Uaac-Aauc Conference 2014
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Abbas Akhavan B. 1977, Tehran, Iran Lives and Works in Montreal, Canada
Abbas Akhavan b. 1977, Tehran, Iran Lives and works in Montreal, Canada Education 2006 Master of Fine Arts, University of British Columbia, Vancouver, Canada 2004 Bachelor of Fine Arts, Concordia University, Montreal, Canada Selected Solo Exhibitions 2021 Chisenhale Gallery, London, UK Mount Stuart House, Isle of Bute, Scotland 2019 They asked the fox, “Who is your witness?” He said, “My tail.”, Catriona Jeffries, Vancouver script for an island, Fogo Island Gallery, Fogo Island, Canada cast for a folly, CCA Wattis Institute for Contemporary Arts, San Francisco, USA 2018 Folly, Vie d’ange, Montreal, Canada Variations on a Landscape, The Power Plant Contemporary Art Gallery, Toronto, Canada recently, The Third Line, Dubai, UAE 2017 Museum Villa Stuck, Munich, Germany variations on a garden, Douglas Hyde Gallery, Dublin, Ireland They hit a tree with an axe, SALT Galata, Istanbul, Turkey variations on a garden, DRAF Studio, David Roberts Art Foundation, London, UK 2016 Neighbours, with Marina Roy, Dunlop Art Gallery, Regina, Canada Singing Softly When No One’s Around, Art Gallery of Ontario, Toronto, Canada KIDS CATS AND 1 DOG, FLORA ars+natura, Bogotá, Colombia 2015 variations on a garden, Mercer Union, Toronto, Canada Study for a Curtain, The Third Line, Dubai, United Arab Emirates Artspeak, Vancouver, Canada 2013 Study for a Glasshouse, Peel Art Gallery, Brampton, Canada Galeri Manâ, Istanbul, Turkey green house, Western Front, Vancouver, Canada 2012 Study for a Garden, Delfina Foundation, London, UK Fire/Fire, with Marina Roy, Centre A -
By Frank Davey
Rampike 15/1 _____________________________________________________________________________________________ INDEX Paul Dutton: “Narcissus A, 7” p. 2 Editorial p. 3 Frank Davey: Interview p. 4 Frank Davey: “Postcards from the Raj” p. 12 Jeanette Lynes: “Frank” p. 17 Michael & Linda Hutcheon: Interview p. 18 Joyce Carol Oates: “The Writer’s (Secret) Life” p. 22 Paul Hegedus: Two Poems p. 29 Darren Wershler-Henry: from The Iron Whim p. 30 Robert Dassanowsky: Three Poems p. 35 George Bowering: “Sworn to Secrecy” p. 36 Gregory Betts “The Geopoetics of Tish” p. 42 Jürgen O. Olbrich: Two Texts p. 55 rob mclennan “Notes on a Day Book” p. 56 Charles Bernstein: Argotist Interview p. 58 Brian Edwards: “Ce n’est pas la guerre!” p. 62 Penn Kemp: “Night Orchestra” p. 66 Matthew Holmes: Two Texts p. 68 Carl Peters: “Writing Should Not Sound Like Writing” p. 70 D. King: “Driving Wheel” p. 72 Louis Cabri: “Foamula” p. 74 Nicole Markotic: Two Poems p. 76 Sandra Alland: Six Poems p. 78 Stan Rogal: “The Celebrity Rag” p. 80 Tanis MacDonald “Practice Lessons” p. 82 Sarah Bonet: “VIP at liquid” p. 83 Anne Walker: 3 Poems p. 84 Lindsey Bannister: “The Tombstone Vandal” p. 85 Photos from the Conference p. 88 1 Rampike 15/1 _____________________________________________________________________________________________ ”NARCISSUS A, 7” BY PAUL DUTTON 2 Rampike 15/1 _____________________________________________________________________________________________ Editorial: This issue of Rampike is dedicated to Frank Davey in response to the conference on “Poetics and Popular Culture” held in his honour at the University of Western Ontario (2005). Keynote speakers at that gathering included Charles Bernstein, Lynette Hunter, and Smaro Kamboureli. -
MUSICAL COMPOSITION Through the Art of BERTRAM BROOKER Click the Right Corner to MUSICAL COMPOSITION BERTRAM BROOKER Through the Art of Return to Table of Contents
TEACHER RESOURCE GUIDE FOR GRADES 2–12 LEARN ABOUT MUSICAL COMPOSITION through the art of BERTRAM BROOKER Click the right corner to MUSICAL COMPOSITION BERTRAM BROOKER through the art of return to table of contents TABLE OF CONTENTS PAGE 1 PAGE 2 PAGE 3 RESOURCE WHO WAS TIMELINE OF OVERVIEW BERTRAM BROOKER? HISTORICAL EVENTS AND ARTIST’S LIFE PAGE 4 PAGE 8 PAGE 10 LEARNING CULMINATING HOW BERTRAM ACTIVITIES TASK BROOKER MADE ART: STYLE & TECHNIQUE PAGE 11 READ ONLINE DOWNLOAD ADDITIONAL BERTRAM BROOKER: BERTRAM BROOKER RESOURCES LIFE & WORK BY IMAGE FILE JAMES KING EDUCATIONAL RESOURCE MUSICAL COMPOSITION through the art of BERTRAM BROOKER RESOURCE OVERVIEW This teacher resource guide has been designed to complement the Art Canada Institute online art book Bertram Brooker: Life & Work by James King. The artworks within this guide and the images required for the learning activities and culminating task can be found in the Bertram Brooker Image File provided. Throughout his career Bertram Brooker (1888–1955) looked to capture the ephemeral and magical qualities of music in his paintings. Several of his works explore specific pieces of music or attempt to convey an experience of sound on the canvas. In this guide the art of Brooker is used to explore musical forms, terminology, and structure, and it guides students in activities that allow them to find connections between visual art and music and to build an understanding and appreciation of both disciplines. Curriculum Connections Grades 2–12 Music Grades 2–12 Visual Arts Grades 11–12 Composition and Production Themes Composition The elements of music Sound paintings Soundscapes Visual interpretations Teaching Exercises The exercises in this guide invite students to explore connections between visual art and music. -
Canadian Studies: the Hungarian Contribution
Ad Americam. Journal of American Studies 21 (2020): ISSN: 1896-9461, https://doi.org/10.12797/AdAmericam.21.2020.21.06 Licensing information: CC BY-NC-ND 4.0 János Kenyeres Eötvös Loránd University, Budapest, Hungary [email protected] https://orcid.org/0000-0003-0294-9714 Canadian Studies: The Hungarian Contribution Canadian Studies was launched in Hungary in 1979, when the first course in Canadian literature was offered at the English Department of Eötvös Loránd University, Budapest. This article is intended to explore the history of this discipline in the past 40+ years, fo- cusing on the growing awareness of Canada and its culture in Hungarian academic and intellectual life. As early as the mid-1980s, universities in Hungary offered various cours- es in Canadian Studies, which were followed by a large number of publications, con- ferences, and the institutionalization of the field. The article gives a survey of Canadian Studies in Hungary in the international context, showing the ways in which interaction with colleagues in Europe and beyond, and with institutions, such as the Central Euro- pean Association for Canadian Studies, has promoted the work of Hungarian researchers. The article also discusses the fields of interest and individual achievements of Hungarian scholars, as well as the challenges Canadian Studies has faced. Key words: Canadian Studies; Hungary; university; scholarship; research; history The study of Canada by Hungarians is usually considered a recent development compared to academic research on the history and culture of other nations. Howev- er, evidence shows that, in a sense, the history of contacts between the two countries goes back several centuries. -
123011 TXT Placed.Indd
University of Groningen 'Aaron' d'Yves Thériault ou comment transgresser l'entre-deux den Toonder, J. M. L. Published in: Canadian Literature IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2010 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): den Toonder, J. M. L. (2010). 'Aaron' d'Yves Thériault ou comment transgresser l'entre-deux. Canadian Literature, 206(Autumn), 74-87. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 12-11-2019 Canadian Literature / Littérature canadienne A Quarterly of Criticism and Review Number !"#, Autumn !"$" Published by %e University of British Columbia, Vancouver Editor: Margery Fee Associate Editors: Laura Moss (Reviews), Glenn Deer (Reviews), Larissa Lai (Poetry), Réjean Beaudoin (Francophone Writing), Judy Brown (Reviews) Past Editors: George Woodcock ($&'&–$&((), W.H. -
ART of the THEATRE" Herman Voaden3 S Igjo Manifesto
RE-INTRODUCING CANADIAN "ART OF THE THEATRE" Herman Voaden3 s igjo Manifesto Sherrill E. Grace IINTRODUCTION, S ARE IMPORTANT. An editor's introduction to a volume of edited or collected texts situates that collection, valorizes the individual texts, explains why and how the collected items matter and may even claim to be defining a tradition or establishing a canon.1 Twenty years ago, W. H. New began his "Introduction" to Dramatists in Canada: Selected Essays (1972) by noting "the past failure of Canadian writers to react dramatically to their world," and he went on to say that, "until comparatively recently something has gone wrong, and the drama that has reached the stage has frequently died there, without even reaching the tenuous immortality of print."2 In 1972 all this was very true. Moreover, as the opening paragraph of an impor- tant introductory statement to the first (as far as I am aware) collection of critical essays on Canadian drama, these remarks should not be taken lightly. New recog- nized that a majority of voices prior to 1972 had announced the futility or quixotic nature of any attempt to create a Canadian drama. Chief amongst the early nay- sayers was Merrill Denison whose 1928 diatribe called "Nationalism and Drama," reprinted in Dramatists in Canada, went so far as to mock even the desire for such a drama. The main voice raised against Denison in the twenties — that of Herman Voaden — was not rediscovered until the early 1980s, ten years too late for New's anthology. But in his "Introduction," New not only recapitulated and contextual- ized past calls for or dismissals of an indigenous dramatic literature and a Canadian theatre, he also anticipated a new, creative moment for Canadian Drama, one that would pick up where Voaden left off. -
TCRF Pre Event Press Release
FOR IMMEDIATE RELEASE June 3, 2014 Contact: Rachel Schwartz/PR AdvantEDGE, Inc. 310.990.2764 [email protected] Tower Cancer Research Foundation Scores of Hollywood Celebrities Bet Big and Ante Up for A Cancer Free Generation at Tower Cancer Research Foundation’s Poker Tournament to support Young Research Talent on Saturday, June 7th, 2014 in Los Angeles Los Angeles, CA, June 3, 2014 – TV icon Jason Alexander, along with dozens of stars from TV, sports, music and film will bet big to support talented young cancer researchers and change the future of cancer at Tower Cancer Research Foundation’s (TCRF) Inaugural Cancer Free Generation Poker Tournament and Casino Night on Saturday, June 7, 2014 at the Sofitel Hotel, Riviera 31, 8555 Beverly Blvd, Los Angeles, CA 90048. Red carpet arrivals begin at 6:00 PM PST. The event has attracted the support of numerous celebrities, including (alphabetically by first name) AJ Buckley (CSI NY), Alexis Bellino & Jim Bellino (Real Housewives of Orange County), Ashlyn Pearce (The Bold and the Beautiful), Carl Weathers (Rocky), Christine Bently (Ballers-HBO), Corey Maggette (Detroit Pistons), Erik Valdez (General Hospital), Gilles Marini (Switched at Birth/Dancing With The Stars/Sex and the City), Golnesa “GG” Gharachedaghi (Shahs of Sunset), Gretchen Rossi & Slade Smiley (Real Housewives of Orange County/Marriage Boot Camp), Katie Cleary (America’s Next Top Model, Ironman 2), Kiptyn Locke (The Bachelorette), Lil’ Mama (hip hop recording artist), Maryse Ouellet (WWE Diva), Michael Vartan (Alias, Bates Motel), Nicholas Gonzalez (Sleepy Hollow, Resurrection), Nyambi Nyambi (Mike and Molly), Quinton Aaron (The Blind Side), Ryan Cabrera (pop rock singer/musician), Shanna Moakler (VH1 Hollywood Exes), Tony Denison (Major Crimes), Vanessa Marcil (Las Vegas), Torrie Wilson (WWE Diva/Playmate). -
In Partial Fulfillnent of the Requirements for the Degree of Doctor of Philosophy in History
BUSINESS, ART AND LABOUR: BRIGDEN'S AND THE GROWTH OF THE CANADIAN GRAPHIC ARTS INDUSTRY 1870_1950 By Angela E. Davis A Thesis presented to the University of Manitoba in partial fulfillnent of the requirements for the degree of Doctor of PhiLosophy in History The University of Manitoba t{innipeg, Manitoba September 1986 ABSTRACT The thesis presented in this dissertation concerns the inter-reLationship between business, art and labour in Canada during the years 1870 to 1950. It will suggest that the foundations of "Canadian Art" and a Canadian popular culture rest not only within the European traditions of "fine" art, but also in the work of those artists who practiced in the commercial environment of engraving, or graphic arts, houses. Indeed most artists, for the period under discussion, worked as both "commercial" and "fine" artists. In order to substantiate this argument, a history of the development of the Canadian graphic arts industry will be traced, using the firm of Brigden's Limited as a case study. Graphic arts firns such as Brigden's demonstrate the unique aspects of an industry which included among its workforce artÍsts as wel.l as skilled technicians. Not only did thjs reguire a management capable of recognizing artistic creativity and practical knowledge, but it al.so necessitated an organization capable of adapting to econonic, social and technoj.ogical change. It was from out of this structure that the product of the industry, the reproduced visual image, made its considerabLe contribution to the development of a Canadian -
The Skullcracker Suite
DR JOHN CUSSANS DEPARTMENT: FINE ART REF OUTPUT 2 2014 - 2020 THE SKULLCRACKER SUITE A LONG- TERM INTER- DISCIPLINARY ARTISTIC RESEARCH PROJECT INVESTIGATING PROCESSES OF CULTURAL DECOLONIZATION IN BRITISH COLUMBIA. RESEARCH STATEMENT The Skullcracker Suite is long-term inter-disciplinary artistic research project investigating processes of cultural decolonization in British Columbia. The name is inspired by Hox’hok, the giant cannibal crane of Canadian First Nation legend who cracks the skulls of humans to eat their brains. The project was conceived in the Summer of 2015 during a meeting with Steve Calvert, a Canadian artist who, between 2012 and 2014, had documented the potlatch ceremonies and copper-breaking protests of the Kwakwaka’wakw artist and chief Beau Dick. Inspired by the idea of combining aspects of the winter ceremonial and potlatch traditions of the Kwakwaka’wakw peoples with decolonial, ecological and science fictional currents within contemporary art and critical theory, The Skullcracker Suite was imagined as a dramatic theatrical allegory for the ‘permanent decolonization of thought’ proposed by the Brazilian anthropologist Eduardo Viveiros de Castro. In June 2016 I was awarded a Leverhulme Research Fellowship to begin the first phase of research. This culminated in BC Time-Slip (The Empire Never Ended), a multi-component portfolio of works investigating the science fiction writer Philip K. Dick’s fateful visit to Vancouver in 1972. BC TIME-SLIP (THE EMPIRE NEVER ENDED) The project takes its name from Philip K. Dick’s 1964 Mars colonization novel Martian Time-Slip and a mystical vision he had in March 1974 that the Roman Empire had never ended and that North Americans were still unwittingly living in its Black Iron Prison. -
Playboy Video Maryse Ouellet
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DAVID ABBOTT Tank Abbott RICHARD ACELINGER
DAVID ABBOTT Tank Abbott RICHARD ACELINGER Richard Slinger ANGEL ACEVEDO Cuban Assassin GABRIEL ACOCELLA Jack Britton DONNA ADAMO Elektra BROOKE ADAMS Brooke (ECW) BRYAN ADAMS Crush CHRIS ADAMS Gentleman Chris Adams Masked Avenger TONI ADAMS Nancy Simpson Toni the Tigress JOSH ADAMSON Johnny Spade DON ADELBERG Don E. Allen JONAH ADELMAN Jonah JOSEPH ADKINS Malachi STEVEN ADKINS Seth Skyfire CHRIS ADKISSON Chris Von Erich DAVID ADKISSON David Von Erich JACK ADKISSON Fritz Von Erich KERRY ADKISSON Texas Tornado Kerry Von Erich KEVIN ADKISSON Kevin Von Erich LACEY ADKISSON Lacy Von Erich MIKE ADKISSON Mike Von Erich MILTON ADOMO El Nene RICHARD AFFLIS Dick the Bruiser FRANCISCO AGUAYO Charro Aguayo PEDRO AGUAYO Perro Aguayo AARON AGUILERA Jesus Aguilera Hardkore Kid Conquistador Uno JASON AHRNDT Venom Joey Abs SUSAN AITCHISON Duchess of Queensberry TAKESHI AKABANE Little Tokyo SHOJI AKIYOSHI Coolie S.Z. Punish Jado LOUIS ALBANO Captain Lou Albano ACHIM ALBRECHT Brakus BRENT ALBRIGHT Gunner Scott GARY ALBRIGHT Gary Albright Volkan Singh BEN ALCORN Dudeman NICK ALDIS Brutus Magnus MODESTO ALEDO Kamikaze MICHELLE ALEXANDER Michelle McCool MICHAEL ALFONSO Mike Awesome That 70's Guy KAZEM ALI Armando Alejandro Estrada JEFFERSON ALLEN Nikita Allenov RICK ALLEN Sonny Beach TERRY ALLEN Magnum T.A. MICHAEL ALTIERI Mikey Batts AL AMEZCUA Golden Terror ALFONSO AMEZOUA Alfonso Dantes CHAE AN Nitro Girl Chae ANDY ANDERSON Andy Anderson BILL ANDERSON Bill Laster CHIQUITA ANDERSON Nitro Girl Chiquita EUGENE ANDERSON Gene Anderson KEN ANDERSON Ken Kennedy MELISSA ANDERSON Raisha Saeed RANDY ANDERSON Randy "Pee Wee" Anderson WCW Referee ERIC ANGLE Eric Angle KURT ANGLE Kurt Angle TED ANNIS Teddy Hart ARTHUR ANOIA Wild Samoan Afa ARTHUR ANOIA JR. -
THE UNIVERSITY of BRITISH COLUMBIA Curriculum Vitae For
Page 1/33 THE UNIVERSITY OF BRITISH COLUMBIA Curriculum Vitae for Faculty Members // Selected Entries for AHVA Website Date: August 30, 2016 Initials: 1. SURNAME: Zeigler FIRST NAME: Barbara MIDDLE NAME(S): Ann 2. DEPARTMENT/SCHOOL: Art History, Visual Art and Theory 3. FACULTY: Arts 4. PRESENT RANK: Associate Professor SINCE: 1986 5. POST-SECONDARY EDUCATION University or Institution Degree Subject Area Dates University of Illinois Urbana-Champaign MFA Printmaking 1975 University of Illinois Urbana-Champaign BFA Painting 1973 Akademie der bildenden Künste (Art Academy of Study Abroad Mixed Media & Theory 1969-70; 1971-72 Munich; Munich, Germany) Universität München (University of Munich; Study Abroad Art History & Language Fall 1972 Munich, Germany) 6. EMPLOYMENT RECORD (a) Prior to coming to U.B.C. University, Company or Organization Rank or Title Dates Department of Art, Queen’s University Assistant Professor (Sabbatical Rep.) 1978-79 Nova Scotia College of Art and Design Instructor, Summer 1978 Department of Art, University of Alberta Assistant Professor, Spring Session 1977 Department of Art, University of Alberta Assistant Professor, Summer Session 1976 Department of Art and Design, University of Alberta Instructor (Full-time Sessional) 1975-78 University of Illinois Urbana-Champaign, Illinois Graduate Teaching Assistant 1974-75 Page 2/33 Rank or Title Dates Associate Professor 1986 Assistant Professor 1979 8. TEACHING (a) Areas of special interest and accomplishments Primary areas of instruction last five years: printmaking (with digital imaging), drawing, open studio. Additional prior areas of instruction: photography, painting, foundation, studio theory, and digital imaging. Traditional and non-traditional contexts and approaches to the producton of art are explored within the undergraduate studio-based classes I teach.