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Land Marks Land Marks
Land Marks Land Marks Mary Anne Barkhouse Wendy Coburn Brendan Fernandes Susan Gold Jérôme Havre Thames Art Gallery Art Gallery of Windsor Art Gallery of Peterborough Library and Archives Canada Cataloguing in Publication Land marks : Mary Anne Barkhouse, Wendy Coburn, Brendan Fernandes, Susan Gold and Jérôme Harve. Catalogue for a traveling exhibition held at Thames Art Gallery, June 28 – August 11, 2013; Art Gallery of Windsor, April 20 – June 15, 2014; Art Gallery of Peterborough, January 16 – March 15, 2015. Curator: Andrea Fatona ; co-curator: Katherine Dennis ; essays: Katherine Dennis, Andrea Fatona, Caoimhe Morgan-Feir. Includes bibliographical references. ISBN 978-1-894651-89-9 (pbk.) Contents 1. Identity (Psychology) in art — Exhibitions. 2. Human beings in art — Exhibitions. 3 3. Human ecology in art — Exhibitions. 4. Nature — Effect of human beings on — Exhibitions. Introduction 5. Landscapes in art — Exhibitions. 6. Art, Modern — 21st century — Exhibitions. I. Fatona, Andrea, 1963–, writer of added text II. Morgan-Feir, Caoimhe, writer of added text 7 III. Dennis, Katherine, 1986–, writer of added text IV. Art Gallery of Peterborough, host institution Essay by Andrea Fatona V. Art Gallery of Windsor. host institution VI. Thames Art Gallery, host institution, issuing body 19 N8217.I27L36 2013 704.9’49126 C2013-906537-7 Land Marks Essay by Katherine Dennis 41 Redrawing the Map Essay by Caoimhe Morgan-Feir 50 Artist Biographies 52 List of Works (previous; endsheet) Brendan Fernandes; Love Kill, 2009 (video still) Introduction We are pleased to present Land Marks, an exhibition that features five artists whose works draw our attention to the ways in which humans mark themselves, others, and their environments in order to establish identities, territory, and relationships to the world. -
DAVEANDJENN Whenever It Hurts
DAVEANDJENN Whenever It Hurts January 19 - February 23, 2019 Opening: Saturday January 19, 3 - 6 pm artists in attendance detail: “Play Bow” In association with TrépanierBaer Gallery, photos by: M.N. Hutchinson GENERAL HARDWARE CONTEMPORARY 1520 Queen Street West, Toronto, M6R 1A4 www.generalhardware.ca Hours: Wed. - Sat., 12 - 6 pm email: [email protected] 416-821-3060 DaveandJenn (David Foy and Jennifer Saleik) have collaborated since 2004. Foy was born in Edmonton, Alberta in 1982; Saleik in Velbert, Germany, in 1983. They graduated with distinction from the Alberta College of Art + Design in 2006, making their first appearance as DaveandJenn in the graduating exhibition. Experimenting with form and materials is an important aspect of their work, which includes painting, sculpture, installation, animation and digital video. Over the years they have developed a method of painting dense, rich worlds in between multiple layers of resin, slowly building up their final image in a manner that is reminiscent of celluloid animation, collage and Victorian shadow boxes. DaveandJenn are two times RBC Canadian Painting Competition finalists (2006, 2009), awarded the Lieutenant Governor of Alberta’s Biennial Emerging Artist Award (2010) and longlisted for the Sobey Art Award (2011). DaveandJenn’s work was included in the acclaimed “Oh Canada” exhibition curated by Denise Markonish at MASS MoCA – the largest survey of contemporary Canadian art ever produced outside of Canada. Their work can be found in both private and public collections throughout North America, including the Royal Bank of Canada, the Alberta Foundation for the Arts, the Calgary Municipal Collection and the Art Gallery of Hamilton. -
ROSALIE FAVELL | Www
ROSALIE FAVELL www.rosaliefavell.com | www.wrappedinculture.ca EDUCATION PhD (ABD) Cultural Mediations, Institute for Comparative Studies in Art, Literature and Culture, Carleton University, Ottawa, Ontario, Canada (2005 to 2009) Master of Fine Arts, University of New Mexico, Albuquerque, New Mexico, United States (1998) Bachelor of Applied Arts in Photographic Arts, Ryerson Polytechnical Institute, Toronto, Ontario, Canada (1984) SELECTED SOLO EXHIBITIONS 2018 Rosalie Favell: Shifting Focus, Latcham Art Centre, Stoufville, Ontario, Canada. (October 20 – December 8) 2018 Facing the Camera, Station Art Centre, Whitby, Ontario, Canada. (June 2 – July 8) 2017 Wish You Were Here, Ojibwe Cultural Foundation, M’Chigeeng, Ontario, Canada. (May 25 – August 7) 2016 from an early age revisited (1994, 2016), Wanuskewin Heritage Park, Regina, Saskatoon, Saskatchewan, Canada. (July – September) 2015 Rosalie Favell: (Re)Facing the Camera, MacKenzie Art Gallery, Regina, Saskatchewan, Canada. (August 29 – November 22) 2014 Rosalie Favell: Relations, All My Relations, Minneapolis, Minnesota, United States. (December 12 – February 20, 2015) 2013 Muse as Memory: the Art of Rosalie Favell, Gallery of the College of Staten Island, New York City, New York, United States. (November 14 – December 19) 2013 Facing the Camera: Santa Fe Suite, Museum of Contemporary Native Art, Santa Fe, New Mexico, United States. (May 25 – July 31) 2013 Rosalie Favell, Cube Gallery, Ottawa, Ontario, Canada. (April 2 – May 5) 2013 Wish You Were Here, Art Gallery of Algoma, Sault Ste. Marie, Ontario, Canada. (February 28 – May 26) 2012 Rosalie Favell Karsh Award Exhibition, Karsh Masson Gallery, Ottawa, Ontario, Canada. (September 7 – October 28) 2011 Rosalie Favell: Living Evidence, Mount Saint Vincent University Art Gallery, Halifax, Nova Scotia, Canada. -
La Videodanza 184 James Seawright, P
orizzonti La pubblicazione del presente volume è stata realizzata con il contributo dell’Università degli Studi di Torino, Dipartimento di Studi Umanistici. © edizioni kaplan 2020 Via Saluzzo, 42 bis – 10125 Torino Tel. e fax 011-7495609 [email protected] www.edizionikaplan.com ISBN 978-88-99559-41-0 In copertina: immagine di Alessandro Amaducci Alessandro Amaducci Screendance Sperimentazioni visive intorno al corpo tra film, video e computer grafica k a p l a n Indice Introduzione 11 Screendance 11 Le differenti forme della screendance, p. 13 Risorse web, p. 17 Capitolo 1 18 Dance film: il cinema di danza 18 La danza delle forme, p. 18 Gli albori del film di danza, p. 22 Marie Louise Fuller, p. 22 Danza e natura, p. 23 Charles Allen, Francis Trevelyan Miller, p. 24 Emlen Etting, p. 24 Dudley Murphy, p. 25 Coreografie animate: danze macabre e Surrealismo, p. 27 Walt Disney, p. 28 Le mani che danzano, p. 29 Stella F. Simon, Miklós Bándy (Nicolas Baudy), p. 29 Norman Bel Goddes, p. 30 Maya Deren, p. 31 Gli esordi della documentazione potenziata: Martha Graham, p. 40 Peter Glushnakov, p. 40 Alexander Hammid (Alexander Siegfried Hackenschmied), p. 41 Filmmaker sperimentali e danza, p. 43 Len Lye, p. 43 Sara Kathryn Arledge, p. 45 Shirley Clarke, p. 47 Ed Emshwiller, p. 50 Bruce Conner, p. 57 Norman McLaren, p. 59 Richard O. Moore, p. 63 5 Doris Chase, p. 68 Amy Greenfield, p. 69 Téo Hernandez, p. 76 Henry Hills, p. 78 I coreografi diventano registi, p. 80 Yvonne Rainer, p. 81 Twyla Tharp, p. -
MA CV Oct 2019
MARY ANNE BARKHOUSE AOCA, RCA Born: Vancouver, British Columbia 1961 SELECTED EXHIBITIONS Ontario College of Art, Honours Graduate 1991 2011 2019 Close Encounters: the Next 500 Years Undomesticated Plug-In ICA, Winnipeg, MB Kofflery Centre for the Arts maison de loup (solo) How to Breathe Forever Visual Arts Centre of Clarington, Bowmanville, ON Onsite Gallery, Toronto, ON what the fox saw 2018 Lafreniere and Pai Gallery, Ottawa, ON The Interlopers (solo) 2010 McLaren Art Centre, Barrie, ON It Is What It Is National Gallery of Canada, Ottawa, ON Le Rêve aux Loups (solo) Foreman Art Gallery, Sherbrooke, QC Strange Nature Richmond Art Gallery, Richmond, BC 2017 Le Rêve aux Loups (solo) Reins of Chaos II (solo) Latcham Gallery, Stouffville, ON Koffler Centre of the Arts, Toronto, ON Esker Foundation, Calgary, AB Game (solo) Urban Shaman, Winnipeg, MB Beneath the Tame (2-person show with Anna Williams) House Beautiful McDonald Stewart Art Centre, Guelph, ON Gallery 101, Ottawa, ON 2009 Oh Ceramics! (group exhibition) The Muhheakantuck in Focus The Esplanade Art Gallery Medicine Hat, AB Wave Hill Cultural Centre, Bronx, NY Resilience, National Billboard Exhibition Project Home/Land Security Lee-Ann Martin, Shawn Dempsey, MAWA University of Waterloo, Waterloo, ON 2016 2008 Culture Shift The Reins of Chaos (solo) Art Mur, Montreal, QC Ottawa Art Gallery, Ottawa, ON 2015 Beaver Tales: Canadian Art and Design Human Nature University of Toronto Art Centre, Toronto, ON Carleton University Art Gallery, Ottawa, ON 2013 2007 Sakahàn Boreal Baroque (solo - national touring until 2009) National Gallery of Canada, Ottawa, ON Robert McLaughlin Gallery, Oshawa, ON Regency (solo) Terra Incognita Rodman Hall, St. -
Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day -
November 29Th, 2018 U.S. Citizenship and Immigration Services
November 29th, 2018 U.S. Citizenship and Immigration Services Department of Homeland Security 20 Massachusetts Avenue NW Washington, DC 20529-2140 Dear Chief Deshommes, Enclosed is a petition signed by 10,391 people from across the country calling for DHS to reject the implementation of the proposed rule change outlined in Docket No. USCIS-2010-0012, which would prove devastating to many hardworking families, and which defies evidence that shows the long-term benefits of programs like the Supplemental Nutrition Assistance Program (SNAP). Thank you for your consideration of the following comments. Re: DHS Document No. USCIS-2010-0012: Inadmissibility on Public Charge Grounds; Notice of Proposed Rulemaking I submit this comment to express strong opposition to proposed sweeping changes by the Department of Homeland Security (DHS) to US immigration law and to the definition of a “public charge.” This proposed rule defies evidence that programs such as the Supplemental Nutrition Assistance Program (SNAP) greatly improve long-term public health and life outcomes for children. This change would prove devastating to many hardworking families who could be forced in hard times to choose between meeting their daily needs and maintaining a path to citizenship. These policy changes would negatively impact our children and communities. These changes would make them face greater risk of hunger and poor health without assistance from programs such as SNAP, which has been linked to improved birth weight and neonatal health, improved school performance, and fewer hospital visits. The proposed policy also undermines the core function of the federal safety net, which protects us all from the unexpected and could lead to worsening hunger and health disparities among some of our most vulnerable populations. -
Oshawa Oshawa Sculptures Septoct Artscene
Volume 26 – Issue 5 September, October, 2021 Circulation – On-Line Only Connect Garland Gate To The Future The Compass • Edward Falkenberg ~ 2004 Durham College/Ontario Tech U. Gordon Willey Building / Bus Loop Stainless Steel Ring Dimensions: 4.88m H/W x .46m D • Douglas Bentham ~ 2006 • André Fournelle ~ 2013 • Darlene Bolahood ~ 2005 Connect is a powerful sculpture de- Durham College/Ontario Tech U. Durham College/Ontario Tech U. Durham College/Ontario Tech U. signed by Claremont sculptor Ed- Avenue of Champions Avenue of Champions Gordon Willey Building / Bus Loop ward Falkenberg. It represents the Painted Steel Corten Steel, Gold Leaf Steel, Polycarbonate Sheets many disciplines being studied. It Representing Saskatchewan, Representing Quebec Dimension: 12m H symbolizes the connection between Dimensions: 5.2m H x 2.7m W x 2.4m D Dimensions: 8m H x 5m W x 130cm D Former faculty member Darlene Bo- business, industry, government, Douglas Bentham is known interna- “For “Gate to the Future” I lahood’s idea was to build the four technology, education and the col- tionally as a constructivist sculptor, towers to align to true north so that lege and university, as well as the however he originally graduated was inspired by the music whenever the sun reached the tower many partnerships the shared cam- from the University of Saskatchewan and sound records sent at 12 o’clock, the blue panel would pus has established with the commu- with a fine arts degree in painting. point to solar noon. She saw her nity. Its segments are joined together When talking about Garland he into space in 1977 by piece representing time, direction, to form a whole, the whole being said NASA on the Voyager and the freedom of choice. -
The Interlopers Exhibition Publication
The Interlopers Mary Anne Barkhouse The Interlopers Mary Anne Barkhouse Essays by Corinna Ghaznavi and Tanya Lukin Linklater Curated by Renée van der Avoird MacLaren Art Centre, Barrie, Ontario introduction The Interlopers, a sculptural installation by Kwakiutl artist Mary Anne Barkhouse, examines the relationships between native North American animals and the colonial structures of territory, expansion and empire that encroach on their terrain. Barkhouse, a Minden-based artist, adeptly encapsulates this tension, staging a feast of scraps and waste for a hungry coywolf caught in a longing stare, his hind legs tensing into what could become a supplication or a pounce. In the second part of this project, a coywolf, curled up asleep in our garden courtyard, is seemingly naturalized in this interstitial space. The hybrid animal, emerging from the crossbreeding of two similar but distinct species in a process catalyzed by human intervention, is mobilized by Barkhouse as a metaphor for untangling notions of human-animal dynamics, Indigenous-settler histories, and questions of tolerance, respect and power. The Interlopers has particular resonance for Barrie and its surrounding environment. Located north of Toronto and south of Muskoka, this rapidly expanding city is prized for its pristine outdoor spaces. Entering the Janice Laking Gallery that houses The Interlopers culls within the visitor a conscious awareness that we are neither the first, nor the last, nor the only inhabitants of this ecologically rich place. Humbly, we acknowledge that we, in fact, may be the interlopers in these spaces. Two guest essayists—Corinna Ghaznavi and Tanya Lukin Linklater—have provided analytic and poetic points of entry into this exhibition, further enriching 3 our understanding of Barkhouse’s project. -
Class 3 Kwak
“Our carvings and representations are not just art objects… they are alive, they teach, they reveal knowledge of the past…they explain our existence in the universe - who we are, where we originated, who our ancestors were and whom and what they encountered.” Daisy Sewid Smith, Kwakwaka’wakw Native Art of the NWC, p. 16 Interpreting the Cultural Symbols of the People from the Shore. Kwakwaka’wakw (Kwakwak-a-wak) Today • Nuu-chah-nulth belief system • Historic 1921 Kwakwaka’wakw Potlatch • Film: Potlatch: To Give • Traditional Kwakwaka’wakw artists • Contemporary Kwakwaka’wakw artists • Video: Corinne Hunt, Olympic medal designer Art of oratory, song, dance, performance Nuu-chah-nulth Belief System by Ki-ke-in, Ron Hamilton • The four realms of the universe are overseen by Four Great Spirit Chiefs • Four realms: – Under-sea world – On-the-land world – In-the-sky world – World-beyond-the-horizon Ch’ihaa (spirit) • These spirits are with us • The spirits of our close deceased relatives can bring us good luck, great strength and a fuller life • A respectful relationship is important • Some ch’ihaa are helpful, some harmful Death “At death, the life force of the recently deceased begins a long journey travelling beneath the sea, over the land, into the sky and beyond the horizon and finally among the stars in the Milky Way…Those left behind can pray for and receive assistance from our relatives in the spirit world.” Kwakwaka’wakw Art 1884 – Potlatches, dances, songs forbidden by Ottawa 1921 Potlatch Indian Agent arrives: “either give up your masks and regalia or go to jail. -
Cubed Circle Newsletter Issue 229 – It's Here Everybody! Say What You
Cubed Circle Newsletter Issue 229 – It's Here Everybody! Say what you will about the build to WrestleMania 32, or even recent WrestleManias in general; I don't think that many would argue with the idea that WrestleMania Weekend is the best time of the year to be a wrestling fan – perhaps only rivalled by the G1 Climax. If you are a fan of professional wrestling there will be something for you to enjoy this weekend, of that you can be sure. We have a light issue for everyone this week, as we get ready for one of our best and biggest issues of the year in our annual WrestleMania issue next week. As always, Ben covers all of the news in the Pro-Wres Digest, as well as coverage of the go-home edition of RAW from Monday night! – Ryan Clingman, Cubed Circle Newsletter Editor The Pro-Wres Digest for March 27th – April 1st. @BenCarass. Top Stories: We unfortunately have some heartbreaking news to start what is the biggest week of the year for pro wrestling, as 32 year-old British wrestler Kris Travis tragically passed away after an 18 month battle with stomach cancer on 31/3. Travis was diagnosed with the disease in October 2014 and had to pull out of the second season of TNA British Bootcamp because of the diagnosis. In 2015 he underwent surgery to remove a tumour and a part of his stomach then went through 18 weeks of intensive chemotherapy, which appeared to put him on the road to recovery. Travis defied all doctors expectations and returned to the ring at a Preston City Wrestling show on August 7th 2015. -
Gerd Stern Papers M1954
http://oac.cdlib.org/findaid/ark:/13030/c8pz5g8n No online items Guide to the Gerd Stern Papers M1954 Franz Kunst Department of Special Collections and University Archives 2018 Green Library 557 Escondido Mall Stanford 94305-6064 [email protected] URL: http://library.stanford.edu/spc Guide to the Gerd Stern Papers M1954 1 M1954 Language of Material: English Contributing Institution: Department of Special Collections and University Archives Title: Gerd Stern papers creator: Stern, Gerd Identifier/Call Number: M1954 Physical Description: 50 Linear Feet(156 containers) Date (inclusive): 1938-2012 Abstract: The papers of poet, writer, artist and multimedia pioneer Gerd Stern span over fifty years of creative work in the American counterculture. Conditions Governing Use While Special Collections is the owner of the physical and digital items, permission to examine collection materials is not an authorization to publish. These materials are made available for use in research, teaching, and private study. Any transmission or reproduction beyond that allowed by fair use requires permission from the owners of rights, heir(s) or assigns. Conditions Governing Access Open for research. Note that material must be requested at least 36 hours in advance of intended use. Audiovisual materials are not available in original format, and must be reformatted to a digital use copy. Immediate Source of Acquisition Purchased, 2013. Accessions 2013-098, 2013-121, and 2013-122. Preferred Citation [identification of item], Gerd Stern Papers (M1954). Dept. of Special Collections and University Archives, Stanford Libraries, Stanford, Calif. Biographical / Historical Gerd Stern is a poet, artist, and multimedia pioneer whose remarkable life spans 40s bohemia, 50s Beat culture, 60s hippiedom, 70s hip capitalism, and continues today.