OF MIK MVO & WEIF/11 OFFI(fOf IDU01)01 IIIIS DIXUSIIII P KR 191000(11 flICtlf AS IMMO 11011SME 111S011 01 010410111101 0141111116 It.P0I, ItS Of filfW 01 MIMS SIAM 00 NO SECISS11111 11111S1111 OffICIII U110, Of IDOCA11011 OS 10111101 01 POSKI. re\ CanadianBooks for Schools A CentennialListing of Published by The English Counciland School library Council The Alberta Teacher? Association,Edmonton, Alberta February, 1968 Como deep by John Snow INTRODUCTION in the effort to bring children and books together, the teacher of English and the librarian are partners.This partnership Is reflected In this listing of Canadian books for schools, the production of which has been a joint effort of the English Council and the School Library Council of The Alberta Teachers' Association. -
News AVRIL2010
Bulletin Culturel April 2010 focus ANTONINE MAILLET SAVE THE DATES IN MAY * HOT DOCS 18TH TORONTO JEWISH FILM FESTIVAL * CONTACT FESTIVAL “As well as Indians before him, he knew the woods [...] As the man from the nature, he got all the skills [...] Never before such a knowledge Contents and a love of those kinds of things had found a place within painting. In PAGE 3 - Festival the whole legacy of art its sorts, the canvases of Thompson are unique, especially since he had no training as a painter. The Nature was his mas- PAGE 5 - Music ter” (*) PAGE 6 - Cinema Throughout the seasons, the charmes of landscapes change and remain PAGE 6 - Theatre alike. With futurist and bionic heroes at the front page of the Jewish PAGE 7 - Television Film Festival, DJ Monsieur Cedric, Haitian tuned singers Melissa Laveaux PAGE 8 - Speaking and Reine Soleil, Human Rights issues with Joel Andriantsimbazovina, there are many artistic and intellectual invitation. Joël Savary, Attaché Culturel (*) F.B Housser, A Canadian Art Mouvement : The Story of the Group of Seven. 1926. April 2010 Monday Tuesday Wednesday Thursday Friday Saturday Sunday 1234 News editor: Joël Savary Creative writter: Martin Colomer-Diez NIKKI BEACH MÉLISSA Audiovisual: Marie Herault-Delanoë WITH MONSIEUR LAVEAUX Book: Léa Deshusses CÉDRIC Music: Simon Grignon 567891011 MONSIEUR CÉDRIC AT THE AGO SLAGUESLAGUE SLAGUE SLAGUE SLAGUE 12 13 14 15 16 17 18 ARE HUMAN TORONTO TORONTO RIGHTS JEWISH FILM JEWISH FILM UNIVERSAL ? FESTIVAL FESTIVAL 19 20 21 22 23 24 25 TORONTO TORONTO TORONTO TORONTO