August 2018 Preview-Art.Com

GUIDE TO GALLERIES + MUSEUMS

ALBERTA BRITISH COLUMBIA OREGON WASHINGTON

June - August 2018 preview-art.com

2018_JJA_document_Final.indd 1 2018-05-23 9:37 AM Appearance New Works by Jianjun An

August 20 – Sept 7, 2018

Opening Reception: Aug 23rd, 18:00 pm Panel Discussion: Aug 23rd, 19:00 pm

e: [email protected] www.jianjunan.com T: 778.8952283 778.8595298 Blue Heron & Fisherman’s Wharf diptych 96” x 120” Presented by : New Primary Color Art Foundation R Space Art Development Foundation bscottfinearts.ca Advised by Shengtian Zheng | Liu, Yi 2227 Granville Street, Vancouver BC Curated by Sen Wong Co-ordinated by Li Feng 8269 North Island Highway, Black Creek

2018_JJA_document_Tue_1115.indd 2 2018-05-22 9:02 PM Appearance New Works by Jianjun An

August 20 – Sept 7, 2018

Opening Reception: Aug 23rd, 18:00 pm Panel Discussion: Aug 23rd, 19:00 pm

Pendulum Gallery HSBC Building Atrium, 885 West Georgia, Vancouver, BC V6C 3E8 Monday, Tuesday, Wednesday: 9:00am–5:00pm Thursday, Friday: 9:00am–9:00pm Saturday: 9:00am–5:00pm Sundays and Stat Holidays: Closed e: [email protected] www.jianjunan.com T: 778.8952283 778.8595298 Blue Heron & Fisherman’s Wharf diptych 96” x 120” Presented by : New Primary Color Art Foundation R Space Art Development Foundation bscottfinearts.ca Advised by Shengtian Zheng | Liu, Yi 2227 Granville Street, Vancouver BC Curated by Sen Wong Co-ordinated by Li Feng 8269 North Island Highway, Black Creek BC

BrianScottAd.indd2018_JJA_document_Final.indd 1 3 2018-05-23 3:323:34 PM Installation Storage Shipping Transport Framing

Poly Culture Art Center 100 - 905 West Pender Street Vancouver, BC V6C 1L6

展览地点温哥华保利艺术馆主办单位保利文化集团股份有限公司承办单位保利文化北美投资有限公司北京保利艺术中心有限公司

Venue Providing expert Poly Culture Art Center handling of your fine art Organizer Poly Culture Group for over thirty years. Co-organizers Poly Culture North America Beijing Poly Art Centre 155 West 7th Avenue, Vancouver, BC Canada V5Y 1L8 604 876 3303 denbighfas.com [email protected]

2018_JJA_document_Tue_1115.indd 4 2018-05-22 9:02 PM Installation Storage Shipping Transport Framing

Poly Culture Art Center 100 - 905 West Pender Street Vancouver, BC V6C 1L6

展览地点温哥华保利艺术馆主办单位保利文化集团股份有限公司承办单位保利文化北美投资有限公司北京保利艺术中心有限公司

2018_JJA_document_Tue_1115.indd 5 2018-05-22 9:02 PM BRITISH COLUMBIA ALBERTA

Laxgalts’ap

Prince Rupert Prince George St. Albert Skidegate Wells Edmonton HAIDA GWAII North Vancouver West Vancouver Port Moody Williams Lake Vancouver Coquitlam Burnaby Maple Ridge Richmond New Westminster Chilliwack Banff Calgary Surrey Fort Langley Salmon Arm Tsawwassen White Rock Abbotsford Kamloops Black Diamond Vernon

Whistler Kelowna Medicine Hat Black Creek Penticton Nelson Qualicum Beach Lethbridge Vancouver Grand Forks Port Alberni Castlegar (see above) Christina Tofino Nanaimo Osoyoos Bellingham Lake Victoria La Conner Friday Harbor Everett Port Angeles Spokane Bellevue Bainbridge Island Seattle Tacoma Puyallup WASHINGTON Pacific Ocean

Astoria

Cannon Beach Portland

Salem Sisters

OREGON

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Laxgalts’ap June - August 2018 Vol.32 No.3 Prince Rupert ALBERTA PREVIEWS & FEATURES Prince George 8 Banff, Black Diamond, Calgary St. Albert 14 Edmonton 9 Alex Janvier - Glenbow Museum Skidegate Wells 16 Lethbridge, Medicine Hat, St. Albert Edmonton BRITISH COLUMBIA 10 Alberta Vignettes HAIDA 17 Abbotsford 12 Alberta and the Group of Seven - Esplanade Arts GWAII 18 Black Creek, Burnaby 19 Castlegar, Chilliwack 19 The Poetics of Space - Kamloops Art Gallery North Vancouver 20 Christina Lake, Coquitlam 20 The Herman Levy Legacy - Kelowna Art Gallery West Vancouver Port Moody Williams Lake 21 Fort Langley, Grand Forks, Kamloops, Kelowna 22 Laxgalts’ap, Maple Ridge, Nanaimo Vancouver Coquitlam 26 British Columbia Vignettes Burnaby Maple Ridge 23 Nelson, New Westminster 24 North Vancouver Richmond New Westminster 32 Kim Stewart - Two Rivers Gallery Banff Calgary 28 Osoyoos, Penticton, Port Alberni, Port Moody Fort Langley Chilliwack Surrey Salmon Arm 29 Prince George, Prince Rupert, Qualicum Beach 34 Harold Klunder - Winchester Galleries Tsawwassen White Rock Abbotsford Black Diamond Richmond Kamloops 30 Salmon Arm, Skidegate 38 jasna guy - Seymour Art Gallery Vernon 31 Surrey, Tofino Kelowna 32 Tsawwassen, Vancouver 42 Scott Sueme - Kimoto Gallery Whistler Medicine Hat 51 Vernon Black Creek 52 Victoria 50 HAIDA NOW - Museum of Vancouver Penticton Nelson 54 Wells, West Vancouver Qualicum Beach Lethbridge Vancouver Grand Forks 55 Whistler 52 Jianjun An - Pendulum Gallery Port Alberni (see above) Castlegar 56 WhIte Rock Christina 56 CORRECTIONS - Open Space Tofino Nanaimo Osoyoos 57 Williams Lake Lake Bellingham OREGON 59 A. Passalacqua & B. Black - Blackfish Gallery Victoria La Conner 57 Astoria, Cannon Beach 61 Oregon Vignettes Friday Harbor 58 Portland Everett 60 Salem 62 Richard Diebenkorn - Portland Art Museum Port Angeles Spokane 62 Sisters Bellevue 65 Viola Frey - James Harris Gallery WASHINGTON Bainbridge Island Seattle 63 Bainbridge Island 66 Close-up: David Setford - Tacoma Art Museum 64 Bellevue, Bellingham 68 Towards Impressionism - Frye Art Museum Tacoma Puyallup 65 Everett 66 Friday Harbor 73 Washington Vignettes 67 La Conner, Port Angeles, Puyallup, Seattle WASHINGTON 72 Spokane, Tacoma 74 Art Services 77 Catalogues Pacific Ocean © 1986-2018 Preview Art Media Inc. ISSN 1481-2258 Member of Tourism Vancouver and Visit Seattle. 78 Alphabetical Index Reproduction in whole or in part is strictly forbidden EDITORIAL + ADVERTISING Tel 604-222-1883 Toll Free 1-844-369-8988 Astoria Email [email protected] Address PO Box 39041, 3695 W 10th Ave. Cover: Claude Monet, French, 1840–1926 Vancouver, BC V6R 4P1 Canada Les rochers de Belle-Île (Rocks at Belle-Île), 1886, Cannon Beach Portland Paula Fairweather, Publisher oil on canvas. Meredith Areskoug, Listings Editor Legacy Henry Vasnier, Musée des Beaux-Arts, Reims, Meredith Mitchell, Listings 907.19.191 ACB #69872 Salem Trevor Martin, Art & Production Manager Judith Mazari, Graphic Production Artist Sisters Banner Image: Audain Art Museum The views, opinions and positions expressed are those of the authors and do not necessarily reflect those of th Image courtesy of Tourism Whistler. Photo: Justa Jeskova publisher. Please note that all gallery particulars are set out as submitted by clients prior to the date of publication. OREGON Printed on FSA approved and recycled paper

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2018_JJA_document_Tue_1115.indd 7 2018-05-22 9:02 PM Whyte and Their Contemporaries. CALGARY Aspiring career artists from vastly ALBERTA differing backgrounds, Peter Whyte Alberta Craft Gallery - Calgary and Catharine Robb Whyte met at Suite 208 - 1721 29th Ave SW Alex Janvier: Modern Indigenous Master BANFF the School of the Boston Museum of &587-391-0129 albertacraft.ab.ca GLENBOW MUSEUM, CALGARY AB - June 16 - September 9, 2018 glenbow.org Fine Arts and immersed themselves wed-fri 11-5; sat 10-5. To Jun 2 Whyte Museum in the craft of fine art painting. This Perch | Acceptable Bodies | of the Canadian Rockies exhibition features their artistic Chronicles of a Contemporary 111 Bear St &403-762-2291 academic accomplishments and Dirtbag. This triple exhibition whyte.org daily 10am-5pm. many later painterly achievements. questions our society’s standards of Admission: adults $10, seniors Christine Wignall: 100 Heads: personal beauty through embroidery $9, students & locals (Lake Louise Childhood Memories of Banff Per- by Allison Tunis; distinct aspects of to Morley) $5, children under 12 sonalities “Until you have sculpted bird conservation with Perch (Dena & members free To Jun 10 From one hundred heads you will never Seiferling and Stefanie Staples), and Morse to Whyte: A Dynastic understand the head.” This artistic jewelry by Jamie Kroeger’s pieces. Bequest of Japanese Treasures. challenge inspired Wignall to begin Jun 9-Aug 18 Process; Thinking Catharine Robb Whyte’s maternal sculpting. People she knew growing Through. An exhibition offering in- grandfather, Dr. Edward Sylvester up in Banff showed up in the clay. sight into the complex and multi-lay- Morse (1838-1925) was a scholar ered methods of how craft artists with a vast range of interests, BLACK DIAMOND work and create while nurturing the including Japanese culture. This organic nature of creativity. Ongoing exhibition includes ceramics and Bluerock Gallery Spotlight. New work of Alberta Craft other artistic and cultural objects. 110 Centre Ave W &403-933-5047 Council members launching new

Deborah Cameron: Transitory bluerockgallery.ca daily 10am-6pm designs or exploring news themes. Lubicon , 1988, acrylic on canvas. Alex Janvier, Art Gallery of Alberta Collection Beauty: Photographic Compila- including holidays and by appt. A June: Jennea Frsichke; Jun-Jul: Now in his 84th year, Denesuline and Saulteaux artist Alex Janvier is a pioneer in the tions of multi-layered, mesmerizing destination for handmade, one-of-a- Breanna Glusak. photographs brim with superim- development of Indigenous art in Canada. A survivor of Alberta’s Blue Quills Indian kind fine art and craft. We represent Residential School, his artistic abilities were recognized at an early age. After grad- posed subjects to create colourful close to 200 artists, most of whom Alberta Printmakers worlds of beauty and wonder. Gallery and Studio uating from what is now the Alberta College of Art and Design, he took a teaching live and work within 100 miles of position at the University of Alberta in 1960. But it is through his evocative abstract Opening Jun 17 Artistry Revealed: the gallery. 4025 4th St SE &403-287-1056 Peter Whyte, Catharine Robb albertaprintmakers.com paintings and courageous activism that Janvier became revered as an artist for whom land, art and Dene culture are inseparable. Organized by the National Gallery of Canada, this 65-year retrospective exhibition Nickle Galleries – Janvier’s largest and most comprehensive yet – features over a hundred drawings UNIVERSITY OF CALGARY and paintings from collections across the country. Included are masterpieces like the

1 epic four-panel Big Fish Waters (1982), as well as works that have never been seen

t before – all of which bear the mark of an artist whose penchant for vivid colours and

W arcing, braiding lines was inﬂ uenced as much by the land as by the paintings of Wassily 1 Trans-Canada Hwy Edmonton Trail Kandinsky and Joan Miró. 1A Illingworth Kerr Gallery Among the artist’s best-known works is Morning Star – Gambeh Then’ (1993), an awe- ALBERTA COLLEGE CALGARY OF ART + DESIGN inspiring mural painted on the dome of the Canadian Museum of History. In an effort orial Dr N em W M to include the work, a video was made for gallery display. Also included is a room B ow dedicated to the Professional Native Indian Artists Inc. (a.k.a. “The Indian Group Ri DOWNTOWN ve r 2 of Seven”), a “start-up” that Janvier co-founded in 1973. Featured here are works 14 SW St The New Gallery Ave SW 4 S Janvier made in homage to fellow co-founders Jackson Beardy, Eddy Cobiness, Norval

S Morrisseau, Daphne Odjig, Carl Ray and Joseph M. Sanchez. 8 Ave SW e

t 10 Ave SW 9 Ave n Truck Gallery SW e Glenbow

C Esker Foundation 10 Ave SW Michael Turner

Newzones E

S Collectors' Gallery Of Art

Herringer Kiss t 11 Ave SW 9 S A ve 1 17 Ave SW SE

t SW CALGARY

2 7 7 St SW 6 St6 SW STAMPEDE E B S ow Rive il ow lb r ra R E T iv t e o o r ckf Bla

29 Ave SW Alberta Craft Gallery E t S S 33 Ave SW 4 il

a l Crowchild Trail SW Trail Crowchild r Alberta Printmakers i T a

r d T o 42 Ave SE t e l o 20 StSW c o a rf M e e Founders Gallery D Christine Klassen Gallery

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2018_JJA_document_Tue_1115.indd 8 2018-05-22 9:02 PM Alex Janvier: Modern Indigenous Master GLENBOW MUSEUM, CALGARY AB - June 16 - September 9, 2018 glenbow.org

Alex Janvier, Lubicon , 1988, acrylic on canvas. Alex Janvier, Art Gallery of Alberta Collection Now in his 84th year, Denesuline and Saulteaux artist Alex Janvier is a pioneer in the development of Indigenous art in Canada. A survivor of Alberta’s Blue Quills Indian Residential School, his artistic abilities were recognized at an early age. After graduating from what is now the Alberta College of Art and Design, he took a teaching position at the University of Alberta in 1960. But it is through his evocative abstract paintings and courageous activism that Janvier became revered as an artist for whom land, art and Dene culture are inseparable. Organized by the National Gallery of Canada, this 65-year retrospective exhibition Nickle Galleries – Janvier’s largest and most comprehensive yet – features over a hundred drawings UNIVERSITY OF CALGARY and paintings from collections across the country. Included are masterpieces like the

1 epic four-panel Big Fish Waters (1982), as well as works that have never been seen

t before – all of which bear the mark of an artist whose penchant for vivid colours and

S Morrisseau, Daphne Odjig, Carl Ray and Joseph M. Sanchez. 8 Ave SW e r

t 10 Ave SW 9 Ave n Truck Gallery SW e Glenbow

C Esker Foundation 10 Ave SW Michael Turner

Newzones E

S Collectors' Gallery Of Art

Herringer Kiss t 11 Ave SW 9 S A ve 1 17 Ave SW SE t SW CALGARY

2 7 7 St SW 6 St6 SW STAMPEDE wed-sat 11am-4pm.Jun 4-Jul 30 Christine Klassen Gallery rebellious attitudes of punk rock and E B w l S o o Rive i w Mitchell Chalifoux: Young Man’s 200-321 50th Ave SE skateboarding which prompted his lb r ra R E T iv t e o o r Fancy. Jun 8-Jul 20 Madeline &403-262-1880 questioning of the “elitist traditions ckf Bla Mackay: Not Yet Earth. Not Yet christineklassengallery.com of the British Empire.” It is the Earth examines the fluid boundaries tue-sat 10am-5pm or by appt. To collision of these two worlds which 29 Ave SW Alberta Craft Gallery E t S between self, body and inanimate Jun 23 Carl White: Koan White forms the basis for his exhibi- S 33 Ave SW 4 il matter in the context of the artist’s grew up in England, frequenting tion Koan. Originating from Zen

a l Crowchild Trail SW Trail Crowchild r Alberta Printmakers i T a r own changing relationship with her institutions like the National Gallery Buddhism, the term koan refers to a d T o 42 Ave SE t e l o 20 StSW c and British Museum, which formed paradoxical anecdote or riddle used o body following illness. a rf M e e Founders Gallery D the foundation for his art practice. to demonstrate the inadequacy of Christine Klassen Gallery As a teenager, he embraced the logical reasoning and provoke the

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2018_JJA_document_Tue_1115.indd 9 2018-05-22 9:02 PM VIGNETTES ROBIN LAURENCE ALBERTA

HUBERT HOHN Art Gallery of Alberta, Edmonton, To Nov 11 Subtitled Edmonton Entrances and Suburban Landscapes, the show features two series of photographs, undertaken by Hohn in the 1970s, of Edmonton’s domestic architecture. The ﬁ rst records, in rich colour and with compelling detail, the doorways of ﬁ eldstone and stucco bungalows common to the city in the 1940s and ’50s, revealing lively elements of vernacular design.

HUBERT HOHN, The second series, shot in black and white, takes the city’s growing suburbs UNTITLED (EDMONTON ENTRANCES), 1974 as its subject, expressing a quite different design aesthetic.

CARL WHITE: KOAN Christine Klassen Gallery, Calgary, To Jun 23 This Liverpool-born, Calgary-based artist juxtaposes classical European painting traditions with the anti-establishment gestures of punk rock and skateboarding culture. His recent paintings reference the Zen Buddhist concept of the koan, a paradox to be meditated upon in order to relinquish reason and ﬁ nd enlightenment. White seeks to “provoke doubt” and question painting’s relevance by overlaying what look like skillfully rendered CARL WHITE, SUCCESSION, 2018 homages to Old Masters with grafﬁ ti and other defacing marks or text.

ANNA TORMA: BOOK OF ABANDONED DETAILS Esker Foundation, Calgary, To Sep 2 A remarkable textile artist, Anna Torma creates large-scale, hand-embroidered wall hangings and collages that manage to be both monumental in impact and intimate in mood. Her work, she has said, addresses “feminin- ity, domesticity, and ethnicity,” and evinces the inﬂ uences of children’s art, folk art and Art Brut. Born in Tarnaörs, Hungary and educated at the Hun- garian University of Applied Arts in Budapest, Torma arrived in Canada ANNA TORMA, ABANDONED DETAILS II, 2018 in 1988 and has been based in Baie Verte, New Brunswick since 2002.

MARIE LANNOO: SPECTRUM Newzones, Calgary, To June 23 Formerly a ﬁ gurative painter, Marie Lannoo here works in the high-mod- ernist traditions of geometric abstraction, pattern painting and Op Art. Her six new large-scale acrylic paintings exist together as a continuum, without any obvious beginning or end. Working with geometric shapes of varying shape, size and chromatic intensity, she immerses viewers in colour and luminosity, expanding the visual experience into the temporal MARIE LANNOO, SPECTRUM – RED, 2017 realm and suggesting a coming into being. COURTESY OF NEWZONES

MONICA TAP Peter Robertson Gallery, Edmonton, Jun 14 - Jul 7 Widely exhibited and acclaimed, Toronto-based artist Monica Tap takes apart elements of landscape painting and puts them back together again; in so doing, she addresses memory, place, time, and the cultural construction of nature. Working from art historical references as well as from her own photos, notes and remembered images, she explores the many ways we have MONICA TAP, GAUGUIN’S DOG, 2017 shaped an idea of landscape and the relationship of those ideas to what the natural world actually looks like.

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2018_JJA_document_Tue_1115.indd 10 2018-05-22 9:02 PM CALGARY

“great doubt.” The act of painting VIGNETTES ROBIN LAURENCE ALBERTA for White is just that, a conun- drum. To revere or revolt? He is constantly questioning of the value HUBERT HOHN Art Gallery of Alberta, Edmonton, To Nov 11 of art history and its relevance to Subtitled Edmonton Entrances and Suburban Landscapes, the show features contemporary culture, taking on dual two series of photographs, undertaken by Hohn in the 1970s, of Edmonton’s roles of creator and destroyer to find domestic architecture. The fi rst records, in rich colour and with compelling balance and meaning in the “making detail, the doorways of fi eldstone and stucco bungalows common to the and letting go of a thing.” city in the 1940s and ’50s, revealing lively elements of vernacular design. Contemporary Calgary HUBERT HOHN, The second series, shot in black and white, takes the city’s growing suburbs various &403-770-1350 UNTITLED (EDMONTON ENTRANCES), 1974 as its subject, expressing a quite different design aesthetic. contemporarycalgary.com Public programs and exhibitions are held at a variety of central Calgary CARL WHITE: KOAN Christine Klassen Gallery, Calgary, To Jun 23 locations. See website for details. This Liverpool-born, Calgary-based artist juxtaposes classical European Esker Foundation painting traditions with the anti-establishment gestures of punk rock and 4th floor - 1011 9th Ave SE skateboarding culture. His recent paintings reference the Zen Buddhist &403-930-2490 concept of the koan, a paradox to be meditated upon in order to relinquish eskerfoundation.com reason and fi nd enlightenment. White seeks to “provoke doubt” and ques- tue-sun 11am-6pm; thu-fri 11am- tion painting’s relevance by overlaying what look like skillfully rendered 8pm. Free admission. To Sep 2 Va- CARL WHITE, SUCCESSION, 2018 homages to Old Masters with graffi ti and other defacing marks or text. nessa Brown: The Witching Hour is a proposal in material, colour, light, and sound; a coming-into-be- ANNA TORMA: BOOK OF ABANDONED DETAILS ing, an invitation into an emotively Esker Foundation, Calgary, To Sep 2 charmed circle. Anna Torma: Book A remarkable textile artist, Anna Torma creates large-scale, hand-embroi- of Abandoned Details. Torma has dered wall hangings and collages that manage to be both monumental in produced a body of extremely skilled and exquisitely detailed large-scale impact and intimate in mood. Her work, she has said, addresses “feminin- hand embroidered wall hangings ity, domesticity, and ethnicity,” and evinces the infl uences of children’s art, and collages. New and major works folk art and Art Brut. Born in Tarnaörs, Hungary and educated at the Hun- produced over the past five years. garian University of Applied Arts in Budapest, Torma arrived in Canada PROJECT SPACE To Jul 29 Jolie ANNA TORMA, ABANDONED DETAILS II, 2018 in 1988 and has been based in Baie Verte, New Brunswick since 2002. Bird: 1597; Harmonious Frequen- 26 MAY – 2 SEPTEMBER cies. A performance-based installation to be implemented over the MARIE LANNOO: SPECTRUM Newzones, Calgary, To June 23 course of 12 weeks. Working within VANESSA BROWN Formerly a fi gurative painter, Marie Lannoo here works in the high-mod- a clean and minimal space, the artist The Witching Hour ernist traditions of geometric abstraction, pattern painting and Op Art. will create an 8-foot diameter repre- Her six new large-scale acrylic paintings exist together as a continuum, sentation of the Fibonacci Sequence, without any obvious beginning or end. Working with geometric shapes which references the golden ratio found throughout nature. ANNA TORMA of varying shape, size and chromatic intensity, she immerses viewers in Book of Abandoned Details colour and luminosity, expanding the visual experience into the temporal Founders’ Gallery MARIE LANNOO, SPECTRUM – RED, 2017 realm and suggesting a coming into being. 4520 Crowchild Trail SW COURTESY OF NEWZONES &403-410-2340 PROJECT SPACE founders.ucalgary.ca mon-fri 9am- JOLIE BIRD MONICA TAP Peter Robertson Gallery, Edmonton, Jun 14 - Jul 7 5pm; sat & sun 9:30am-4pm. Jun 22-Sep 9 Gassed Redux. Adad 1597; Harmonious Frequencies Widely exhibited and acclaimed, Toronto-based artist Monica Tap takes Hannah will create a new work UNTIL 29 JULY apart elements of landscape painting and puts them back together again; in based on the epic First World War so doing, she addresses memory, place, time, and the cultural construction painting by John Singer Sargent. of nature. Working from art historical references as well as from her own Anna Torma, Abandoned Details I, 2018, (detail). photos, notes and remembered images, she explores the many ways we have Glenbow H Courtesy of the artist. MONICA TAP, GAUGUIN’S DOG, 2017 shaped an idea of landscape and the relationship of those ideas to what the 130 9th Ave SE &403-268-4100 Vanessa Brown acknowledges the support of the eskerfoundation.art @eskerfoundation natural world actually looks like. glenbow.org tue-sat 9am-5pm; sun Canada Council for the Arts and the BC Arts Council. 12-5pm. Admission: adults $16,

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2018_JJA_document_Tue_1115.indd 11 2018-05-22 9:02 PM Alberta and the Group of Seven esplanade.ca ESPLANADE ARTS AND HERITAGE CENTRE, MEDICINE HAT AB - To July 14, 2018 Much has been written about the Group of Seven and its place in Ca- nadian history. Whether this concerns the Group’s contribution to a distinctly Canadian style of modern art, or to a nation distinct from its neighbour to the south, or a little of both, one thing is clear: the Group’s continued resonance has as much to do with their work as a plinth for Canadian art as it does with the ac- tual pieces produced by this friend- ship of painters. A recent example includes the Group’s inﬂ uence on early-20th-century Alberta art. Guest curated by Mary-Beth A.Y. Jackson, Foothills Alberta, 1935, oil on panel. Laviolette, this exhibition includes Collection of Government House Foundation over 40 drawings and paintings of Alberta by the Group’s most fre- quent visitors, Lawren Harris and A. Y. Jackson, alongside work by a younger generation of Alberta-based peers and students. Of those younger artists (all of whom were born within a few years of Alberta’s 1905 entrance into Confederation), H.G. Glyde, Illingworth Kerr and W. L. Stevenson were residents of Calgary, while Annora Brown, Euphemia McNaught and Catharine and Peter Whyte hailed from Fort Macleod, Beaverlodge and Banff, respectively. “Alberta and the Group of Seven elaborates on how these artists from East and West shared an emotional bond, with a commitment to depicting the landscape of Canada,” writes Laviolette in her curatorial essay. “They all accomplished this bolder more modern style; inﬂ uenced and shaped by earlier European developments such as Post- Impressionism.” Notable works include Harris’s Tumbling Glacier, Berg Lake (1929), Jackson’s Sunshine (Meadows, Banff) (1946) and Stevenson’s wind-whipped Valley Farm (no date). Michael Turner

CALGARY perceived and constructed reality tions, in contrast with visual displays is continually blurred. Ongoing The of attraction. This series challenges seniors & students $11, youth (7-17) Artist’s Mirror: Self Portraits. the viewer to contemplate beauty in $10, family (2 adults & 4 youth) $40, Exhibition featuring artists looking the struggle to survive, as well as children under 6 free, members deeply at themselves and creating ugliness in the pursuit of achieving free. Opening Jun 16 Alex Janvier: self-portraits in paint, photography the unattainable status quo of Modern Indigenous Master. Major and sculpture. desirability. July Art for Food in retrospective celebrating Janvier’s Support of the Calgary Food Bank. lifetime of creativity, knowledge Herringer Kiss Gallery Aug Summer Group Show. and perspective gained through his 709A 11th Ave SW &403-228-4889 love of the land, and Dene culture. herringerkissgallery.com Illingworth Kerr Gallery Gwenessa Lam: What Magic. tue-fri 11am-5:30pm; sat 11am- Alberta College of Art + Design Using an image of a house fire found 5pm Jun 21-Jul 21 Lauren Walker: 1407 14th Ave NW online on multiple websites as a TA(I)L(E)S. A new body of work &403-284-7633 ikg.acad.ca starting point, Calgary artist Lam studies defense mechanisms and tue-fri 12pm-6pm; sat 12-4pm. The examines how meaning is made, displays of attraction in nature IKG will be closed from Jun-Aug. lost and changed by the repetition and within the human experience. See website for updates on and circulation of images on the Her pieces combine elements of fall exhibitions. web, and how the line between protective behaviors and adapta-

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2018_JJA_document_Tue_1115.indd 12 2018-05-22 9:02 PM 124 STREET Alberta and the Group of Seven esplanade.ca ESPLANADE ARTS AND HERITAGE CENTRE, MEDICINE HAT AB - To July 14, 2018 GALLERY Much has been written about the Group of Seven and its place in Ca- DISTRICT nadian history. Whether this concerns the Group’s contribution to a 107 AVE NW distinctly Canadian style of modern Linus Woods, Black Bear in the Shawn Serfas, Fallen, 2018, acrylic art, or to a nation distinct from its Dandelions, 2018, acrylic on canvas, detail 106 AVE NW neighbour to the south, or a little of 1 2 both, one thing is clear: the Group’s BEARCLAW BUGERA MATHESON STONY PLAIN RD

continued resonance has as much to GALLERY GALLERY 105 AVE NW 125 ST NW ST 125

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123 ST NW ST 123 do with their work as a plinth for NW ST 122 Canadian art as it does with the ac- 10403 124 St. NW 10345 124 St. NW tual pieces produced by this friend- 780.482.1204 780.482.2854 ship of painters. A recent example bearclawgallery.com bugeramathesongallery.com 4 3 includes the Group’s inﬂ uence on 104 AVE 1NW early-20th-century Alberta art. 104 AVE NW 5 2 Guest curated by Mary-Beth N 103 AVE NW A.Y. Jackson, Foothills Alberta, 1935, oil on panel. Laviolette, this exhibition includes EDMONTON 102 AVE NW Collection of Government House Foundation over 40 drawings and paintings of FEATURED GALLERIES Alberta by the Group’s most fre- quent visitors, Lawren Harris and A. Y. Jackson, alongside work by a younger generation of Alberta-based peers and students. Of those younger artists (all of whom were born within a few years of Alberta’s 1905 entrance into Confederation), H.G. Glyde, Illingworth Kerr and W. L. Stevenson were residents of Calgary, while Annora Brown, Euphemia McNaught and Catharine and Peter Whyte hailed from Fort Macleod, Beaverlodge and Banff, respectively. “Alberta and the Group of Seven elaborates on how these artists from East and West shared an emotional bond, with a commitment to depicting the landscape of Canada,” writes Laviolette in her curatorial essay. “They all accomplished this bolder more modern style; inﬂ uenced and shaped by earlier European developments such as Post- Matthew Tarini, Sunlit House, 2018 Tony Scherman, Agrippina the Younger, Dorothy Knowles, After the Rain, 1979, Impressionism.” Notable works include Harris’s Tumbling Glacier, Berg Lake (1929), oil on linen on dibond, detail 2013-2018, encaustic on canvas acrylic on canvas Jackson’s Sunshine (Meadows, Banff) (1946) and Stevenson’s wind-whipped Valley Farm 3 4 5 (no date). SCOTT THE FRONT UDELL XHIBITIONS Michael Turner GALLERY GALLERY FINE ART GALLERY 10411 124 St. NW 10402 124 St. NW 10332 124 St. NW 780.488.3619 780.488.2952 780.488.4445 tions, in contrast with visual displays scottgallery.com thefrontgallery.com udellxhibitions.com of attraction. This series challenges the viewer to contemplate beauty in the struggle to survive, as well as Newzones into another through connection, Nickle Galleries ugliness in the pursuit of achieving 730 11th Ave SW &403-266- accumulation, and interaction. University of Calgary the unattainable status quo of 1972 newzones.com tue-fri Emily Filler: Garden Party weaves 410 University Court NW desirability. July Art for Food in 10:30am-5pm; sat 11am-5pm. Free together painting, printmaking and &403-220-7234 nickle.ucalgary.ca Support of the Calgary Food Bank. Admission.To Jun 23 Marie Lannoo: photography in ‘painterly collages’ Summer hours: mon-fri 10am-5pm Aug Summer Group Show. Spectrum. A senior Canadian that bring together panels of colour, To Aug 10. LAND – PEOPLE – abstract painter, Lannoo uses the meticulous patterning and floral el- MOVEMENT: Selections from the Illingworth Kerr Gallery language of colour to accumulate, ements. Jul 7-Aug 25 Sunscreen at Collections of Nickle Galleries. Cu- Alberta College of Art + Design connect, combine, transform, and Newzones is like a carousel of sorts rated by Christine Sowiak, organized 1407 14th Ave NW interact. By breaking down each hue – constantly rotating! We are excited by Nickle Galleries. To Sep 3 What &403-284-7633 ikg.acad.ca into incremental parts of increasing to showcase paintings, photographs is Money? showcases diverse forms tue-fri 12pm-6pm; sat 12-4pm. The intensity and layering each part and sculpture. It is sure to delight of money used across the globe IKG will be closed from Jun-Aug. over others, different iterations the senses, and all are encouraged through time. From some of the See website for updates on of one colour interact with other to make a habit of stopping by as earliest minted metals of the ancient fall exhibitions. colours in a slow, steady chromatic the artwork rotates weekly! world to Chinese knife money and progression. One colour transforms African metalwork, from the

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2018_JJA_document_Final.indd 13 2018-05-23 3:07 PM CALGARY through portraiture. +15 WINDOW & Shelf Life Books are pleased to GALLERY May 28-Jul 27 Henry present a reading room in the Park- Canadian Northwest Coast copper Heng Lu: ...Very quietly I take my ade Space, which includes content shields to the unique stone money leave, as quietly as I came here that aligns with the exhibition and from the Island of Yap – the exhibi- is a photographic installation of 10 expands on its ideas. Aug Closed. tion explores cultural understand- photographs taken in Shenzhen, ings of money, its value in society China, and 7 poster- size portraits EDMONTON and asks, what is money? of China’s leaders historically and politically associated with the city. Alberta Craft Gallery - The Collectors’ Gallery of Art Jul 30-Sep 28 BG Osbourne: A Edmonton 1332 9th Ave SE &403-245-8300 Thousand Cuts A three channel vid- 10186 106th St NW collectorsgalleryofart.com tue-fri eo compilation of cisgender actors &780-488-6611 albertacraft.ab.ca 10am-5:30pm; sat 10am-5pm. Jun playing transgender roles in film and mon-sat 10am-5pm; thu 10am-6pm 7-Jul 7 Dora Helen Mackie (1926- television, with the intention of con- FEATURE GALLERY To Aug 18 Home. 2018): A Retrospective. Ongoing fronting and unpacking transgender Artists: Les Manning, Aaron Nelson, The Collectors’ Gallery carries cinematic tropes. Liz Burritt, Jenn Demke Lange, important original works of art Jason Lange, Jim Etzkorn, Xanthe including paintings, works on paper, TRUCK Contemporary Art Isbister, Koi Neng Liew, Annette ten and sculpture by Canadian masters in Calgary Cate, Jenna Stanton, Noriko Masuda, from pre-Confederation to the 2009 10th Ave SW Susan McKinnon. Set in the Historic present day. The Collectors’ Gallery &403-261-7702 truck.ca Clay District (Medalta), once home also represents over 30 prominent tue-fri 11am-5pm; sat 12-5pm. to some of Canada’s most important contemporary Canadian artists. Free Admission. Jun 1-Jul 14 clay factories. They sat abandoned Andrée-Anne Roussel: -PATHIE is after the industry declined, and are The New Gallery (TNG) an interactive installation featuring now being refurbished into dynamic 208 Centre St SE &403-233-2399 video elements and a kinetic sculp- cultural hubs, and today, artists thenewgallery.org tue-sat 12-6pm ture, revolving around the themes of come from all over the world to work MAIN SPACE Opening Jul 6 Luther engagement and apathy. It questions in Medalta’s studios. This exhibition Konadu: Figure As Index. Quiet and our relationship with the world, and celebrates the artists who have poetic, this exhibition features pho- with works of art in particular. In decided to make Medicine Hat their tographic works exploring identity concert with the exhibition, TRUCK home. DISCOVERY GALLERY Jun

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2018_JJA_document_Tue_1115.indd 14 2018-05-22 9:02 PM 2018 ELECTED MEMBERS EXHIBITION JUNE Gainsborough Galleries 441-5th Ave SW, Calgary, AB T2P 2V1 16 - 30

societyofcanadianartists.com

2-Jul 14 Brenda Malkinson: The (65+)/students $8.50, children son, Laird Goulet, and many others. Surface of Things: Chasing Light. under 6 free, children 7-17 $8.50, All works can be taken at the time of New works that continue to explore family (up to 2 adults + 4 children) purchase. We also offer a large se- the interplay of light and surface. $26.50, members free.Opening lection of Inuit soapstone carvings, Through her glass work, Brenda Jul 20 Samantha Walrod-Vanitas North West Coast wood carvings, captures isolated “snapshots” of RBC Work Room artist in residence beaded jewellery, moccasins, passing time. Jul 21-Aug 25 Laura exploring ideas of life and loss. dreamcatchers, cards, prints and O’Connor: Nevertheless, She Paper and canvas.Opening Jul 21 various gift items. Visit the gallery to Persister. From the Senate floor to a James WIlson Morrice pioneered a see our changing selection! Disney cartoon, this series features fresh and vibrant use of colour, and a mix of real and fictional women is known for his delicate handling Bugera Matheson Gallery from different walks of life who of paint on small-scale wooden po- 10345 124th St NW share the willingness to persist in chades. Ongoing Li Salay exhibition &780-482-2854 the face of adversity. Giselle Peters: focused on the work of Metis artists. bugeramathesongallery.com Milk & Oil is a collection of figura- Ongoing Hubert Hohn: Edmon- tue-fri 11am-5pm; sat 10am-5pm. tive sculpture that addresses the ton Entrances and Suburban Jun 2-16 Ian Rawlinson: Close human condition through the lens of Landscapes features two series of Encounters represents a departure childhood. Focusing on war, nation- photographes taken in the 1970s of from his previous body of work alism, consumerism, propaganda, Edmonton’s domestic architecture. with brighter colours and a step or and the food industry, it considers two toward abstraction. The colour key players involved and motivating Bearclaw Gallery delights, the figures amuse, a longer mechanisms of money and power in 10403 124 St NW &780-482-1204 look brings you more meaning. Jul a markedly facetious tone. bearclawgallery.com 7-21 Summer Salon 3 at One. Ex- mon-sat 10am-5:30pm Throughout pect bright colour, hard edges and a Art Gallery of Alberta the summer featuring a rotating ex- unique approach to art making with 2 Sir Winston Churchill Square hibit of our gallery artists including: this group show featuring: Shawn &780-392-2468 youraga.ca Alex Janvier, Linus Woods, Jason Serfas: Alloyed Prairie, Robert tue & fri 11am-5pm; wed-thu Carter, Jane Ash Poitras, Jessica Dymtruk: Ambiguities of a Spatial 10am-8pm; sat-sun 10am-5pm. Desmoulin, Leo Arcand, Maxine Harmony, and Casey McGlynn: Admission: adults $12.50, seniors Noel, Nathalie Bertin, Michael Robin- Symbolic Narrative.

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2018_JJA_document_Tue_1115.indd 15 2018-05-22 9:02 PM apart because these monumental time, heredity, frottage, palette, images call into question their own concept and presentation. The closer subject. Ironically, encaustic painting together things are, the more the became a lost art after the fall of the differences appear. In the process Roman Empire and this exhibition of observation, the most mundane is a deconstruction of the men of objects and situations can compel Ancient Rome. Jul 14-Aug 4 Enzo us, drawing our full attention for no Cucchi, Sandro Chia, Mimmo Pal- particular reason. Dave Dyment: adino, Francisco Clemente, Antoni Watching Night of the Living Tapies, Peter Blake, Tal R Dead reanimates the 1968 George group exhibition.Opening Aug 8 Romero classic using footage of Group show featuring work by characters from other films and women artists. television series watching the movie on TV or at the cinema. Udell Xhibitions Fine Art Gallery MEDICINE HAT 10332 124st NW &780.488.4445 udellxhibitions.com tue-sat 10am- Esplanade Art Gallery 5pm; limited July hours, check 401 First St SE &403-502-8580 website for details esplanade.ca mon-fri 10am-5pm; The recently re-established Udell sat & holidays 12-5pm To Jul 14 EDMONTON Xhibitions and underground street Alberta and the Group of Seven. art gallery MINBID Art Gallery & This rare exhibition highlights the Peter Robertson Gallery Auctions are joining forces to bring little-known relationship between 12323 104th Ave NW Alberta art enthusiasts a weekend of early Alberta artists and members of &780-455-7479 entertainment and visual experience. Group of Seven, Canada’s most cele- probertsongallery.com For two nights the Udell Xhibitions brated and internationally known tue-fri 11am-5pm sat 10am-5pm- Gallery will host two themed collective of landscape painters. Jun 14-Jul 7 Monica Tap: Arrange- art-party events. Jun 22 Dress up Jude Griebel: Ground-Figure: ment. Jun 23-Jul 14 Tim Merrett: and get snazzy for a classy cocktail Sculptures 2013-2018. Humour, An Unruly History. Our walls in party featuring live music and a pathos, unusual materials and an July and August will feature a group mix of libations and edible delights uncanny ability to represent the show of gallery artists to summer from local Alberta producers. Jun indescribable characterize this visitors and new collectors. Peter 23 Break out your retro rags for an Alberta/New York artist’s sculptures. Robertson Gallery is looking forward 80s/90s throw back party. Dress in Jude’s beings and landscapes are to showcasing Steve Driscoll and your best retro gear as we turn up interchangeable, with elements of Tim Okamura at the Seattle Art Fair the jams and continue to showcase each - plants, shells, trees, man- Aug 2-5. new and exciting Alberta talent. made environments and machinery - Prizes for best dressed and biggest characterizing the other. Jul 28-Sep Scott Gallery hair. Tickets at eventbrite.ca 15 Visions of the Hunt. Powerful 10411 124th St NW and intriguing visions of animals &780-488-3619 scottgallery.com LETHBRIDGE and people involved in hunting in tue-sat 10am-5pm. Summer Alberta, including a contemporary Group Show. Come in to find that Southern Alberta indigenous installation with sculp- perfect piece of art this summer. Our Art Gallery H ture, photography and video, wall group show will feature abstract, 601 Third Ave S &403-327-8770 works in fur, and a suite of historical landscape and figurative works from saag.ca tue-sat 10am-5pm; thu 10 linocut prints by Illingworth Kerr. various Scott Gallery artists. am-7 pm; sun 1-5pm. Admission: Joan van Belkum: A Retrospective general $5, students/seniors $4, from the Collection. A native of The Front Gallery groups $3 per person, members & England who moved to Medicine 10402 124th Street children under 12 free. Opening Jun Hat in 1955, van Belkum painted &780-488-2952 22 The Closer Together Things abroad and worked in portraiture, thefrontgallery.com tue-fri 11am- Are. Kathleen Hearn, Laura Letinsky, still life and abstraction, yet returned 5pm; sat 10am-5pm Jun 7-Jul 7 Ève K. Tremblay, Dave Dyment, to the rivers, coulees and hills of her Tony Scherman: Pictures from Micah Lexier, Luke Painter, Rhonda adopted home in SE Alberta. Rome-Prologue. Solo exhibition of Weppler/Trevor Mahovsky, Chris encaustic paintings, an ancient me- Kline, Roula Partheniou explore ST. ALBERT dium that lends itself to the visionary the space between difference and qualities that artist Tony Scherman similarity that arises from intense Art Gallery of St. Albert H brings to his work. Scherman’s observation and consideration. 100, 6D Perron Street virtuosic use of encaustic sets him It focuses on proximity - that of (temporary location)

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2018_JJA_document_Tue_1115.indd 16 2018-05-22 9:02 PM JEFF LADOUCEUR: PEARL PATH June 15-August 19, 2018 Opening Reception: June 14, 7pm With his first solo exhibition with a Canadian art museum, New York-based Canadian artist Jeff Ladouceur exhibits his contemporary drawings featuring old-timey comic-inspired characters: droopy elephants, big-nosed salesmen, and bubble babies rendered with a dizzying level of detail.

Jeff Ladouceur, Art a.k.a Cloaky #7 (Growth of The Soil, Abstracts in Oil), 2018 pencil, gouache, ink and watercolour on paper, 28.0 x 38.3 cm, image courtesy the artist

6344 Deer Lake Avenue, Burnaby | burnabyartgallery.ca | burnabyartgallery | @BurnabyArtGall | bbyartgallery

&780-460-4310 abbotsfordartscouncil.com the artists’ relationship to literary artgalleryofstalbert.ca tue-fri 12-5pm sat 9:30am-4:30pm structure and storytelling. BC writers tue-sat 10am-5pm; thu 10am-8pm- & sun 11am-4:30pm Susan Musgrave, Zsuzsi Gartner, Er- Jun 7-Jul 28 Gerri Harden: Birds, ika Thorkelson, and Chelsea Rooney Bees and Ambergris fixates on S’eliyemetaxwtexw Art have responded by assisting with habitat loss, the effects of pesticide Gallery curatorial selection and interpretive use, and the shocking amounts of University of the Fraser Valley texts. Saskia Jetten: Procession non-biodegradable waste in the 33844 King Rd &604-504-7441 grounded in printmaking, Jetten’s oceans. This installation-based ext 4543 sag-ufv.ca work also includes drawing, exhibition takes us on a journey mon-fri 9am-5:30pm. Free soft sculpture, and stop-motion through created environments. Admission. Jul 6-30 Christopher animation. In her new work, Jetten Harden uses anthropomorphic ani- Friesen: edges of light. Aug 6-31 explores themes through a series of mals to communicate her concerns Directed Studies Students: Don’t stylized, ungainly figures. The work and ideas through works that are Tell Me, Show Me. Apart from these explores identity and inter-personal sculptural-based and intuitive in two shows, the gallery is otherwise relationships, often using the theme their construction. Many are created closed for the summer. of masks and masquerade and the from recycled materials, adding figure of the clown as they relate deeper meaning to the exhibit’s The Reach Gallery Abbotsford to the theatre of public behaviour. narrative. Harden hopes viewers will 32388 Veterans Way Andrea Hooge, Kathleen McGive- contemplate how they might be a &604-864-8087 thereach.ca ron: Of the Standard of Taste part of the solution to these troubling tue, wed, fri 10am-5pm; thu 10am- considers the relationship between environmental issues. 9pm; sat & sun 12-5pm. Admission the aesthetics of kitsch and the role by donation. Ongoing. Tales Untold. that commercial platforms such as Rebecca Chaperon, Davida Kidd and Instagram and Etsy play in the crit- Chris Reid use elements of narrative ical reception of contemporary art. BRITISH COLUMBIA to conjure intense and imaginative Using scratchboards and ceramics ABBOTSFORD worlds through: paint, photography, respectively, Hooge and McGiveron printmaking and sculpture. Although create works resembling childhood Kariton Gallery & Boutique stylistically different, all the work narratives, presenting unusual crea- 2387 Ware St &604-852-9358 shares a common bond through tures that are sweetly unnerving.

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2018_JJA_document_Tue_1115.indd 17 2018-05-22 9:02 PM The Poetics of Space KAMLOOPS ART GALLERY, KAMLOOPS BC - To June 30, 2018 kag.bc.ca Taking its title from French philosopher Gaston Bachelard’s 1958 book of the same name, this Vancouver Art Gallery- generated exhibition brings together work from its permanent collection, four works from the Kamloops Art Gallery (KAG) collection and “a few key loans” to examine the ways in which artists contemplate and execute space – “from its optical perceptions, to its emotional impact and, ﬁ nally, to its geo- graphical and topological limits.” Structurally, the exhibition is presented in two sections. The ﬁ rst alludes to formal developments in the early 20th century, when artists such as Paul Cézanne challenged traditional no-

tions of spatial depth and perspective Art Gallery Mills, Vancouver Photo: Trevor as evoked through the use of illusory Annie Pootoogook, Listening to the Radio, 2005-06, pencil techniques. For Cézanne, space, and our crayon, ink on paper. Collection of the Vancouver Art Gallery, relationship to it, is more fragmentary; Gift of Claudia Beck and Andrew Gruft to illustrate this he broke up the picture plane into coloured blocks, laying the foundation for Post-Impressionism, Cubism and Eisensteinian montage. The second section has a more social focus and is concerned with intimacy and memory, as exempliﬁ ed through works that emphasize house and home. BLACK CREEK retrospective of Canadian master Deer Lake Gallery printmaker Wong (1930-2013) Burnaby Arts Council The artists represented in this exhibition are largely Canadian, mostly from the West Brian Scott Studio and Gallery featuring over 70 original artworks, 6584 Deer Lake Ave Coast. They are Barbara Astman, Maxwell Bates, Rebecca Belmore, B.C. Binning, Lee 8269 N Island Hwy &250-465-8856 including paintings, hand-pulled &604-298-7322 Bontecou, Roland Brener, Bertram Brooker, Karin Bubaš, Arabella Campbell, Emily bscottfinearts.ca daily 10am-4pm. prints, and large-scale textile pieces. burnabyartscouncil.org Carr, Ian Carr-Harris, Share Corsault, Christos Dikeakos, Michael Drebert, Lawren Expressionist oil and acrylic paint- OFFSITE To Jul 29 Ground Zero tue-sat 12-4pm. Free admission. Harris, Owen Kydd, Beatrice Lennie, Landon Mackenzie, Myfanwy MacLeod, Scott ings of West Coast themes. Printmakers: From Montreal to Jun 9-30 Carolina de la Cajiga & McFarland, Jason McLean, Alex Morrison, Ben Nicholson, James Nizam, Dennis A. Current subjects: contrasting Victoria, Image and Connection. Martha Jablonski-Jones: Urban Oppenheim, Annie Pootoogook, Richard Prince, Pudlo Pudlat, Abraham Rattner, distortions of harbour scenes and Bob Prittie Library, 6100 Willingdon Shift explores two perspectives on Kyohei Sakaguchi, Reece Terris, Ron Tran, Renée Van Halm and William Vazan. man-made forms (geometric) with Ave, Bby. Featuring work by the two the Vancouver urban landscape. The Michael Turner organic forms (irregular) caused founders of Victoria’s Ground Zero works are shaped by personal rela- by tidal action. Printmakers. To Jul 30 Please Be tionships to the city, and expressed Seated. McGill Library, 4595 Albert through manipulated photographic BURNABY St. Drawing from the City's Perma- images and painting. De la Cajiga’s nent Art Collection, this exhibition work focuses on the hasty changes Burnaby Art Gallery features psychologically charged our cities are going through while 6344 Deer Lake Ave depictions of chairs from artists Jablonski-Jones’ paintings address &604-297-4422 including Michael Snow, Robert Yong our relationships to our burnabyartgallery.ca and Bill Laing. urban settings. tue-fri 10am-4:30pm; sat & sun 12-5pm. Admission by donation. Burnaby Village Museum Nikkei National Museum Jun 15-Aug 19 Jeff Ladouceur: & Carousel 6688 Southoaks Crescent Pearl Path. New York-based Canadi- 6501 Deer Lake Ave &604-777-7000 nikkeiplace.org an artist Ladouceur exhibits his &604-297-4565 tue-sat 11am-5pm. Admission by contemporary drawings featuring burnabyvillagemuseum.ca donation. Opening Jun 16 The Suit- old-timey comic-inspired characters tue-sun & holidays 11am-4:30pm case Project asks yonsei and gosei rendered with a dizzying level to Sep 3. Then and Now: a photo- (4th and 5th generation Japanese of detail. Opening Aug 31 Anna graphic exploration of the changes Canadian and Americans) what they Wong: Traveller on Two Roads. A over the past 126 years in Burnaby. would pack if uprooted from their

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2018_JJA_document_Tue_1115.indd 18 2018-05-22 9:02 PM The Poetics of Space KAMLOOPS ART GALLERY, KAMLOOPS BC - To June 30, 2018 kag.bc.ca Taking its title from French philosopher Gaston Bachelard’s 1958 book of the same name, this Vancouver Art Gallery- generated exhibition brings together work from its permanent collection, four works from the Kamloops Art Gallery (KAG) collection and “a few key loans” to examine the ways in which artists contemplate and execute space – “from its optical perceptions, to its emotional impact and, ﬁ nally, to its geo- graphical and topological limits.” Structurally, the exhibition is presented in two sections. The ﬁ rst alludes to formal developments in the early 20th century, when artists such as Paul Cézanne challenged traditional no-

homes in a moment’s notice. While Club Juried Photo Salon. Jun 15- wed-sat 12-5pm. Free admission. these descendants of the internment Jul 28 East Gallery: Between the To Jun 16 ART 33 Students enrolled and incarceration hopefully will nev- Trees, paintings by Nelson-based in School District 33 Art Programs er have to endure the same trauma artist Carol Reynolds. West Gallery: share their personal taste and expe- as their ancestors, Kayla Isomura’s DetermiNation, paintings by Sheldon riences through drawing, painting, work examines how they, and Louis, photographs by Csetkew printmaking, gaphic design, digital those descended from families who Fortier. Aug 3-Sep 15 East Gallery: art, ceramics, sculpture, animation faced other forms of discrimination, Mapping Language, mixed media by and fabric arts. Jun 20-23 Artists remain affected by this history today. Natasha Smith. West Gallery: GLOW, who meet with Open Door program installation by Sonia Haberstich. of the Community Services for CASTLEGAR Community Living exhibit their CHILLIWACK art. Jun 28-Aug 4 Grief Work/ Kootenay Gallery of Art, Hope Work, Watershed, Rising History & Science Society O’Connor Group Art Gallery Tides and Skinboats: connecting 120 Heritage Way &250-365-3337 Chilliwack Cultural Centre Ecology, Community, Science and kootenaygallery.com tue-sat 9201 Corbould St Art. Tracie Stewart, Erica Grimm and 10am-5pm. Admission by donation. &604-392-8000 Sheinagh Anderson present a Jun 1-8 West Kootenay Camera oconnorgroupartgallery.com

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2018_JJA_document_Tue_1115.indd 19 2018-05-22 9:02 PM A Cultivating Journey: The Herman Levy Legacy KELOWNA ART GALLERY, KELOWNA BC - June 16 - Oct 28, 2018 kelownaartgallery.com Hamilton businessman and philan- thropist Herman Levy (1902-1990) had “cultivated” an impressive Eu- ropean art collection by the time he donated it to the McMaster Museum of Art in 1984. Totalling 185 drawings, paintings and etchings, the collection ranges from 15th century Albrecht Dürers to modern works from the 1950s and ’60s. But Levy wasn’t ﬁ nished. Ac- companying his donation came an equally impressive ﬁ nancial bequest stipulating that its funds be used to continue the “cultivation,” but only of works created outside of North America. Camille Pissarro, Apple Trees, 1870, oil on canvas. While the Dürer etchings delight, Gift of Herman H. Levy, 1984, McMaster Museum of Art and the modern works interrogate, it is the Impressionist and Post- Impressionist landscapes, portraits and still lifes that illuminate the collection, providing temporal meat to the collection’s pre- and post-19th-century buns. Represented here are works by Impressionists Claude Monet (Waterloo Bridge, Effet de Soleil, 1903) and Camille Pissarro, and Post-Impressionists such as Vincent van Gogh (Untitled, Still Life: Ginger Pot and Onions, 1885). Orbiting these periods are eye-catching paintings by late-17th-century Baroque painter Mary Beale, who was known for her portraits as well as her business sense. Another is the Realist painter Gustave Courbet, who elevated working life to the level and scale of history painting. And then there are those who are relatively lesser-known, who produced even less known works that await the viewer like a long-lost friend. For Okanagan audiences familiar with BC’s art writing community, this could be said of Expressionist painter Chaïm Soutine’s Portrait of the Painter Richard X. (1916-17), whose subject bears a striking resemblance to that most Musilian of critics, the ex-pat Canadian art critic Aaron Peck. Michael Turner

CHILLIWACK CHRISTINA LAKE COQUITLAM series of drawings, paintings, artist Arts on 3 Art Gallery books, maguettes, sculptures and 1675 Highway 3 &250-447-6161 at Evergreen Cultural Centre soundscapes, which draw analogies christinalakearts.com 1205 Pinetree Way &604-927-6550 between human bodies and bodies daily 9am-5pm or by appt. Small is evergreenculturalcentre.ca/exhibit/ of water, and ask questions about Beautiful - Arts on 3 is located in the wed-sat 12-5pm; sun 12-4pm. Free climate/ocean change. Opening Aug environmentally friendly state-of- admission. To Jun 30 Ben Reeves: 9 Claire Sarfeld: Colour Mark cre- the-art “green” building known as Floating among Phantoms a col- ates movement while maintaining a the Christina Lake Welcome & Arts lection of new and recent paintings delicate balance of space and depth Centre. At the VIC Welcome Centre by the acclaimed BC artist. Reeves’s of her work. Using unconventional enjoy a bite at the café, learn about practice is an intensive, personal tools to push and pull the picture lake stewardship, take in weekly account of perception and how the plane she focuses on the act of open mike performances, walk world is realized through pictures. adding and taking away. the park grounds, see an on site The exhibition draws together paint- eco-machine and visit the gallery. ings from several bodies of work

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2018_JJA_document_Tue_1115.indd 20 2018-05-22 9:02 PM since 2014, in which he investigates mon-sat 10am-5pm; thu 10am- works sited on the artist’s walking the provisional structures of tents, 9pm; closed stat holidays. Opening route. The offsite sculptures stand Vancouver city lights seen from afar, Jul 14 Through the Memory alone when encountered by chance

A Cultivating Journey: The Herman Levy Legacy close observations of the suburban Atlas: Forty Years of Collecting at their sites, but offer another KELOWNA ART GALLERY, KELOWNA BC - June 16 - Oct 28, 2018 kelownaartgallery.com landscape and seaside beach views. celebrates our 40th anniversary by dimension when viewed in relation Hamilton businessman and philan- gathering the most comprehensive to the work in The Cube. thropist Herman Levy (1902-1990) FORT LANGLEY selection of works from its perma- had “cultivated” an impressive Eu- nent collection. Curated by Jen Bud- KELOWNA ropean art collection by the time Barbara Boldt Original ney, Roger Boulet, Susan Edelstein, he donated it to the McMaster Art Studio Adrienne Fast, Andrew Hunter, Charo Geert Maas Sculpture Museum of Art in 1984. Totalling 25340 84th Ave &604-888-5490 Neville, Jordan Strom and Tania Gardens and Gallery 185 drawings, paintings and etch- barbaraboldt.com Please call ahead. Willard. Opening Jul 7 Dion Fortie: 250 Reynolds Rd &250-860-7012 ings, the collection ranges from In-home studio gallery of Barbara Every Night A World Created. As geertmaas.org mon-sat 10am- 15th century Albrecht Dürers to Boldt, located 5 km outside of Fort part of his artistic process Fortie 5pm; sun by chance. Internationally modern works from the 1950s and Langley, featuring local landscapes, finds materials along riverbanks, acclaimed artist Geert Maas invites ’60s. But Levy wasn’t ﬁ nished. Ac- forest and garden scenes in oils industrial outskirts and sites of the public to visit his exceptional companying his donation came an and soft pastels, and her signature refuse. He developed a multi media sculpture gardens and indoor gal- equally impressive ﬁ nancial be- EarthPatterns paintings of sandstone installation of found objects and lery, with one of the largest collec- quest stipulating that its funds be formations found on Galiano Island. discarded materials to be installed tions of bronze sculpture in Canada; used to continue the “cultivation,” Copies of biography Places of Her in The Cube with accompanying changing exhibitions, Maas but only of works created outside Heart: The Art and Life of Barbara of North America. Boldt, by Barbara Boldt with K. Jane Watt, are available at the studio and Camille Pissarro, Apple Trees, 1870, oil on canvas. While the Dürer etchings delight, various bookstores. For directions VOYZX Fine Art Project Gift of Herman H. Levy, 1984, McMaster Museum of Art and the modern works interrogate, see map on website or call. it is the Impressionist and Post- presents Impressionist landscapes, portraits and still lifes that illuminate the collection, provid- The Fort Gallery H ing temporal meat to the collection’s pre- and post-19th-century buns. Represented 9048 Glover Rd &604-888-7411 Myths here are works by Impressionists Claude Monet (Waterloo Bridge, Effet de Soleil, 1903) fortgallery.ca by Vladimir Kolosov and Camille Pissarro, and Post-Impressionists such as Vincent van Gogh (Untitled, wed-sun 12-5pm. Free admission. Still Life: Ginger Pot and Onions, 1885). To Jun 24 Losing Home, Finding June 15th - August 1st, 2018 Orbiting these periods are eye-catching paintings by late-17th-century Baroque Hope. From the forced migration of painter Mary Beale, who was known for her portraits as well as her business sense. political refugees to wildlife losing Contact to visit studio Another is the Realist painter Gustave Courbet, who elevated working life to the level habitat due to human activity, our ju- and scale of history painting. And then there are those who are relatively lesser-known, ried exhibition contemplates loss of Uranus Genitals who produced even less known works that await the viewer like a long-lost friend. home and inquires into possibilities Mixed Media For Okanagan audiences familiar with BC’s art writing community, this could be said of creating a sense of hope. Artists: of Expressionist painter Chaïm Soutine’s Portrait of the Painter Richard X. (1916-17), Alex Burton, Ranu Chakraborty, tel: (604) 466-2577 (Studio) whose subject bears a striking resemblance to that most Musilian of critics, the ex-pat Jenny Hawkinson, Denise Holland, E-mail: [email protected], www.voyzxart.com Canadian art critic Aaron Peck. Edith Krause, Adriana Molina, Sarah Ronald, Betty Spackman, Laurel Michael Turner Vlieg & Sarah Wright. Jun 27-Jul 22 Eric Klemm. Jul 25-Aug 19 altered spaces: interventions in the landscape juried photography show. GRAND FORKS Gallery 2 - Grand Forks & District Art & Heritage Centre 524 Central Ave., Box 2140 &250-442-2211 gallery2grandforks.ca tue-fri 10am- 4pm; sat 10am-3pm. Please see website for latest information. KAMLOOPS Kamloops Art Gallery H 101-465 Victoria St &250-377-2400 kag.bc.ca

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2018_JJA_document_Tue_1115.indd 21 2018-05-22 9:02 PM ELIZABETH CROSS Vancouver Artist elizabethcross.ca JUNE 1 - JUNE 30, 2018 LILLIAN GALLERY #102-1675 HORNBY ST, VANCOUVER BC LILLIANGALLERY.COM JULY 23 - AUGUST 5, 2018 MONIKA’S ART BOUTIQUE STUDIO & GALLERY 3063 LONSDALE AVENUE, NORTH VAN BC MABARTSTUDIO.COM I am so attracted to you acrylic on canvas, 48 x 48 inches

KELOWNA Tania Willard. Each of these artists’ gallery occasionally commissions work relates to the woven basket site-specific works that allow for creates distinctive, rounded, as a contemporary methodology to some thematic connection with the semi-abstract figures, architec- explore epistemologies, interwoven community of Maple Ridge. This tural structures and installations narratives and histories. OFFSITE: year, Aimée Henny Brown will be in a wide variety of materials, Kelowna International Airport (ylw) creating a new work based on her including bronze, stainless steel, To Aug 13 Julie Oakes: Awestruck, research on the area’s natural and aluminum, wood and stoneware. Calendar of Ecology. Paintings that documented history, culminating in The great diversity of outdoor art is explore the flora and fauna of the an installation in The ACT Gallery. complemented in the gallery by an Okanagan through the seasons. Her practice engages archives, overwhelming number of paintings, research and printed matter to place serigraphs, medals, reliefs and LAXGALTS’AP historical content within her contem- sculptures in various media. porary visual art practice. Nisga’a Museum Kelowna Art Gallery H 810 Highway Dr &250-633- NANAIMO 1315 Water St &250-762-2226 3050 nisgaamuseum.ca tue-sat kelownaartgallery.com 10am-5pm. Admission (+GST): Nanaimo Art Gallery tue-sat 10am-5pm; thu 10am-9pm; adults 19-59 $8, children 6-18 $5, 150 Commercial St sun 12-4pm. Admission: adults $5, preschool, senior & Nisga’a citizens &250-754-1750 seniors/students $4, family $10, free, families (2 adults with up to 4 nanaimoartgallery.com group of 10 or more $40, members children) $22 Ongoing Anhooya’ahl tue-sat 10am-5pm; sun 12-5pm. free, thu free. To Jul 8 Johann Wes- Ga’angigatgum’ – The Ancestors’ Admission by donation. Jun 23-Jul sels: Immaculate Deception. Paint Collection features Nisga’a masks, 22 Arvo Leo: The Orchids / Had and substrate form the foundation bentwood boxes, charms, head- the Look of Flowers That Are of meticulously fabricated historical dresses, regalia, rattles, and other Looked At. Curated by Jesse Birch artifacts and relics that explore how treasures. Visit our website for and Emma Sise. art can trick both the eye and the more information. mind of its viewers. Opening Jun Nanaimo Museum 16 A Cultivating Journey: The MAPLE RIDGE 100 Museum Way &250-753-1821 Herman Levy Legacy. Organized nanaimomuseum.ca by the McMaster Museum of Art. 60 The ACT Art Gallery mon-sat 10am-5pm. Admission: drawings, etchings, and paintings Maple Ridge Pitt Meadows adult $2,student/senior $1.75, Child from the collection including works Arts Council (5-12) $0.75, Kids under 5 Free. by Courbet, Monet, Klee, Pissarro, 11944 Haney Pl &604-476-4240 Ongoing Call for Justice: Fighting van Gogh, and others. Opening Jul theactmapleridge.org/gallery/ for Japanese Canadian Redress 14 Woven Together. Curated by Ja- tue-sat 10am-4pm. Free admission. (1977-1988). 22,000 Japanese mie Issac, and featuring Indigenous Jun 9-Jul 28 Aimée Henny Brown: Canadians were forced to leave their artists: Ursula Johnson, Meagan Photography, Mixed Media Instal- homes on BC’s coast during World Mousseau, Meghann O’Brien and lation. As part of its commitment War II. Many were transported to to youthful, emerging artists, The internment camps while the govern-

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2018_JJA_document_Tue_1115.indd 22 2018-05-22 9:02 PM ment sold their homes, businesses and belongings. The exhibit explores human rights and the determination of the Japanese Canadian community. It examines the ten-year fight for redress using historic photographs, artifacts, poetry, personal state- ments, art and video. 2018 is the 30th anniversary of the Canadian government’s official acknowledge- ment to Japanese Canadians. NELSON Columbia Basin Culture Tour &250-505-5505 cbculturetour.com Aug 11-12, 10am-5pm 10th Annual Columbia Basin Culture Tour. Self-directed and free of charge at all venues, the culture tour is a great opportunity to meet people behind Selwyn Pullan, Ritz Hotel Lounge (detail), Vancouver, 1956 West Vancouver Museum Collection the scenes at galleries and museums, visit artist studios and venues Selwyn Pullan A Generous Spirit What’s Lost Highlights from the Collection not normally open. Shop for original May 16 to July 14, 2018 July 24 to September 1, 2018 art or fine crafts and experience special events planned only for this weekend. Directories available at the Chamber of Commerce, museums, 680 17th Street, West Vancouver hotels or various locations in westvancouvermuseum.ca the basin. Touchstones Nelson Museum Nelson, including the Big, Orange Oxygen Art Centre of Art and History H Bridge (BOB) Opening Aug 18 The 3-320 Vernon St (Alley Entrance) 502 Vernon St &250-352-9813 History of Mountain explores the &250-352-6322 touchstonesnelson.ca culture, characters, infrastruc- oxygenartcentre.org wed-sat 10am-5pm; tue & sun ture and landscape of mountain wed-sat 1-5pm Jun 7-Jul 7 11am-4pm; thu 10am-8pm. bike culture in the Kootenays. A Wayfinding: Identity and the Koo- Admission: adults $8, seniors/ community-curated exhibition, tenays with Annika Dixon-Reusz, students $6, youth $4, children and this is the result of a wide range of Danan Lake, Spencer Legebokoff, members free, thu 5-8pm by dona- outdoor enthusiasts sharing their Eija Loponen-Stephenson, Lydia tion. Jun 16-Aug 5 Ready Player stories about the history and impact Miller, and Tyler Wright. In this pro- Two - Sonny Assu and Brendan of mountain biking in the Kootenay/ fessional, juried exhibition featuring Tang features collaborative and Columbia Basin. emerging Kootenay artists, youth independent works which combine respond to the theme of Wayfinding: elements from science fiction, NEW WESTMINSTER Identity and the Kootenays in visual comic book, and gaming cultures and media art work. Featuring textile to consider how these forms alter- Amelia Douglas Gallery work, photography, installation, nately reinforce and transcend racial Douglas College sculpture, painting and media. boundaries in youth culture. 700 Royal Ave &604-527-5723 Opening Aug 24 Justin Langois: Jun 8-Aug 5 DJ Olive: Listening to douglascollege.ca/about-douglas/ Conflict Studies is a socially Fir. Artist, improviser, beat writer, groups-and-organizations/art-gallery engaged project that explores the and electronic music producer mon-fri 10am-7:30pm; sat 11am- notions of conflict, disagreement, brings his inimitable art sound 4pm. To Jun 23 Robert Gary Parkes and tension as important elements sensibility and immersive installation and Denise Dupre: The Pacific and in engaging in everyday civic life. to the gallery space. Opening Aug 11 Other Stories. Works in glass and During the exhibition, the space will Heather Benning: Field Doll is an canvas. Opening Aug 2 function as a laboratory and social irreverent ode to place and change Tiki Mulvihill: Landlocked? and space for conversation and gathered and the proportion of both to the Flotsam Fixation. Installations and reflections on the role of conflict in viewer and their perspective. It will Sculptures. Part of the New West civic life. Cultural Crawl, Aug 11-12. also be making an appearance at several iconic spaces throughout

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2018_JJA_document_Tue_1115.indd 23 2018-05-22 9:02 PM NEW WESTMINSTER sentation, drawing & mark-making on Grad Night, June 28th. by humans & robotic machines & a Jul 1-29 Tony Durke: Realpolitik. Gabor Gasztonyi Studio consideration of the marks we leave. Solo exhibition of two-dimensional & Gallery carved and painted wood assem- 730 12th St &778-397-1449 New West Cultural Crawl blages. The wood used in Durke’s art gaborgasztonyigallery.com &604-525-3244 is mostly recycled or up-cycled. His 10-5:30 wed-sat.The gallery is in newwestculturalcrawl.com works maintain the integrity of the New Westminster nestled in a small Aug 10-12. The 15th Annual New raw wood, celebrating its past and art deco storefront from the 1920s. West Cultural Crawl returns this present forms. Aug 1-26 Lex Ireton: A full service photographic studio summer to showcase local artists all Repeat After Me: An Exploration and gallery showcasing award win- across the city. From Victory Heights, of Pattern. Ireton’s glass work is ning photographer Gabor Gasztonyi’s Sapperton, Uptown to West End, heavily process oriented, where classic black and white photograph- Downtown and Queensborough, you she explores her love of connecting ic prints and the oil paintings of will be able to discover beautiful with the material hands on. By using Judith Copland, plus other artists. artworks in your neighbourhood! repetition in pattern, texture, or com- Gabor specializes in black and white Free and family-friendly. ponents that make up a final piece, studio portraits of children, families Ireton focuses on the connections as well as photographs of artwork. The Gallery at Queen’s Park created and how they inform the Centennial Lodge Queen’s Park work as a whole. New Media Gallery H &604-525-3244 acnw.ca Anvil Centre wed 1-8pm; thu-sun 1-5pm. Free NORTH VANCOUVER 777 Columbia St, 3rd Flr admission. Jun 6-28 Our Journey &604-875-1865 to Here. New Westminster 2018 Caroun Art Gallery H newmediagallery.ca tue-sun Graduating Students have worked 1403 Bewicke Ave 10am-5pm; thu 10am-8pm.To Jul 1 hard to bring their best work to &778-372-0765 caroun.net TRACE. Patrick Tresset (London), our first Grad Show. It includes: ink tue-sat 12-8pm. Aug 1-14 Summer Arnauld Colcomb + Bertrand Planes drawing, painting, sculpture, and Group Exhibition features: Ahmad (Paris), So Kanno + yang02 (Tokyo), photography. Feel free to take selfies Aghazadeh, Amin HassaniNalousi, Grégory Chatonsky (Paris). Repre- with your favourite image and artist Armin Masoomabadi, Elham

June 16-28 I 2018 10 YEAR ANNIVERSARY MULTIDISCIPLINARY ART DECADEnce Image: Carl Pope

Visual Art Exhibition CURATED BY Valérie d. Walker queerartsfestival.com

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2018_JJA_document_Tue_1115.indd 24 2018-05-22 9:03 PM jasna guy with lincoln best June 9 - July 21, 2018 pressed for time 4360 Gallant Ave | North Vancouver | 604.924.1378 | seymourartgallery.com

Bizhand, Fatemeh Javadi, Harem work from the NVCAC Art Rental sculpture, installation, painting, Jamal, Mahtab Sadr, Maryam Akbari, program. DISTRICT FOYER GALLERY, garments, print and video, these Maryam Hatami, Nafiseh Saadati, 355 W Queens Rd. To Jul 9 Jeff artists alter our experience of being Olivia Moelo, Sara HassaniNalousi, Wilson, acrylic paintings and Ivanno in time and challenge the ways Zohreh Hamraz and Zoya Tavakoli. Macci, ocean wood fishing sculp- we separate the past, present and Aug 16-29 Zoya Tavakoli, painting tures. Opening Jul 11 Mimi Ama future. Guest-curated by: Kimberly exhibition. Check website for 5 features striking work inspired by Phillips and featuring Abbas Akha- virtual exhibitions of kilims and other nature and the Northern Lights. DIS- van, Brady Cranfield, Brenda Draney, woven items from Jun-Aug. TRICT LIBRARY GALLERY, 1277 Lynn Betty Goodwin, Vanessa Kwan, Lyse Valley Rd. To Jun 4 Suzanna Orlova, Lemieux, Tanya Lukin Linklater, CityScape Community watercolour and ink. Opening Aug Cindy Mochizuki, Jacqueline Hoàng Art Space 1 You Are Here. exhibition inspired Nguyễn, Ryan Peter, Kathleen Ritter, North Vancouver Community Arts by scenes and scenery of the North Carol Sawyer, and Jin-me Yoon. 335 Lonsdale Ave Shore. CITY ATRIUM GALLERY, &604-988-6844 nvartscouncil.ca 141 W 14th St. To Sep 3 Wool Griffin Art Projects CityScape: mon-wed & fri 12-5pm, Weaving by Cheximiya. 1174 Welch St &604-985-0136 thu 12-8pm sat 12-5pm; District griffinartprojects.ca sat 12-5pm, or Foyer Gallery, North Vancouver Gordon Smith Gallery by appt. To Aug 18 zero, ground District Hall: mon-fri 8am-4:30pm; of Canadian Art looks at artworks that engage District Library Gallery, Lynn Valley 2121 Lonsdale Ave &604-998-8563 darkness and its potential. Taking Main Library: mon-fri 9am-9pm gordonsmithgallery.ca inspiration for its title from 0, 10 sat 9am-5pm; City Atrium Gallery: wed-sat 12-5pm closed holiday The Last Futurist Exhibition, this mon-fri 8:30am-5pm CITYSCAPE weekends. Admission by donation. project considers the impact of COMMUNITY ART SPACE, 335 Lons- Ongoing 13 Ways to Summon formal negation as a device since dale Ave. Opening Jul 5 Abstract Ghosts considers the work of 13 the obliterating effect of Malevich’s Realism explores the relationship Canadian artists of diverse origins Black Square, 1915. Artists: Michiel between the abstract and realist and experience for whom haunting, Ceulers, Tara Donovan, Tacita Dean, disciplines. Aug 24 Art Rental it might be argued, is an artistic Stan Douglas, Amber Frid-Jimenez, semi-annual exhibition showcasing strategy. Through works of sound,

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2018_JJA_document_Tue_1115.indd 25 2018-05-22 9:03 PM BRITISH C OLUMBIA MICHAEL TURNER VIGNETTES

SIMONE GUO: MELANCHOLIA DREAMLAND Art Beatus, Vancouver, To Jun 22 THE TIME OF THINGS: THE CONTINUUM OF INDIGENOUS CONTEMPORARY An artist born from artists, Simone Guo completed bachelor and master’s PRACTICES INTO CONTEMPORARY ART degrees in Art History at the Central Academy of Fine Art in Beijing, China UVic Legacy Art Gallery Downtown, Victoria, To Jul 7 before taking up residence in Vancouver, BC. For her current exhibition Curated by France Trepanier, this exhibition takes as its point of departure of expressive acrylic-on-canvas mixed-media works, Guo combines her ap- the binary of traditional and contemporary. Through the work of ﬁ ve artists preciation of traditional Chinese monochromatic landscape painting with – Daphne Boyer, Maureen Gruben, Susan Pavel, Skeena Reece and Marika an interior palette drawn from the reclusive heart and the mountain’s ice- Echachis Swan – Indigenous customary practices and contemporary Indig- cold waters. Works include Tangled (2017), Refuge (2017), On the Other Side enous art are presented not as opposing addresses but as a shared road. On SIMONE GUO, TANGLED, 2017 SUSAN PAVEL, OUR HEALING, 2016 (2017) and Bridal Falls (2017). June 7, Reece premieres her latest performance, “Conceptual Carving”. PHOTO: KATIE HUGHES

POP ART PRINTS Audain Art Museum, Whistler, Jun 30 - Sep 17 TITANIC: THE ARTIFACT EXHIBITION Co-produced with the Smithsonian American Art Museum, Pop Art Prints Lipont Place, Richmond, Jun 23 - Jan 11, 2019 features 37 works from the Smithsonian’s extensive collection. Jasper Nothing in our global culture matches the magnifi cence, the audacity and Johns, Roy Lichtenstein, Robert Rauschenberg and Andy Warhol are well- the come-uppance of the RMS Titanic. Billed as “unsinkable,” this fl oating represented; but so, too, is the context. Pop Art didn’t just jump out of a museum of entitlement lived and died on its maiden voyage, leaving behind chrome toaster – it emerged as a deliberate and, at times, diffi dent response not a wreck, but a sarcophagus. Like the treasures of King Tut, the ship’s to an intensely emotional Abstract Expressionism. As with most Pop Art recovered contents became the playground of curators aware not only of ROY LICHTENSTEIN (1923-1997) exhibitions, expect to be seduced; but where the Smithsonian is involved, our fascination with wealth and the lives of others, but of those conversant MOONSCAPE, FROM THE PORTFOLIO 11 POP TITANIC BOARDING PASS ARTISTS, VOL. 1, 1965 expect to be challenged, too. in art and artefact.

BEGINNING WITH THE SEVENTIES: RADIAL CHANGE CULTURE AT THE CENTRE: HONOURING INDIGENOUS CULTURE, HISTORY AND Morris and Helen Belkin Art Gallery, Vancouver, Jun 22 - Aug 12 LANGUAGE Museum of Anthropology, Vancouver, To Oct 8 This is the second of four exhibitions that recognize the 1970s as the mo- This exhibition showcases fi ve Northwest Coast Indigenous-run cultural ment when feminism, environmentalism, LGBTQ rights, access to health centres and museums: Musqueam Cultural Education Centre, Squamish- services and housing coalesced amidst what we now call social practice. Lil’wat Cultural Centre, Heiltsuk Cultural Education Centre, Nisga’a Muse- In this iteration, series curator Lorna Brown focuses on Helen Goodwin, um, and Haida Gwaii Museum and Haida Heritage Centre at Kay Llnagaay. a multidisciplinary dance artist who was integral to the development of The exhibition is unifi ed by three main themes – land & language, continuity MICHAEL DE COURCY, PHOTOGRAPH OF HELEN GOODWIN, 1968 Vancouver’s fi rst artist-run centre: Intermedia. Artists include Michael de & communities, and repatriation & reconciliation – and features rarely-seen MASMASALANUA MASK, 2009. PHOTO: COURTESY OF THE ARTIST Courcy, Kate Craig, Helen Goodwin, Evann Siebens and Jin-Me Yoon. items, like an ancient walrus skull and a 32-foot sturgeon harpoon. NUSI, IAN REID (HEILTSUK). PHOTO: BY JESSICA BUSHEY JUDY RADUL: WORDS NO PICTURES NO WORDS Catriona Jeffries Gallery, Vancouver, To Jun 16 TRACE New Media Gallery, New Westminster, To Jul 1 Merging form, media, cognition, language and affect, Judy Radul’s ongoing Presenting four works by six artists, TRACE is concerned with human-tech- festival of the unexpected has once more produced an exhibition where con- nological interactions, in particular, “the way machines imagine, record, traption collapses into sculpture, perception into portraiture, page into cin- learn and remember.” Included in the exhibition is an installation by Paul ema. The centrepiece this time is Man’s Hands (2018), a reading pavilion in- Tresset, where willing subjects sit for a portrait drawn by no less than fi ve spired by Michael Snow’s 1975 intermedial artist book Cover to Cover. Among robots – all named Paul. The process takes 30 minutes. Bookings can be its parts are two page-turning machines, two kinetic sculptures and a small made here: https://newmediagallery.youcanbook.me. Portraits remain the JUDY RADUL, property of the robots, but scans will be made available to the sitters. PATRICK TRESSET, MAN’S HANDS (DETAIL), 2018 cinema. Also in attendance is Radul’s custom-made “live” video system. HUMAN STUDY #1-5RNP, 2014

SELWYN PULLAN: WHAT’S LOST CHROMATIC LIGHT Il Museo, Vancouver, To Jun 20 West Vancouver Museum, West Vancouver, To Jul 14 For this three-person exhibition, painters Dennis Brown, Paul Chizik and Three years before his passing in 2017, photographer Selwyn Pullan donated LizaVisagie ventured into Nature to soak up her silence and lay down some his photographic negatives and prints to the West Vancouver Museum. Al- brushstrokes in honour of her music. The result is a series of soothing though the museum had mounted two prior exhibitions of the photogra- oil-on-linen works that lead the viewer through simmering wetlands and pher’s work, and co-produced a stunning book with publisher Douglas & mottled thickets, where shrubs explode with ochre and trees belong more McIntyre, Pullan’s oeuvre extends well beyond the architectural photography to shadows than the ground they are rooted in. Highlights include Dark he is known for. The result is an exhibition that showcases a mid-century LIZA VISAGIE, BOULDERS, 2010 Forms, Autumn Light (2017), Shangri-La (2017) and Autumn Marsh (2017). SELWYN PULLAN IN HIS STUDIO, Vancouver as it was, but also as it wanted to be. PHOTOGRAPHED BY KENNETH J. DYCK, 2008

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2018_JJA_document_Tue_1115.indd 26 2018-05-22 9:03 PM BRITISH C OLUMBIA MICHAEL TURNER VIGNETTES

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2018_JJA_document_Tue_1115.indd 27 2018-05-22 9:03 PM pioneering artworks span nearly co-wrote the first CBC-TV broadcast, five decades. The video installations The Big Revue, and other variety and and photographic works highlight children’s shows. The story explores Hiller’s concern with the unknowable the age old love/hate relationship and unspeakable aspects of human between Klunk the cat and Cecil the experience. Her works investi- dog. Keep Penticton White explores gate dream states, language, the the lasting legacy of the 1920s Keep Columbia Basin irrational and the mysteries of our Penticton White campaign, largely Culture Tour collective unconscious. aimed at the Chinese, and bolstered by the Kettle Valley Railroad which Aug 11 & 12, 2018 OSOYOOS refused to hire any Chinese labour- 10:00am - 5:00pm ers, opting instead to hire Italians. Okanagan Art Gallery It offers historic and contemporary 8302 Main St. &778-437-2238 views on the current state of immi- okanaganartgallery.ca/index.html gration to the Okanagan Valley and Summer Hours: tue-sat 11am-5pm- the impact of this 1920s movement. Located in downtown Osoyoos, on Main Street, across from Shoppers The Lloyd Gallery Drug Mart, the Okanagan Art 18 Front St &250-492-4484 Gallery is an artists’ cooperative. lloydgallery.com mon-sat 10am- Rotating featured works by its 20+ 5:30pm. Celebrate the Okanagan south Okanagan artists, the gallery through artists’ eyes! Established in always has a fresh look. Skylights 1980, the gallery shows a powerful throughout ensure that artwork of all group of artists exhibiting their orig-

kinds from paintings and sculptures inal works in oil, acrylic, ceramic, to textiles can be viewed in optimal bronze, stone and fused glass sculp- Lily Andersen Jewelry light conditions. Visit website for ture. Please come in to browse our information on exhibition openings, gallery while in the Okanagan Valley, www.cbculturetour.com events, programs and classes. and preview our collection online. Children and families welcome! NORTH VANCOUVER PENTICTON PORT ALBERNI Rodney Graham, Antonia Hirsch, Penticton Art Gallery Denzil Hurley, Philipp Lachen- 199 Marina Way &250-493-2928 DRAW Gallery mann, Myfanwy MacLeod, Damian pentictonartgallery.com 4529 Melrose St &250-724-2056 Moppett, Bettina Pousttchi, Kathy tue-fri 10am-5pm sat & sun 11- &1-855-755-0566 drawgallery.com Slade, Frank Stella, Beate Terfloth, 4pm. To June 17 Through Our Stu- thu-fri 12-5pm and sat by appt. Our Wolfgang Tillmans, and Andy Warhol. dents’ Eyes: Annual High School gallery offers contemporary Cana- Exhibition showcasing talent from dian West Coast art in an intimate Seymour Art Gallery Penticton, Princess Margaret and setting, celebrating the diversity and 4360 Gallant Ave &604-924-1378 Summerland Secondary Schools. talent of local and regional artists. seymourartgallery.com Skyler Punnett: In Sense. Until Jun 30th “Spring into ART!”, tue-sun 10am-5pm. Free Admission. To Jun 28th 31st Annual Art ...How are we connected to the Nat- Jun 9-Jul 21 jasna guy with Auction Preview. View and bid ural world around us as well as to Lincoln Best: Pressed for Time in advance at: 32auctions.com/ the nature within us.”July 12th-Aug explores our relationship with bees, PAG2018. Opening Jul 6 eRacism: 24th Endless Summer group exhibit the floral resources that pollinators An international call to artists to of paintings, photography, mixed require, and the complexity of our explore the rise of racism as a media by local and Island artists. shared environment. Includes floor- political tool here in North America Featuring: Jacques De Backer, Doug to-ceiling photographic installation and beyond. It provides a wakeup Blackwell aka Sockeyeking, Cynthia and 100 mounted entomological and call and platform for our community Bonesky, Lucas Chickite, Cecil herbarium samples. to come together to explore the Dawson, Chris Doman, Pamela Holl realities and challenges of living Hunt, Ann McIvor, Todd Robinson, The Polygon Gallery in a pluralistic society. Dennis Ariane Terez, Sue Thomas and Nancy 101 Carrie Cates Court Eugene Norman Burton and Cliff Wilson. Works can be viewed and &604-986-1351 thepolygon.ca Braggins: Tell Me A Story, Blos- purchased online or on location. Open tue-sun, 10am-5pm. Closed som features for the first time 41 mon. Admission by donation. On- original drawings done in 1959 by PORT MOODY going Susan Hiller: Altered States Burton to illustrate a children’s book Susan Hiller is an acclaimed artist Tell Me A Story, Blossom, written Port Moody Arts Centre H based in London, England whose by his lifelong friend Braggins who 2425 St Johns St.

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2018_JJA_document_Tue_1115.indd 28 2018-05-22 9:03 PM &604-931-2008 pomoarts.ca mon, wed, fri 12-8pm; tue, thu 10am-8pm; sat-sun 10am-4pm closed holidays. Free admission. Jun 7-Jul 5 Fraser Valley Potters Guild: Clay Explo- rations. Exploration of new areas in the members’ practice that test their technical, design or conceptual abilities for this juried exhibition. C Elmira Habibullah: Grasping the M Moment draws attention to memory

and loss of culture uniting technicalY traditional Middle-East ceramic art with contemporary art. Yandy Chau:CM Laces of Community showcases a MY blend of clay monoprints and mixed

media, which incorporate com- CY munity engagement activities. Jul 12-Aug 9 13 Feet off the GroundCMY Collective: From Where We Stand K features current works produced by the art collective following their inaugural residency in Sicily last fall. Agata Teodorowicz: Pescaderia is inspired by the vibrant fish markets of Barcelona, Spain. Malory Tate: Être Fleur Bleue, Ceramic Artist in Residence. A collection of sentimen- tal and romantic ceramic vessels embodying the French expression of “the little blue flower.” Aug first exhibition in Western Canada Aug to Sep Nicole Best Rudderham 16-Sep 13 PoMo Arts Instructors: draws on outdoor subject matter explores light and shadow painting Inspiring Creativity Our talented including fishing, camping and other huge canvases, using broad strokes visual arts instructors not only interests that are compelling, upbeat and slaps of colour inspire and coach students but they and designed as an antidote to the also practice what they teach. This disquiet adrift in the world today. QUALICUM BEACH biennial exhibition showcases their Opening Jul 20 Robert Dyson: Con- personal artistic style. traStructural. Local artist Dyson The Old School House transcends boundaries between Arts Centre PRINCE GEORGE sculpture and painting incorporating 122 Fern Rd W &250-752-6133 trompe l’oeil techniques and theatre theoldschoolhouse.org mon-sat Two Rivers Gallery craft to fashion artwork. 10am-4:30pm. Admission by dona- 725 Canada Games Way tion. Jun 4-23 Fibre Art Network &250-614-7800 PRINCE RUPERT in all three galleries. Jun 25-Aug 6 &1-888-221-1155 Lucy Schappy, contemporary ab- tworiversgallery.ca mon-sat Museum of Northern BC stract; Dan Gray, westcoast pastel 10am-5pm; thu 10am-9pm; sun 100 First Ave W &250-624-3207 artist; & paintings from the annual 12-5pm. To Jul 8 Lawren Harris: &778-772-3385 Grand Prix d’Art. Aug 7-Sep 1 Canadian Visionary. Artwork on museumofnorthernbc.com Brent Lynch, westcoast oil painter; paper, oil sketches and paintings Daily 9am-5pm Admission: Adults Gail Johnson, contemporary from between 1906-1960. To Jul $8, Youth 13-18 $4, Children 6-12 landscape painter; Ronald Parker, 8 Kim Stewart: INJUN-uity or $3, Family (2 adults and children) atmospheric landscapes. Growing Up Pop. Digital artwork, $18, Children under 6 and Members paintings and installation by Métis free Til mid Jun Unique Perspec- RICHMOND artist Stewart utilize humour and tives: Artworks from the Collec- parody to examine pop-cultural tion of Douglas Moore. Mid-Jun Richmond Art Gallery misrepresentations of indignity and thru Jul. Anne-Marie Harvey exhib- 180-7700 Minoru Gate their impact upon forming identity. its unique depictions of the North- &604-247-8300 Opening Jul 19 Dan Brault: Atomic west Coast using a combination of richmondartgallery.org mon-fri Love. Québec City artist Brault in his thick oil paints and large brushes. 10am-6pm; sat & sun 10am-

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2018_JJA_document_Tue_1115.indd 29 2018-05-22 9:03 PM Preview Ad-Il Museo-22/05/18

RICHMOND The Body Politick: 5pm. Admission by donation.Jun 17-Aug 26 Germaine Koh: Home The Art and Architecture Made Home. Vancouver artist Koh contributes to the housing of Bruno Freschi discourse through her exploration of small-scale dwelling and “social sculptures”. An advocate of creative space design, accessibility, sustainability, and self-sufficiency, Koh’s compact structures probe the complex housing issues relevant to the Lower Mainland. June 28–August 30, 2018 Tuesday–Saturday10:00AM–5:00PM Vancouver Lipont Art Centre 3075 Slocan Street,Vancouver, BC 4211 No. 3 Rd &604-285-9975 www.italianculturalcentre.ca lipont.com Daily 10am-5pm closed Tel: (604) 430-3337 holidays. Opening Jun 23 Titanic: The Artifact Exhibition focuses on the legendary RMS Titanic’s com- WENDY MOROSOFF SMITH BARB SNYDER GAIL FROMSON pelling human stories, told through more than 120 authentic artifacts and extensive room re-creations. titanicvancouver.com. SALMON ARM Salmon Arm Arts Centre 70 Hudson Ave NE &250-832-1170 salmonarmartscentre.ca Print Workshop tue-sat 11am-4pm. Admission by +Gallery donation. Jun 2 - Aug 4 Slxlxaya: Art and Stories of the Secwepemc 1640 Johnston St People. Ten contemporary Indige- Granville Island Vancouver BC nous artists of mixed media along 604.689.1650 with audio stories of legends and family histories. Opening Aug 11 To find out about our Scenery: Paintings by Herald Nix. Summer Group Exhibition June 25–September 16 Printmaking Classes go to New work by Dundarave Print Workshop Members dundaraveprintworkshop.com Oil on board paintings explore iconic imagery on Shuswap Lake. SKIDEGATE Haida Gwaii Museum at Kay Llnagaay 2 Second Beach Rd &250-559-4643 haidagwaiimuseum.ca daily 10am- 6pm. Admission: adults $16, seniors $15, students $10, children 6-12 $5, children under 5 free. Committed to using art as a means of facilitating creative dialogue that encourages a holistic and critical exploration of the multiple, diverse ways to understand Haida Gwaii. The museum serves the population of Haida Gwaii and is both a regional and community museum where the rich and diverse stories of Haida Gwaii are kept and told for people of today, as well as 30 PREVIEW n JUN - AUG 2018 H OPEN LATE ON FIRST THURSDAYS

2018_JJA_document_Tue_1115.indd 30 2018-05-22 9:03 PM for future generations. Ongoing Gidansda’s Moon and Mountain Goat Chest, and Chief’s Settee. On loan from the American Museum of History, the lineage of the Moon & Mountain Goat chest spans back at least seven generations of Hereditary Leaders from the Gakyals KiiGuwaay clan of Skedans. Alfie Collinson an exhibition. SURREY Arbutus Gallery at Coast Capital Savings Library Kwantlen Polytechnic University D126-12666 72nd Ave &604-599-2219 kpu.ca/arts/fine-arts mon-thu 7:30am-11pm; fri 7:30am-9pm; sat 10am-4pm; sun 12-7pm. The Kwantlen Polytechnic University Fine Arts Department exhibits student artwork, and presents shows by Canadian and international contemporary artists on the KPU Surrey Campus.

Arnold Mikelson Mind & Matter Art Gallery 13743 16th Ave &604-536-6460 mindandmatterart.com daily 12-6pm Jun Arnold Mikelson, wood sculpture. Irena Sahklover, mixed medium. Darrel Hancock, pottery. Shirley Thomas, acrylic. ELIZABETH CROSS Thelma Newbury, fibre arts.Val Vancouver Artist Eibert, fused glass. Mary Mikelson, oil. Bob Asken, wood turning. Jul 778 871 7177 Alyson Thorpe, watercolour. Bette elizabethcross.ca Hurd, acrylic. Elizabeth Care- foot, acrylic. Eileen Fong, acrylic. ecrossart Georgina Hunt, acrylic. Sandra Tomchuk, acrylic. Judy Alexander, Innocence, acrylic on canvas 48 x 60 inches textile. Susan Amendolagine, ceramics. and data. Ben Bogart: Watching 5 Jim Bizzocchi: Ambient Land- and Dreaming. Beautiful and scape. Evocative video landscapes Surrey Art Gallery uncanny works of film made from simulate a natural environment. 13750 88 Ave &604-501-5566 computer algorithms. Elizabeth Hol- surrey.ca/artgallery Regular Hours: lick: Body Politic. Larger-than-life TOFINO tue-thu 9am-9pm; fri 9am-5pm; sat paintings of the human body domi- 10am-5pm; sun 12-5pm (closed nate urban landscapes. Jun 30-Sep Experiential mon & holidays). Jul 2-Sep 3 Hours: 1 Arts 2018 a juried exhibition of Unit E, 681 Industrial Way Also open mon: 9am-5pm (closed local art. Land Songs, Water Songs artisexperiential.com sun & holidays). To Jun 10 Flow: / Chants de terre, Chants d’eau. Art is... Experiential. Local Artists From the Movement of People to A new sculpture and audio art working on-site. Specializing in the Circulation of Information. 27 installation incorporating handmade local, emerging, First Nations, and works focus on a range of subjects Indigenous drums by Peter Morin, feminist art. New show every week. including the migration of peoples, Marie Côté, Ziya Tabassian. To Aug Artist in attendance, opening Friday transportation of raw materials, rush 19 Praxis: Art from the Surrey nights. Check online for of rivers, and the flow of information Art Teachers Association. To Aug exhibition updates.

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2018_JJA_document_Tue_1115.indd 31 2018-05-22 9:03 PM Kim Stewart: INJUN-uity, or Growing Up Pop TWO RIVERS GALLERY, PRINCE GEORGE BC - To July 8, 2018 tworiversgallery.ca As a child growing up in Prince George, Métis artist Kim Stewart was raised on “family lore” as told to her by her father. With her brother, the two siblings would “take sides as the East- West Indians, battle on their ranch and practices their horse- manship.” But as much as stories, practical knowledge and home life shaped her development, she was, like most children born after the Second World War, equally infl uenced by media images, toys and books that both introduced and reinforced stereotypes of “Indian-ness”. Kim Stewart, Indian Chief (Jan. - Mar.) / He Wrestles an Antler from Over the past few years, Stewart a Moose, 2018, diptych. Left: Giclée print. Right: Acrylic painting has accumulated an archive of images and objects that signify “Indian-ness.” She shows a particular interest in comic books from the 1950s and ’60s, which, along with television, played leading roles in the misrepresentation of Indige- nous peoples, often to “absurd” ends. For this exhibition, Stewart has scanned a number of comic book covers, enlarged them and placed them alongside “images painted in the same style to refl ect family stories and experiences.” In addition to these juxtapositions, Stewart has taken novels by best-selling Amer- ican western writer Zane Grey and, through artful redaction, produced from their ruins a series of “hidden messages.” A third work returns the viewer to the intimacy of Stewart’s early years, this time in the form of an installation based on the family living room. Decorating the walls are horse blankets, toy guns, beaded gauntlets and bun- ting. Amidst that, a loop of family fi lms replaces such TV entertainments as F Troop, Bonanza and The Wonderful World of Disney. Michael Turner

TSAWWASSEN VANCOUVER sat 10am-6pm; sun 12-5pm. Rep- resents some of BC most dynamic Gallery 1710 Art Beatus (Vancouver) artists. Working with corporations, 1710 56th St &604-943-3313 Consultancy Ltd. movie studios, and many of Van- southdeltaartistsguild.com 108-808 Nelson St &604-688-2633 couver’s leading interior designers thu-sun 11am-4pm. To Jun 23 Oil & artbeatus.com mon-fri 10am-6pm. and architectural firms, Art Works Water. Annual juried show, always To Jun 22 Simone Guo: Melancho- has developed a distinct and unique an interesting show to see with lia Dreamland. Hovering between aesthetic vision, complementing and both members and artists from near landscape and lyrical abstraction, creating value within residential and and far, who have had their artwork Guo’s acrylics works on canvas commercial spaces. See website for juried to be in the show. Jun 28-July draw inspiration from the aesthetics upcoming exhibitions. 22 Summer Showcase will feature and philosophy of Chinese elite our member artists who entered monochromatic landscape painting. Arts Off Main Gallery their worked for Oil & Water. Jul Jul-Aug: please call re upcoming 1704 Charles Street 26-Aug 26 Birds & Byways. Delta exhibitions. &604-876-2785 artsoffmain.ca is surrounded with birds & byways, tue-fri 12-6; sat 10-6; sun 11-5. so see what our artists have been Art Works Gallery An artist collective that has been inspired to paint! 1536 Venables St &604-688-3301 active for 15 years. At its core are artworksbc.com mon-fri 9am-6pm; 9 artist-partners and a professional

32 PREVIEW n JUN - AUG 2018 H OPEN LATE ON FIRST THURSDAYS

2018_JJA_document_Tue_1115.indd 32 2018-05-22 9:03 PM Kim Stewart: INJUN-uity, or Growing Up Pop TWO RIVERS GALLERY, PRINCE GEORGE BC - To July 8, 2018 tworiversgallery.ca As a child growing up in Prince George, Métis artist Kim Stewart was raised on “family lore” as told to her by her father. With her brother, the two siblings would “take sides as the East- West Indians, battle on their ranch and practices their horse- manship.” But as much as stories, practical knowledge and home life shaped her development, she was, like most children born after the Second World War, equally infl uenced by media images, toys and books that both introduced and reinforced stereotypes of “Indian-ness”. Kim Stewart, Indian Chief (Jan. - Mar.) / He Wrestles an Antler from Over the past few years, Stewart a Moose, 2018, diptych. Left: Giclée print. Right: Acrylic painting has accumulated an archive of images and objects that signify “Indian-ness.” She shows a particular interest in comic books from the 1950s and ’60s, which, along with television, played leading roles in the misrepresentation of Indige- nous peoples, often to “absurd” ends. For this exhibition, Stewart has scanned a number of comic book covers, enlarged them and placed them alongside “images painted in the same style to refl ect family stories and experiences.” In addition to these juxtapositions, Stewart has taken novels by best-selling Amer- framer. We carry a wide variety of ArtStarts Gallery Jul 7-21 Group Show: A Deeper ican western writer Zane Grey and, through artful redaction, produced from their affordable art created by local artists 808 Richards St. &604-336-0626 Shade of Blue. An exhibition of ruins a series of “hidden messages.” A third work returns the viewer to the intimacy of and artisans; paintings, photography, artstarts.com/gallery tue-sat 10am- participating Bau-Xi artists which Stewart’s early years, this time in the form of an installation based on the family living watercolours, textile arts, pottery, 4:30pm. ArtStarts is the only free, explores the metaphoric, symbolic room. Decorating the walls are horse blankets, toy guns, beaded gauntlets and bun- jewelry, stained glass, sculpture, public gallery dedicated to young and chromatic meanings and expe- ting. Amidst that, a loop of family fi lms replaces such TV entertainments as F Troop, woodwork and more. Artist-partners: people’s art in Canada. riences of the colour blue. Jul 7-21 Bonanza and The Wonderful World of Disney. Lee Sanger, Elana Sigal, Tom Antil, To Jul Beyond Words: Stories Joseph Plaskett: A Centenary. In Gary Nay, Tanya Boya, Danielle commemoration of what would have Michael Turner of Our Time showcases artwork Louise, Normajean McCallan, Eileen created by students from schools been the beloved painter’s 100th Mosca and Cindy-Wynne Kolding. across BC exploring Indigenous birthday, the gallery presents a Currently we are showcasing ways of knowing and learning in this special presentation of still-lifes and works by Stanley Mishkin, Jennifer moment in Canadian history. From landscape paintings by the late Plas- Harwood, Miles van Yperen, Suzanne bentwood boxes to hip hop music kett. Aug 11-25 Steven Nederveen. Goodwin and Roy Geronimo. videos, Indigenous and non-Indig- Inspired by meditation and musings enous students alike access the on the passage of time, multi-media Artspeak power of art, to express what their artist Nederveen blends painting 233 Carrall St &604-688-0051 words alone cannot. and photography in his exploration artspeak.ca tue-sat 12-5pm. Jun of themes of magical realism in the 9-Jul 28 Rugh Buchanan: Dead Bau-Xi Gallery landscape genre. Marble. Buchanan’s work is 3045 Granville St &604-733-7011 primarily concerned with the various bau-xi.com mon-sat 10am-5:30pm; Beaty Biodiversity Museum systems at play in the production of sun 11am-5:30pm. Jun 9-23 Gor- 2212 Main Mall, UBC culture. Often beginning in the ar- don Wiens: Nature Transformed. &604-827-4955 chive, where case studies, artefacts, Wiens’ acrylic paintings are largely beatymuseum.ubc.ca tue-sun or works by other artists act as de- inspired by the Japanese aesthetic 10am-5pm. Admission: adults $14, parture points for an interrogation of principle of ‘wabi sabi’: imperfect seniors 55+/students/youth 13-17 art as a discourse of organising the beauty and impermanence of decay- $12, children 5-12 $10, children world in which we live. She works ing objects found in nature. Wiens under 5 free. To Aug 19 David across performance, sculpture, text, uses an intuitive approach to his Ellingsen: Life: As We’ve Known It. audio, film, textiles, and graphics. layering of texture, colour and form. Reflect on the beauty and fragility

32 PREVIEW n JUN - AUG 2018 H OPEN LATE ON FIRST THURSDAYS preview-art.com PREVIEW 33

2018_JJA_document_Tue_1115.indd 33 2018-05-22 9:03 PM Harold Klunder: Recent Watercolour Paintings WINCHESTER GALLERIES (DOWNTOWN), VICTORIA BC - June 19 - July 14, 2018 winchestergalleriesltd.com Born in Deventer, Netherlands in 1943, Harold Klunder immigrated with his family to Canada in 1952. His ﬁ rst solo show at Toron- to’s iconic Sable-Castelli Gallery in 1976 was the beginning of a successful decades-long exhibition career. Klunder lives and works in Montreal and maintains studios in Flesherton, Ontario and Pouch Cove, Newfoundland. His work has been exhibited internationally and is included in permanent collections at the National Gallery of Canada and the Musée d’art contemporain de Montréal. Klunder’s work is comprised of large-scale oil paintings on canvas, linen or burlap. Re- peatedly described as stylistically suggestive of historic approaches, particularly the tradition of impasto painting, Klunder’s paintings Harold Klunder, Persian Lilac, 2018, watercolour are unique representations of time and the lived experience of artistic anxiety; many of his oil paintings take 10 years or longer to complete. In a 2009 interview with Efren Quiroz of exhibit-v, Klunder states that “because of the drying time…I can change the work and improve it…Sometimes you go through rough periods when you’re struggling and I feel that the struggle needs to be visible in the work.” Beginning with a wax drawing on paper, Klunder’s recent work, a series of 10 richly hued watercolour paintings, were completed relatively quickly. He writes that “after this initial drawing I proceed to add watercolour to the equation, not knowing what might happen.” Interestingly, the urgency of the medium, the complexity of the wax/ watercolour relationship and the improvisational style act together as a visual continu- ation of the compelling personal narrative found in all of Klunder’s pictures. Reception, with artist in attendance, June 28, 5 - 7pm Christine Clark

VANCOUVER Brian Scott Studio and Gallery humour and emotion. Radul contin- 2227 Granville Street ues her ongoing experiments in the of life through intimate photographic &250-337-1941 tragicomedy of categorical thinking portraits of the flora, fauna, and bscottfinearts.ca daily 10am-6pm. and description, evoking, but fossils in our museum. Featuring Brian Scott’s paintings for purposely never reaching the goal his new book (Book 6). 40 paintings of representation. Any suggested Bill Reid Gallery and stories of Vancouver. Memories dichotomy between words and pic- of Northwest Coast Art back to the parade on Kingsway, for tures is questioned, and recto/verso 639 Hornby St &604-682-3455 the Coronation of Elizabeth II. is reversed, expanded, repeated and billreidgallery.ca daily 11am-5pm; refracted in multiple circuits. Admission (+GST): adults $11, Catriona Jeffries seniors/students $8, youth 13-17 274 E 1st Ave &604-736-1554 Centre A $6, children 12 and under free, catrionajeffries.com Vancouver International Centre for family (2 adults + 2 children) $26. tue-sat 11am-5pm. To Jun 16 Contemporary Asian Art Group rates & guided tours available Judy Radul: Words No Pictures 268 Keefer St &604-683-8326 when booked in advance. First fri Pictures No Words. Just a couple centrea.org tue-sat 12-5pm. In is free 2-5pm. Opening Jun 8 Body of inches below your brain is a our 5th annual Recent Graduates Language, the first exhibition since tongue in cheek. The show features Exhibition, the artists reflect on the the gallery’s extensive renova- new works from Radul’s extensive systems that construct identity as tion promises to be an intriguing experimental practice that merges static, unchanging, and essential. experience. form, media, cognition, language, As they wade through personal

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2018_JJA_document_Tue_1115.indd 34 2018-05-22 9:03 PM Harold Klunder: Recent Watercolour Paintings WINCHESTER GALLERIES (DOWNTOWN), VICTORIA BC - June 19 - July 14, 2018 Gallery Hours & Admissions winchestergalleriesltd.com billreidgallery.ca

Born in Deventer, Netherlands in 1943, EXHIBITION PARTNERS Harold Klunder immigrated with his family to Canada in 1952. His ﬁ rst solo show at Toron- June 8, 2018 to to’s iconic Sable-Castelli Gallery in 1976 was January 13, 2019 the beginning of a successful decades-long Deux Mille Foundation ScribaArt Society International exhibition career. Klunder lives and works in The Hamber Foundation Montreal and maintains studios in Flesherton, BODY The Georgia Straight Ontario and Pouch Cove, Newfoundland. His work has been exhibited internationally LANGUAGE PROUDLY SUPPORTED BY and is included in permanent collections at the National Gallery of Canada and the Musée Reawakening Cultural Tattooing d’art contemporain de Montréal. of the Northwest Klunder’s work is comprised of large-scale oil paintings on canvas, linen or burlap. Re- peatedly described as stylistically suggestive histories and experiences, they wars and the personal stories of tue-sun 12-6pm. free admission. of historic approaches, particularly the tradi- challenge narratives of cultural Chinese-Canadians in the Canadian To Jun 24 The Blue Hour: Joi T. tion of impasto painting, Klunder’s paintings Harold Klunder, Persian Lilac, 2018, watercolour authenticity and consider their own Armed Forces in WW II. Arcand, Kapwani Kiwanga, Colin are unique representations of time and the layered identities and the inevitably Miner, Grace Ndiritu, Kara Uzelman. lived experience of artistic anxiety; many of his oil paintings take 10 years or longer fluid exchange between identity and Choboter Fine Art Opening Jul 13 Jeneen Frei Njootli to complete. In a 2009 interview with Efren Quiroz of exhibit-v, Klunder states that place. Like generations of migrant 23 Alexander St &604-688-0145 and Channa Horwitz. “because of the drying time…I can change the work and improve it…Sometimes you communities before them, these choboter.com mon-sat 12-6pm. go through rough periods when you’re struggling and I feel that the struggle needs to artists negotiate with their past Ongoing presentation of new Craft Council of BC Gallery be visible in the work.” and present selves, to expand and mixed-media, three dimensional 1386 Cartwright St &604-687-7270 Beginning with a wax drawing on paper, Klunder’s recent work, a series of 10 richly broaden what collective and indi- paintings and older figurative craftcouncilbc.ca daily 10:30am- hued watercolour paintings, were completed relatively quickly. He writes that “after vidual identities can be. In turn, they abstract paintings by local artist 6pm. To Jun 21 Mountain Object this initial drawing I proceed to add watercolour to the equation, not knowing what address dialogues around travel, Don Choboter. Makers Cooperative: Mountain might happen.” Interestingly, the urgency of the medium, the complexity of the wax/ migration, and displacement, at the Objects: collected, foraged watercolour relationship and the improvisational style act together as a visual continu- accelerating pace of globalization. Circle Craft Gallery and formed. Miriam De Langley, ation of the compelling personal narrative found in all of Klunder’s pictures. 1-1666 Johnston St, Granville Island Brittani Buettner, Margaret Forbes, Chali-Rosso Art Gallery &604-669-8021 circlecraft.net Lynda Harnish, Kathryn Tidey, Trisha Reception, with artist in attendance, June 28, 5 - 7pm Christine Clark 549 Howe Street &604-733-3594 daily 10am-7pm. Circle Craft is Nakagawa & Jenny Judge came chalirosso.com mon-sat 10am-7pm; a unique BC Artist Cooperative together through their passion for sun 12-5pm. May 5-Sep 1 Defi- dedicated to providing opportunities making crafted objects, the desire nitely Dali 2018. Two large-scale for craftspeople to connect with the to share space and equipment, and original Salvador Dali sculptures community. Formed in 1972, Circle their love for their mountainous will be placed on public display for Craft utilizes a ‘direct from the artist’ environment. In glass, ceramics the enjoyment of all visitors. One of approach, and our shop & gallery or silver, each artist forms objects the new sculptures, Woman Aflame, feature works of 130+ BC artists. such as a vessel, piece of jewelry, stands tall at nearly 12' high at sculpture or installation. Jul 5-Aug Hornby and W Hastings streets. Coastal Peoples 16 Wesley Harris: Mentor & Fine Arts Gallery Metalsmith contains silver pieces Chinese Cultural Centre 200-332 Water St &604-684-9222 from both Harris and his teacher Museum coastalpeoples.com daily 10am- Arthur Brecken. The progression of 555 Columbia St &604-658-8880 6pm. Specializing in museum-qual- work illustrates how Wesley’s style cccvan.com tue-sun 11am-5pm. ity contemporary Northwest Coast evolved out of Brecken’s, as well as Admission by donation. Ongoing Native, Inuit and Plains artwork. what influenced the latter’s work. Generation to Generation - History Showcasing an impressive and di- of Chinese Canadians in British verse collection in various mediums Douglas Reynolds Gallery Columbia. Photos and artifacts from prominent First Nations artists 2335 Granville St &604-731-9292 of the first Chinese immigrants in across Canada. douglasreynoldsgallery.com British Columbia from the 1800s. mon-sat 10am-6pm; sun 12-5pm. The Chinese Canadian Military Mu- Contemporary Art Gallery Specializing in contemporary and seum also on location. Learn about 555 Nelson St &604-681-2700 historical Northwest Coast Native Chinese contributions to both world contemporaryartgallery.ca

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2018_JJA_document_Tue_1115.indd 37 2018-05-22 9:03 PM jasna guy with Lincoln Best:

Pressed for Time seymourartgallery.com SEYMOUR ART GALLERY, NORTH VANCOUVER BC - June 9 - July 21, 2018 A consequence of our accelerating, space- saving times is the proliferation of acro- nyms, many of which refer to our mental and physical health. HIV, ADHD, PTSD are just a few that have entered the lexicon over the past four decades. For the insect world, the most devastating is CCD, or Colony Collapse Disorder, a phenomenon that has captured the imagination of research-based artist jasna guy, who, in collaboration with entomologist Lincoln Best, “explores our relationship with bees, the fl oral resources that pollinators require, and the complexity of our shared environment.” For her current exhibition, guy has constructed a monumental fl oor-to-ceiling, black-and-white photographic installation jasna guy, Foxglove dissection, 2017, archival print featuring images of native fl ora whose prints on gampi paper, beeswax have been dipped in beeswax. Exhibited alongside her installation, although on a more modest scale, are over 100 mounted entomological specimens and herbarium samples of local plant life. Taken together, the artful installation, the museological fl oral display and the participation of living organisms demonstrate guy’s commitment to both aesthetics and ethics. In a November 8th blog post entitled “fl utter”, guy provides insight into her creative process: “Sorting through piles and piles of old work, more precisely the cast off sheets of imagery on gampi from the bee-themed work from 2015, I started to play with the materials; exploring, in a sketchbook, the idea of collections, of possessing nature. Specimens, both botanical and entomological, are intrinsic parts of my new work, and I am refl ecting on my own need to see nature as a collectible entity.” Michael Turner

VANCOUVER of paintings by Natalia Vetrova. prints, collagraphs and more. As Closing reception: Jul 7, 6-10pm. pieces are sold, new works go up to art, a wide selection of artwork is of- create an ever changing exhibition. fered by leading First Nations artists Dundarave Print including Bill Reid, Robert Davidson, Workshop+ Gallery Eagle Spirit Gallery Don Yeomans and Phil Gray. Artwork 1640 Johnston St, Granville Island 1803 Maritime Mews, Granville includes: carved wood masks, cedar &604-689-1650 Island &604-801-5277 bentwood boxes, totem poles, pad- dundaraveprintworkshop.com &1-888-801-5277 dles, bronze and glass works, bas- daily 11am-5pm To Jun 24 Foreign eaglespiritgallery.com tue-sat kets, prints, and handcrafted gold Lands. The printmakers of Dundar- 11am-5pm or by appt. Specializing and silver jewelry. The gallery offers ave Print Workshop on Granville Is- in Northwest Coast First Nations and custom commissioned projects for land explore the experience of travel Inuit art. Featuring museum-quality individual and corporate clients. both as physical displacement and hand-carved masks, panels, bent- as exploration of self. Jun 25-Sep 16 wood boxes, totem poles, argillite Dudoc Vancouver Group Summer Exhibition. Dundar- carvings, button blankets, glass 1489 Frances St &604-722-6987 ave printmakers will be exhibiting sculptures, and Inuit stoneworks. dudocvancouver.com/events new and small format original prints. Jul 5-7 11am-8pm daily. Between See this diverse range of work Elissa Cristall Gallery Time and Space, the new collection including etchings, monotypes, relief 2239 Granville St &604-730-

38 PREVIEW n JUN - AUG 2018 H OPEN LATE ON FIRST THURSDAYS

2018_JJA_document_Tue_1115.indd 38 2018-05-22 9:03 PM 9611 cristallgallery.com tue-fri 11am-6pm; sat 11-5pm. Jun 7-30 jasna guy with Lincoln Best: Susannah Montague: Of Things I Can’t Unthink features sculptures that are as humorous as they are Pressed for Time seymourartgallery.com subversive. Her lively sculptures are SEYMOUR ART GALLERY, NORTH VANCOUVER BC - June 9 - July 21, 2018 an amalgam of animal, human and A consequence of our accelerating, space- object. Combined the images evoke saving times is the proliferation of acro- a whimsical narrative of folk tales, nyms, many of which refer to our mental and childhood fantasies, dreams and physical health. HIV, ADHD, PTSD are nightmares. Jul 12-Aug 18 Summer just a few that have entered the lexicon over Exhibition with gallery and guest the past four decades. For the insect world, artists featuring painting, drawing, the most devastating is CCD, or Colony collage and mixed media. Collapse Disorder, a phenomenon that has English Bay Gallery captured the imagination of research-based 103-1535 Johnston St, Granville artist jasna guy, who, in collaboration with Island &604-688-3006 entomologist Lincoln Best, “explores our englishbaygallery.com daily 10am- relationship with bees, the fl oral resources 6pm. Paintings by Ted Seeberg, that pollinators require, and the complexity photo collages by Bill Frampton, and of our shared environment.” photographs by Yoshi Yamamoto. For her current exhibition, guy has constructed a monumental fl oor-to-ceiling, Federation Gallery black-and-white photographic installation 1241 Cartwright St, Granville Island jasna guy, Foxglove dissection, 2017, archival print featuring images of native fl ora whose prints &604-681-8534 artists.ca on gampi paper, beeswax have been dipped in beeswax. Exhibited mon-sun 10am-5pm. To Jun 10 alongside her installation, although on a The Annual International Mail-In more modest scale, are over 100 mounted entomological specimens and herbarium Art Exhibition. The federation has samples of local plant life. Taken together, the artful installation, the museological made an exhibition that reduces fl oral display and the participation of living organisms demonstrate guy’s commitment costs of participating in international to both aesthetics and ethics. exhibitions. It has drawn hundreds of national and international sub- In a November 8th blog post entitled “fl utter”, guy provides insight into her creative missions delivered in envelopes and process: “Sorting through piles and piles of old work, more precisely the cast off sheets framed cohesively for a beautiful of imagery on gampi from the bee-themed work from 2015, I started to play with installation in the gallery. Jun 11-24 the materials; exploring, in a sketchbook, the idea of collections, of possessing nature. Landscapes Exhibition. Specimens, both botanical and entomological, are intrinsic parts of my new work, and I am refl ecting on my own need to see nature as a collectible entity.” Gallery Gachet Michael Turner 9 W Hastings St &604-687-2468 gachet.org tue-sat 12-6pm. To June 16 DTES Small Arts Grants Exhi- bition is a selection of this year’s visual art recipients. This annual event shines a light on artists, their practices, and ideas. Their projects by appt. To Jun 30 Ross Penhall: involve a variety of mediums, in- Goldmoss Gastown Studio meteora, an exhibition of new 606-55 Water St &604-331-9936 cluding fibre art, installation, jewelry landscape oil paintings by the cel- goldmoss.com Goldmoss Gastown making, ceramics, and painting. Jun ebrated Vancouver artist. Jul 6-Sep Studio Grand Opening Summer 29-Jul 28 Mad Pride features local 1 Summer Breaks Group show of 2018, see website for opening info mad artists from Gallery Gachet and rotating gallery artists: Peter Aspell, and hours. Goldmoss Satellite: mon- Downtown Eastside community, in Chaki, Pierre Coupey, Jeff Depner, thu 2-9pm; fri 2-10pm; sat 1-10pm; celebration of Mad Pride 2018, an Fei Disbrow, Enn Erisalu, Greg Hardy, sun 1-8pm. This new gastown international movement of psychiat- Cole Morgan, Paul Morstad, James heritage loft location will open to the ric survivors, consumers and crazy Nizam, Ross Penhall, Birthe Piontek, public displaying sculpture, painting people everywhere. James Nizam, Otto Rogers, Markus and fine art photography by artist Gallery Jones Schaller, Danny Singer, and Brendan couple Lee & Bon Roberts. There will Tang. Aug 2-5 Gallery Jones will 1-258 E 1st Ave &604-714-2216 be an artist in attendance to give galleryjones.com participate in the 4th annual visitors an intimate experience and tue-fri 11am-6pm sat 12-5pm and Seattle Art Fair at CenturyLink Field personalized introduction to works Event Center. on display and new works in

38 PREVIEW n JUN - AUG 2018 H OPEN LATE ON FIRST THURSDAYS preview-art.com PREVIEW 39

2018_JJA_document_Tue_1115.indd 39 2018-05-22 9:03 PM SATURDAY, JUNE 16 10AM - 5PM UNO LANGMANN LIMITED - KIMOTO GALLERY - ELISSA CRISTALL GALLERY PETLEY JONES GALLERY - HEFFEL FINE ART AUCTION HOUSE - IAN TAN GALLERY DOUGLAS REYNOLDS GALLERY - MARION SCOTT GALLERY KURBATOFF GALLERY - BAU-XI GALLERY THANK YOU TO OUR SPONSORS

VISIT SOUTHGRANVILLE.ORG FOR DETAILS 40 PREVIEW n JUN - AUG 2018 @SOUTHGRANVILLE H OPEN LATE ON FIRST THURSDAYS

2018_JJA_document_Final.indd 40 2018-05-23 10:21 AM South Granville WWW.SGGA.CA GALLERY ROW SOUTH GRANVILLE GALLERY ASSOCIATION

1 UNO LANGMANN LIMITED 2117 Granville St 604.736.8825 langmann.com 5th AVE 2 KIMOTO GALLERY 1 1525 W 6th Ave 2 604.428.0903 6th AVE kimotogallery.com 3 ELISSA CRISTALL GALLERY 3 2239 Granville St 604.730.9611 4 cristallgallery.com 5 4 PETLEY JONES GALLERY 7th AVE 2245 Granville St 6 604.732.5353 7 petleyjones.com 5 HEFFEL FINE ART 8th AVE AUCTION HOUSE 2247 Granville St 8 604.732.6505 9 heffel.com 6 IAN TAN GALLERY WEST BROADWAY 2342 Granville St 604.738.1077 iantangallery.com 10th AVE 7 DOUGLAS REYNOLDS GALLERY 2335 Granville St 11th AVE 604.731.9292 douglasreynoldsgallery.com

FIR 12th AVE GRANVILLE HEMLOCK 8 MARION SCOTT GALLERY 2423 Granville St 604.685.1934 13th AVE marionscottgallery.com 9 KURBATOFF ART GALLERY SATURDAY, JUNE 16 10 2435 Granville St 604.736.5444 10AM - 5PM 14th AVE kurbatoffgallery.com UNO LANGMANN LIMITED - KIMOTO GALLERY - ELISSA CRISTALL GALLERY 11 10 THE ART EMPORIUM PETLEY JONES GALLERY - HEFFEL FINE ART AUCTION HOUSE - IAN TAN GALLERY 2928 Granville St 15th AVE 604.738.3510 DOUGLAS REYNOLDS GALLERY - MARION SCOTT GALLERY theartemporium.ca KURBATOFF GALLERY - BAU-XI GALLERY 11 BAU-XI GALLERY THANK YOU TO OUR SPONSORS 3045 Granville St 604.733.7011 bau-xi.com

VISIT SOUTHGRANVILLE.ORG FOR DETAILS n H 40 PREVIEW JUN - AUG 2018 @SOUTHGRANVILLE OPEN LATE ON FIRST THURSDAYS

2018_JJA_document_Tue_1115.indd 41 2018-05-22 9:03 PM Scott Sueme: Homework KIMOTO GALLERY, VANCOUVER BC - To June 9, 2018 kimotogallery.com Scott Sueme was raised in Vancouver, and his fi rst forays into art include his participation in the city’s burgeoning graffi ti subculture. From there, his exploration of art, design and mural painting included an educational stop at the Emily Carr University of Art + Design in 2016, as well as collaborations with HCMA Architecture, P22dDesign, the City of Van- couver and Hootsuite. More recently, Sueme teamed up with the Vancouver Parks Board to create a work on the surface of a Mount Pleasant basketball court. As busy as he has been outdoors, Sueme still has time for gallery display. His current exhibition features a range of acrylic-on-panel paintings indicative of an interest in colour, line and form, and shows a historic knowledge of painterly, hard-edge and graphic styles. This is most evident in works such as Rock Samples Under Microscope (2018), with its di- vided Rothko-like fi eld over which a blizzard of expressive shapes – squares, triangles, rectangles and Scott Sueme, Rock Samples Under Microscope, trapezoids – achieve unity through careful distribu- 2018, acrylic on panel tion and scaling. Though resistant to determining factors like context and representation, Sueme’s formalism is not averse to revealing titles. In Shoe Strings & High Tops (2018), the artist has taken an instance of athletic footwear and reduced it to its elements. Using a base repertoire of fi ve colours – blue, yellow, tan, brown and orange – Sueme builds the shoe not with pigment but, in fi gure-ground fashion, implies it through absence, leaving us instead with the afternoon sky, the sun’s pale refl ection, the ethnicities of its players and funky undone laces. Michael Turner

VANCOUVER Heffel Fine Art Auction House Ian Tan Gallery 2247 Granville St &604-732-6505 2342 Granville St &604-738-1077 progress. Group shows with guest &1-800-528-9608 heffel.com iantangallery.common-sat 10am- artists will be curated in Goldmoss mon-fri 9am-5pm; sat 10am-5pm. 6pm; sun 12pm-5pm. Established in Gastown. Goldmoss Satellite extends Online Auction Folk Art: Works by 1999, Ian Tan Gallery is a contem- the 2018 Capture Photography festi- Maud Lewis & Joe Norris / Fine porary art gallery that represents val exhibit with works by Jonathan D Canadian Art. Jun 7-Jun 28. important emerging and established and, Lee & Bon Roberts. Online Auction: O Canada! / Fine artists in contemporary Canadian Canadian Art. Jul 5- Jul 26. art. Jun-Aug Summer Group Show, grunt gallery Online Auction: Matter + Mass Gallery artists. 116-350 E 2nd Ave / First Nations and Inuit Art / Fine &604-875-9516 grunt.ca Canadian Art. Opens Aug 2 Il Museo, Il Centro tue-sat 12-5 pm. Jun 15-28 Jeremy Italian Cultural Centre Borsos: The Blue Cabin Exhibition hfa contemporary 3075 Slocan St &604-430-3337 documents the journey to remediate 320-1000 Parker St italianculturalcentre.ca tue-sat and restore The Blue Cabin, the &604-876-7606 hodnettfineart.com 10am-5pm. To Jun 20 Chromatic one-time studio and home of artists by appt. A contemporary fine art Light: Contemporary Painting in Al Neil and Carole Itter. Borsos offers gallery located in the industrial arts the Open. The Plein Air paintings of the history of the cabin before Neil district of east Vancouver showing Paul Chizik, Liza Visagie and Dennis and Itter’s tenancy, giving new work by a selection of local and Brown. Jun 28-Aug 30 The Body insights into the notably unusual life international contemporary artists. Politick: The Art and Architecture of artists and writers on the North Viewing by appointment only. of Bruno Freschi political-themed Shore of the Burrard Inlet. paintings and architectural drawings.

42 PREVIEW n JUN - AUG 2018 H OPEN LATE ON FIRST THURSDAYS

2018_JJA_document_Tue_1115.indd 42 2018-05-22 9:03 PM Inuit Gallery of Vancouver 206 Cambie St &604-688-7323 &1-888-615-8399 inuit.com

Scott Sueme: Homework mon-sat 10am-6pm; sun 11-5pm KIMOTO GALLERY, VANCOUVER BC - To June 9, 2018 kimotogallery.com Since 1979, the Inuit Gallery has Scott Sueme was raised in Vancouver, and his fi rst offered a museum-quality collection forays into art include his participation in the city’s of masterwork Inuit and Northwest burgeoning graffi ti subculture. From there, his ex- Coast art in the heart of Gastown. ploration of art, design and mural painting included Presenting a collection of Inuit an educational stop at the Emily Carr University of sculpture and graphics, Northwest Art + Design in 2016, as well as collaborations with Coast First Nations art and other fine HCMA Architecture, P22dDesign, the City of Van- contemporary Canadian art. couver and Hootsuite. More recently, Sueme teamed up with the Vancouver Parks Board to create a work Katherine McLean Studio on the surface of a Mount Pleasant basketball court. 1350 Railspur Alley, Granville Island &604-377-668 As busy as he has been outdoors, Sueme still has katherinemclean.com time for gallery display. His current exhibition fea- thu-sun 11am-5pm or wed by appt. tures a range of acrylic-on-panel paintings indicative Playing with Fire. Coastal wild of an interest in colour, line and form, and shows gardenscapes and florals painted in a historic knowledge of painterly, hard-edge and encaustic (pigmented hot wax). Still graphic styles. This is most evident in works such life compositions in colourful glazed as Rock Samples Under Microscope (2018), with its di- ceramics. Visit the studio and see vided Rothko-like fi eld over which a blizzard of ex- works in progress. pressive shapes – squares, triangles, rectangles and Scott Sueme, Rock Samples Under Microscope, trapezoids – achieve unity through careful distribu- Kimoto Gallery 2018, acrylic on panel tion and scaling. 1525 W 6th Ave &604-428-0903 Though resistant to determining factors like context and representation, Sueme’s kimotogallery.com tue-thu 10am- formalism is not averse to revealing titles. In Shoe Strings & High Tops (2018), the art- 6pm; fri 12-5pm; sat 10am-6pm. ist has taken an instance of athletic footwear and reduced it to its elements. Using a Opening Jun 16 ArtWalk Salon. Jul base repertoire of fi ve colours – blue, yellow, tan, brown and orange – Sueme builds 17-Aug 17 Summer Group Show the shoe not with pigment but, in fi gure-ground fashion, implies it through absence, exhibiting new works by gallery leaving us instead with the afternoon sky, the sun’s pale refl ection, the ethnicities of its artists. Opening Aug 21 Katie & players and funky undone laces. Paul: Is It A Print? Michael Turner Lattimer Gallery 1590 W 2nd Ave &604-732-4556 lattimergallery.com VAN: mon-sat 10am-5:30pm; sun 11am-5pm; holidays 12-5pm. YVR: 9am-8pm daily. MOV: sun-wed 10am-5pm; thu-sat 10am-8pm YVR: International Termi- nal. Level 3 Departures. MOV 1100 Chestnut St. Original works of art by First Nations artists, including gold and sterling silver jewellery, masks, panels, bentwood boxes, totem Lookout Gallery marionscottgallery.com poles, argillite, sculptures, paintings, Regent College, UBC tue-sat 10am-6pm. To Jun 23 Nick and limited edition prints. 5800 University Blvd Sikkuark: A Celebration comprises &604-224-3245 lookoutgallery.ca 30 works in two-dimensional media Libby Leshgold Gallery mon-fri 8:30am-5pm; sat 12-4pm. and one sculpture by the late Net- Emily Carr University of Art + Design Free admission. Jun 27-Jul 26 silik artist. The exhibition features 520 E 1st Avenue Rosa Quintana Lillo: Heroes in the images portraying the Far Northern &604-844-3809 libby.ecuad.ca Seaweed. Through surrealism, the landscape, scenes of fantastic daily 12-5pm. free admission. landscape legacies of Emily Carr, occurrences, and a series of mono- Opening Jun 15 It’s difficult to put and the guerilla tactics of graffiti chromatic portraits of people. a painting in the mailbox: Toward artists, Quintana creates a collage of New Models of Artists’ Publishing disparate world events in acrylic. Mid-Main Art Fair exhibition, workshop, and series Heritage Hall of events led by READ Books and Marion Scott Gallery/ 3102 Main St &604-808-0616 Publication Studio with guests. Kardosh Projects midmainart.com Jun 10 11am-6pm. 2423 Granville St &604-685-1934 Showcasing and selling original art

42 PREVIEW n JUN - AUG 2018 H OPEN LATE ON FIRST THURSDAYS preview-art.com PREVIEW 43

2018_JJA_document_Tue_1115.indd 43 2018-05-22 9:03 PM VANCOUVER &604-822-2759 belkin.ubc.ca tue-sun 10am-5pm; thu 10am- tue-fri 10am-5pm; sat-sun 12-5pm, 9pm. Admission: adults $18, from established artists in greater closed holidays. Free admission. students & seniors 65+ $16, family Vancouver. Artists showcase work Jun 22-Aug 12. Beginning with $47, children 6 and under free, from abstraction to realism creating the Seventies: Radial Change. UBC staff, students & faculty free stunning art in watercolours, acrylic, Memories of performance often with ID. thu 5-9pm: $10. Ongoing oil, photography, sculpture, and exceed the containment of the Culture at the Centre is the first printmaking. Artists are: Fran Alex- document, whether photogra- collaboration between the six ander, Mariko Ando, Enda Bardell, phy, film, prop or testimony. As First Nations communities of The Lorn Curry, Dave Denson, Jennifer communities disperse and regroup Musqueam Cultural Education and Harwood, Louise Nicolson, Christine over time, figures may slip away Resource Centre (Musqueam), Hood, Jeanette Jarville, James Koll, from the centre. Circling around the Squamish-Lil’wat Cultural Centre Sonia Mocnik, Edward Peck, Camille embodied archive, Radial Change is (Squamish, Lil’wat), Heiltsuk Cultural Sleeman, Elisabeth Sommerville, drawn from the title of a dance work Education Centre (Heiltsuk), Nisga’a Kathy Traeger, Jeff Wilson, by Helen Goodwin. Evann Siebens Museum (Nisga’a), Haida Gwaii Grazyna Wolski. and Michael de Courcy have created Museum and Haida Heritage Centre new works in film, photography, at Kay Llnagaay (Haida). It offers Monny’s Art Gallery sound and performance to explore insight into the important work 2675 W 4th Ave &604-733-2082 the elusive histories of Goodwin’s Indigenous-run cultural centres envisionoptical.ca mon-sat 11am- choreography and her influence and museums in BC are doing to 6pm Long-time collector Monny’s on the 1970s interdisciplinary art support their language, culture, and permanent collection of artwork, scene. Radial Change is the second history. Arts of Resistance: Politics as well as rotating exhibitions of of four exhibitions based upon the and The Past In Latin American works by local artists; Andrea Gower, Belkin Art Gallery’s research project illustrates how Latin American com- Kerensa Haynes, Ted Hesketh, Sonia investigating the 1970s. munities use traditional or historic Kobrahel, and Stanimir Stoylov. art forms to express contemporary Museum of Anthropology political realities. Featuring art and Morris and Helen Belkin at UBC multi-sensory installations from LATTIMER GALLERY Art Gallery 6393 NW Marine Dr Mexico, Guatemala, Peru, Honduras, 1825 Main Mall, UBC &604-822-5087 moa.ubc.ca Ecuador and Chile. 1590 West 2nd Ave. Vancouver, BC 604-732-4556 lattimergallery.com

Abbas Akhavan An exhibition curated 13 Brady Cranfield by Kimberly Phillips Gordon Smith Gallery WaysBrenda Draney of Canadian Art 2121 Lonsdale Avenue Betty Goodwin North Vancouver to Vanessa Kwan gordonsmithgallery.ca Lyse Lemieux SummonTanya Lukin LinklaterMay 16 – GhostsCindy MochizukiSeptember 1, Jacqueline Hoàng Nguyên Ryan Peter 2018 Kathleen Ritter Carol Sawyer Jin-me Yoon

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2018_JJA_document_Tue_1115.indd 44 2018-05-22 9:03 PM tue-sun 10am-5pm; thu 10am- 9pm. Admission: adults $18, students & seniors 65+ $16, family $47, children 6 and under free, UBC staff, students & faculty free with ID. thu 5-9pm: $10. Ongoing Culture at the Centre is the first collaboration between the six First Nations communities of The Musqueam Cultural Education and Resource Centre (Musqueam), Squamish-Lil’wat Cultural Centre (Squamish, Lil’wat), Heiltsuk Cultural Education Centre (Heiltsuk), Nisga’a Museum (Nisga’a), Haida Gwaii Museum and Haida Heritage Centre at Kay Llnagaay (Haida). It offers insight into the important work Indigenous-run cultural centres and museums in BC are doing to support their language, culture, and history. Arts of Resistance: Politics and The Past In Latin American illustrates how Latin American communities use traditional or historic art forms to express contemporary political realities. Featuring art and multi-sensory installations from LATTIMER GALLERY Mexico, Guatemala, Peru, Honduras, Ecuador and Chile. 1590 West 2nd Ave. Vancouver, BC 604-732-4556 lattimergallery.com

Museum of Vancouver Musqueam Cultural Māori artists Te Ao (Ngāti Tuwhare- 1100 Chestnut St, &604-736-4431 Centre Gallery toa) and Reweti (Ngāti Ranginui, museumofvancouver.ca mon-wed 4000 Musqueam Ave Ngāi Te Rangi) unravel colonial & sun 10am-5pm, thu 10am-8pm, &604-263-3261 histories and express guardianship fri 10am-9pm, sat 10am-9pm adult &1-866-282-3261 using performance and experimental $19; senior/student $16; youth 5-18 musqueam.bc.ca/ moving image. Their works will be $9; family $40; 4 & under free. Last musqueam-cultural-centre-gallery seen through and alongside the local thu of the month by donation. To by appt. Admission: $5. The Gallery voices, images and narratives of Jun 15 Haida Now: A Visual Feast at the Musqueam Cultural Education xʷməθkwəy̓əm (Musqueam) artist of Innovation and Tradition. The Resource Centre features 1300 sf of Sparrow and Vancouver-born Métis/ museum, in partnership with Haida space where the Musqueam people Cree/German filmmaker Todd. To Gwaii Museum at Kay Llnagaay, can share their history and culture, Jun 24 Whose Land Have I Lit on presents a visual feast of innovation from their perspective. The gallery Now? exhibition and series of talks and tradition with Haida Now. Guest features exhibitions highlighting examining the concept of hospitality curated by Haida Curator Kwiaah- historic cultural objects, contem- in connection with recent and on- wah Jones in collaboration with Viv- porary arts, and the sharing of going geopolitical narratives around iane Gosselin, Director of Collections Musqueam culture. The gallery uses territory, newcomers, Indigeneity, & Exhibitions, this exhibition features Reciprocal Research Network (RRN) settler colonialism and a collection of 450+ works of kiosks to provide a richer interactive cultural encounter. Haida art created as early as 1890. exhibition experience. Local Haida artists will share their Pendulum Gallery H insights and knowledge about the Or Gallery 885 W Georgia St, HSBC Building art pieces, providing visitors with the 555 Hamilton St &604-683-7395 &604-250-9682 opportunity to experience a powerful orgallery.org pendulumgallery.bc.ca way to engage with the worldview tue-sat 12-5pm. To Jun 2 Bridget mon-wed 9am-5pm; thu-fri and sensibility of the Haida people Reweti, Debra Sparrow, Shannon 9am-9pm; sat 9am-5pm.To Jun while gaining greater appreciation Te Ao, Kamala Todd: Being in 8 Michael Batty: Tones, Poems for the role museums can play in the Place brings together artists from and Frequencies marks his new reconciliation movement. territories an ocean apart who tell approach to the painting subject, stories about place. Installations by and the vivid floor sculpture

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2018_JJA_document_Tue_1115.indd 45 2018-05-22 9:03 PM audainartmuseum.com Experience the art of British Columbia in one of Canada’s most treasured wilderness destinations

Visit us in Whistler, BC

4350 Blackcomb Way 604.962.0413

Image courtesy of Tourism Whistler/Justa Jeskova

VANCOUVER Peter Kiss Studio and Gallery and tranquility permeates in Xue’s 1327 Railspur Alley, Granville Island paintings: behind the dreamy veil is an important development. &604-696-0433 peterkiss.com of time, a gentle sound calls for Underlying his work is an interest in tue-sun 10:30am-5:30pm. A response from the ancient time, and electronic and jazz music, and the constantly changing collection of whispers in the dialoguing cultural connection between music and art. sculpture, mixed-media prints, and tide of east and west. Traditionally Jul 30-Aug 17 Tiko Kerr has been jewellery that combines materials, dressed, modern ladies in Xue’s a force in the city's art scene for social commentary, and humour. paintings embody an implicit beauty the past few decades. Known for and a poetic leisure, leaving us with his vibrant paintings of Vancouver’s Petley Jones Gallery an illusion of time travel. iconic urban and natural locales 2245 Granvillle St &604-732-5353 and architecture, the past couple of petleyjones.com tue-sat 10am-6pm. Queer Arts Festival years have seen him utilizing collage Art dealers in contemporary and Exhibition Hall, Roundhouse Com- in the production of mixed media historical art. In addition to sales, munity Arts & Recreation Centre, works. These in turn have funda- purchases, art rentals and consign- 181 Roundhouse Mews mentally refocused his approach to ment we offer services in conserva- queerartsfestival.com painting, producing complex and tion framing, restoration, appraisals. Jun 16-28 Queer Arts Festival vibrant images, referencing social Historical and contemporary works (QAF) marks its landmark 10th anni- media, collage, surrealism and the are continuously acquired – come versary with the multi-disciplinary history of painting itself. Opening see what’s new or visit our website summer celebration DECADEnce. Aug 19 Jianjun An’s new figurative for exhibition information. The festival, which commemo- works mark an important devel- rates Pride in Art’s 20th year as an opment in his practice. An’s large Poly Culture Art Center artist-led organization, features a scale, life-size paintings present a 100-905 W Pender St boundary-pushing, dialogue-igniting series of ‘types’, figures that com- &604-564-5766 polyculture.us/ array of creators that amplify artistic bine physical and emotional traits, tue-sat 10am-5pm. Free admission. risk-taking and incite creative col- providing the viewer with insights Jun 12-Sep 12 The Lingering laboration and experimentation. The into how we present ourselves and Charm: Oil Paintings by Xue QAF includes the world premiere of are seen by others. Yanqun. A beauty of remoteness Lesley Ewen’s work Camera Obscu-

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2018_JJA_document_Tue_1115.indd 46 2018-05-22 9:03 PM ra; a 30-year retrospective concert her home territory to occupy the cloud and river as they change from honouring Barry Truax’s trailblazing Teck Gallery. SFU ART GALLERY On- moment to moment. Aug 9-31 Mel- work Skin & Metal: Homoerotic going til 2019, research, collections, anie Fogell: Celebration. Melanie Music Theatre Works by Barry Truax; publications, projects and talks. explains, “I paint my feelings.” She and the popular Queeraoke closing prefers acrylic paint to oils because night blowout, among many others. Sidney and Gertrude it dries quickly allowing her to be Zack Gallery spontaneous. She recently moved to SFU Galleries Jewish Community Centre Gibsons, BC, and finds the exposure AQ 3004-8888 University Dr 950 West 41st Ave &604-638-7277 to nature “overwhelming”. &778-782-4266 sfu.ca/gallery jccgv.com/content/jcc-cultural-arts Hours on website. Audain Gallery: Free admission. Jun 7-29 Diana Skwachàys Lodge Aboriginal SFU Goldcorp Centre for the Arts, Zoe Coop: The Artist’s Garden Hotel and Gallery 149 W Hastings St. Teck Gallery: explores her relationship between 29/31 W Pender St &604-558-3589 SFU Harbour Centre, 515 W Hastings creating art and her life on the edge skwachays.com St. SFU Art Gallery: AQ 3004-8888 of the North Shore mountains. Her daily 10am-6pm. Free Admission. University Dr, Burnaby. AUDAIN botanical paintings are expressionis- Original works of art by Indige- GALLERY To Aug 4 Feminist Land tic, incorporating plants and flowers nous artists including carvings, Art Retreat (FLAR): No Man’s Land from her garden that have been paintings, limited edition prints and is a project of Vancouver based dried and collaged into the canvas. jewelry. Members of the Authentic artists Vanessa Disler and Nicole Experiencing the work of Frida Kahlo Indigenous Arts initiative provide an Ondre, that provokes conceptual in Mexico City was a pivotal turning effective way to identify and protect and formal speculation of the terms point. Jul 5-Aug 3 Carly Belzberg: Indigenous art. Located on the Lobby “feminist”, “land art” and “retreat” The Spirit of Cloud, The Spirit of Level of Skwachàys Lodge, proceeds within contemporary art. TECK GAL- River explores the fleeting expres- fund housing for artists. LERY Opening Jun 19 Krista Belle sions, flowing movements and the Stewart: Eye Eye. This site-specific underlying spirit of both clouds and South Granville ArtWalk installation takes the artist’s land rivers. The paintings are neither re- South Granville St &604 734 3195 in Douglas Lake, BC (Spaxomin) alistic renditions nor abstract varia- southgranville.org/artwalk as a foundation. Responsive to its tions but rather are playful attempts 10am-5pm. Free. Jun 16, 10am- institutional context, Stewart brings to connect with the very essence of 5pm. South Granville has the highest

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2018_JJA_document_Tue_1115.indd 47 2018-05-22 9:03 PM wed-sun 11am-6pm. Free. Jun tue-sat 12-6pmTo Aug 18 QUEER- 2-Jul 1 Aimée Henny Brown, SUM 心:The Show. Queer-sum a Julia Kreutz, Jessie McNeil and “Chinglish” translation and play on Tristesse Seeliger: IN SITU. Collage the words Queer Love, alludes to as a cultural lens and visual art queer attraction that people expe- practice is investigated through the rience, even though they believe works presented with IN SITU. Ana- themselves to be straight identified logue cut-and-paste, photographic – or queer-sum (sum=love). Film- realism, repeated patterning, and maker Karin Lee presents three of world-building are some of the tac- her film/media works: a 2-channel tics employed by the four Canadian remix of her classic 16mm film My female collage artists. Emerging Sweet Peony, a fantastical drama out of practices of collecting and shot in the Dr. Sun Yat Sen Classical observing, IN SITU is an exhibition of Chinese Gardens; Portrait of a Girl, works exploring the concept of site. a documentary shot in Beijing, and Jul 7-Aug 26 2nd annual Summer Small Pleasures, a period drama set Seven at SoMa. More of an arts fes- in Barkerville, BC. tival than an exhibition, the gallery will welcome emerging artists from The Art Emporium BC and present their work in three 2928 Granville St 2-week solo shows, and a four-per- &604-738-3510 son show throughout the summer. theartemporium.ca mon-sat 10am-6pm or by appt. Exceptional Spirit Wrestler Gallery inventory of paintings by Canadian, 101-1669 W 3rd Ave American, and French masters of the Centurian &604-669-8813 20th century, as well as all members Choboter Fine Art &1-888-669-8813 of the Group of Seven and several 23 Alexander St, Vancouver, BC 604-688-0145 spiritwrestler.com of their contemporaries. Featuring www.choboter.com tue-sat 10am-5pm; sun 12-5pm; or J.P. Riopelle, Lawren Harris, Tom by appt. A leading contemporary fine Thomson and Emily Carr. art gallery representing master Inuit, VANCOUVER Northwest Coast and Maori artists. The Gallery at The Cultch The gallery focuses on exhibitions 1895 Venables St &604-251-1766 concentration of fine art galleries in that showcase contemporary thecultch.com/venues/gallery Vancouver, its legacy as gallery row directions in aboriginal art, including mon-sat 12-4pm.To Jun 23 Works is cemented as it continues to thrive cross-cultural communication, the by Joy Hanser and Krista Johnson. a half century since its founding. Our use of new materials (such as glass Free and open to the public. galleries offer a diverse range of art and metal), and modern interpreta- including: Canadian and Internation- tions of shamanism, environmental Toni Onley Estate al conceptual, European modernism concerns, and other issues pertain- &604-263-8980 &604-454-1928 and old masters, historical and ing to the changing world. tonionley.com emerging Canadian art including Representing the Estate: in Victoria, photography as well as two galleries Studio 13 Fine Art Winchester Galleries; in Calgary, devoted to First Nations and Inuit 1315 Railspur Alley Wallace Galleries. work. Vancouverites and visitors &604-731-0068 are all invited to this 7th annual studio13fineart.com Ukama Gallery event, where they can wander along jun: wed-mon 10:30-5:30pm; jul & 1802 Maritime Mews, Granville Granville St from 5th Ave to 16th aug: 10:30am-5:30pm daily. A gal- Island &778-379-0666 ukama.ca Ave, and partake in artist talks, wine lery and working studio featuring the daily 10am-6pm. Free Admission. and cheese tastings, and attend art work of Alice Rich, Skai Fowler Specializing in original stone numerous art exhibitions. With the and Claire Sower. In a shared studio sculpture, the gallery represents diverse range of galleries on the environment, these diverse Canadian emerging and world-renowned row, there is truly a medium, style artists create works which vary from artists from Zimbabwe. Each work and artwork for everyone. With no pure abstract, to landscape based to of art is selected with an eye toward shortage of events and places to vis- impressionistic representation. capturing the remarkable variety it, we guarantee you will stay much of styles that flourish in artistic longer than expected. SUM gallery communities across the country. Pride In Art Society Complementing the sculpture are South Main Gallery 425-268 Keefer St paintings and mixed media works 279 E 6th Ave &604-565-5622 &778-228-1219 from outstanding Canadian artists. southmaingallery.com queerartsfestival.com Side by side, these distinctly dif-

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2018_JJA_document_Tue_1115.indd 48 2018-05-22 9:03 PM ferent art forms have something to rotating selection of museum-quality children 6 to 12 $6.50, children 5 say about the essence of the human paintings, objets d’art, and antiques and under free, members free. Ref- artistic instinct. from Europe and North America. erence Library mon-thu 1-5pm. To Jul 1-31 Marcus Stone, Edmund Sep 3 Emily Carr in Dialogue with Unitarian Church of Vancouver Blair Leighton, Sir William Russell Mattie Gunterman unites the work 949 W 49th Ave &778 928 9159 Flint: The Academic Style. The of two women artists practising in vancouverunitarians.ca reorganization of the French Royal BC in the early 20th C. The paintings sun 10am-1:30pm or phone for Academy under Louis XIV in the 17th of Carr with photographs by US-born hours. Jun 4-Jul 31 Delightful,mixed C marked the move toward a more Gunterman highlight the artists’ media creations of the Developmen- unified painting style. Most European engagement and affection for BC’s tal Disabilities Association. Fireside countries adapted similar art insti- wilderness. Opening Jun 9 Cabin Room. Aug 2-31 Hilda Gerson’s tutions. Narrative scenes were held Fever traces the history of the North Woven Hangings in the Sanctuary. in high regard by the Academies, American cabin as an architectural as in one painting, artists displayed form and a cultural construct. Uno Langmann Limited their competence in landscape, Opening Jun 16 David Milne: 2117 Granville St &604-736-8825 portraiture and still life. Aug 1-30 Modern Painting. From painter &1-800-730-8825 langmann.com C.F. Sorensen, Abraham Hulk, Vil- exhibited in New York City, to official tue-sat 10am-5pm; or by appoint- helm Arnesen: Serene Sea. Dutch war artist in Europe, discover Milne’s ment. Jun 1-20 Charlie James, John marine painting style remained a first major exhibition of his work in Innes, Thomas Harold Beament, national tradition and artists prided thirty years. Opening Jun 16 Site Norman Tait: First Nations Art themselves on their ability to master Unseen.The photographic artists honouring the culture and heritage the Romantic depiction of water. push the boundaries by introducing of Aboriginal Peoples in Canada. This visual distortions or chromatic heritage is represented in this ex- Vancouver Art Gallery disturbances to produce images that hibition through paintings, carvings 750 Hornby St &604-662-4719 are simultaneously of this world and and objects that depict traditional (24-hr info line) vanartgallery.bc.ca alien. Artists: Marten Elder, Lorraine settlements, practices, and traditions daily 10am-5pm; tue 10am-9pm. Gilbert, Rodney Graham, Mark of First Nations, Metis and Inuit of Admission: adults $24, seniors (65+) Lewis, Thomas Ruff, Diana Thater. Canada. Showing alongside is a $20, students (with valid ID) $18, Opening Jul 14 Ayumi Goto &

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2018_JJA_document_Tue_1115.indd 49 2018-05-22 9:03 PM HAIDA NOW: A Visual Feast of Innovation and Tradition MUSEUM OF VANCOUVER, VANCOUVER BC - To June 15, 2019 museumofvancouver.ca Crowds packed into the Museum of Vancouver (MOV) to witness the

opening of Haida Now at c´esnaee??em Kits Point March 15. Many of the exhibition’s 450 objects re-emerged from over a century in storage. Haida mastery is on full display through masks, statues, ﬁ shing implements, hunting tools, serving and eating utensils, or- nately carved bentwood boxes, dishes, old stone mortars and pestles. These ancestral objects connect with modern photos and videos of Haida people to- Tom Price (c. 1860-1927), Bentwood box, Haida, day. The excellence exhibited in both date unknown, red cedar wood, paint, brass, classic and modern mediums shows the Edward and Mary Lipsett Collection AA 1898a-b resilience of Haida discipline, dignity and power.

Those assembled recognized legal protocols as members of xwme0eeekweyém Musqueam, Skwxwú7mesh Squamish, and Tsleil-Waututh nations spoke, danced and sang to welcome guests to their territory and to recognize the exhibit opening. Haida responded with songs and dances in honour of their hosts. This opening ceremony represented Indigenous triumph over systemic oppression, disenfranchisement and genocide. Speeches followed by Exhibition Curator Kwiaahwah Jones; Co-curator Viviane Gosselin; Saahlinda Naay Haida Gwaii Museum Director Jisgang; Haida Hereditary Leader Skil Hiilans Allan Davidson; President of the Haida Nation kil tlaats‘gaa Peter Lantin; former President of the Haida Nation Kilsli Kaji Sting Miles Richardson Jr. coastal relatives; representatives of MOV; and local elected offi cials. “Haida Now is an opportunity to get a glimpse of the depth and breadth of this land’s history before Canada existed, and the living legacy of the Haida Nation,” explained Kwiaahwah Jones. A rich display of long-hidden treasures awaits museum visitors. Argillite carvings tower in a centrepiece that seems to overfl ow. Crowded bracelets, labrets and collars vie for space in display cases. Intricate robes, baskets and masks show the source of modern Haida weavers’ mastery and creativity. Visitors who grow overwhelmed in the fl ood of beautiful objects can rest in the “living room”, a corner designed to feel like a Haida home. Visitors can see the Haida people of today through music videos, clips from the upcoming full-length Haida-language feature fi lm SGaawaay K’uuna Edge of the Knife and short documentaries. The old treasures and modern creations of Haida Now show how the current generation endures to uphold the legacy of Haida ancestors. Haida Now is presented at the Museum of Vancouver in partnership with the Haida Gwaii Museum at Kay Llnagaay. Graham Richard

VANCOUVER Robots spotlights a BC artist whose as disaster relief shelter with his multidisciplinary practice embodies knowledge of recyclable materials. Peter Morin: how do you carry the the do-it-yourself (DIY) sensibilities This exhibition showcases the full- land? showcases the performance of an amateur inventor. OFFSITE scale version of the house art and ongoing collaborations of To Oct 8 Shigeru Ban (1100 W and a photomural documenting Goto, a Japanese Canadian artist, Georgia St) Following the 1995 his design work on global disaster and Morin, a Tahltan artist. Opening Japan earthquake, architect Ban relief projects. Jul 14 Kevin Schmidt: We are the designed the Kobe Paper Log House

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2018_JJA_document_Tue_1115.indd 50 2018-05-22 9:03 PM Vancouver Maritime Museum H 1905 Ogden Ave &604-257-8300 May 17 – October 8, 2018 HAIDA NOW: A Visual Feast of Innovation and Tradition vanmaritime.com MUSEUM OF VANCOUVER, VANCOUVER BC - To June 15, 2019 museumofvancouver.ca mon-sun 10am-5pm; thu 5-8pm by Crowds packed into the Museum donation. Admission (+GST): $11 of Vancouver (MOV) to witness the adults, $8.50 students, seniors,

opening of Haida Now at c´esnaee??em youth, $30 family, 5 and under free- Kits Point March 15. Many of the ex- To Jun 30 The Lost Fleet looks at hibition’s 450 objects re-emerged from the world of the Japanese-Canadian over a century in storage. Haida mas- fishermen in BC and how deep-seat- tery is on full display through masks, ed racism played a major role in the statues, ﬁ shing implements, hunting seizure, and sale, of Japanese-Ca- tools, serving and eating utensils, or- nadian property and their internment nately carved bentwood boxes, dishes, of an entire people.Jul 14-Aug 31 old stone mortars and pestles. These Making Waves – The Story and ancestral objects connect with modern Legacy of Greenpeace looks at the photos and videos of Haida people to- origins of Greenpeace and their first voyage from Vancouver to Amchitka Tom Price (c. 1860-1927), Bentwood box, Haida, day. The excellence exhibited in both classic and modern mediums shows the to protest nuclear testing on an old date unknown, red cedar wood, paint, brass, fishing vessel the Phyllis Cormack. Edward and Mary Lipsett Collection AA 1898a-b resilience of Haida discipline, dignity

and power. Ongoing Maria Steernberg: Sea eee Snaps Exhibition presents the Those assembled recognized legal protocols as members of xwme0kweyém Musqueam, beauty of Vancouver’s maritime Skwxwú7mesh Squamish, and Tsleil-Waututh nations spoke, danced and sang to wel- setting and our beautiful coast line come guests to their territory and to recognize the exhibit opening. Haida responded through a series of themes; the with songs and dances in honour of their hosts. This opening ceremony represented working waterfront, cruising, nature Indigenous triumph over systemic oppression, disenfranchisement and genocide. and disaster. St Roch – 90 Years of Speeches followed by Exhibition Curator Kwiaahwah Jones; Co-curator Viviane Adventure celebrates the St. Roch’s Gosselin; Saahlinda Naay Haida Gwaii Museum Director Jisgang; Haida Hereditary 90th birthday with rare images and Leader Skil Hiilans Allan Davidson; President of the Haida Nation kil tlaats‘gaa Peter artifacts from the collection. Lantin; former President of the Haida Nation Kilsli Kaji Sting Miles Richardson Jr. coastal relatives; representatives of MOV; and local elected offi cials. VISUALSPACE Gallery 3352 Dunbar St &604-559-0576 “Haida Now is an opportunity to get a glimpse of the depth and breadth of this land’s visualspace.ca history before Canada existed, and the living legacy of the Haida Nation,” explained daily 12-5pm. To Jun 30 closed sun Kwiaahwah Jones. A rich display of long-hidden treasures awaits museum visitors. Venus Takes Flight Catherine M. Argillite carvings tower in a centrepiece that seems to overfl ow. Crowded bracelets, Stewart parallels animal and human labrets and collars vie for space in display cases. Intricate robes, baskets and masks mating behaviour by integrating show the source of modern Haida weavers’ mastery and creativity. Visitors who grow scans of bird plumage with fabrics

overwhelmed in the ﬂ ood of beautiful objects can rest in the “living room”, a corner of abstract inkjet prints, exhibited ARTS OF RESISTANCE designed to feel like a Haida home. with a selection of garments by Politics and the Past in Latin America Visitors can see the Haida people of today through music videos, clips from the up- fashion designer Terry Sasaki.Jul coming full-length Haida-language feature ﬁ lm SGaawaay K’uuna Edge of the Knife 6-12 The Faces We Pass By Every and short documentaries. The old treasures and modern creations of Haida Now show Day. In this series of hyperrealistic oil portraits, Alex Sandvoss captures how the current generation endures to uphold the legacy of Haida ancestors. mon-fri 10am-5pm; sat 11am-4pm- the beauty, dignity, strength, and Z Gallery Arts 102-1688 W 1st Ave To Jun 24 Overcoming the Haida Now is presented at the Museum of Vancouver in partnership with the Haida humanity of the people of Vancouver, &604-742-2001 zgalleryarts.com Darkness from The Bridge Youth Gwaii Museum at Kay Llnagaay. specifically in the Downtown East- wed to sat 11am-5pm and by and Family Services therapeutic art side.Jul 14-28 closed sun. Walking Graham Richard appointment. To Jul 15 Emerging program focusing on mental health. on Water. Uros Sanjevic showcases Vision group exhibition with Kangi Opening Jul 26 Spirit of the Lens. his most recent pieces made in Connie Wang, Fiona Yujie Zhao and The Vernon Camera club is a group Ebru, the centuries-old art form Ran Zhou.Opening Jul 19 Group of photographers. Their exhibition is of Turkish marbling. Aug 15-Sep Exhibition with Ferle, Xie Lei, Henni juried by the members and the VPAG 8 closed sun. Revealed National Alftan and Khaled Alkhani. provides exhibition opportunities. Group Exhibition curated by Barbara Deirdre Hofer: Fallen. Based on Cohen. Contemporary jewelry artists Hofer’s memories growing up in showcase work that challenges VERNON Vernon, the installation calls to mind preconceived ideas of traditional Vernon Public Art Gallery the instances of natural memory jewelry, and notions of value. 3228 31st Ave &250-545-3173 and examines what it means to try vernonpublicartgallery.com

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2018_JJA_document_Tue_1115.indd 51 2018-05-22 9:03 PM Appearance: New Works by Jianjun An pendulumgallery.bc.ca PENDULUM GALLERY, VANCOUVER BC - August 20 - September 8 2018 Born in Gansu, China, Jianjun An grad- uated from the Shan Dong University of Art & Design in 1988, after which he worked as an architectural designer. In 2005 he immigrated to Canada, and the following year opened his New Primary Colours Art Studio, where he teaches art and oil painting. An active participant in community-based cultural organizations, An’s memberships include the arts councils of White Rock and Delta and the Vancou- ver Chinese Arts Council, where he has taken part in two exhibitions. Although he received a traditional education in Chinese painting under the tutelage of Ding Zhang, An was increasingly drawn to Western art, which he appreciates for its ever-changing nature. In his artist statement, he writes: “In my artworks, the curved line, the large surfaces of colour and the form of forgotten memories are like the locus of my life: blurred, complex, Jianjun An, Appearance Series #4, 2018 chaos, constantly searching out pure feelings in the complex – all allow memories to return to life, the image to be full of tension, the colours to be full and vibrant.” For An, these tensions and colours can be found in a range of expressive ﬁ gurative works, from a melting female karaoke singer to a faceless young man running with dogs. “The artworks that I have done in these past few years are all derived from my daily life. It might have been the coffee shop that is close to home, a person that I miss dearly, a trip to somewhere, the grass in my community, my neighbours who are exer- cising and many others.” Michael Turner

VERNON An excellent chance to see what will our collection is comprised of works be in the auction and decide which by master carvers, potters, weavers, and hold onto a particular part of the pieces to bid on. To Jul 18 Emer- engravers, and painters renowned in past in the face of the everchang- gence is produced by six graduating their own traditions. ing present. Jennifer Dyck: Slow students from the UBC Okanagan Down! Big Themes Ahead. Collage BFA program. Derek Besant: The arc.hive gallery works make visual commentary Dark Woods (Revisited) stages a 2516 Bridge Street about prominent subject matter site-specific installation of printed &250-480-8197 found in historic religious art. Keith shaped veils and a large scale 15- arc-hive.weebly.com Langergraber: Betrayal at Baby- min looping video projection. sat & sun 12-5 pm Jun 2-17 lon. Video, drawings and sculptural Fern Long: Yield is a series of elements reference the transient VICTORIA constructions made from cardboard, nature of language, changing wood and other cast-off materials, landscape as a consequence of Alcheringa Gallery referencing industrial landscapes natural resources extraction and 621 Fort St &250-383-8224 with their stripped-down aesthetic, the people living at the edge of the alcheringa-gallery.com of rough everyday surfaces.Jul 7-22 cultural mainstream.Jun 28-Jul mon-sat 10am-6pm; sun 1-5pm Laura Feeleus: goodbye, hello 18 Midsummer’s Eve of the Arts Specialists in Aboriginal art from is an installation of artifacts, fibre Auction Preview submitted by local the Canadian Northwest Coast, works, and paintings on the theme artists for fundraiser auction, Jul 18. Australia, and Papua New Guinea, of relocation - the process of leaving

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2018_JJA_document_Tue_1115.indd 52 2018-05-22 9:03 PM Appearance: New Works by Jianjun An pendulumgallery.bc.ca PENDULUM GALLERY, VANCOUVER BC - August 20 - September 8 2018 Born in Gansu, China, Jianjun An grad- uated from the Shan Dong University of Art & Design in 1988, after which he worked as an architectural designer. In 2005 he immigrated to Canada, and the following year opened his New Primary Colours Art Studio, where he teaches art and oil painting. An active participant in community-based cultural organizations, An’s memberships include the arts councils of White Rock and Delta and the Vancou- ver Chinese Arts Council, where he has taken part in two exhibitions. Although he received a traditional education in Chinese painting under the tutelage of Ding Zhang, An was increasingly drawn to Western art, which he appreciates for one dwelling, city or country and painting. Agnes Ananichuk uses for this show, providing context for its ever-changing nature. In his artist settling in another. Aug 4-19 Sim- collage and hand pulled prints to our contemporary collection. statement, he writes: “In my artworks, the one Littledale: Buena Mujer delves delineate relationships between see curved line, the large surfaces of colour into questions of mental illness, and unseen. Open Space Arts Society and the form of forgotten memories are womanhood, and shared trauma in 510 Fort St &250-383-8833 like the locus of my life: blurred, complex, Latin American family culture. Gallery in the Oak Bay Village openspace.ca Jianjun An, Appearance Series #4, 2018 chaos, constantly searching out pure feel- 2223A Oak Bay Ave tue-sat 12-5pm. Free / by donation. ings in the complex – all allow memories to return to life, the image to be full of ten- Deluge Contemporary Art &250-598-9890 Jun 13-Jul 28 Jennie Suddick: The sion, the colours to be full and vibrant.” 636 Yates St &250-385-3327 theoakbaygallery.com Tree House Project envisions the deluge.ws mon-fri 10am-5pm; sat 10am-3pm. tree house as a personal space and For An, these tensions and colours can be found in a range of expressive ﬁ gurative wed-sat 12-5pm. Jul 13-Aug 11. Featuring original artwork by leading a realm of the imagination. Working works, from a melting female karaoke singer to a faceless young man running with Christina Battle: the future is local artists Kathryn Amisson, Sid with members of the public to recall dogs. “The artworks that I have done in these past few years are all derived from my a distorted landscape. Science Barron, Andres Bohaker, Jeffery unrealized childhood plans for tree daily life. It might have been the coffee shop that is close to home, a person that I miss fiction often suggests alternative Boron, Janice Bridgman, Robert houses, Suddick brings to life scale dearly, a trip to somewhere, the grass in my community, my neighbours who are exer- visions for society. This multiscreen Genn, Caren Heine, Harry Heine, paper architectural models and cising and many others.” video installation takes up time Jennifer Heine, Mark Heine, Keith detailed drawings of the tree houses Michael Turner travel as a political act and a way Hiscock, Evguenia Ioganov, Shawn that never were. Aug 1-25 David to draw attention to the failings A. Jackson, Brian R. Johnson, David LaRiviere: #everysordiddetail. and inequalities embedded within Ladmore, Ernest Marza, Joane Mo- Saskatoon artist LaRiviere will be contemporary life. ran, Allan Myndzak, Paul Paquette, in residency to develop his piece Nicholas Pearce, Natasha Perk, Kim #everysordiddetail. An “anti-tour- Gage Gallery Arts Collective Pollard, Deirdre Roberts, Sandu ist” project seeking to challenge 2031 Oak Bay Ave &250-592-2760 Singh, and Linny D. Vine. ideal representations of touristy gagegallery.ca tue-sat 11am-5pm. Victoria and the tourism industry Jul 17-28 Frances Beckow, Terry Madrona Gallery as a whole. He will collaborate with Ann Carter, Jane Michiel: Sum- 606 View St &250-380-4660 community members to share their mertime And the Livin’ Is Easy. madronagallery.com personal stories of the city, creating Jul 31-Aug 11 Diversity group show tue-sat 10am-5:30pm sun & mon an interactive map and audio tour. with new members Josephine M. 11am-5pm Jun 30 - Aug 8 Colours Ongoing Garry Neill Kennedy: Bohemier, Hazel Harris and Dawna of Summer IX: in its ninth year at CORRECTIONS is the first in a series McGowan with works that represent the gallery, this annual group exhibi- of stairwell installations to celebrate their diverse, individual work. Aug tion, features historical and contem- Open Space’s 50th anniversary. 14-25 Shape And Ambiguity . An porary artists from our collection, exhibition of collage, prints, paints highlighting works that reflect the Slide Room Gallery and photography. Barry Herring’s vibrancy of the season. It introduces Vancouver Island School of Art, creates photographs in which new works every two weeks giving 2549 Quadra St &250-380-3500 shape can produce ambiguity in the a preview of fall and winter pro- slideroomgallery.com meaning or experience. Anita Boyd gramming. Historic works from our mon-fri 9am-5pm; sat & sun by explores the intersection of energy, internationally recognized collection appt. To Jun 22 VERGE :Vancouver shape and awareness in abstract of Canadian masters act as anchors Island School of Art’s 2018 Diploma

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2018_JJA_document_Tue_1115.indd 53 2018-05-22 9:03 PM June 2 - 16 INSTINCT GUTHRIE GLOAG 606 View St. Victoria • www.madronagaller y.com • 250 380 4660

VICTORIA tue-fri 10am-4pm; sat 11am-5pm- viewed from the balcony exposed FORT STREET Jun 19-Jul 14 Harold to the elements, is the catalyst of Fine Art Graduation Exhibition with Klunder: Recent Watercolour for this summer artist residency. Débora Cabral, Michelle Ford, Debra Paintings. Known for his richly Where one stands in relation to the Gloeckler, Karen Jones, Kim Kounce, textured, complex abstract canvases viewpoint, how one physically expe- Fern Long and Ari Martinez. that he builds up slowly over time, riences, interprets and responds to Klunder explores the world around the ‘there’ from ‘here’, are notions UVic Legacy Art Galleries him through lush colours and to explore through the process of 630 Yates St &250-721-6562 biomorphic shapes. OAK BAY Jul contemporary drawing. Br

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2018_JJA_document_Tue_1115.indd 54 2018-05-22 9:03 PM tue-sat 10am-5pm. Representing Silk Purse Arts Centre West Vancouver Museum Rick Cepella, Ieva Baklane, Maria 1570 Argyle Ave &604-925-7292 680 17th St &604-925-7295 Josenhans, Shirley Williams, Eliza- silkpurse.ca tue-sun 12-5pm. Free westvancouvermuseum.ca beth Topham, Dominique Walker, and admission. To Jun 17 Welcoming tue-sat 11am-5pm. Admission by Bi Cheng. Also featuring paintings Spring’s Celebration. Coast Salish donation. To Jul 14 Selwyn Pullan: by Andrea Padovani, Adam Noonan, First Nation artists celebrate the What’s Lost is a tribute to Pullan and Tatjana Mirkov-Popovicki, street changing season & its cultural and a reflection on a vanishing era. scenes and cityscapes by Brian Eby, importance with work ranging from Includes portraits of architects and world scenes by Henry Huai Xu, and traditional carvings to contemporary artists, and images of residential still lifes by Hazel Breitkreutz, and paintings.Jun 19-Jul 8 Out and and commercial buildings and Deborah Worsfold. About with the Monday Painters. interiors that once formed part North Shore art collective presents of the region’s urban and cultural Ferry Building Gallery en plein air works capturing the raw fabric, but have since succumbed to West Vancouver Cultural Services beauty of the North Shore. Jul 17-29 the ravages of time and pressures 1414 Argyle Ave &604-925-7290 ReView: 50th Anniversary Retro- of redevelopment. ferrybuildinggallery.com spective. The WVCAC celebrates 50 tue-sun 11am-5pm. Free admission. years with a collection of inspiring WHISTLER Jun 5-24 Grad Show 2018 mixed works from past exhibitions. Jul media by students of 5 West 31-Aug 12 Harmony Arts Festival Adele Campbell Gallery Vancouver secondary schools. Jun ArtSpeaks Showcase. Multidisci- 109-4090 Whistler Way 26-Jul 15. Linda Bell: Mixing It Up. plinary exhibition featuring artists &604-938-0887 &1-888-938-0887 Mixed media & collage. Jul 17-29. presenting workshops in the 28th adelecampbell.com daily 11am- Creatively Local paintings by North annual arts fest. Opening Aug 14 5pm. The gallery proudly shines the Shore Artists’ Guild members. Aug Urban Renderings: Sandra Yuen Monthly Spotlight on select featured 4-19 We Art Together mixed media MacKay & Victoria General con- artists, rotating Jun, Jul & Aug. exhibition celebrating Indigenous & trast urban centres with MacKay’s Be absorbed by each collection, non-Indigenous collaborations. Aug vibrant acrylic paintings of Vancou- on display in the warm & friendly 21-Sep 9 Cheryl Massey: Interwo- ver & General’s expressive charcoal gallery space, open daily. ven Nature basketry exhibition. studies of Toronto. Browsers welcome.

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2018_JJA_document_Tue_1115.indd 55 2018-05-22 9:03 PM CORRECTIONS VICTORIA Downtown Featured Galleries Garry Neill Kennedy With painting installers Jesse Campbell and Miles Giesbrecht Alcheringa Legacy Art Gallery OPEN SPACE, VICTORIA BC - To December 31, 2018 openspace.ca Gallery Downtown 621 Fort St. 630 Yates St. The fi rst in a series of stairwell in- 250.383.8224 250.721.6562 stallations intended to celebrate alcheringa-gallery.com legacy.uvic.ca Open Space’s 50th anniversary in 2022, Garry Neill Kennedy has Joe David University of Victoria Whale Prayer and Song Drum Legacy Art Gallery created CORRECTIONS, a site- free & open to the public specifi c wall painting made up of red, green, yellow, blue, orange and Madrona black line drawings spray-painted Gallery onto a white wall. The drawings 606 View St. The Bay Centre 250.380.4660 include dash lines or are used to Clayton Anderson madronagallery.com emphasize infrastructure such as a Mount Van der Est- Spring Blow light switch; some of the drawings acrylic on canvas are circular, oblong or lobular. The work as a whole suggests an uneasy hybrid of fl uorescent orange construction marks and of petroglyphs still sometimes glimpsed in quiet Garry Neill Kennedy, Stairwell installation, 2018, spray paint corners of our province. Garry Neill Kennedy was the president of the Nova Scotia College of Art and De- sign (NSCAD) from 1967 to 1990, where he revolutionized art and art education in Canada, introducing a new emphasis on conceptual art with a staff of politically active artists and wildly experimental teachers. Kennedy has been awarded the Order of Can- ada (2003), a Governor General’s Award in Visual and Media Arts (2004) and a Doctor of Fine Arts (honoris causa) from NSCAD in 2011. His exhibition career, ongoing since 1963, maintains a critical focus on institutions of power and control. Large-scale wall paintings, usually accompanied by printed work- books, redefi ne colours and words as powerful symbols. Kennedy’s work explores subjects such as Maher Arar, ethics, NAFTA relationships and the power/abusive potential of uncontrolled wealth and has been exhibited internationally. SPOTTED, for example, an ominous work about the CIA’s extraordinary rendition airplanes used to secretly transport terror suspects, was included in the Oh, Canada exhibition (2012) at Massachusetts Museum of Contemporary Art (MASS MoCA). Christine Clark

WHISTLER mercial references startled viewers. Wendy Wacko, Mountain Galleries Art lovers had always assumed that is one of the largest commercial Audain Art Museum high art and popular culture were galleries in Western Canada with 4350 Blackcomb Way oppositional concepts – until Jasper locations in Banff, Jasper & Whistler &604-962-0413 Johns, Roy Lichtenstein, Robert Resort. The collection represents audainartmuseum.com Rauschenberg, Andy Warhol and major and mid-career artists. The wed-mon 10am-5pm. Closed tue. others of their generation challenged mission of the gallery is to support After Nov 16: mon, wed, sat, sun prevailing assumptions about fine and promote Canadian artists. 10am-5pm; thu, fri 10am–7pm. art. Features 37 works from the Closed tue. Admission: adults $18, Smithsonian American Art Museum. WHITE ROCK youth 16 and under free, members free. Opening Jun 30 Pop Art Prints Mountain Galleries at the White Rock Gallery Pop art emerged in stark contrast to Fairmont Chateau 1247 Johnston Rd &604-538-4452 the emotional intensity of abstract 4599 Chateau Blvd &604-935-1862 &1-877-974-4278 expressionism, then the reigning mountaingalleries.com whiterockgallery.com movement in contemporary art. Pop open daily. Established in 1992 in tue-sat 10am-5:30pm, closed long art’s banal subject matter and com- Jasper, AB by artist/filmmaker weekends. Jun 9-16 Perspectives:

56 PREVIEW n JUN - AUG 2018 H OPEN LATE ON FIRST THURSDAYS

2018_JJA_document_Final.indd 56 2018-05-23 9:30 AM CORRECTIONS VICTORIA Downtown Featured Galleries Garry Neill Kennedy With painting installers Jesse Campbell and Miles Giesbrecht Alcheringa Legacy Art Gallery OPEN SPACE, VICTORIA BC - To December 31, 2018 openspace.ca Gallery Downtown 621 Fort St. 630 Yates St. The fi rst in a series of stairwell in- 250.383.8224 250.721.6562 stallations intended to celebrate alcheringa-gallery.com legacy.uvic.ca Open Space’s 50th anniversary in 2022, Garry Neill Kennedy has Joe David University of Victoria Whale Prayer and Song Drum Legacy Art Gallery created CORRECTIONS, a site- free & open to the public specifi c wall painting made up of red, green, yellow, blue, orange and Madrona black line drawings spray-painted Gallery onto a white wall. The drawings 606 View St. The Bay Centre 250.380.4660 include dash lines or are used to Clayton Anderson madronagallery.com emphasize infrastructure such as a Mount Van der Est- Spring Blow light switch; some of the drawings acrylic on canvas are circular, oblong or lobular. The work as a whole suggests an uneasy hybrid of fl uorescent orange con- Spring 2018 Major Group Show. relief pieces. Iconic to the Northwest struction marks and of petroglyphs Exhibition and sale of new original for his bold compositions, Cramer still sometimes glimpsed in quiet works by these accomplished art- OREGON draws on first hand experience of Garry Neill Kennedy, Stairwell installation, 2018, spray paint corners of our province. ists: Renato Muccillo, Robert P. Roy, travel and far away cultures. Graeme Shaw, and Donna Zhang. ASTORIA Garry Neill Kennedy was the president of the Nova Scotia College of Art and De- Ongoing Rotating exhibitions of gal- CANNON BEACH sign (NSCAD) from 1967 to 1990, where he revolutionized art and art education in lery artists, including Nicholas Bott, Astoria Visual Arts Canada, introducing a new emphasis on conceptual art with a staff of politically active Phil Buytendorp, Rod Charlesworth, &503-741-9694 &503-791-2759 Cannon Beach Gallery Group artists and wildly experimental teachers. Kennedy has been awarded the Order of Can- Robert Genn, Laura Harris, David astoriavisualarts.org Various Locations &503-635-5100 ada (2003), a Governor General’s Award in Visual and Media Arts (2004) and a Doctor Langevin, Min Ma, Renato Muccillo, 10am-4pm. Jul 28-29 8th Annual cbgallerygroup.com of Fine Arts (honoris causa) from NSCAD in 2011. Michael O’Toole, Mike Svob, Astoria Open Studios Tour. Visit Free. June 22-24 10th Annual Plein His exhibition career, ongoing since 1963, maintains a critical focus on institutions of Christopher Walker, Ray Ward, Alan the studios of 45+ artists with works Air & More Arts Festival. Cannon power and control. Large-scale wall paintings, usually accompanied by printed work- Wylie, and Donna Zhang. in various media. Meet and engage Beach has been named “One of books, redefi ne colours and words as powerful symbols. Kennedy’s work explores with Astoria’s arts community from the Best Art Towns in America,” as subjects such as Maher Arar, ethics, NAFTA relationships and the power/abusive po- WILLIAMS LAKE a new perspective during this free, well as “One of the Most Beautiful tential of uncontrolled wealth and has been exhibited internationally. SPOTTED, for festive, and easy-to-navigate experi- Places in the World” by National example, an ominous work about the CIA’s extraordinary rendition airplanes used to Station House Gallery ence. See website for details. Geographic. So what more could you #1 North Mackenzie Ave ask for if you’re a plein air artist? secretly transport terror suspects, was included in the Oh, Canada exhibition (2012) at Imogen Gallery Massachusetts Museum of Contemporary Art (MASS MoCA). &250-392-6113 The event celebrates plein air and stationhousegallery.com 240 11th St &503-468-0620 features 30 artists creating art on Christine Clark mon-sat 10am-5pm. Free admis- imogengallery.com location in town and on the beach. sion. Jun 8-30 Dorothy Ingalls; mon-sat 11am-5pm; sun 11am- Sat 2-4pm, artists come together in Dorothy, Home and Away. Local 4pm, wed by appt. Jun 9-Jul 10 My- an “Artists’ Swarm” in the center of artist shows seven decades of cology & Mythology: Kim Hamblin town. It includes live music, and the multi-media works documenting & Christopher Wagner. Hamblin annual raku firing on the beach Sat our area’s history. Al-McKay: The brings a new series of paper-cut evening. Artists work in oil, pastels, Enchanted Forest. Multi-media assemblages focusing on mycology watercolor, bronze sculpture, stone journey through an enchanted forest while Wagner, working in reclaimed carving, metal working, jewelry, of dreams. Jul 6-Aug 31 Gabor carved wood and milk paint, brings ceramics and glass. 6 workshops Gasztonyl: Chilcotin Rodeo. Pho- a new series of man and animal are offered the week leading up to tographer offers a human depiction totemic sculpture. Jul 14-Aug 7 the festival. See website for hours. of our area’s smaller rodeos. Tiki Rachel Maxi: Letting It All Hang Mulvihill: Ancestral Drift. Artist Out. Maxi is known for her realistic Northwest By Northwest implements non-valuable hierarchy oil paintings of Seattle scenes, old Gallery objects and repurposed components trucks and oysters. After a month 232 N Spruce, across from the City of tools and items once owned by residency in Morocco, Maxi shifts Park & info center &503-436-0741 her parents. gears bringing a new series of ab- &1-800-494-0741 stract oil paintings. Opening Aug 11 nwbynwgallery.com Tom Cramer brings a new collection daily 11am-6pm and by appt. Ongo- of oil paintings and carved wood ing Oregon’s Master of Fine Art Film

56 PREVIEW n JUN - AUG 2018 H OPEN LATE ON FIRST THURSDAYS preview-art.com PREVIEW 57

2018_JJA_document_Tue_1115.indd 57 2018-05-22 9:03 PM Contemporary Art, Jewelry and Functional Art Inspired by the Pacific Northwest Seduced by Improbable Images Angela Passalacqua & Barbara Black BLACKFISH GALLERY, PORTLAND OR - July 31 – Sep 1, 2018 blackfi sh.com This two-person exhibition brings together the shared interests and emotions of long time Blackfi sh gallery artists Angela Passalacqua & Barbara Black, who have shown their work together on many oc- casions over the years. The former 315 Argyle Ave, Friday Harbor studio mates confer weekly, creating San Juan Island, Washington pieces that inevitably infl uence one 360.378.3060 www.waterworksgallery.com another. Process is a foremost consideration guiding Passalacqua and Since 1985 Black, who both let media, impro- visation and chance inform compo- sition and meaning, creating works CANNON BEACH that reflect the mind body relation- tue-sun 12-5pm; first thu 6-9pm with rich textural surfaces and po- ship and how our experiences in Jun 7-Jul 1 2018 En Foco Fellow- etic undertones. These expressive, Photography, Christopher Burkett, the natural world shape the way we ship exhibitions: Daesha Devón multi-layered painting techniques, filmed for PBS NewsHour. Exhibition think. Jun 22-24 Plein Air & More Harris: My Soul Has Grown Deep as well as mutual themes surround- includes museum size works. Hazel Weekend Participating Artists: Dave Like the Rivers and Cinthya San- ing the powerful world of dreams, Schlesinger, oil painting, winner & Boni Deal, Gretha Lindwood, Josh tos-Briones: Abuelas. Jul 5-29 Alia are both threads connecting these Angela Passalacqua, Flying Home, 2018, oil on wood panel 2017 Public Choice Vote for Plein Henrie, Brooke Borcherding, Debra Ali: Borderland and Pedro David: two artists. Air & More. Jun 22-24 Angelita Carnes, Rachel Laura. Festival guest Hardwoods. Opening Aug 2 Michael artist: Marianne Post. Jul-Aug Sum- Abramson: Light on the Southside For this new exhibition, Passalacqua works with idea chimeras and recombinants Surmon: Kiln Formed Glass with as a subject to expand her allegorical narrations into a contemporary dialogue. Her a Painter's Eye. July new collection mer Group Show with Jacquline and Julie Anand and Damon Sauer: renowned bronze artist & noted Hurlbert, ceramic sculpture. Boni & Ground Truth: Corona Landmarks. paintings of surreal characters, set in dream-like surroundings, appeal to the modern imagination, while recalling ancient mythological creatures. Passalacqua connects public sculptor Georgia Gerber. Dave Deal, raku-fired ceramics, Josh New sculpture includes Tufted Puf- Henrie, stone sculpture and more. Douglas F. Cooley Memorial the ill-fated omens that chimeras can symbolize with modern DNA manipulation to ask larger questions about mutations from genetic engineering and scientifi c develop- fins, Standing Otter.Ivan McLean Check website for details. Art Gallery Reed College Contemporary Public Sculptor; 3203 SE Woodstock Blvd ments that could change our world, turning these fi gures of fantasy into ones of reality. Nike, Nines Hotel, look for large Red PORTLAND &503-517-7851 reed.edu/gallery Barbara Black uses techniques like pouring and brushing acrylic pigment in succes- Sphere in Gallery Sculpture Garden. tue-sun 12-5pm. The gallery is the sive washes to develop her non-narrative abstractions, allowing compositional struc- Jeff White Pointillist Oil Painting Blackfish Gallery visual art museum at Reed College tures to arise in collaboration with this process. Her paintings also refl ect the dream Pastels. Ann Fleming, figurative & 420 NW 9th Ave &503-224-2634 in Portland. It produces three to four world, in a more subtle tribute that lets the power of the unconscious come into play. narrative bronze. blackfish.com annual exhibitions of exemplary This fl uid and interactive painting practice simultaneously refl ects the universal prop- tue-sat 11am-5pm. Jun 5-30 Jana historical and contemporary work erties of natural systems. White Bird Gallery Demartini: Conservations with from outside the region. 251 N Hemlock St &503-436-2681 Water. Water as life source, forcel, Allyn Cantor whitebirdgallery.com reflection, and metaphor for time is Elizabeth Leach Gallery H thu-mon 11am-5pm; tue & wed by at the center of Demartini’s new wa- 417 NW 9th Ave &503-224-0521 appt. To Jun 19 Deborah DeWit: tercolor paintings. Jul 3-28 Mandy elizabethleach.com Thresholds & Reflections. DeWit is Stigant: Mediteations. Stigant's tue-sat 10:30am-5:30pm and by a well-known artist residing on Ore- commitment to crafting quality tea appt. Jun 7-Jul 14 Six Decades gon’s North Coast. Her mature paint- ware springs from her own quiet sculpture, painting and works on ing style has developed over the ritual of morning tea. Recent Grad- paper by Lee Kelly along with prints course of her career, which began uates Exhibition 2018. Group show by Richard Diebenkorn. Kelly is as a photographer in late 1970s. For with a variety of media showcasing one of the most revered artists in her new exhibition, she continues to some of Oregon’s most gifted new the Pacific Northwest, known for consider the human experience and makers. Jul 31-Sep 1 Seduced his monumental public sculptures moments in time through natural by Impropable Images. Angela throughout Oregon and the region. and figurative subjects rendered Passalacqua & Barbara Black. The exhibition highlights a selection in luminous oil paintings. This new of works from 1958-2018 on the body of work juxtaposes interior and Blue Sky Gallery H the 60th anniversary of Kelly’s first exterior environments, using real 122 NW 8th Ave &503-225-0210 show. Diebenkorn was one of the world imagery to create narratives blueskygallery.org most renowned West Coast painters

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2018_JJA_document_Tue_1115.indd 58 2018-05-22 9:03 PM Contemporary Art, Jewelry and Functional Art Inspired by the Pacific Northwest Seduced by Improbable Images Angela Passalacqua & Barbara Black BLACKFISH GALLERY, PORTLAND OR - July 31 – Sep 1, 2018 blackfi sh.com This two-person exhibition brings together the shared interests and emotions of long time Blackfi sh gallery artists Angela Passalacqua & Barbara Black, who have shown their work together on many oc- casions over the years. The former 315 Argyle Ave, Friday Harbor studio mates confer weekly, creating San Juan Island, Washington pieces that inevitably infl uence one 360.378.3060 www.waterworksgallery.com another. Process is a foremost consideration guiding Passalacqua and Since 1985 Black, who both let media, impro- visation and chance inform compo- sition and meaning, creating works with rich textural surfaces and poetic undertones. These expressive, multi-layered painting techniques, as well as mutual themes surrounding the powerful world of dreams, are both threads connecting these Angela Passalacqua, Flying Home, 2018, oil on wood panel two artists. For this new exhibition, Passalacqua works with idea chimeras and recombinants as a subject to expand her allegorical narrations into a contemporary dialogue. Her paintings of surreal characters, set in dream-like surroundings, appeal to the modern imagination, while recalling ancient mythological creatures. Passalacqua connects the ill-fated omens that chimeras can symbolize with modern DNA manipulation to ask larger questions about mutations from genetic engineering and scientifi c developments that could change our world, turning these fi gures of fantasy into ones of reality. Barbara Black uses techniques like pouring and brushing acrylic pigment in succes- sive washes to develop her non-narrative abstractions, allowing compositional structures to arise in collaboration with this process. Her paintings also refl ect the dream world, in a more subtle tribute that lets the power of the unconscious come into play. This fl uid and interactive painting practice simultaneously refl ects the universal prop- erties of natural systems. Allyn Cantor

of the 20th C and the selection of Winik Mezuzah Collection. Placing fri 10am-8pm. Admission: members prints are being exhibited in Portland a mezuzah on the doorpost is free, adults $19.99, seniors (62+) for the first time. among the most ancient of Jewish and students (18+ with ID) $16.99, traditions. Elaine and Norman Winik children (17 and under) free. Oregon Jewish Museum collected mezuzahs on visits to Opening Jun 16 Richard Dieben- and Center for Holocaust Israel and other Jewish communi- korn: Beginnings, 1942–1955 Education ties. Their collection, bequeathed to traces Diebenkorn’s evolution 724 NW Davis Street OJMCHE in 2017, reflects a range of from representational landscape, &503-226-3600 ojmche.org styles and materials and is on show to Surrealist-inspired work, to his tue-thu 11am-5pm; fri 11am-4pm; for the first time. Abstract Expressionist paintings. sat & sun noon-5pm. Opening Jun The Shape of Speed: Streamlined 7 RB Kitaj, A Jew, Etc., Etc. the Portland Art Museum H Automobiles and Motorcycles, first Northwest overview of work by 1219 SW Park Ave &503-226-2811 1930-1942 demonstrate how auto renowned artist RB Kitaj. Upon Thy portlandartmuseum.org designers translated the concept of Gates: The Elaine K. and Norman tue, wed, sat, sun 10am-5pm, thu & aerodynamic efficiency into exciting

58 PREVIEW n JUN - AUG 2018 H OPEN LATE ON FIRST THURSDAYS preview-art.com PREVIEW 59

2018_JJA_document_Tue_1115.indd 59 2018-05-22 9:03 PM PORTLAND WITHIN/WITHOUT Works by grad- Upfor H uating BFA students Olivia Kincaid, 929 NW Flanders St &503-227- machines. Opening Jun 23 Suzuki Jenny Olsen and Abigail Waltz, 5111 upforgallery.com Harunobu and the Culture of featuring abstracted portraits of tue-sat 11am-6pm and by appt. Jun OREGON JOSEPH GALLIVAN VIGNETTES Color, nishiki-e (brocade prints). distant relatives, landscape photos 7-Jul 28 Julie Green: Food, Fash- Ongoing Robbert Flick: Arena of the American West, and delicate ion and Capital Punishment. R.B. KITAJ, A JEW, ETC., ETC. demonstrates the starkly complex etchings of plants. Oregon Jewish Museum and Center for Holocaust Education (OJMCHE), and beautiful systems that support Wolff Gallery Portland, Jun 7 - Sep 23 H car culture. Opening Aug 18 APEX: Russo Lee Gallery 2804 SE Ankeny St wolffgallery.com OJMCHE presents the fi rst Northwest overview of work by painter R.B. Avantika Bawa presents her 805 NW 21st Ave &503-226-2754 wed-sun, 11am-6pm, first fridays Kitaj (1932-2007). Kitaj, from Ohio, was educated in England and California. drawings, prints, and large panel russoleegallery.com open till 8pm. To Jul 1 Alyson paintings of the Veterans Memorial tue-fri 11am-5:30pm; sat 11am- Provax: You I Everything Else. He was infl uenced by Matisse and Pop Art, and remained friends with David Coliseum. 5pm Jun 7-30 Michael Dailey: Se- Hockney. Kitaj was known for his bright fi gurative paintings, which belied lected Works. Gina Wilson: Cabinet the sordid reality he experienced in his own life. SALEM R.B. KITAJ, UNPACKING MY LIBRARY, Portland State University of Curiosities. Jul Early Northwest 1990-1991 COLLECTION OF JOSEPH KITAJ Galleries Masters: Works from Estates and Hallie Ford Museum of Art Broadway Gallery Private Collections. Aug In Bloom: Willamette University Lincoln Hall, 1620 SW Park Ave. A Group Exhibition. 700 State St. &503-370-6855 VARIOUS ARTISTS Sisters Gallery and Frame Shop, Sisters, various dates pdx.edu/art-design/exhibitions willamette.edu/arts/hfma/ From Michael Stasko’s gauzy Prismacolor colored pencil landscapes, tue-sat 10am-5pm; sun 1-5pm. mon-fri 9am-5pm. To Aug 31 through Kimry Jelen’s colorful acrylics, to Jodie Schneider’s heartfelt animal watercolors, Sisters Gallery represents artists who are able to capture the e dg unsentimental heart of the western natural world. Sisters is a key venue in To Astoria ay Bri Portland International Airport the monthly Fourth Friday art walk in this town of 20 galleries. Up to 600 dw roa people take part in the walk, most of which happens along Hood Avenue. W B N Walk this way. MIKE STASKO, 197 #1, 2016 NW Kearney St PORTLAND Russo Lee

NW Johnson St dway

Ave e

a g h PEARL DISTRICT rid 0t l B 2 e e

St JULIE GREEN: FOOD, FASHION AND CAPITAL PUNISHMENT

NW Bro NW

NW 9th Ave 9th NW NW 10th Ave 10th NW NW 21st Ave 21st NW NW Gilsan St Upfor Gallery, Portland, June 7 - Jul 28

Elizabeth Leach Blackfish Julie Green’s paintings on gessoed Chinet (paper) plates look like European e v Flanders St 405 Upfor A NW Delft china, but hold messages about identity, security and bias from a female

8th 8th NW Everett St perspective. Exploring domesticity is an art world staple, but Green pairs it NW NW NW Davis St Oregon Jewish Museum with ideas about decoration, art history, food and social justice. Ask about her NW Couch St giant piece on capital punishment, The Last Supper. Bon appetit. To Cannon Beach Blue Sky Burnside Bridge JULIE GREEN, LIPSICK, 2017 PHOTO: COURTESY THE ARTIST AND UPFOR Wolff Gallery IMAGES BY MARIO GALLUCCI

y 5 CONVERGE 45 Various venues, Portland, Aug 9 - 11 a

w e e Spearheaded by Ninth Avenue gallerist Elizabeth Leach, Converge 45 (as in r F DOWNTOWN Willamette m e the 45th parallel) has grown into an exciting showcase of avant-garde work u v i River S A d W Sa a t lmon scattered across the Portland region. The theme for 2018, in its third and S 6th St y SE a e W M SW Main St v o w r ﬁ nal year under curator Kristy Edmunds, is “You In Mind”, which refers to S r d W is on a t A y Br o idg r w e the needs of artists as well as those of the audience. 1s B H JIM HODGES, CHRIS JOHANSON, AND

W W S ic www.converge45.org STORM THARP, CONVERGE 45, 2017 S cif Portland Art Museum a YOU IN MIND AT PNCA

P e t PHOTO: MARIO GALLUCCI a SW JeffersonSW St t Ma s diso r e n St t n

- I ALYSON PROVAX: YOU I EVERYTHING ELSE Wolff Gallery, Portland, To Jul 1 SW Park Ave SW Cl Printmaker and animator Alyson Provax’s solo exhibition, you i everything ay St Broadway Gallery S W M TOM MCCALL else, is about inherited memories and behaviors. It draws upon the language Portland State ar ket WATERFRONT University St PARK of the TV show The Bachelor (as does another Portland artist, Hannah Piper Burns). Letterpress prints, light boxes, animations, and mirrors isolate words

r and phrases often repeated by participants on the show, from season to season. D

r o Douglas F. Cooley (Reed College) As Provax points out, “Loneliness exists not in solitude but in concealment.” b r a H ALYSON PROVAX, UNTITLED

W (KNOW WHAT YOU’RE LOOKING FOR) S To Salem & Sisters

60 PREVIEW n JUN - AUG 2018 H OPEN LATE ON FIRST THURSDAYS

2018_JJA_document_Tue_1115.indd 60 2018-05-22 9:03 PM OREGON JOSEPH GALLIVAN VIGNETTES

R.B. KITAJ, A JEW, ETC., ETC. Oregon Jewish Museum and Center for Holocaust Education (OJMCHE), Portland, Jun 7 - Sep 23 OJMCHE presents the fi rst Northwest overview of work by painter R.B. Kitaj (1932-2007). Kitaj, from Ohio, was educated in England and California. He was infl uenced by Matisse and Pop Art, and remained friends with David Hockney. Kitaj was known for his bright fi gurative paintings, which belied the sordid reality he experienced in his own life. R.B. KITAJ, UNPACKING MY LIBRARY, 1990-1991 COLLECTION OF JOSEPH KITAJ

VARIOUS ARTISTS Sisters Gallery and Frame Shop, Sisters, various dates From Michael Stasko’s gauzy Prismacolor colored pencil landscapes, through Kimry Jelen’s colorful acrylics, to Jodie Schneider’s heartfelt animal watercolors, Sisters Gallery represents artists who are able to capture the e dg unsentimental heart of the western natural world. Sisters is a key venue in To Astoria ay Bri Portland International Airport the monthly Fourth Friday art walk in this town of 20 galleries. Up to 600 dw roa people take part in the walk, most of which happens along Hood Avenue. W B N Walk this way. MIKE STASKO, 197 #1, 2016 NW Kearney St PORTLAND Russo Lee

NW Johnson St dway

Ave e a g h PEARL DISTRICT rid 0t l B 2 e e

St JULIE GREEN: FOOD, FASHION AND CAPITAL PUNISHMENT

NW Bro NW

NW 9th Ave 9th NW NW 10th Ave 10th NW NW 21st Ave 21st NW NW Gilsan St Upfor Gallery, Portland, June 7 - Jul 28

y 5 CONVERGE 45 Various venues, Portland, Aug 9 - 11 a w e e Spearheaded by Ninth Avenue gallerist Elizabeth Leach, Converge 45 (as in r F DOWNTOWN Willamette m e the 45th parallel) has grown into an exciting showcase of avant-garde work u v i River S A d W Sa a t lmon scattered across the Portland region. The theme for 2018, in its third and S 6th St y SE a e W M SW Main St v o w r ﬁ nal year under curator Kristy Edmunds, is “You In Mind”, which refers to S r d W is on a t A y Br o idg r w e the needs of artists as well as those of the audience. 1s B H JIM HODGES, CHRIS JOHANSON, AND

W W S ic www.converge45.org STORM THARP, CONVERGE 45, 2017 S cif Portland Art Museum a YOU IN MIND AT PNCA

P e t PHOTO: MARIO GALLUCCI a SW JeffersonSW St t Ma s diso r e n St t n

r and phrases often repeated by participants on the show, from season to season. D r o Douglas F. Cooley (Reed College) As Provax points out, “Loneliness exists not in solitude but in concealment.” b r a H ALYSON PROVAX, UNTITLED

W (KNOW WHAT YOU’RE LOOKING FOR) S To Salem & Sisters

60 PREVIEW n JUN - AUG 2018 H OPEN LATE ON FIRST THURSDAYS preview-art.com PREVIEW 61

2018_JJA_document_Tue_1115.indd 61 2018-05-22 9:03 PM Richard Diebenkorn: Beginnings, 1942-1955 PORTLAND ART MUSEUM, PORTLAND OR - June 16 - Sep 23, 2018 portlandartmuseum.org Preeminent American artist Richard Dieben- korn (1922-1993) is most well known for his abstract style, extending into the later half of the 20th century. One of the youngest painters to contribute to early Abstract Expressionism, the California artist had a long and varied career that brought him to many parts of the country, where a multitude of early experiences contributed to the evolution of his mature style and his renowned Ocean Park series, for which Dieben- korn received great acclaim. This intriguing survey focuses on his earliest works, most of which have not previously been publicly exhibited. Drawn from the collection of the Richard Diebenkorn Foundation, the show brings together 100 paintings and drawings. Beginning in 1942, the exhibit chronicles environments and individuals that shaped the young artist, beginning with his years as a student and his time with the Marines. Elements of Cubism, Surrealism and Abstract Expressionism became Richard Diebenkorn, Untitled, 1946, oil on hardboard. evident in his early professional years in Cali- Catalogue raisonné no. 498. fornia and later during his academic positions in © Richard Diebenkorn Foundation Albuquerque, NM and Urbana, IL, before his return to the Bay Area. All this preceded Diebenkorn’s decisive move to fi guration in 1955, when the artist was just 33 years old. Throughout the 13-year span of Beginnings, Diebenkorn’s infl uences range from the social realism of Edward Hopper to paintings by Cézanne, Klee, Miró and Rothko. Other infl uences include his time spent with Clyfford Still, a fellow faculty member at the California School of Fine Arts, as well as his engagement with the rich color palette and calligraphic fl uidity of Henri Matisse. All these techniques and artists profoundly contributed to the progression of Diebenkorn’s artwork. Adapting certain ideals from these many styles, he selectively navigated a path toward a personal painting approach, developing a lasting language of abstraction that would later defi ne his career. Allyn Cantor

SALEM such as Marie Antoinette, Napoleon, 4pm. Jun 22-24 Master artist Lillian Lenin, Hitler, Mao, and Kim Jong- Pitt creates expressive works in Admission: adults $6, seniors (+55) Un. Opening Jul 28 Strength and various media that delight today’s $4, students (18+ with ID), children Dignity: Images of the Worker collectors of Native American art, (0-17) and members free. tue free. features scenes of workers and the and at the same time, honor the his- To Jul 15 Robert Bibler: Works on working class in 19th and early 20th tory and legends of her Indigenous Paper features paintings and draw- C European and American prints and Pacific Northwest people. Primarily ings by this Salem artist whose fig- photographs from the museum’s a sculptor and mixed media artist, urative, narrative work is influenced permanent collection. Lillian’s lifetime of works include ex- by cinematic storytelling, classic pressions in clay, bronze, wearable film, Renaissance art, and surreal- SISTERS art, prints and most recently glass. ism. Jun 2-Aug 26 Jim Riswold: Ongoing Offering Native American Undignified includes staged photo- Raven Makes Gallery & First Nations artwork and jewelry. graphs and mixed media works by 182 E Hood Avenue First market works from Southwest this Portland photographer that poke &541-719-1182 tribes, Northwest Coast Peoples, and fun at historical and taboo figures ravenmakesgallery.com/ the Far North. Emerging artists to mon-sat 10am-5pm; sun 11am-

62 PREVIEW n JUN - AUG 2018 H OPEN LATE ON FIRST THURSDAYS

2018_JJA_document_Tue_1115.indd 62 2018-05-22 9:03 PM Richard Diebenkorn: Beginnings, 1942-1955 Visit Western’s Outdoor Sculpture Collection PORTLAND ART MUSEUM, PORTLAND OR - June 16 - Sep 23, 2018 portlandartmuseum.org Preeminent American artist Richard Dieben- korn (1922-1993) is most well known for his abstract style, extending into the later half of the 20th century. One of the youngest painters to contribute to early Abstract Expressionism, the California artist had a long and varied career that brought him to many parts of the country, where a multitude of early experiences contributed to the evolution of his mature style and his renowned Ocean Park series, for which Dieben- Sculptures by: Magdalena Abakanowicz, Estival Observations: korn received great acclaim. This intriguing Alice Aycock, Scott Burton, Anthony Space, Monument, Thought survey focuses on his earliest works, most of Caro, Nancy Holt, David Ireland, Donald Western Gallery, June 25 – Aug. 18, 2018 which have not previously been publicly exhib- Monday -Saturday 12p -4p ited. Drawn from the collection of the Richard Judd, Robert Morris, Bruce Nauman, Diebenkorn Foundation, the show brings to- Isamu Noguchi, Tom Otterness, Beverly The summer exhibition presents an gether 100 paintings and drawings. Pepper, Richard Serra, Do Ho Suh, Mark unhurried dialogue that emplaces the Beginning in 1942, the exhibit chronicles envi- di Suvero, Joel Shapiro, George Trakas, sculpture collection within a long tradition ronments and individuals that shaped the young Ulrich Rückreim, Meg Webster of spatial practices and acts of viewership. artist, beginning with his years as a student and his time with the Marines. Elements of Cubism, VISIT THE WWU OUTDOOR SCULPTURE COLLECTION THIS SUMMER! Surrealism and Abstract Expressionism became Richard Diebenkorn, Untitled, 1946, oil on hardboard. evident in his early professional years in Cali- Catalogue raisonné no. 498. fornia and later during his academic positions in © Richard Diebenkorn Foundation Albuquerque, NM and Urbana, IL, before his WesternGallery.wwu.edu return to the Bay Area. All this preceded Diebenkorn’s decisive move to fi guration in 1955, when the artist was just 33 years old. renowned masters. Through Troy Roberts, Marika Swan, and Throughout the 13-year span of Beginnings, Diebenkorn’s infl uences range from the September we offer monthly, in per- WASHINGTON Crystal Worl. Marceil DeLacy: Into social realism of Edward Hopper to paintings by Cézanne, Klee, Miró and Rothko. son artist shows. Explore complex the Wood is DeLacy’s first solo art Other infl uences include his time spent with Clyfford Still, a fellow faculty member at and dynamic contemporary works BAINBRIDGE ISLAND museum exhibition featuring beau- the California School of Fine Arts, as well as his engagement with the rich color palette built on traditional foundations. tiful and often humorous sculptures, and calligraphic fl uidity of Henri Matisse. All these techniques and artists profoundly Information available regarding Bainbridge Island sometimes transforming would-be contributed to the progression of Diebenkorn’s artwork. Adapting certain ideals from tours of Homelands by tribally Museum of Art rifle stocks into exquisite artwork. these many styles, he selectively navigated a path toward a personal painting approach, owned companies. 550 Winslow Way E &206.451.4013 Carrie Goller: Creatures Comfort developing a lasting language of abstraction that would later defi ne his career. &1-855-613-1342 draws from her animal paintings Sisters Arts Association biartmuseum.org in various media including oil, Allyn Cantor &541-719-8581 daily 10am-6pm. Free admission. watercolor and encaustic. BIMA@5: sistersartsassociation.org Opening Jun 23. Jenny Pohlman Selections from the Permanent 4th Friday Art Stroll 4-7pm. There and Sabrina Knowles – Syn- Art Collection celebrates its 5th are 20 fine art galleries in less chronicity: Twenty-five Years of anniversary showcasing diverse than one mile to welcome you to Collaboration presents the results artworks donated to the collection. the arts in Sisters. We are nestled of this partnership. Their artwork is Summer is the first of two rotations. in a cradle of scenic 10,000' high grounded in the history of women Artists featured include Larry ‘Ulaaq’ mountains in the Oregon Cascades. from various times and civilizations. Ahvakana, Barbara Helen Berger, Our galleries, and the locally and Informed through research and Steffen Dam, David Eisenhour, nationally recognized artists they travels, they have created diverse Denise Harris, Phillip Levine, James represent, offer a wide range of art works in sculptural glass, metal, Minson, Peregrine O’Gormley, from paintings, etchings, photog- and mixed media. Canoe Journeys: Ulrich Pakker, Julie Paschkis, Steve raphy, sculpture, jewelry, ceramics, Pulling Together is a celebrated Parmelee, Joseph Rossano, Kurt metal and wood works, creations in annual event for the Indigenous Solmssen, and Julie Speidel, and crystal and glass, performance and peoples of the Pacific Northwest Kristin Tollefson. Artist’s Books: theater arts, fiber arts and much Coast including carved and mixed Chapter 14 with BIMA’s founder more. Every month features new media art paddles, sculptures, Cynthia Sears as she curates the work in all our galleries. Come stay prints, photographs, and ephemera next chapter of artist’s books from for the weekend. on loan. Artists: Robert Davidson, her extensive collection. Alano Edzerza, Maynard Johnny,

62 PREVIEW n JUN - AUG 2018 H OPEN LATE ON FIRST THURSDAYS preview-art.com PREVIEW 63

2018_JJA_document_Tue_1115.indd 63 2018-05-22 9:03 PM FEMAIL: AMPM (2.0) A collection of the artists’ personal garments, textiles, childhood mementos, and keepsakes reinterpreted into new Viola Frey: The Future of Yesterday works of clothing, furniture, tapestry, JAMES HARRIS GALLERY, SEATTLE WA - To June 23, 2018 jamesharrisgallery.com and sculpture. Celebrated large-scale ceramic sculptor Viola Frey, who died in BELLINGHAM 2004 at age 70, is often remembered as a beloved professor of Allied Arts of Whatcom County art at California College of Art, 1418 Cornwall Ave &360-676-8548 where she taught until 1999. Be- alliedarts.org fore, during, and after providing mon-fri 10am-5pm sat 12-5pm- encouragement and mentorships to Jun 1-30 Native Arts Collective. several generations of painting and Featuring the works of Native artists ceramics students, Frey created an from the Pacific Northwest. The enormous population of segment- exhibition consists of various media ed, clay-sectioned, garishly glazed including beadwork, jewelry, wood human fi gures, mostly of Cali- carving, metalwork, drums, blankets, fornians wearing greasy Grapes of glass, and more.Jul 6-28 Star Wars Wrath aprons and Bay Area busi- Tribute. An ode to the Star Wars nessmen who could double for franchise, starring the imaginative President Bill Clinton. Viola Frey, Western Civilization Diptych #1, 1997, pastel on paper. staff of Old School Tattoo. These Art@Artists’ Legacy Foundation/Licensed by VAGA, New York artists have worked on pieces exem- With a special dispensation from plifying the adventurous spirit of out- her posthumous foundation, James er space, the final frontier. Aug 3-25 Harris, who knew Frey well when he worked for Rena Bransten in San Francisco, has We are WACK. Whatcom Artists of selected a small but fulfi lling survey of paintings, pastels and ceramic sculptures done Clay and Kiln (WACK) is a non-profit between 1975 and 1997. They draw together her rich art-historical sources, such as organization dedicated to ceramic porcelain fi gurines – she did a residency at Sèvres, outside Paris – and, alternatively, artists from Whatcom County with junky fl ea-market kitsch, which she collected shrewdly and obsessively. This is Viola a passion for creative expression Frey’s America: crowded, fl ashy, fat and overconsuming everything from food to car- with clay. This exhibit honors clay’s nival pandas. malleable shapes and forms. Child of a ranching family in Lodi, California, Frey couldn’t get out of Dodge soon enough and traveled to Tulane University in New Orleans to study with George Gallery Pegasus & Rickey and Mark Rothko. Thence to New York, where she quietly toiled away in the 301 W. Holly Street 360.599.7731 business department at the Museum of Modern Art. Back in California, it all came gallerypegasus.com tue-sun 12- stumbling out in small and large conglomerations of objects, some out of scale, like a 5pm and by appt.June SENSORI- giant hand, some made painfully tiny, like a female nude studio model. UM a feast for the senses in our Interactive Tech show.July & Aug Matthew Kangas Landscapes with Edge traditional and abstract landscapes in many mediums and unusual formats.

Western Gallery and Outdoor Sculpture Collection, WWU H BELLEVUE and is known for his popular and WWU, 516 High St, FI 116 satirical representations of calaveras &360-650-3963 Bellevue Arts Museum (skeletons) in lively guises.Ongoing westerngallery.wwu.edu 510 Bellevue Way NE Richard Barlow: Manifest, a mon-sat 12-4pm. Jun 25-Aug 18 &425-519-0770 first solo exhibition in the Pacific Estival Observations: Space, bellevuearts.org Northwest for this Upstate New Monument, Thought presents an wed-sun 11am-5pm; free first fri York artist whose practice is rooted unhurried dialogue that emplaces 11am-8pm. Admission: adults $15, in photography, its chemical and Western’s sculpture collection within students/seniors/military (ID re- quasi-alchemical beginnings, and a tradition of spatial practices and quired) $12, teens (with Teen Tix) $5, its ability to depict, represent, and acts of viewership. To observe as a children under 6 and members free. reproduce. Opening Jun 1 Alex spectator is to inspect, to look with To Aug 19 José Guadalupe Posada Katz: A Life in Print. Katz is a major care, attentive to abstruse signs. A and the Mexican Penny Press. actor in the world of American figu- spectator joins in the performance to Posada is considered by many as rative art, known for his large scale examine in a way that invokes acute the “father of modern Mexican art” paintings, sculptures, and prints. memories and subconscious sen-

64 PREVIEW n JUN - AUG 2018 H OPEN LATE ON FIRST THURSDAYS

2018_JJA_document_Tue_1115.indd 64 2018-05-22 9:03 PM Viola Frey: The Future of Yesterday JAMES HARRIS GALLERY, SEATTLE WA - To June 23, 2018 jamesharrisgallery.com Celebrated large-scale ceramic sculptor Viola Frey, who died in 2004 at age 70, is often remembered as a beloved professor of art at California College of Art, where she taught until 1999. Be- fore, during, and after providing encouragement and mentorships to several generations of painting and ceramics students, Frey created an enormous population of segment- ed, clay-sectioned, garishly glazed human fi gures, mostly of Cali- fornians wearing greasy Grapes of Wrath aprons and Bay Area busi- nessmen who could double for President Bill Clinton. Viola Frey, Western Civilization Diptych #1, 1997, pastel on paper. Art@Artists’ Legacy Foundation/Licensed by VAGA, New York With a special dispensation from her posthumous foundation, James Harris, who knew Frey well when he worked for Rena Bransten in San Francisco, has selected a small but fulfi lling survey of paintings, pastels and ceramic sculptures done between 1975 and 1997. They draw together her rich art-historical sources, such as porcelain fi gurines – she did a residency at Sèvres, outside Paris – and, alternatively, junky fl ea-market kitsch, which she collected shrewdly and obsessively. This is Viola Frey’s America: crowded, fl ashy, fat and overconsuming everything from food to car- nival pandas. Child of a ranching family in Lodi, California, Frey couldn’t get out of Dodge soon enough and traveled to Tulane University in New Orleans to study with George Rickey and Mark Rothko. Thence to New York, where she quietly toiled away in the business department at the Museum of Modern Art. Back in California, it all came stumbling out in small and large conglomerations of objects, some out of scale, like a giant hand, some made painfully tiny, like a female nude studio model. Matthew Kangas

sations. Artists: Arms, Artschwager, Arts at 25. Organized with the Hallie EVERETT Brunoli, Chagnoux, Hiroshiige, Cole, Ford Museum of Art, the exhibition Forsberg, Gunther, Hanson, Hasker, presents 70+ prints from artists who Schack Art Center Ladeck, Maki, di Suvero, Nauman, have created artwork at this Native 2921 Hoyt Ave &425-259-5050 Peak, Rauchenberg, Romano, Roth, American printmaking atelier in schack.org Serra, Williams, and Yshida. Pendleton, Oregon. To Aug 19. The mon-fri 10am-6pm; sat 10am-5pm; Intimate Diebenkorn: Works on sun 12-5pm. free admission. Open- Whatcom Museum Paper, 1949-1992 features drawing Jun 14 Chris and Jan Hopkins: Old City Hall, 121 Prospect St; ings and paintings on paper that Americans Interned: A Family’s Lightcatcher Building, 250 Flora St reveal the working hand and mind Story of Social Injustice features &360-778-8930 of one of America’s most respected portraits and mixed-media piece whatcommuseum.org 20th C artists. OLD CITY HALL To to illustrate personal stories of the Lightcatcher: wed-sun 12-5pm. June 10 Hidden in the Bundle: effects of Executive Order #9066, Old City Hall: wed-sun 12-5pm. A Look Inside the Whatcom which authorized the eviction of Admission: adults $10; youth, Museum’s Basketry Collection Japanese Americans from the West students, military, seniors $8; features baskets from the museum’s Coast during WWII. children 2-5 $5; under 2 free. Native American and First Nations LIGHTCATCHER BUILDING To Aug 19 collection, representing different Crow’s Shadow Institute of the eras and cultures.

64 PREVIEW n JUN - AUG 2018 H OPEN LATE ON FIRST THURSDAYS preview-art.com PREVIEW 65

2018_JJA_document_Tue_1115.indd 65 2018-05-22 9:03 PM Close-up: David Setford, Tacoma Art Museum’s visionary new director TACOMA ART MUSEUM tacomaartmuseum.org When Stephanie Stebich left Tacoma Art Museum (TAM) to head the Smithsonian American Art Museum in Washington, DC, she left a legacy of unmatched successes that made TAM “already a model for a middle-size art museum,” as her successor, David Setford, put it recently. Amply ﬁ lling Stebich’s shoes, British-born Setford studied art history at Leicester and did graduate work in museum studies at Manchester. Coming to Tacoma this March at the height of TAM’s ambitious ex- pansion plans, Setford, 62, has a strong back- ground in a variety of administrative and curatorial roles since and before his 1990 arrival in the US. While Stebich landed and oversaw the wing of the Haub Family Collection of American Art of the West, Setford is managing the new Jack and Rebecca Benaroya galleries under construction now, like the Haub wing, designed by Olson Kundig of Seattle. With the David Setford at Tacoma Art Museum building opening in January 2019 to showcase Paciﬁ c Northwest art and especially glass collected by late Seattle real estate developer Jack Benaroya and his wife, Rebecca, Setford is charged with raising funds to endow TAM’s increased operating expenses. Setford has a dream show in mind, too. “You could build a whole show around something from the permanent collection, like our Degas or Boudin, and tell the whole story of that part of the collection, borrow other paintings from the West Coast, and tour the whole show,” he mused. “I had originally wanted to be an artist, like my father,” Setford confessed. “But he didn’t want me to be one, so the next best thing was art history. When a friend of his took me to see a roomful of Mark Rothkos at the National Gallery, I had my life-changing moment. “I want to create similar access moments here in Tacoma, and that’s going to mean taking programs into the community as well as having family events and school tours in our beautiful building.” Matthew Kangas

FRIDAY HARBOR tankers also use simplified forms a different thought. Robin & John of rectangle and circles. Jul 27-Sep Gumaelius and Michael Dickter. WaterWorks Gallery 8 Jewelers: Jennifer Bennett, Nina This show represents a fusion of 315 Argyle Ave &360-378-3060 Raizell Hartman,Erika Laureno, forms: painted surfaces on the wall waterworksgallery.com Micki Lippe, Tegan Wallace and Sara and ceramic sculptures on pedes- wed-sat and by appt.Jun 15-Aug 13 Wilbanks. These jewelers in their tals.The gallery is alive with kinetic David Ridgway and Pete KuentzelI respective medium of silver, polymer ceramic creatures that cavort and The gallery presents simpli- clay, brass or gemstones, to create play in a imaginary world created fied forms painter Ridgway whose work for our personal ornamenta- by this wife and husband team. The landscapes use simplified form tion and expression. These pieces walls will dance with the forms of and intensified color. Ceramicist intrigue the wearer’s eyes and allow flowers and flying birds in Michael’s Kuentzel’s approach to his ships and us, the individual experience that is painted mixed media landscapes.

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2018_JJA_document_Tue_1115.indd 66 2018-05-22 9:03 PM LA CONNER Museum of Northwest Art Close-up: David Setford, 121 First St &360-466-4446 monamuseum.org sun-mon Tacoma Art Museum’s visionary new director 12-5pm; tue-sat 10am-5pm. free TACOMA ART MUSEUM tacomaartmuseum.org admission. Jul 7-Sep 23 In Red Ink. Recent major works by 20+ con- When Stephanie Stebich left Tacoma Art temporary Native American artists, Museum (TAM) to head the Smithsonian curated by artist RYAN! Feddersen & American Art Museum in Washington, DC, Chloe Dye Sherpe. It forms a correc- she left a legacy of unmatched successes that tive lens on stereotypical and histori- made TAM “already a model for a middle-size cized depictions of Native American art museum,” as her successor, David Setford, identity by highlighting artists who put it recently. Amply ﬁ lling Stebich’s shoes, are addressing their own histories British-born Setford studied art history at and traditions while simultaneously Leicester and did graduate work in museum reflecting their current realities studies at Manchester. Coming to Tacoma this within a living culture. Proceed March at the height of TAM’s ambitious ex- with Abandon... Viva Patty! The pansion plans, Setford, 62, has a strong back- work of Patty Detzer is as honest, as ground in a variety of administrative and cu- transgressive, and as remarkable as ratorial roles since and before his 1990 arrival the artist. Incorporating her unique in the US. perspective about the cruelty and Americans Interned: While Stebich landed and oversaw the wing hilarity of life, her work intimately A Family’s Story of Social Injustice of the Haub Family Collection of American speaks to those who aren’t often Art of the West, Setford is managing the new spoken too. Ongoing Surge 2018 June 14 – September 1, 2018 Jack and Rebecca Benaroya galleries under Together with the Skagit Climate construction now, like the Haub wing, de- Science Consortium(SC2), the mu- Artwork by Chris & Jan Hopkins highlights personal signed by Olson Kundig of Seattle. With the seum will host its third presentation stories of the effects of Executive Order #9066, which authorized the mass incarceration of David Setford at Tacoma Art Museum building opening in January 2019 to show- of Surge, an exhibition designed to case Paciﬁ c Northwest art and especially glass draw attention to climate change Japanese Americans during WWII. collected by late Seattle real estate developer Jack Benaroya and his wife, Rebecca, and its impact on Northwest’s Setford is charged with raising funds to endow TAM’s increased operating expenses. coastal communities. Setford has a dream show in mind, too. “You could build a whole show around something from the permanent collection, like our Degas or Boudin, and tell the whole PORT ANGELES story of that part of the collection, borrow other paintings from the West Coast, and Port Angeles Fine Arts Center 2921 Hoyt Ave. in downtown Everett, WA tour the whole show,” he mused. 1203 E Lauridsen Blvd 425-259-5050, schack.org “I had originally wanted to be an artist, like my father,” Setford confessed. “But &360-457-3532 &360-207-8007 Admission free, M-F 10-6, Sat 10-5, Sun 12-5 he didn’t want me to be one, so the next best thing was art history. When a friend pafac.org thu-sun 11am-5pm. Webster’s Woods Art Park: daily from of his took me to see a roomful of Mark Rothkos at the National Gallery, I had my Support provided by: Snohomish County life-changing moment. sunrise to sunset. To Jul 8 Michael Hotel/Motel Tax Fund. Image: “Out of the Paul Miller: Wild Olympia is a Mouths of Babes,” Jan Hopkins “I want to create similar access moments here in Tacoma, and that’s going to mean reference to the Olympic Peninsula, taking programs into the community as well as having family events and school tours & the wilderness of Olympic National in our beautiful building.” Park. It is also a nod to art history and expansive ocean views. Over many more. Self-tour guides are Matthew Kangas and to those who live unrestrained. Miller’s interest in the preservation 150 plein air paintings for sale by 22 available at the Puyallup Library wilderness spaces is portrayed artists from the US and Canada. and the Activity Center in Pioneer through depictions of iconic places Park, and a cell phone audio tour is in the Park, which borrow from the PUYALLUP available by dialing 253-256-6172 classical Western aesthetic style of or by using the QR codes on the Arts Downtown: Puyallup’s sculpture labels. art and are coupled with dynamic Outdoor Gallery negative space drawings. Aug 19-26 TTL Pioneer St and Meridian St SEATTLE Paint the Peninsula Plein Air &253-840-6015 artsdowntown.org Competition Port Angeles and its 24 hrs, 7 days a week. Puyallup’s surrounding areas include Olympic BONFIRE Gallery H acclaimed collection of public art & National Park have everything to 603 South Main St 206-790-1073 includes 49 works by West Coast thisisbonfire.com wed-sat noon- offer a plein air artist from sweeping artists, including Sabah Al-Daher, vistas and soaring mountains to vin- 5pm. Aug 1-Sep 29 Juli Adams: A Douglas Granum, Dan Klennert, WALL, A WINDOW - Stories of tage working farms, intimate woods Simon Kogan, Kevin Petelle, and

66 PREVIEW n JUN - AUG 2018 H OPEN LATE ON FIRST THURSDAYS preview-art.com PREVIEW 67

2018_JJA_document_Tue_1115.indd 67 2018-05-22 9:03 PM

Queen Queen Anne Ave N 2n

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W 99 rview Ave Towards Impressionism: ai Landscape Painting from Corot to Monet F Henry Art Gallery FRYE ART MUSEUM, SEATTLE WA - To August 5, 2018 fryemuseum.org G. Gibson Roy St Mercer St Dexter Dexter Ave

Part of what’s fascinating about 1 st st A

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gan showing in Paris in the 1820s. 2nd Ave ia The breezy seascapes of Dutch t St irgin ar V w painters had an impact, too, espe- te cially when the Parisians gravitat- S ed to Brittany and the Normandy 5 Harris Harvey Gallery Jean-Baptiste-Camille Corot, Le coup de vent (The Gust of Wind), coast. The Frye survey, consisting c. 1865-70, oil on canvas. Legacy Jules Warnier-David, Musée of loans from the Museum of Fine des Beaux-Arts, Reims, 899.16.23 Arts in Reims, France, is the only PIKE PLACE 1st St West Coast venue for this survey of MARKET on A ni St ve U T what became known as the Barbizon School, named after a tiny village near the forest ing er r Western Ave Spr y of Fontainebleau where artists gathered to paint outdoors – a radical move – and honor Av t e S what critics called “untended nature” or “scenes of everyday life.” son adi Seattle Art Museum 5th A Visitors will be charmed by unknown examples of familiar artists such as Corot, M y St 4th Ave v e Frye Art Museum Courbet, Monet, Millet, Pissarro, Renoir and Sisley (half-English), but, more impor- iversit tantly, by their predecessors, the Barbizon group and the Honﬂ eur circle which in- Un Seneca St 2nd Ave Marion St A herry St clude superb artists from the Frye’s own Founding Collection, such as Narcisse Diaz l a C 9 s th k de la Peña, Félix Ziem and Charles-François Daubigny. Their canvases have less bla- a Av n Columbia St W e tant sunlight than their successors, but the dark pathways of forests and seaside dunes a y have an appealing, hypnotic quality all their own. Foss Waterway Seaport, Museum of Glass, Matthew Kangas Tacoma Art Museum PIONEER SQUARE Sea-Tac Airport James Harris Gallery

Yesler Way I 99 -5 H tue-sat 10am-6pm. Jun 7-23 Ste- Elliott Bay Occidental SEATTLE Davidson Galleries E x Gallery 110 p 313 Occidental Ave S ven Nederveen: Atmospheres is a re s Duality and Knowing. Walls can be &206-624-7684 meditation on the duality of water. S Washington St Shift Gallery s Frederick Holmes a refuge or a prison. It is uniquely davidsongalleries.com tue-sat Combining photographic techniques Linda Hodges Gallery S Main St Foster/White

human to know and accept duality; 10am-5:30pm Jun 8-30 Joan Miró: and painting, his mixed media pan- 3

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2nd 2nd Ave S

for more than one thing to be true. Selected Etchings and Litho- els are thresholds between worlds. Davidson Galleries A BONFIRE Gallery v

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Prographica/KDR Water is at once dynamic and still, S This show is an exploration of graphs. Jul 6-28 Polychromatic 1st Ave S the haunting capacity we have as Impressions: Jonelle Johnson, timeless and ephemeral, spiritual King St KING humans to be able to feel and know, Karen Kunc, Sarah Smelser, Jean and wildly physical. Jul 5-21 Will STREET quantify and imagine, and at times Luc Lebalp, Seiko Tachibana, Akiko Robinson: Wind, Water and Stone. STATION to feel separate from the world, Taniguchi, Dion Zwirner. Opening Robinson has been inspired by the while being irrefutably attached to Aug 3 MC Escher: Major Woodcuts flora and fauna of his native Pacific it. Seattle artist Juli Adams paintings & Lithographs, and Ryohi Tanaka: Northwest. Taking his cues from are a spontaneous communication Etchings. movement in the natural world, between the rich soil of her subcon- Robinson imbues his enduring stone CENTURY LINK scious, and the experience of living Foster/White Gallery H sculptures with the patterns of life. FIELD in the everyday world. 100-220 3rd Ave S, Pioneer Square Elements of dance, wind, water, fire 99 &206-622-2833 fosterwhite.com and flight, all gracefully emerge from

68 PREVIEW n JUN - AUG 2018 H OPEN LATE ON FIRST THURSDAYS

2018_JJA_document_Tue_1115.indd 68 2018-05-22 9:03 PM

Queen Queen Anne Ave N 2n

d A

ve Lake Union

Part of what’s fascinating about 1 st st A

the Frye Art Museum’s summer v e e blockbuster exhibition, Towards W Impressionism: Landscape Painting from Corot to Monet, is learning how international the inﬂ uences were John St Winston Wachter on 19th-century French painting. Denny Way

Poussin spent most of his life in I

SEATTLE

Rome, as did Corot. The French E

p r

Romantics – on view here – were e s stunned by works of a young Brit- Olympic Sculpture s ish artist, John Constable, who be- Park gan showing in Paris in the 1820s. 2nd Ave ia The breezy seascapes of Dutch t St irgin ar V w painters had an impact, too, espe- te cially when the Parisians gravitat- S ed to Brittany and the Normandy 5 Harris Harvey Gallery Jean-Baptiste-Camille Corot, Le coup de vent (The Gust of Wind), coast. The Frye survey, consisting c. 1865-70, oil on canvas. Legacy Jules Warnier-David, Musée of loans from the Museum of Fine des Beaux-Arts, Reims, 899.16.23 Arts in Reims, France, is the only PIKE PLACE 1st St West Coast venue for this survey of MARKET on A ni St ve U T what became known as the Barbizon School, named after a tiny village near the forest ing er r Western Ave Spr y of Fontainebleau where artists gathered to paint outdoors – a radical move – and honor Av t e S what critics called “untended nature” or “scenes of everyday life.” son adi Seattle Art Museum 5th A Visitors will be charmed by unknown examples of familiar artists such as Corot, M y St 4th Ave v e Frye Art Museum Courbet, Monet, Millet, Pissarro, Renoir and Sisley (half-English), but, more impor- iversit tantly, by their predecessors, the Barbizon group and the Honﬂ eur circle which in- Un Seneca St 2nd Ave Marion St A herry St clude superb artists from the Frye’s own Founding Collection, such as Narcisse Diaz l a C 9 s th k de la Peña, Félix Ziem and Charles-François Daubigny. Their canvases have less bla- a Av n Columbia St W e tant sunlight than their successors, but the dark pathways of forests and seaside dunes a y have an appealing, hypnotic quality all their own. Foss Waterway Seaport, Museum of Glass, Matthew Kangas Tacoma Art Museum PIONEER SQUARE Sea-Tac Airport James Harris Gallery

Yesler Way I 99 -5 Elliott Bay Occidental E x Gallery 110 p re s S Washington St Shift Gallery s Frederick Holmes

Linda Hodges Gallery S Main St Foster/White

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2nd 2nd Ave S

Davidson Galleries A BONFIRE Gallery v

e S Jackson St

Prographica/KDR S 1st 1st Ave S

King St KING STREET STATION

CENTURY LINK FIELD 99

68 PREVIEW n JUN - AUG 2018 H OPEN LATE ON FIRST THURSDAYS preview-art.com PREVIEW 69

2018_JJA_document_Tue_1115.indd 69 2018-05-22 9:03 PM FOSS WATERWAY Visit Puyallup’s Outdoor Gallery SEAPORT Maritime Museum Featured exhibition Supporting our arts – enriching The Puyallup People: our community. First on the Waterway

Celebrating Tacoma & South Puget Sound maritime heritage - past, present and future

705 Dock Street. Tacoma, WA 98402 253.272.2750 Photo: Puyallup Tribe- Historic Preservation Department fosswaterwayseaport.org Photo: Kevin Scott

Like Us

www.artsdowntown.org – Puyallup, WA –

SEATTLE where the artists identified the Gallery 110 H bench as a focal point and unifying 110 3rd Ave S &206-624-9336 the locally quarried basalt and gran- element of the urban environment. gallery110.com thu-sat 12-5pm ite. Robinson encourages viewers This revealed an understanding of Jun 7-30 Karen Graber: New to touch his work for only then is it how people use benches to interact Works: Collaborating with truly complete. with their surroundings. Featuring Disorder. Dorothy Anderson Abdisemed Ali, Gebre Engeda, Eva Wasserman: Portraits in Time. Frederick Holmes Gugsa, Tegarius Kea, John Le, Kiet Jul 5-28 Phil Eidenberg-Noppe: And Company Nguyen, Ngoc Nguyen, Tam Nguyen, Skagit Palette: Color + Motion. 309 Occidental Ave S Nurham Nuru, and Nhu-Phuong Tran. Mimi Cernyar-Fox: Mud Flats and &206-682-0166 Teaching artists Laura Bartunek, Painted Shell Mosaics. Aug 2-Sep frederickholmesandcompany.com John Hallock, and Jim Nicholls 1 Greg Pierce: Sculptures. Hart tue-sat 10am-6pm, sun 11am-6pm, provided instruction in design, James: Zen. mon by appt. Jul 5-Aug 5 Naoko architecture, and 3-D modeling.To Morisawa, woven-wood “mosaics” Aug 5 Towards Impressionism: Harris Harvey Gallery H inspired by nature, Kabuki and Noh Landscape Painting From Corot 1915 First Ave &206-443-3315 theatre designs. to Monet harrisharveygallery.com tue-sat 11am-6pm, mon by appt Frye Art Museum H G. Gibson Gallery H Jun 7-30 Linda Jo Nazarenus: 704 Terry Ave &206-622-9250 NEW LOCATION: 104 W Roy St Secret Places. Using techniques fryemuseum.org tue-sun 11am- &206-587-4033 influenced by Northern European 5pm; thu 11am-7pm. free admis- ggibsongallery.com masters of the Renaissance, and sion. Jun 16-Sep 23 Juventino wed-fri 11am-5:30pm; sat influenced by Swedish and American Aranda: Pocket Full of Posies 11:30am-4pm & tue by appt. To Jun topography, Nazarenus presents a Born to Mexican immigrants in 2 Matt Sellars: Parallax new sculp- new series of detailed oil paintings Walla Walla, Aranda’s work draws ture. Jun 8-Jul 14 Michael Kenna: that communicate her reverence on his history and particularities of Abruzzo + other new photographs. and respect for nature.Jul 5-28 Lisa his childhood that speak to broader Jul 20-Aug 17 Thick As Thieves Snow Lady: Urban Landscape: cultural themes. Bench Mark, was group show of contemporary paint- New Paintings and Collages. Re- created in 16 after-school sessions ers. Aug 2-5 Seattle Art Fair. sponding to Seattle’s ever-changing

70 PREVIEW n JUN - AUG 2018 H OPEN LATE ON FIRST THURSDAYS

2018_JJA_document_Tue_1115.indd 70 2018-05-22 9:03 PM FOSS WATERWAY Visit Puyallup’s Outdoor Gallery SEAPORT Maritime Museum Featured exhibition Supporting our arts – enriching The Puyallup People: our community. First on the Waterway

Celebrating Tacoma & South Puget Sound maritime heritage - past, present and future

705 Dock Street. Tacoma, WA 98402 253.272.2750 Photo: Puyallup Tribe- Historic Preservation Department fosswaterwayseaport.org Photo: Kevin Scott

urban landscape, Lisa’s new body of tiful images of women, odalisque marks her debut in Seattle and her acrylic paintings and mixed-media figures, and mise-en-scène studio fourth solo exhibition with Koplin Del collages aim to preserve parts of the portraiture, to mention a few. Per- Rio. Jul 5-28 Fred Stonehouse & Like city’s original character with recur- haps of greatest importance, is that Eric Beltz. Opening Aug 4 WOMAN ring themes of architecture, garden this collection of portraits and per- Group Show featuring a curated se- Us and street scenes. Aug 2-Sep 1 formed scenes reflects a personal lection of work from artists including Mark Mueller: Chelsea Falls. In community of inspiration as well. Ann Gale, Robert Pruitt, Kerry James his first show at the gallery, Seattle Marshall, Marsha Burns, Elyse www.artsdowntown.org – Puyallup, WA – artist Mueller exhibits ceramics and James Harris Gallery Pignolet, and Lezley Saar. mixed-media works on panel and 604 2nd Ave &206-903-6220 canvas. Fascinated by a childhood jamesharrisgallery.com Seattle Art Museum H memory of a man-made “waterfall” tue by appt, wed-sat 11am-5pmTo 1300 First Ave &206-654-3100 encountered in New York City, the Jun 23 Viola Frey: The Future of seattleartmuseum.org artist uses it to guide his explora- Yesterday. Works by large-scale wed 10am-5pm; thu 10am-9pm; tion of positive and negative space ceramic sculptor. fri-sun 10am-5pm. Suggested gleaned from the chaos of the admission: adults $24.95, seniors urban environment. Linda Hodges Gallery H (62+) and military (with ID) $22.95, 316 1st Ave S &206-624-3034 students (with ID) and teens (13- Henry Art Gallery H lindahodgesgallery.com 19) $14.95, children 12 & under University of Washington tue-sat 10:30am-5pm and by appt- free, SAM members free. Olympic 15th Ave NE + NE 41st St Jun Zac Culler: new paintings, Lisa Sculpture Park (2901 Western Ave) &206-543-2280 henryart.org Golightly: new paintings, Katlyn opens daily 30 min prior to sunrise, wed fri sat & sun 11am-4pm thu Hubner in Blur Gallery new paint- closes 30 min after sunset. Free 11am-9pm. Opening Jun 15 Martha ings. Jul Don Fels: new paintings, to the public To Aug 5 Project 42: Friedman: Castoffs. Friedman pres- ceramics and photographs,Terran Jono Vaughan commemorates 42 ents new sculptures that engage Skelnar: new paintings, Jonathan murdered individuals with colorful in making and unmaking the body, Happ in Blur Gallery new paintings. garments that are then used in challenging imposed logics that Aug Timea Tihanyi: new ceramics, collaborative performances.To attempt to neatly contain or define Peter Gross: new paintings. Aug 13 Basquiat—Untitled is a it. Working with choreographer and one-painting exhibition of American dancer Silas Riener, she created Prographica/KDR H artist Jean-Michel Basquiat’s concrete casts from her collabora- 313 Occidental Ave S famed work, Untitled (1982), which tor’s idealized male form and then &206-999-0849 has never been publicly exhibited assembled the resulting distorted prographicagallery.com since its 1982 unveiling. Ongoing parts. Opening Jul 14 MUSE: tue-sat 11am-5:30pm Jun 7-30 Walkabout: The Art of Dorothy Na- Mickalene Thomas Photographs Kimberly Clark: A Stop on the pangardi takes us to the crystalline and tête-à-tête grapples with and Road and Judy Nimtz: Littoral. This salt-lake region of the Tanami Desert asserts new definitions of beauty marks the second solo exhibition where she absorbed Indigenous and inspiration. Her portraits draw for Clark with Prographica. The in- laws and stories from the land and equally from 1970s black-is-beau- stallation of new paintings by Nimtz her family. Saya Woolfalk: Lessons

70 PREVIEW n JUN - AUG 2018 H OPEN LATE ON FIRST THURSDAYS preview-art.com PREVIEW 71

2018_JJA_document_Tue_1115.indd 71 2018-05-22 9:03 PM WASHIN GTON MATTHEW KANGAS VIGNETTES the unique culture of Bellingham FEMAIL: AMPM (2.0) Bellevue Arts Museum, Bellevue, Jun 1 - Sep 30 Janelle Abbott and Camilla Carper founded FEMAIL in 2012, exchang- ing handmade garments in the mail for further repair, amendment and ornamentation. At Bellevue Arts Museum (BAM), they display the results, which comment on death, rebirth and the rich personal history of bor- rowed attire through the medium of altered dresses with found-object add-

ons and sculptural appurtenances. Objects are displayed in “gradient” areas FROM 2017 SURVEY OUT OF SIGHT spotlighting the wear-and-tear of clothing and how it reﬂ ects our lived experiences.

TOURISM COMMISSION NAOKO MORISAWA Frederick Holmes and Company, Seattle, Jul 5 - Aug 5 866-650-9317 Morisawa, born in Tokyo, lives in Seattle but has exhibited widely in Japan Road Trip by Shanni Welsh and the US, as well as at the recent Phnom Penh Art-Design Triennial in Cambodia. Her colorful woven-wood “mosaics” have attracted attention SEATTLE photographer Achak’s fascination of Edward Curtis, and how Native for their meticulous craftsmanship and intricate compositions, landing with water and the ways in which American communities and the lives her numerous public art commissions; her work is in private collections in from the Institute of Empathy im- we connect with it. Jun 26-Aug 22 of individuals were depicted in their Washington State, Oregon, Connecticut, Ireland and Japan. She is inspired mersive installation. To Jul 8 Sondra Electric Coffin, Peter Gronquist, work. Opening Aug 11 As Grand- NAOKO MORISAWA, ENERGY XI RISEKO, 2017 by nature, Kabuki and Noh theatre designs. Perry: Eclogue for [In]habitability Neon Saltwater, Jennifer Zwick: mother Taught: Women, Tradition, mixed-media installation presents Summer Dreams. and Plateau Art. 3 Plateau tribe a visual eclogue-or short pastoral female artists provide a contempo- poem-about real and virtual land- SPOKANE rary point of reference to traditional MARK MUELLER Harris Harvey Gallery, Seattle, Aug 2 - Sep 1 scapes. To Jun 17 Everyday Poetics art forms of the past from the MAC’s For his fi rst exhibit at Harris Harvey, near the Pike Place Market, veteran 14 contemporary artists from Latin Northwest Museum Plateau collection. Seattle printmaker Mark Mueller extends his interest in line, shadow and of Arts & Culture America whose work transforms darkness to an examination of urban settings, buildings and demolition everyday materials into poetic 2316 W First Ave &509-456-3931 TACOMA sites. In addition to his earlier interests, the University of Washington- sculptures. OLYMPIC SCULPTURE northwestmuseum.org PARK Ongoing Spencer Finch: The Museum: tue-sun 10am-5pm; wed Foss Waterway Seaport educated artist (MFA, 1986) is showing ceramics, glass, mixed-media Western Mystery. 10am-8pm. Adults $10, seniors 705 Dock Street &253-272-2750 works, oils on canvas and other paths to express the fragmentary nature of MARK MUELLER, ARCADIA, 2017 (60+) $7.50, students (with ID) $5, fosswaterwayseaport.org the urban environment. Shift Gallery H kids 5 and under and MAC members wed-sat 10am to 4pm, sun 12 to 312 S Washington St no charge. Campbell House Tours 4pm; Adults $10, seniors/students/ &607-379-9523 shiftgallery.org included Opening Jun 2 Above the kids $8, family pass $25. Third thu PROJECT 42: JONO VAUGHAN Seattle Art Museum, To Aug 5 fri & sat 12-5pm or by appt. Jun Fold: New Expressions in Origami. free. Ongoing The Puyallup People: Born in London, Vaughan is the winner of the 2017 Betty Bowen Award 7-30 Industrial Art by Ed McCar- Nine international artists push the First on the Waterway. Exploring (15,000 USD) administered by Seattle Art Museum in honor of its fi rst thy combines industrial materials, boundaries of paper to create bold the history of the Puyallup People publicity director. She is gaining considerable recognition, including ex- forms and coatings to build art. Jun and breathtaking large-scale origami and their intimate connection to the hibitions in Minnesota and Oregon. Her Project 42 is an aesthetic doc- works. Opening Jun 9 Sayaka Ganz: Salish Sea and the Puyallup River. 7-30 Agnes by Carmi Weingrod.. umentation of the deaths of three transgender persons concentrating on Jul 5-28 Comfort Zone by Colleen Reclaimed Creations. Creating Includes boat building and fishing sculptural clothing, installations, and immersive audience participation. Maloney. Finding comfort in energy and harmony from discarded techniques, resource utilization, diet, Educated in New York and Tampa, Florida, she teaches art at Bellevue unsettling times by printing food and plastic objects, eco-artist Ganz’s recreation, world view, and contact INSTALLATION VIEW OF PROJECT 42: JONO VAUGHAN flowers. Jul 5-28 Transmissions by graceful and dramatic sculptures with other tribes and later explorers. College in Bellevue, WA. © SEATTLE ART MUSEUM. PHOTO: NATALI WISEMAN Craig van den Bosch Transmissions of animals in motion convey a The exhibit has been developed in unearthed from a distant civilization spirit of renewal. Opening Jun 16 partnership with local members of on another planet. Aug 2-25 Shift Edward S. Curtis: The Grand Idea. the Puyallup Tribe. SUMMER DREAMS Winston Wächter Fine Art, Seattle Jun 26 - Aug 22 Invitational. The 18 members of On his 150th birthday, we explore The gallery, which has a parent branch in New York City, opens up its entire the gallery have each invited a guest the life’s work of one of America’s Museum of Glass space to raucous installations and visionary improvisations on the themes artist to show work alongside them. most important & controversial 1801 Dock St &253-284-4750 of nature run amok and the disorienting character of growth and decay. photographers, chronicler of the museumofglass.org Calgary-born Jennifer Zwick creates live fl ower arrangements against wed-sat 10am-5pm; sun 12-5pm; Winston Wächter Fine Art West and the North American Indian backdrops of wildly patterned wallpaper. In addition to Peter Gronquist’s 203 Dexter Ave N &206-652-5855 peoples. Through Their Lens: The 3rd thu 10am-8pm. Members free, Infi nity Mirrors, design collaboratives Electric Coffi n and Neon Saltwater seattle.winstonwachter.com in a Modern adults $15, seniors (62+), military “Vanishing Race” PETER GRONQUIST, FERNS, 2018 mon-sat 10am-5pm. To Jun 20 Deb World looks at 3 Pacific Northwest and students (13+) $12, groups of set up wacky environments to get lost in. Achak: Culture and Sea explores photographers, contemporaries 20+ $12, groups of 50+ $10,

72 PREVIEW n JUN - AUG 2018 H OPEN LATE ON FIRST THURSDAYS

2018_JJA_document_Tue_1115.indd 72 2018-05-22 9:03 PM WASHIN GTON MATTHEW KANGAS VIGNETTES

FEMAIL: AMPM (2.0) Bellevue Arts Museum, Bellevue, Jun 1 - Sep 30 Janelle Abbott and Camilla Carper founded FEMAIL in 2012, exchang- ing handmade garments in the mail for further repair, amendment and ornamentation. At Bellevue Arts Museum (BAM), they display the results, which comment on death, rebirth and the rich personal history of bor- rowed attire through the medium of altered dresses with found-object add-

ons and sculptural appurtenances. Objects are displayed in “gradient” areas FROM 2017 SURVEY OUT OF SIGHT spotlighting the wear-and-tear of clothing and how it reﬂ ects our lived experiences.

NAOKO MORISAWA Frederick Holmes and Company, Seattle, Jul 5 - Aug 5 Morisawa, born in Tokyo, lives in Seattle but has exhibited widely in Japan and the US, as well as at the recent Phnom Penh Art-Design Triennial in Cambodia. Her colorful woven-wood “mosaics” have attracted attention for their meticulous craftsmanship and intricate compositions, landing her numerous public art commissions; her work is in private collections in

Washington State, Oregon, Connecticut, Ireland and Japan. She is inspired NAOKO MORISAWA, ENERGY XI RISEKO, 2017 by nature, Kabuki and Noh theatre designs.

MARK MUELLER Harris Harvey Gallery, Seattle, Aug 2 - Sep 1 For his ﬁ rst exhibit at Harris Harvey, near the Pike Place Market, veteran Seattle printmaker Mark Mueller extends his interest in line, shadow and darkness to an examination of urban settings, buildings and demolition sites. In addition to his earlier interests, the University of Washington- educated artist (MFA, 1986) is showing ceramics, glass, mixed-media

works, oils on canvas and other paths to express the fragmentary nature of MARK MUELLER, ARCADIA, 2017 the urban environment.

PROJECT 42: JONO VAUGHAN Seattle Art Museum, To Aug 5 Born in London, Vaughan is the winner of the 2017 Betty Bowen Award (15,000 USD) administered by Seattle Art Museum in honor of its ﬁ rst publicity director. She is gaining considerable recognition, including exhibitions in Minnesota and Oregon. Her Project 42 is an aesthetic documentation of the deaths of three transgender persons concentrating on sculptural clothing, installations, and immersive audience participation. Educated in New York and Tampa, Florida, she teaches art at Bellevue INSTALLATION VIEW OF PROJECT 42: JONO VAUGHAN College in Bellevue, WA. © SEATTLE ART MUSEUM. PHOTO: NATALI WISEMAN

SUMMER DREAMS Winston Wächter Fine Art, Seattle Jun 26 - Aug 22 The gallery, which has a parent branch in New York City, opens up its entire space to raucous installations and visionary improvisations on the themes of nature run amok and the disorienting character of growth and decay. Calgary-born Jennifer Zwick creates live fl ower arrangements against backdrops of wildly patterned wallpaper. In addition to Peter Gronquist’s Infi nity Mirrors, design collaboratives Electric Coffi n and Neon Saltwater set up wacky environments to get lost in. PETER GRONQUIST, FERNS, 2018

72 PREVIEW n JUN - AUG 2018 H OPEN LATE ON FIRST THURSDAYS preview-art.com PREVIEW 73

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2018_JJA_document_Tue_1115.indd 75 2018-05-22 9:03 PM Exhibition Catalogues of Interest JUN - AUG 2018

TOWARDS IMPRESSIONISM: LANDSCAPE PAINTING FROM COROT TO MONET accompanies the exhibition of 19th-century French landscape painting from the schools of Barbizon and Honﬂ eur up to Impressionism at the Frye Art Museum. Edited by Suzanne Greub, Art Centre Basel, the beautifully illustrated catalogue follows an artistic progression leading up to the works of Monet, Pissarro and Renoir, noting a cultural shift away from the Academy toward the Impressionist style.

Hardcover, 144 pp., $29.95 USD. Available at the Frye Art Museum Store, Seattle, 206.622.9250.

FRIDA KAHLO: HER PHOTOS is the substantial book accompanying the travelling exhibition of the same name, recently on view at the Glenbow in Calgary. Drawn from a newly rediscovered archive, the 500 photographs reveal powerful connections to Kahlo’s life, paintings, and psychological, cultural and political preoccupations. Whether shot by Kahlo, her father, or her friends and colleagues (including Tina Modotti, Edward Weston, and Manuel Alvarez Bravo), the images are organized thematically by Hilda Trujillo Soto 2-5, 2018 of the Frida Kahlo Museum and discussed by seven guest essayists.

Hardcover, 522 pp., $55 CAD. Available at the Glenbow Museum Shop, 403-268-4119.

CenturyLink Field Event Center THE SHAPE OF SPEED: STREAMLINED AUTOMOBILES AND MOTORCYCLES, 1930-1942 is published for the summer exhibition at Portland Art Museum highlighting the pre-World War II period in auto innovation that favored a clean modern aerody- seattleartfair.com namic look. The handsome volume details 19 rare vehicles and individualistic motorcycle designs in a picturesque spread of luscious images with descriptive commentary. An essay by David Rand discusses the inﬂ uence of science, art and fashion on auto design, while guest curator Ken Gross provides historical context. Hardcover, 112 pp., $49.95 USD. Available at the Portland Art Museum Store, 503-276-4204.

TAKASHI MURAKAMI: THE OCTOPUS EATS ITS OWN LEG is the catalogue to the recent blockbuster exhibition of paintings, sculptures and installations at the Vancouver Art Gallery. Show and catalogue originated with the Museum of Contemporary Art Chica- go; both survey the career of Japan’s most famous and infl uential contemporary artist. Renowned for his genre-busting idea of “Superfl at”, Murakami draws infl uences from popular culture, commercial illustration, traditional screen painting and Buddhist folk art. Includes essays by the artist, curator Michael Darling, and four other contributors.

Hardcover, 286240 pp., $85$55 CAD.USD. Available at theSeattle Vancouver Art Museum Art Gallery Shop, Store, 206-654-3120 604-662-4706.

THE CERAMIC ART OF THOMAS KAKINUMA is the modest catalogue to the recent show at the West Vancouver Museum. Born in Japan and based for many years in Vancouver, the late Thomas (Takamitsu) Kakinuma was educated as a painter before devoting his career to ceramics. He worked across genres, from pottery to large-scale abstract sculptures to small stylized depictions of animals, including cats, penguins, ﬁ sh and birds, his practice at points inﬂ uenced by studies in Mexico and Japan. With illuminating essays by Debra E. Sloan and Carol E. Mayer.

Softcover, 22 pp., $10 CAD. Available at the West Vancouver Museum, 604-965-7295.

Prices may be subject to additional charges for postage, handling and taxes.

76 PREVIEW n JUN - AUG 2018 H OPEN LATE ON FIRST THURSDAYS

2018_JJA_document_Tue_1115.indd 76 2018-05-22 9:03 PM Exhibition Catalogues of Interest JUN - AUG 2018

Hardcover, 144 pp., $29.95 USD. Available at the Frye Art Museum Store, Seattle, 206.622.9250.

Hardcover, 522 pp., $55 CAD. Available at the Glenbow Museum Shop, 403-268-4119.

Hardcover, 286240 pp., $85$55 CAD.USD. Available at theSeattle Vancouver Art Museum Art Gallery Shop, Store, 206-654-3120 604-662-4706.

Softcover, 22 pp., $10 CAD. Available at the West Vancouver Museum, 604-965-7295.

Prices may be subject to additional charges for postage, handling and taxes.

76 PREVIEW n JUN - AUG 2018 H OPEN LATE ON FIRST THURSDAYS preview-art.com PREVIEW 77

2018_JJA_document_Tue_1115.indd 77 2018-05-22 9:04 PM Alphabetical listing of galleries and museums in this issue Alphabetical listing of galleries and museums in this issue

Adele Campbell Gallery 55 Buckland Southerst Gallery 54 Founders’ Gallery 11 Alberta Craft Gallery - Calgary 8 Bugera Matheson Gallery 15 Frederick Holmes 70 Alberta Craft Gallery - Edmonton 14 Burnaby Art Gallery 18 Frye Art Museum 70 Alberta Printmakers Burnaby Village Museum 18 Gabor Gasztonyi Studio 24 Gallery and Studio 8 Cannon Beach Gallery Group 57 Gage Gallery Arts Collective 53 Alcheringa Gallery 52 Caroun Art Gallery 24 Gallery 2 - Grand Forks & Allied Arts of Whatcom County 64 Catriona Jeffries 34 District Art & Heritage Centre 21 Amelia Douglas Gallery 23 Centre A 34 Gallery 110 70 Arbutus Gallery at Coast Capital Chali-Rosso Art Gallery 35 Gallery 1710 32 Savings Library 31 Chinese Cultural Centre Museum 35 Gallery Gachet 39 arc.hive gallery 52 Choboter Fine Art 35 Gallery in the Oak Bay Village 53 Arnold Mikelson Mind Gallery Jones 39 & Matter Gallery 31 Christine Klassen Gallery 9 Gallery Pegasus 64 Art Beatus (Vancouver) Circle Craft Gallery 35 Consultancy Ltd. 32 CityScape Community Art Space 25 Geert Maas Sculpture Gardens and Gallery 21 Art Gallery at Coastal Peoples Fine Arts Gallery 35 Evergreen Cultural Centre 20 G. Gibson Gallery 70 Columbia Basin Culture Tour 23 Art Gallery of Alberta 15 Glenbow 11 Contemporary Art Gallery 35 Art Gallery of St. Albert 16 Goldmoss Gastown Studio 39 Contemporary Calgary 11 Arts Downtown: Puyallup’s Gordon Smith Gallery 25 Craft Council of BC Gallery 35 Outdoor Gallery 67 Griffin Art Projects 25 Davidson Galleries 68 Arts Off Main Gallery 32 grunt gallery 42 Deer Lake Gallery 18 Arts on 3 20 Haida Gwaii Museum 30 Deluge Contemporary Art 53 Artspeak 33 Hallie Ford Museum of Art 60 ArtStarts Gallery 33 Douglas F. Cooley Memorial Art Gallery Reed College 58 Harris Harvey Gallery 70 Art Works Gallery 32 Douglas Reynolds Gallery 35 Heffel Fine Art Auction House 42 Astoria Visual Arts 57 DRAW Gallery 28 Henry Art Gallery 71 Audain Art Museum 56 Dudoc Vancouver 38 Herringer Kiss Gallery 12 Bainbridge Island Museum of Art 63 Dundarave Print hfa contemporary 42 Barbara Boldt Original Art Studio 21 Workshop+ Gallery 38 Ian Tan Gallery 42 Bau-Xi Gallery 33 Eagle Spirit Gallery 38 Illingworth Kerr Gallery 12 Bearclaw Gallery 15 Elissa Cristall Gallery 38 Il Museo, Il Centro 42 Beaty Biodiversity Museum 33 Elizabeth Leach Gallery 58 Imogen Gallery 57 Bellevue Arts Museum 64 English Bay Gallery 39 Inuit Gallery of Vancouver 43 Bill Reid Gallery 34 Esker Foundation 11 Island Mountain Arts 54 Blackfish Gallery 58 Esplanade Art Gallery 16 James Harris Gallery 71 Bluerock Gallery 8 Experiential 31 Kamloops Art Gallery 21 Blue Sky Gallery 58 Federation Gallery 39 Kariton Gallery & Boutique 17 BONFIRE Gallery 67 Ferry Building Gallery 55 Katherine McLean Studio 43 Brian Scott Black Creek Gallery 18 Foss Waterway Seaport 72 Kelowna Art Gallery 22 Brian Scott Vancouver Gallery 34 Foster/White Gallery 68 Kimoto Gallery 43

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2018_JJA_document_Tue_1115.indd 78 2018-05-22 9:04 PM Alphabetical listing of galleries and museums in this issue

Kootenay Gallery 19 Peter Kiss Studio and Gallery 46 The Fort Gallery 21 Lattimer Gallery 43 Peter Robertson Gallery 16 The Front Gallery 16 Libby Leshgold Gallery 43 Petley Jones Gallery 46 The Gallery at Queen’s Park 24 Linda Hodges Gallery 71 Poly Culture Art Center 46 The Gallery at The Cultch 48 Lookout Gallery 43 Port Angeles Fine Arts Center 67 The Lloyd Gallery 28 Madrona Gallery 53 Portland Art Museum 59 The New Gallery (TNG) 14 Marion Scott Gallery/ Portland State University Galleries 60 The Old School House Arts Centre 29 Kardosh Projects 43 Port Moody Arts Centre 28 The Polygon Gallery 28 Mid-Main Art Fair 43 Prographica/KDR 71 The Reach Gallery Abbotsford 17 Monny’s Art Gallery 44 Queer Arts Festival 46 Toni Onley Estate 48 Morris and Helen Belkin Raven Makes Gallery 62 Touchstones Nelson Museum Art Gallery 44 Richmond Art Gallery 29 of Art and History 23 Mountain Galleries at TRUCK Contemporary Art 14 the Fairmont Chateau 56 Russo Lee Gallery 60 Two Rivers Gallery 29 Museum of Anthropology Salmon Arm Arts Centre 30 at UBC 44 Schack Art Center 65 Udell Xhibitions Fine Art Gallery 16 Museum of Glass 72 Scott Gallery 16 Ukama Gallery 48 Museum of Northern BC 29 Seattle Art Museum 71 Unitarian Church of Vancouver 49 Museum of Northwest Art 67 S’eliyemetaxwtexw Art Gallery 17 Uno Langmann Limited 49 Museum of Vancouver 45 Seymour Art Gallery 28 Upfor 60 Musqueam Cultural Centre 45 SFU Galleries 47 UVic Legacy Art Galleries 54 Nanaimo Art Gallery 22 Shift Gallery 72 Vancouver Art Gallery 49 Nanaimo Museum 22 Sidney and Gertrude Zack Gallery 47 Vancouver Lipont Art Centre 30 New Media Gallery 24 Silk Purse Arts Centre 55 Vancouver Maritime Museum 51 New West Cultural Crawl 24 Sisters Arts Association 63 Vernon Public Art Gallery 51 Newzones 13 Skwachàys Lodge Aboriginal Hotel VISUALSPACE Gallery 51 Nickle Galleries 13 and Gallery 47 WaterWorks Gallery 66 Nikkei National Museum 18 Slide Room Gallery 53 Western Gallery and Outdoor Sculpture Collection, WWU 64 Nisga’a Museum 22 Southern Alberta Art Gallery 16 West Vancouver Museum 55 Northwest By Northwest Gallery 57 South Granville ArtWalk 47 Whatcom Museum 65 Northwest Museum of South Main Gallery 48 Arts & Culture 72 Spirit Wrestler Gallery 48 White Bird Gallery 58 O’Connor Group Art Gallery 19 Station House Gallery 57 White Rock Gallery 56 Okanagan Art Gallery 28 Studio 13 Fine Art 48 Whyte Museum of the Canadian Rockies 8 Open Space Arts Society 53 SUM gallery 48 Winchester Galleries 54 Oregon Jewish Museum and Center Surrey Art Gallery 31 for Holocaust Education 59 Winston Wächter Fine Art 72 Tacoma Art Museum 74 Or Gallery 45 Wolff Gallery 60 The ACT Art Gallery 22 Oxygen Art Centre 23 Xchanges Gallery and Studios 54 The Art Emporium 48 Pendulum Gallery 45 Z Gallery Arts 51 The Collectors’ Gallery of Art 14 Penticton Art Gallery 28

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2018_JJA_document_Tue_1115.indd 80 2018-05-22 9:04 PM