FASTWURMS, Kim Kozzi, Dai Skuse
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Franklin Carmichael's Representation of The
TRANSCENDENTAL NATURE AND CANADIAN NATIONAL IDENTITY: FRANKLIN CARMICHAEL’S REPRESENTATION OF THE CANADIAN LANDSCAPE by NICOLE MARIE MCKOWEN Submitted to the Faculty Graduate Division College of Fine Arts Texas Christian University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2019 TRANSCENDENTAL NATURE AND CANADIAN NATIONAL IDENTITY: FRANKLIN CARMICHAEL’S REPRESENTATION OF THE CANADIAN LANDSCAPE Thesis Approved: ______________________________________________________________________________ Major Professor, Dr. Mark Thistlethwaite, Kay and Velma Kimbell Chair of Art History ______________________________________________________________________________ Dr. Frances Colpitt, Deedie Rose Chair of Art History ______________________________________________________________________________ Dr. Meredith Munson, Lecturer, Art History at University of Texas, Arlington ______________________________________________________________________________ Dr. Joseph Butler, Associate Dean for the College of Fine Arts Date ii iii Acknowledgements I would like to express my gratitude to my committee chair Dr. Mark Thistlethwaite and my committee members Dr. Frances Colpitt and Dr. Meredith Munson for their time and guidance throughout the writing of this thesis. I am also grateful to all of the faculty of the Art History Division of the School of Art at Texas Christian University, Dr. Babette Bohn, Dr. Lori Diel, and Dr. Jessica Fripp, for their support of my academic pursuits. I extend my warmest thanks to Catharine Mastin for her support of my research endeavors and gratefully recognize archivist Philip Dombowsky at the National Gallery of Canada, archivist Linda Morita and registrar Janine Butler at the McMichael Canadian Art Collection, and the archivists at the Library and Archives Canada for their enthusiastic aid throughout my research process. Finally, I am indebted to my husband and family, my champions, for their unwavering love and encouragement. -
Land Marks Land Marks
Land Marks Land Marks Mary Anne Barkhouse Wendy Coburn Brendan Fernandes Susan Gold Jérôme Havre Thames Art Gallery Art Gallery of Windsor Art Gallery of Peterborough Library and Archives Canada Cataloguing in Publication Land marks : Mary Anne Barkhouse, Wendy Coburn, Brendan Fernandes, Susan Gold and Jérôme Harve. Catalogue for a traveling exhibition held at Thames Art Gallery, June 28 – August 11, 2013; Art Gallery of Windsor, April 20 – June 15, 2014; Art Gallery of Peterborough, January 16 – March 15, 2015. Curator: Andrea Fatona ; co-curator: Katherine Dennis ; essays: Katherine Dennis, Andrea Fatona, Caoimhe Morgan-Feir. Includes bibliographical references. ISBN 978-1-894651-89-9 (pbk.) Contents 1. Identity (Psychology) in art — Exhibitions. 2. Human beings in art — Exhibitions. 3 3. Human ecology in art — Exhibitions. 4. Nature — Effect of human beings on — Exhibitions. Introduction 5. Landscapes in art — Exhibitions. 6. Art, Modern — 21st century — Exhibitions. I. Fatona, Andrea, 1963–, writer of added text II. Morgan-Feir, Caoimhe, writer of added text 7 III. Dennis, Katherine, 1986–, writer of added text IV. Art Gallery of Peterborough, host institution Essay by Andrea Fatona V. Art Gallery of Windsor. host institution VI. Thames Art Gallery, host institution, issuing body 19 N8217.I27L36 2013 704.9’49126 C2013-906537-7 Land Marks Essay by Katherine Dennis 41 Redrawing the Map Essay by Caoimhe Morgan-Feir 50 Artist Biographies 52 List of Works (previous; endsheet) Brendan Fernandes; Love Kill, 2009 (video still) Introduction We are pleased to present Land Marks, an exhibition that features five artists whose works draw our attention to the ways in which humans mark themselves, others, and their environments in order to establish identities, territory, and relationships to the world. -
Cultural Facilities 030109
A Map of Toronto’s Cultural Facilities A Cultural Facilities Analysis 03.01.10 Prepared for: Rita Davies Managing Director of Culture Division of Economic Development, Culture and Tourism Prepared by: ERA Architects Inc. Urban Intelligence Inc. Cuesta Systems Inc. Executive Summary In 1998, seven municipalities, each with its own distinct cultural history and infrastructure, came together to form the new City of Toronto. The process of taking stock of the new city’s cultural facilities was noted as a priority soon after amalgamation and entrusted to the newly formed Culture Division. City Council on January 27, 2000, adopted the recommendations of the Policy and Finance Committee whereby the Commissioner of Economic Development, Culture and Tourism was requested to proceed with a Cultural Facilities Masterplan including needs assessment and business cases for new arts facilities, including the Oakwood - Vaughan Arts Centre, in future years. This report: > considers the City of Toronto’s role in supporting cultural facilities > documents all existing cultural facilities > provides an approach for assessing Toronto’s cultural health. Support for Toronto’s Cultural Facilities Through the Culture Division, the City of Toronto provides both direct and indirect support to cultural activities. Direct support consists of : > grants to individual artists and arts organizations > ongoing operating and capital support for City-owned and operated facilities. Indirect support consists of: > property tax exemptions > below-market rents on City-owned facilities > deployment of Section 37 development agreements. A Cultural Facilities Inventory A Cultural Facility Analysis presents and interprets data about Toronto’s cultural facilities that was collected by means of a GIS (Global Information System) database. -
John Boyle, Greg Curnoe and Joyce Wieland: Erotic Art and English Canadian Nationalism
John Boyle, Greg Curnoe and Joyce Wieland: Erotic Art and English Canadian Nationalism by Matthew Purvis A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Cultural Mediations Carleton University Ottawa, Ontario © 2020, Matthew Purvis i Abstract This dissertation concerns the relation between eroticism and nationalism in the work of a set of English Canadian artists in the mid-1960s-70s, namely John Boyle, Greg Curnoe, and Joyce Wieland. It contends that within their bodies of work there are ways of imagining nationalism and eroticism that are often formally or conceptually interrelated, either by strategy or figuration, and at times indistinguishable. This was evident in the content of their work, in the models that they established for interpreting it and present in more and less overt forms in some of the ways of imagining an English Canadian nationalism that surrounded them. The dissertation contextualizes the three artists in the terms of erotic art prevalent in the twentieth century and makes a case for them as part of a uniquely Canadian mode of decadence. Constructing my case largely from the published and unpublished writing of the three subjects and how these played against their reception, I have attempted to elaborate their artistic models and processes, as well as their understandings of eroticism and nationalism, situating them within the discourses on English Canadian nationalism and its potentially morbid prospects. Rather than treating this as a primarily cultural or socio-political issue, it is treated as both an epistemic and formal one. -
DAVEANDJENN Whenever It Hurts
DAVEANDJENN Whenever It Hurts January 19 - February 23, 2019 Opening: Saturday January 19, 3 - 6 pm artists in attendance detail: “Play Bow” In association with TrépanierBaer Gallery, photos by: M.N. Hutchinson GENERAL HARDWARE CONTEMPORARY 1520 Queen Street West, Toronto, M6R 1A4 www.generalhardware.ca Hours: Wed. - Sat., 12 - 6 pm email: [email protected] 416-821-3060 DaveandJenn (David Foy and Jennifer Saleik) have collaborated since 2004. Foy was born in Edmonton, Alberta in 1982; Saleik in Velbert, Germany, in 1983. They graduated with distinction from the Alberta College of Art + Design in 2006, making their first appearance as DaveandJenn in the graduating exhibition. Experimenting with form and materials is an important aspect of their work, which includes painting, sculpture, installation, animation and digital video. Over the years they have developed a method of painting dense, rich worlds in between multiple layers of resin, slowly building up their final image in a manner that is reminiscent of celluloid animation, collage and Victorian shadow boxes. DaveandJenn are two times RBC Canadian Painting Competition finalists (2006, 2009), awarded the Lieutenant Governor of Alberta’s Biennial Emerging Artist Award (2010) and longlisted for the Sobey Art Award (2011). DaveandJenn’s work was included in the acclaimed “Oh Canada” exhibition curated by Denise Markonish at MASS MoCA – the largest survey of contemporary Canadian art ever produced outside of Canada. Their work can be found in both private and public collections throughout North America, including the Royal Bank of Canada, the Alberta Foundation for the Arts, the Calgary Municipal Collection and the Art Gallery of Hamilton. -
Nafional Fann Radio Forum on CBC Radio Eleanor Beattie a Thesis the Department Communication Studies Presented in Partial Fulfil
Public Education in the Mass Media: Nafional Fann Radio Forum on CBC Radio Eleanor Beattie A Thesis The Department Communication Studies Presented in Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy at Concordia University Montreal, Quebec, Canada 8 Eleanor Beattie, 1999 National Library Bibliothèque nationale du Canada Acquisitions and Acquisitions et Bibliographie Services senrices bibliographiques The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Lhrary of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, di~6tl'buerou copies of this thesis in microfom, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or othewise de celle-ci ne doivent être imprimés reproduced without the auîhor's ou autrement reproduits sans son permission. autorisation. A5STRACT Public Education in the Mass Media: National Fann Radio Forum on CBC Radio Eleanor Beattie, Ph.D. Concordia University, 1999 The weekly radio program, National Fatm Radio Forum (1940 - 1965) on the Canadian Broadcasting Corporation is the site of an examination of civic education in the mass media. The archived documentation of NFRF forms the corpus of my research. The subjed of civic education is analyzed through a rhetorical examination of programs on the subject of health delivery, the latter chosen because it shares, with civic education, the topics of cooperativisrn and equity of access. -
September/October 2017 Preview-Art.Com
September/October 2017 preview-art.com Installation Storage Shipping Transport Framing Providing expert handling of your fine art for over thirty years. 155 West 7th Avenue, Vancouver, BC Canada V5Y 1L8 604 876 3303 denbighfas.com [email protected] Installation Storage Shipping Transport Framing Providing expert handling of your fine art for over thirty years. 155 West 7th Avenue, Vancouver, BC Canada V5Y 1L8 604 876 3303 denbighfas.com [email protected] BRITISH COLUMBIA ALBERTA Laxgalts’ap Prince Rupert Prince George St. Albert Skidegate Edmonton HAIDA GWAII North Vancouver Deep Cove West Vancouver Port Moody Williams Lake Vancouver Coquitlam Burnaby Maple Ridge Richmond New Westminster Chilliwack Banff Calgary Surrey Fort Langley Salmon Arm Tsawwassen White Rock Abbotsford Kamloops Black Diamond Vernon Campbell River Courtenay Whistler Kelowna Medicine Hat Cumberland Roberts Creek Penticton Nelson Qualicum Beach Vancouver Lethbridge Port Alberni (see map above) Grand Forks Castlegar Nanaimo Salt Spring Is. Bellingham Victoria La Conner Friday Harbor Everett Port Angeles Spokane Bellevue Bainbridge Is. Seattle Tacoma WASHINGTON Pacific Ocean Astoria Cannon Beach Portland Salem OREGON 6 PREVIEW n SEP-OCT 2017 H OPEN LATE ON FIRST THURSDAYS September/October 2017 Vol. 31 No.4 ALBERTA PREVIEWS & FEATURES 8 Banff, Black Diamond, Calgary 10 Yechel Gagnon: Midwinter Thaw 13 Edmonton Newzones 14 Lethbridge, Medicine Hat, St. Albert 12 Citizens of Craft Alberta Craft Gallery, Calgary BRITISH COLUMBIA 15 Cutline: From the Archives of the Globe -
ROSALIE FAVELL | Www
ROSALIE FAVELL www.rosaliefavell.com | www.wrappedinculture.ca EDUCATION PhD (ABD) Cultural Mediations, Institute for Comparative Studies in Art, Literature and Culture, Carleton University, Ottawa, Ontario, Canada (2005 to 2009) Master of Fine Arts, University of New Mexico, Albuquerque, New Mexico, United States (1998) Bachelor of Applied Arts in Photographic Arts, Ryerson Polytechnical Institute, Toronto, Ontario, Canada (1984) SELECTED SOLO EXHIBITIONS 2018 Rosalie Favell: Shifting Focus, Latcham Art Centre, Stoufville, Ontario, Canada. (October 20 – December 8) 2018 Facing the Camera, Station Art Centre, Whitby, Ontario, Canada. (June 2 – July 8) 2017 Wish You Were Here, Ojibwe Cultural Foundation, M’Chigeeng, Ontario, Canada. (May 25 – August 7) 2016 from an early age revisited (1994, 2016), Wanuskewin Heritage Park, Regina, Saskatoon, Saskatchewan, Canada. (July – September) 2015 Rosalie Favell: (Re)Facing the Camera, MacKenzie Art Gallery, Regina, Saskatchewan, Canada. (August 29 – November 22) 2014 Rosalie Favell: Relations, All My Relations, Minneapolis, Minnesota, United States. (December 12 – February 20, 2015) 2013 Muse as Memory: the Art of Rosalie Favell, Gallery of the College of Staten Island, New York City, New York, United States. (November 14 – December 19) 2013 Facing the Camera: Santa Fe Suite, Museum of Contemporary Native Art, Santa Fe, New Mexico, United States. (May 25 – July 31) 2013 Rosalie Favell, Cube Gallery, Ottawa, Ontario, Canada. (April 2 – May 5) 2013 Wish You Were Here, Art Gallery of Algoma, Sault Ste. Marie, Ontario, Canada. (February 28 – May 26) 2012 Rosalie Favell Karsh Award Exhibition, Karsh Masson Gallery, Ottawa, Ontario, Canada. (September 7 – October 28) 2011 Rosalie Favell: Living Evidence, Mount Saint Vincent University Art Gallery, Halifax, Nova Scotia, Canada. -
A Cultural Trade? Canadian Magazine Illustrators at Home And
A Cultural Trade? Canadian Magazine Illustrators at Home and in the United States, 1880-1960 A Dissertation Presented by Shannon Jaleen Grove to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor oF Philosophy in Art History and Criticism Stony Brook University May 2014 Copyright by Shannon Jaleen Grove 2014 Stony Brook University The Graduate School Shannon Jaleen Grove We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Michele H. Bogart – Dissertation Advisor Professor, Department of Art Barbara E. Frank - Chairperson of Defense Associate Professor, Department of Art Raiford Guins - Reader Associate Professor, Department of Cultural Analysis and Theory Brian Rusted - Reader Associate Professor, Department of Art / Department of Communication and Culture University of Calgary This dissertation is accepted by the Graduate School Charles Taber Dean of the Graduate School ii Abstract of the Dissertation A Cultural Trade? Canadian Magazine Illustrators at Home and in the United States, 1880-1960 by Shannon Jaleen Grove Doctor of Philosophy in Art History and Criticism Stony Brook University 2014 This dissertation analyzes nationalisms in the work of Canadian magazine illustrators in Toronto and New York, 1880 to 1960. Using a continentalist approach—rather than the nationalist lens often employed by historians of Canadian art—I show the existence of an integrated, joint North American visual culture. Drawing from primary sources and biography, I document the social, political, corporate, and communication networks that illustrators traded in. I focus on two common visual tropes of the day—that of the pretty girl and that of wilderness imagery. -
ICA Boston, Boston, MA*
GEOFFREY FARMER Born: 1967, Vancouver, British Columbia Lives and works in Vancouver, British Columbia EDUCATION 1992 Emily Carr Institute of Art and Design, Vancouver, British Columbia 1990-1991 San Francisco Art Institute, San Francisco, California AWARDS AND RESIDENCIES 2015 The Watermill Center Residency, Watermill, NY 2014 Edinburgh Printmakers, Artist in Residence, Edinburgh 2013 Gershon Iskowitz Prize 2011 Hnatyshyn Foundation Visual Arts Award Kadist Art Foundation 2010 God’s Dice, Artist in Residence, The Banff Centre, Banff, Alberta SOLO EXHIBITIONS (*publication/catalogue) 2018 Casey Kaplan, New York, NY (forthcoming) 2017 The Care With Which The Rain Is Wrong, Schinkel Pavillion, Berlin Geoffrey Farmer & Gareth Moore. A Dark Switch Yawning, Neptune Skeletons Thronging, Black Bucket Prolonging, World Turtle Longing, Sink Plug Wronging, Salzburger Kunstverein, Salzburg, Austria The Kitchen, Catriona Jeffries, Vancouver Canadian Pavilion, Venice Biennale, Venice 2016 ICA Boston, Boston, MA* 2015 How Do I Fit This Ghost In My Mouth?, Vancouver Art Gallery, Vancouver * 2014 Cut nothing, cut parts, cut the whole, cut the order of time, Casey Kaplan, New York, NY Every day needs an urgent whistle blown into it, Art Gallery of Ontario, Toronto Let’s Make the Water Turn Black, Kunstverein Hamburg, Hamburg; Pérez Art Museum Miami, Miami, FL* The Grass and Banana go for a walk, Catriona Jeffries, Vancouver 2013/2014 Let’s Make the Water Turn Black, Migros Museum, Zurich, Switzerland; Nottingham Contemporary, Nottingham* 2013 The Surgeon -
JOHN Mcewen Born Toronto, 1945 Lives in Hillsdale, on EDUCATION
JOHN McEWEN Born Toronto, 1945 Lives in Hillsdale, ON EDUCATION 1965 McMaster University, Hamilton, ON 1966-70 Ontario College of Art, Toronto, ON TEACHING EXPERIENCE 1989-90 Professor, Visual Arts Department, University of Ottawa 1978-85 Professor, Technological Studies, Ontario College of Art HONOURS 2019 Order of Canada SOLO EXHIBITIONS 2020 Like Glitter Ascending Into Fire, Olga Korper Gallery, Toronto, ON 2019/20 Walk On: the ongoing sculpture project of John McEwen, Woodstock Art Gallery, ON 2017 A Passing Gust of Wind, Olga Korper Gallery, Toronto, ON 2015 Skin Deep (The Defensible Heart), Olga Korper Gallery, Toronto, ON 2014 Flotsam and Jetsam, Page & Strange, Halifax, NS Beauty Beneath the Bone, DNA Artspace, London, ON 2013 Snakes & ladders, Olga Korper Gallery, Toronto, ON 2012 A Library for the Future, Page & Strange, Halifax, NS 2011 Empire of the Imagination, Olga Korper Gallery, Toronto, ON Je Pense/I Think, Musée d’art contemporain des Laurentides, Saint-Jérôme, QC 2009 Internal Logic, Olga Korper Gallery, Toronto, ON Ocean Mind / Ocean Stories, Gallery Page and Strange, Halifax, NS 2007 Marconi In The Sculpture of John McEwen, The Winnipeg Art Gallery, Winnipeg, MB On the Beach, Olga Korper Gallery, Toronto, ON 2006 Archipel, Parisian Laundry, Montréal, QC 2006 Kiwi Sculpture Garden Project, Perth, ON 2005 New Garden, Olga Korper Gallery, Toronto, ON 2003 Stories from the Water-Glass, Olga Korper Gallery, Toronto, ON 2001 Ocean of Stories, Olga Korper Gallery, Toronto, ON 1999 Open Pour – Heaven and Earth, Olga Korper Gallery, Toronto, ON 1995 Our Museum, Olga Korper Gallery, Toronto, ON Breath, Smoke and Yellow Air, The Power Plant, Toronto, ON 1993 The Affair at Babel - Five Works, Olga Korper Gallery, Toronto, ON 1992 Elevator Shaft Project / Wizard, Olga Korper Gallery, Toronto, ON Eclipse for the Unborn, Galerie Samuel Lallouz, Montréal, QC 1991-93 Babylon and the Tower of Babel, sponsored by The McMichael Art Gallery, Kleinburg, ON 1988 Five Public Works / John McEwen, Southern Alberta Art Gallery, Lethbridge, AB 1 SOLO EXHIBITIONS Cont. -
MA CV Oct 2019
MARY ANNE BARKHOUSE AOCA, RCA Born: Vancouver, British Columbia 1961 SELECTED EXHIBITIONS Ontario College of Art, Honours Graduate 1991 2011 2019 Close Encounters: the Next 500 Years Undomesticated Plug-In ICA, Winnipeg, MB Kofflery Centre for the Arts maison de loup (solo) How to Breathe Forever Visual Arts Centre of Clarington, Bowmanville, ON Onsite Gallery, Toronto, ON what the fox saw 2018 Lafreniere and Pai Gallery, Ottawa, ON The Interlopers (solo) 2010 McLaren Art Centre, Barrie, ON It Is What It Is National Gallery of Canada, Ottawa, ON Le Rêve aux Loups (solo) Foreman Art Gallery, Sherbrooke, QC Strange Nature Richmond Art Gallery, Richmond, BC 2017 Le Rêve aux Loups (solo) Reins of Chaos II (solo) Latcham Gallery, Stouffville, ON Koffler Centre of the Arts, Toronto, ON Esker Foundation, Calgary, AB Game (solo) Urban Shaman, Winnipeg, MB Beneath the Tame (2-person show with Anna Williams) House Beautiful McDonald Stewart Art Centre, Guelph, ON Gallery 101, Ottawa, ON 2009 Oh Ceramics! (group exhibition) The Muhheakantuck in Focus The Esplanade Art Gallery Medicine Hat, AB Wave Hill Cultural Centre, Bronx, NY Resilience, National Billboard Exhibition Project Home/Land Security Lee-Ann Martin, Shawn Dempsey, MAWA University of Waterloo, Waterloo, ON 2016 2008 Culture Shift The Reins of Chaos (solo) Art Mur, Montreal, QC Ottawa Art Gallery, Ottawa, ON 2015 Beaver Tales: Canadian Art and Design Human Nature University of Toronto Art Centre, Toronto, ON Carleton University Art Gallery, Ottawa, ON 2013 2007 Sakahàn Boreal Baroque (solo - national touring until 2009) National Gallery of Canada, Ottawa, ON Robert McLaughlin Gallery, Oshawa, ON Regency (solo) Terra Incognita Rodman Hall, St.