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C H R I S C R a N R C a Born 1949, Ocean Falls, British Columbia Lives
C H R I S C R A N R C A Born 1949, Ocean Falls, British Columbia Lives and works in Calgary, Alberta, Canada E D U C A T I O N 1979 Alberta College of Art and Design, Graduate with Honours, Calgary, Alberta 1976 Kootenay School of Art, Nelson, British Columbia S E L E C T E D E X H I B I T I O N S Solo 2015 That's an Excellent Question!, Wilding Cran Gallery, Los Angeles, CA 2011 Reading Room, Trepanier Baer Gallery, Calgary, AB 2010 “if something appears to be photographic, it is” Trepanier Baer Gallery, Calgary, AB 2009 Bright Spiral Standard, Clint Roenisch Gallery, Toronto Ont. Chris Cran: Diversions, Trépanier Baer Gallery, Calgary, Alberta 2008 The Secret Ecstasy of the Whole World, 809 Gallery, Calgary, Alberta 2006 Novel, TrépanierBaer, Calgary, Alberta Chris Cran: The Return of the Beautiful Hayseed, Clint Roenisch Gallery, Toronto, Ontario 2005 Camera Obscura, Theatre, One Yellow Rabbit’s High Performance Rodeo, Calgary, Alberta Chris Cran: Camera Obscura Theatre, Calgary Science Centre, Calgary, Alberta 2004 Inspirational Themes and Sublime Sales, TrépanierBaer, Calgary, Alberta Camera Obscura Theatre, One Yellow Rabbit’s High Performance Rodeo, Calgary, Alberta 2003 Big Opening!!!, Sable-Castelli Gallery, Toronto, Ontario And Now It’s Personal, Owens Art Gallery, Sackville, New Brunswick Camera Obscura Theatre, One Yellow Rabbit’s High Performance Rodeo, Calgary 2001 Fully Visible, Harcourt House, Edmonton Art Gallery, Edmonton, Alberta 2000 The Second Hundred Years, TrépanierBaer, Calgary, Alberta Surveying the Damage, 1977-1997, -
Land Marks Land Marks
Land Marks Land Marks Mary Anne Barkhouse Wendy Coburn Brendan Fernandes Susan Gold Jérôme Havre Thames Art Gallery Art Gallery of Windsor Art Gallery of Peterborough Library and Archives Canada Cataloguing in Publication Land marks : Mary Anne Barkhouse, Wendy Coburn, Brendan Fernandes, Susan Gold and Jérôme Harve. Catalogue for a traveling exhibition held at Thames Art Gallery, June 28 – August 11, 2013; Art Gallery of Windsor, April 20 – June 15, 2014; Art Gallery of Peterborough, January 16 – March 15, 2015. Curator: Andrea Fatona ; co-curator: Katherine Dennis ; essays: Katherine Dennis, Andrea Fatona, Caoimhe Morgan-Feir. Includes bibliographical references. ISBN 978-1-894651-89-9 (pbk.) Contents 1. Identity (Psychology) in art — Exhibitions. 2. Human beings in art — Exhibitions. 3 3. Human ecology in art — Exhibitions. 4. Nature — Effect of human beings on — Exhibitions. Introduction 5. Landscapes in art — Exhibitions. 6. Art, Modern — 21st century — Exhibitions. I. Fatona, Andrea, 1963–, writer of added text II. Morgan-Feir, Caoimhe, writer of added text 7 III. Dennis, Katherine, 1986–, writer of added text IV. Art Gallery of Peterborough, host institution Essay by Andrea Fatona V. Art Gallery of Windsor. host institution VI. Thames Art Gallery, host institution, issuing body 19 N8217.I27L36 2013 704.9’49126 C2013-906537-7 Land Marks Essay by Katherine Dennis 41 Redrawing the Map Essay by Caoimhe Morgan-Feir 50 Artist Biographies 52 List of Works (previous; endsheet) Brendan Fernandes; Love Kill, 2009 (video still) Introduction We are pleased to present Land Marks, an exhibition that features five artists whose works draw our attention to the ways in which humans mark themselves, others, and their environments in order to establish identities, territory, and relationships to the world. -
CURTIS CUTSHAW Born in Edmonton, Alberta 1967 Lives in Calgary, Alberta
CURTIS CUTSHAW Born in Edmonton, Alberta 1967 Lives in Calgary, Alberta Artist Statement Curtis Cutshaw’s paintings show us how a painting is made. Each step of the Artist’s process can be seen. Each choice is there for the viewer to unravel, as if stopped in time. Each piece shows a choice, a step forward to the final realization of the complete painting. Fractured and deconstructed images on individual birch wood tiles create a sense of removal of meaning. Scratched, rubbed, marked, erased and distressed images hint at repurposing and the multiple pieces appear to have had a history, where in fact the artist creates them. The viewers’ mind wants to reassemble the pieces and use what is there to create what is not there. Cutshaw does not allow for the accidental. The works may appear spontaneous, yet every piece, every mark; whether it is painted, drawn or scratched, is intentional and created by the artist. The artists’ touch, his hand and his construction are at the center of each work. Cutshaw has an ongoing dialogue with the picture plane. Depending on what the artist does with each piece in the painting, he either adds to or denies spatial reference. A mark scratched into the surface flattens the picture plane, denying illusionistic space, bringing the viewers’ eye to the surface; where half of a circle implies the whole, creating illusionistic space. Through Cutshaw’s paintings, the viewer can experience this dichotomy and the viewer is able to see one choice and a thousand choices through assemblage. Each shape is a record of a moment that can be seen, experienced, and arrived. -
Download Annual Report
FORT CALGARY ANNUAL REPORT 2016 This is Where the Story Starts “GREAT CANADIAN DREAM NO. 4” JOANE CARDINAL-SCHUBERT “GREAT TITLE — 2 — TABLE OF CONTENTS CHAIRMAN AND CEO REPORT ................................................................................................................................................................. 2 BUSINESS PLAN – YEAR IN REVIEW ....................................................................................................................................................... 3 – 8 DONORS – OPERATING FUND, CAPITAL FUND AND MAKE HISTORY FUND ..................................................................................................... 9 SOURCES OF FUNDING .......................................................................................................................................................................... 10 FINANCIAL STATEMENTS ........................................................................................................................................................................ 11 – 12 FORT CALGARY’S BRAND The confluence of the Bow and Elbow Rivers is a significant place. Known to the Blackfoot as Moh’Kinsstis, the confluence has special meaning to the Siksika – it is the place where A wonderful Napi created people, tracing its history to the very origins of humanity. This site is at the representation of heart of traditional Blackfoot territory and was important to other Indigenous peoples who history and culture. came here to hunt, camp and cross the -
Ted Godwin: Last of the Regina Five
TED GODWIN: LAST OF THE REGINA FIVE FOLDFORMING: OF LIGHT AND LUSTRE Fall 2012 ANACHRONISMS IN CLAY BEES IN BERLIN ACAD IN ACTION FALL.2012 | ACAD Publisher External Relations Statements, opinions and Account Director Stephanie Hutchinson viewpoints expressed by the Managing Editor Miles Durrie writers of this publication do Creative Director Anders Knudsen not necessarily represent the (Diploma in Visual Communications, 1988) views of the publisher. Art Director Venessa Brewer (Bachelor of Design, 2002) Alberta College of Art + Design Contributors Kelley Abbey, Shelley Arnusch, in partnership with RedPoint Carol Beecher, Miles Durrie, Kim Alison Media & Marketing Solutions. Fraser, Mackenzie Frère, Kevin Kurytnik, Alison Miyauchi, Jared Sych, Lori Van Copyright 2012 by RedPoint Rooijen, Colin Way Media Group Inc. No part of this Project Manager Kelly Trinh publication may be reproduced Production Manager Mike Matovich without the express written consent of the publisher. Cover Illustration Karen Klassen BFA Print Media, 2005 To view more of Karen’s work go to www. karenklassen.com 100, 1900 – 11th Street SE Alberta College of Art + Design Calgary, Alberta T2G 3G2 1407 – 14th Avenue NW Phone: 403.240.9055 Calgary, Alberta T2N 4R3 Media & Marketing Solutions redpointmedia.ca Phone: 403.284.7600 TRAVEL TO THE ANCIENT STONE VILLAGE OF LARAOS, PERU AND ITS SPECTACULAR STONE TERRACES. 14 DAYS OF ESCORTED DAY TRIPS INTO THE SURROUNDING NATIONAL PARK WILL CONCLUDE OVERNIGHT AT A HISTORIC PLANTATION, NOW RENOWNED AS A FINE DINING DESTINATION. -
Canadian Prairie Watercolour Landscapes
This material may be copied for personal use. Photocopying or reproduction by any means for classroom or commercial use is subject to approval by the author, phone 306 242-4350, e-mail [email protected] All copies must contain this heading. (c) 1997 Terry Fenton CANADIAN PRAIRIE WATERCOLOUR LANDSCAPES I VISITORS WEST FOR THE PURPOSES OF watercolour landscape painting in prairie Canada (with the exception of Paul Kane and Lewis Hine who traveled overland earlier in the century and were concerned primarily with documentation) our history begins in 1887 when William Van Horne, then general manager and subsequently president of the Canadian Pacific Railway. Van Horne issued railroad passes to artists, encouraging them to paint scenery from the interior of the new country — especially what were to become the mountain parks. He shrewdly judged that the images would attract both tourists and settlers both of whom would be obliged to use the railway. In a sense, this use repeated the conditions of the Grand Tour as well as Turner’s visits to the Alps and Italy in search of the picturesque and the sublime: both the purpose and character of the trip and the scenery pursued were English in spirit — one can imagine the artists perusing and applying the principles of Ruskin’s Modern Painters throughout the journey. Equally English were the means chosen — the artists worked from nature in watercolour as often as not, and produced large “exhibition watercolours” based upon them. They also painted oils, but like so many of their British counterparts of the day, their oils tended to be still and pedestrian. -
MEDIA RELEASE for IMMEDIATE RELEASE Celebrate
MEDIA RELEASE FOR IMMEDIATE RELEASE Celebrate Alberta’s Multiculturalism at Glenbow Museum Calgary, AB (May 9, 2005) – Beginning July 1, 2005, Glenbow Museum’s entire second floor will be transformed into a rich celebration of Southeast Asian culture, with specific focus on the regions of Southern China, including Hong Kong, Indo-China (Vietnam, Laos and Cambodia), as well as Thailand. Glenbow’s summer 2005 show, Voices of Southeast Asia on from July 1, 2005 to September 25, 2005, will comprise of four exhibits that examine the vibrant culture of Southeast Asia from both historical and contemporary contexts. The feature exhibit, Vietnam: Journeys of Body, Mind & Spirit from the American Museum of Natural History in New York City, will examine the rich customs and traditions of Vietnam through colourful objects such as masks, textiles, ceramics and rich photographs. Seven Stories, will share the personal stories of seven immigrants who left their homeland to begin new lives in Canada. Foreign and Familiar: Reconsidering the Everyday is a contemporary art exhibit featuring the works of first generation Asian- Canadian artists who reconsider everyday objects and how they shape the way we see the world and each other. Finally, we will showcase Glenbow Museum’s magnificent permanent Asian gallery, Many Faces, Many Paths: Art of Asia with over eighty world-class sculptures including rare pieces from Cambodia, China, and Thailand symbolizing ancient religions and mythologies. According to Glenbow Museum President and CEO Mike Robinson, Voices of Southeast Asia was developed by taking a collaborative approach. Curators, designers, and programmers worked with Canada’s Asian artists and communities to share the various artistic voices and cultural perspectives of our Canadian mosaic – of particular importance during Alberta’s Centennial year. -
Fine Canadian Art
HEFFEL FINE ART AUCTION HOUSE HEFFEL FINE ART FINE CANADIAN ART FINE CANADIAN ART FINE CANADIAN ART NOVEMBER 27, 2014 HEFFEL FINE ART AUCTION HOUSE VANCOUVER • CALGARY • TORONTO • OTTAWA • MONTREAL HEFFEL FINE ART AUCTION HOUSE ISBN 978~1~927031~14~8 SALE THURSDAY, NOVEMBER 27, 2014, TORONTO FINE CANADIAN ART AUCTION THURSDAY, NOVEMBER 27, 2014 4 PM, CANADIAN POST~WAR & CONTEMPORARY ART 7 PM, FINE CANADIAN ART PARK HYATT HOTEL, QUEEN’S PARK BALLROOM 4 AVENUE ROAD, TORONTO PREVIEW AT HEFFEL GALLERY, VANCOUVER 2247 GRANVILLE STREET SATURDAY, NOVEMBER 1 THROUGH TUESDAY, NOVEMBER 4, 11 AM TO 6 PM PREVIEW AT GALERIE HEFFEL, MONTREAL 1840 RUE SHERBROOKE OUEST THURSDAY, NOVEMBER 13 THROUGH SATURDAY, NOVEMBER 15, 11 AM TO 6 PM PREVIEW AT UNIVERSITY OF TORONTO ART CENTRE 15 KING’S COLLEGE CIRCLE ENTRANCE OFF HART HOUSE CIRCLE SATURDAY, NOVEMBER 22 THROUGH WEDNESDAY, NOVEMBER 26, 10 AM TO 6 PM THURSDAY, NOVEMBER 27, 10 AM TO 12 PM HEFFEL GALLERY, TORONTO 13 HAZELTON AVENUE, TORONTO ONTARIO, CANADA M5R 2E1 TELEPHONE 416 961~6505, FAX 416 961~4245 TOLL FREE 1 800 528-9608 WWW.HEFFEL.COM HEFFEL FINE ART AUCTION HOUSE VANCOUVER • CALGARY • TORONTO • OTTAWA • MONTREAL HEFFEL FINE ART AUCTION HOUSE CATALOGUE SUBSCRIPTIONS A Division of Heffel Gallery Inc. Heffel Fine Art Auction House and Heffel Gallery Inc. regularly publish a variety of materials beneficial to the art collector. An TORONTO Annual Subscription entitles you to receive our Auction Catalogues 13 Hazelton Avenue, Toronto, Ontario M5R 2E1 and Auction Result Sheets. Our Annual Subscription Form can be Telephone 416 961~6505, Fax 416 961~4245 found on page 116 of this catalogue. -
Une Bibliographie Commentée En Temps Réel : L'art De La Performance
Une bibliographie commentée en temps réel : l’art de la performance au Québec et au Canada An Annotated Bibliography in Real Time : Performance Art in Quebec and Canada 2019 3e édition | 3rd Edition Barbara Clausen, Jade Boivin, Emmanuelle Choquette Éditions Artexte Dépôt légal, novembre 2019 Bibliothèque et Archives nationales du Québec Bibliothèque et Archives du Canada. ISBN : 978-2-923045-36-8 i Résumé | Abstract 2017 I. UNE BIBLIOGraPHIE COMMENTÉE 351 Volet III 1.11– 15.12. 2017 I. AN ANNOTATED BIBLIOGraPHY Lire la performance. Une exposition (1914-2019) de recherche et une série de discussions et de projections A B C D E F G H I Part III 1.11– 15.12. 2017 Reading Performance. A Research J K L M N O P Q R Exhibition and a Series of Discussions and Screenings S T U V W X Y Z Artexte, Montréal 321 Sites Web | Websites Geneviève Marcil 368 Des écrits sur la performance à la II. DOCUMENTATION 2015 | 2017 | 2019 performativité de l’écrit 369 From Writings on Performance to 2015 Writing as Performance Barbara Clausen. Emmanuelle Choquette 325 Discours en mouvement 370 Lieux et espaces de la recherche 328 Discourse in Motion 371 Research: Sites and Spaces 331 Volet I 30.4. – 20.6.2015 | Volet II 3.9 – Jade Boivin 24.10.201 372 La vidéo comme lieu Une bibliographie commentée en d’une mise en récit de soi temps réel : l’art de la performance au 374 Narrative of the Self in Video Art Québec et au Canada. Une exposition et une série de 2019 conférences Part I 30.4. -
Connaught School | Approved Fees
Approved School Fees 2021-22 Connaught School If your child participates in any of the activities, field trips, items or services listed, you are responsible for paying those fees. A convenient and secure way to pay is online at www.cbe.ab.ca/mycbe. Learn more at www.cbe.ab.ca/fees-faq. Fees and Charges Approved Field Trip - Active Living - Swimming 30.00 Field Trip - Camp Experience - Rivers Edge Camp 20.00 Field Trip - Camp Experience - YMCA Outdoor School 300.00 Field Trip - Culinary Experience - ATCO Blue Flame Kitchen 10.00 Field Trip - Cultural Experience - Heritage Park 15.00 Field Trip - Cultural Experience - Lougheed House 12.00 Field Trip - Fine Arts Experience - Leighton Art Centre 25.00 Field Trip - Fine Arts Experience - Studio Bell 15.00 Field Trip - Fine Arts Experience - Young Writers' Conference 50.00 Field Trip - Museum Experience - Fort Calgary 20.00 Field Trip - Museum Experience - Glenbow Museum 20.00 Field Trip - Science Experience - Ann & Sandy Cross Conservation Area 30.00 Field Trip - Science Experience - Bow Habitat Station 15.00 Field Trip - Science Experience - Calgary Zoo 30.00 Field Trip - Science Experience - Fish Creek Park 15.00 Field Trip - Science Experience - Inglewood Bird Sanctuary 15.00 Field Trip - Science Experience - Interactions and Ecosystems Field Study 300.00 Field Trip - Science Experience - Nose Hill Park 12.00 Field Trip - Science Experience - Ralph Klein Park 20.00 Field Trip - Science Experience - St Patrick's Island Park 12.00 Field Trip - Science Experience - Telus Spark 15.00 Field -
Valley View School | Approved Fees
Approved School Fees 2021-22 Valley View School If your child participates in any of the activities, field trips, items or services listed, you are responsible for paying those fees. A convenient and secure way to pay is online at www.cbe.ab.ca/mycbe. Learn more at www.cbe.ab.ca/fees-faq. Fees and Charges Approved Field Trip - Active Living - Swimming 35.00 Field Trip - Camp Experience - Multiday - Camp Chief Hector 350.00 Field Trip - Museum Experience - Fort Calgary 28.00 In School - Active Living - Inline Skating 18.00 In School - Active Living - Thermopylae 8.00 In School - Fine Arts Experience - Clay for Kids 18.00 In School - Science Experience - Royal Tyrrell Museum 10.00 In School - Teacher's Pet 9.00 2021-22 Elementary Common Fee List Field Trip - Active Living - Bowling 24.00 Field Trip - Active Living - Granary Road 27.00 Field Trip - Active Living - Skating 27.00 Field Trip - Active Living - Swimming 47.00 Field Trip - Camp Experience - Multiday - Camp Chief Hector 360.00 Field Trip - Camp Experience - Multiday - Kamp Kiwanis 387.00 Field Trip - Culinary Experience - ATCO Blue Flame Kitchen 25.00 Field Trip - Cultural Experience - Blackfoot Crossing Historical Park 39.00 Field Trip - Cultural Experience - Head Smashed in Buffalo Jump Site 72.00 Field Trip - Cultural Experience - Heritage Park 26.00 Field Trip - Fine Arts Experience - Alberta Theatre Projects 33.00 Field Trip - Fine Arts Experience - Arts Commons 33.00 Field Trip - Fine Arts Experience - Calgary Philharmonic Orchestra 26.00 Field Trip - Fine Arts Experience -
GLENBOW RTTC.Pdf
2012–13 Report to the Community REPORT TO THE COMMUNITY 2012–13 Contents 1 Glenbow by the Numbers 2 Message from the President and Chair 4 Exhibitions 6 Events and Programs 8 Collections and Acquisitions 10 Support from the Community 12 Thank You to Our Supporters 14 Volunteers at Glenbow 15 Board of Governors 16 Management and Staff About Us In 1966, the Glenbow-Alberta Institute the Province of Alberta have worked was created when Eric Harvie and his together to preserve this legacy for future family donated his impressive collection generations. We gratefully acknowledge of art, artifacts and historical documents the Province of Alberta for its ongoing to the people of Alberta. We are grateful support to enable us to care for, maintain for their foresight and generosity. In and provide access to the collections the last four decades, Glenbow and on behalf of the people of Alberta. Glenbow Byby the Numbers 01 Library & Archives Operating Fund Operating Fund researchers served Revenue Expenditures 5% 9% 11% 6% 33% 32% 9% 7,700 19% 22% 9% 20% 25% Amortization of Deferred Depreciation & Revenue (Property & Amortization - $919,818 43,072 Equipment) - $493,443 Total in-house and outreach Commercial Library & Archives - $534,838 Activities - $1,032,498 education program participants Commercial Activities Admissions & & Fundraising - $1,891,010 Memberships - $859,785 Collections Miles that artwork for the Fundraising- $2,068,248 Management - $923,889 Programs & Exhibition Charlie Russell exhibition travelled Investment Development - $2,422,362 Income - $1,849,922 Government Central Services - $3,184,154 of Alberta - $3,176,000 Audited fi nancial statements for the year ended March 31, 2013 8,000 can be found at www.glenbow.org 108 Rubbermaid totes 117,681 used in Iain BAAXTERXTER&’s installation Shelf Life Total Attendance Number of artifacts and 797 works of art treated by Charlie Russell Glenbow conservation staff exhibition catalogues sold in the Glenbow Museum Shop 220 02 REPORT TO THE COMMUNITY 2012–13 Message from the Donna Livingstone R.