DOCSLIB.ORG

Featured Releases 2 Limited Editions 102 Journals 109

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Featured Releases 2 Limited Editions 102 Journals 109 Lorenzo Vitturi, from Money Must Be Made, published by SPBH Editions. See page 125. Featured Releases 2 Limited Editions 102 Journals 109 CATALOG EDITOR Thomas Evans Fall Highlights 110 DESIGNER Photography 112 Martha Ormiston Art 134 IMAGE PRODUCTION Hayden Anderson Architecture 166 COPY WRITING Design 176 Janine DeFeo, Thomas Evans, Megan Ashley DiNoia PRINTING Sonic Media Solutions, Inc. Specialty Books 180 Art 182 FRONT COVER IMAGE Group Exhibitions 196 Fritz Lang, Woman in the Moon (film still), 1929. From The Moon, Photography 200 published by Louisiana Museum of Modern Art. See Page 5. BACK COVER IMAGE From Voyagers, published by The Ice Plant. See page 26. Backlist Highlights 206 Index 215 Hilma af Klint: Paintings for the Future Edited with text by Tracey Bashkoff. Text by Tessel M. Bauduin, Daniel Birnbaum, Briony Fer, Vivien Greene, David Max Horowitz, Andrea Kollnitz, Helen Molesworth, Julia Voss. When Swedish artist Hilma af Klint died in 1944 at the age of 81, she left behind more than 1,000 paintings and works on paper that she had kept largely private during her lifetime. Believing the world was not yet ready for her art, she stipulated that it should remain unseen for another 20 years. But only in recent decades has the public had a chance to reckon with af Klint’s radically abstract painting practice—one which predates the work of Vasily Kandinsky and other artists widely considered trailblazers of modernist abstraction. Her boldly colorful works, many of them large-scale, reflect an ambitious, spiritually informed attempt to chart an invisible, totalizing world order through a synthesis of natural and geometric forms, textual elements and esoteric symbolism. Accompanying the first major survey exhibition of the artist’s work in the United States, Hilma af Klint: Paintings for the Future represents her groundbreaking painting series while expanding recent scholarship to present the fullest picture yet of her life and art. Essays explore the social, intellectual and artistic context of af Klint’s 1906 break with figuration and her subsequent development, placing her in the context of Swedish modernism and folk art traditions, contemporary scientific discoveries, and spiritualist and occult movements. A roundtable discussion among contemporary artists, scholars and curators considers af Klint’s sources and relevance to art in the 21st century. The volume also delves into her unrealized plans for a spiral-shaped temple in which to display her art—a wish that finds a fortuitous answer in the Guggenheim Museum’s rotunda, the site of the exhibition. Hilma af Klint (1862–1944) is now regarded as a pioneer of abstract art. Though her paintings were not seen publicly until 1987, her work from the early 20th century predates the first purely abstract paintings by Kandinsky, Mondrian and Malevich. GUGGENHEIM MUSEUM PUBLICATIONS 9780892075430 U.S. $65.00 CDN $87.00 Hilma af Klint’s daring Hbk, 8.5 x 11.25 in. / 244 pgs / 220 color. October/Art abstractions exert a mystical magnetism EXHIBITION SCHEDULE New York: Solomon R. Guggenheim Museum, 10/12/18–01/27/19 artbook.com 3 Yayoi Kusama: Festival of Life The Moon: From Inner Worlds to Outer Space Text by Jenni Sorkin. Edited by Lærke Rydal Jørgensen, Marie Laurberg. Foreword by Poul Erik Tøjner. Text by Marie Laurberg, Anja C. Andersen, In a unique style that is both sensory and utopian, Yayoi Kusama’s work—which spans paintings, performances, Stephen Petersen, Ed C. Krupp. Myths of the room-size presentations, sculptural installations, literary works, films, fashion, design and interventions within The moon has long furnished humankind with an artistic icon, an image of longing and object of scientific “Kusama’s vitality existing architectural structures—has transcended some of the most important art movements of the second inquiry. Encompassing art, film, literature, architecture, design, natural history and historical objects, and moon in the arts is infectious.” half of the 20th century, including pop art and minimalism. As Roberta Smith wrote in the New York Times, published on the 50th anniversary of the first manned landing (July 20, 1969), The Moon surveys the “These paintings form a great big infinity room of their own, but one in which each part is also an autonomous iconography of the moon, from Romantic landscape paintings to space-age art. It takes the 1969 landing as a and sciences, –ROBERTA SMITH work of art, its own piece of wobbly, handwrought infinity … their vitality is infectious.” thematic fulcrum and a culmination of the deep-rooted cultural conceptions invested in the space race in the 50 years after Yayoi Kusama: Festival of Life documents the artist’s exhibition at David Zwirner’s Chelsea location in New 1960s, from David Bowie to Disney. York in late 2017, featuring a selection of paintings from her iconic My Eternal Soul series, new large-scale The book also accounts for the science of the moon throughout the ages, from Galileo to NASA, addressing the first manned flower sculptures, a polka-dotted environment and two Infinity Mirror Rooms. The monograph includes new the many lunar myths that have existed throughout time. Also explored here is moonlight, an important theme landing scholarship on the artist by Jenni Sorkin, as well as a special foldout poster. in the Romantic nocturnal landscapes of Caspar David Friedrich, J.C. Dahl and Carl Julius von Leypold. Another Yayoi Kusama (born 1929) presented her first solo show in her native Japan in 1952. Her work has since powerful artistic genealogy is associated with science fiction, a genre that has on occasion influenced space been featured widely in both solo and group presentations. In the mid-1960s, the artist established herself programs: Jules Verne’s From the Earth to the Moon (1865), for instance, famously inspired NASA’s Apollo in New York by staging groundbreaking and influential happenings, events and exhibitions. Her work gained programs. Film pioneers such as Georges Méliès and Fritz Lang created cinematic lunar voyages, and in the widespread recognition in the late 1980s after a number of international solo exhibitions, including shows at 1930s, surrealist artists such as Joseph Cornell, Salvador Dalí and Max Ernst explored the moonlit landscape the Center for International Contemporary Arts, New York, and the Museum of Modern Art, Oxford, England, as psychological allegory. Later, during the Cold War, superpowers on both sides of the Iron Curtain worked both taking place in 1989. She represented Japan in 1993 at the 45th Venice Biennale, to much critical acclaim. closely with artists to orchestrate and interpret the space race: Robert Rauschenberg, for example, was one of eight artists invited by NASA to witness Apollo 11, while artists in the Soviet Union played a central role in DAVID ZWIRNER BOOKS 9781941701812 U.S. $70.00 CDN $92.50 building the cult of the cosmonaut. Hbk, 9.75 x 12 in. / 152 pgs / 65 color. The Moon looks at all these lunar themes and myths, in a thrilling and inspirational gathering for anyone who September/Art/Asian Art & Culture has felt the moon’s pull on their imagination. LOUISIANA MUSEUM OF MODERN ART RELATED EXHIBITIONS Cleveland, OH: Cleveland Museum of Art, 07/09/18–09/30/18 ALSO AVAILABLE 9788793659087 U.S. $35.00 CDN $47.50 ALSO AVAILABLE Atlanta, GA: High Museum of Art, 11/18/18–02/17/19 Yayoi Kusama: Give Me Love Hbk, 8.5 x 10.25 in. / 128 pgs / 150 color / 50 b&w. The Moon 1968–1972 9781941701218 October/Art 9781942884057 Hbk, U.S. $55.00 CDN $72.50 Hbk, U.S. $18.00 CDN $25.50 EXHIBITION SCHEDULE David Zwirner Books T. Adler Books Humlebæk, Denmark: Louisiana Museum of Modern Art, 09/13/18–01/20/19 4 artbook.com artbook.com 5 Led Zeppelin by Led Zeppelin Led Zeppelin by Led Zeppelin is the first and only official illustrated book ever to be produced in full collaboration with the members of the band. Celebrating 50 years since their formation, this definitive 400-page volume charts the group’s unparalleled musical career from the very first performance in a tiny club, to their performance at London’s O2 Arena, when 20 million fans broke the world record for highest demand for tickets for a single concert. The book features over 300 photographs—many seen here for the first time—of Jimmy Page, Robert Plant, John Paul Jones and John Bonham from photographers around the world, and photographs from the band members’ personal collections. The band are seen on and off stage, in candid moments and in the recording studio. Accompanying the photographs is rare and unseen artwork from the Led REEL ART PRESS Zeppelin archives, and fascinating documents and images 9781909526501 U.S. $69.95 CDN $92.50 from the Atlantic Records vaults. Clth, 9.75 x 12 in. / 400 pgs / 150 color / 160 b&w. October/Music/Biography Page, Plant and Jones have collaborated with Reel Art Press to publish the first illustrated book celebrating 50 years since Led Zeppelin formed 6 artbook.com artbook.com 7 Shape of Light 100 Years of Photography and Abstract Art Edited by Simon Baker, Emmanuelle De L’Ecotais with Shoair Mavlian. Shape of Light tells the intertwined stories of photography and abstract art from the early 20th century to the present day, looking at historic works in a variety of mediums from painting and sculpture to montage and kinetic installations. Beginning with the works of cubism and vorticism, it then highlights the key contributions of Bauhaus, constructivist and surrealist artists of the 1920s and 1930s. From there it proceeds to the “subjective photography” of the 1940s and 1950s, exploring the global scope of this movement through works by artists from Latin America and Asia, before considering the impact of photography on abstract expressionism, op art and minimalism in Europe and the US.
Load more

Recommended publications
  • BINONDO FOOD TRIP (4 Hours)
    BINONDO FOOD TRIP (4 hours) Eat your way around Binondo, the Philippines’ Chinatown. Located across the Pasig River from the walled city of Intramuros, Binondo was formally established in 1594, and is believed to be the oldest Chinatown in the world. It is the center of commerce and trade for all types of businesses run by Filipino-Chinese merchants, and given the historic reach of Chinese trading in the Pacific, it has been a hub of Chinese commerce in the Philippines since before the first Spanish colonizers arrived in the Philippines in 1521. Before World War II, Binondo was the center of the banking and financial community in the Philippines, housing insurance companies, commercial banks and other financial institutions from Britain and the United States. These banks were located mostly along Escólta, which used to be called the "Wall Street of the Philippines". Binondo remains a center of commerce and trade for all types of businesses run by Filipino- Chinese merchants and is famous for its diverse offerings of Chinese cuisine. Enjoy walking around the streets of Binondo, taking in Tsinoy (Chinese-Filipino) history through various Chinese specialties from its small and cozy restaurants. Have a taste of fried Chinese Lumpia, Kuchay Empanada and Misua Guisado at Quick Snack located along Carvajal Street; Kiampong Rice and Peanut Balls at Café Mezzanine; Kuchay Dumplings at Dong Bei Dumplings and the growing famous Beef Kan Pan of Lan Zhou La Mien. References: http://en.wikipedia.org/wiki/Binondo,_Manila TIME ITINERARY 0800H Pick-up
    [Show full text]
  • Minutes of the January 25, 2010, Meeting of the Board of Regents
    MINUTES OF THE JANUARY 25, 2010, MEETING OF THE BOARD OF REGENTS ATTENDANCE This scheduled meeting of the Board of Regents was held on Monday, January 25, 2010, in the Regents’ Room of the Smithsonian Institution Castle. The meeting included morning, afternoon, and executive sessions. Board Chair Patricia Q. Stonesifer called the meeting to order at 8:31 a.m. Also present were: The Chief Justice 1 Sam Johnson 4 John W. McCarter Jr. Christopher J. Dodd Shirley Ann Jackson David M. Rubenstein France Córdova 2 Robert P. Kogod Roger W. Sant Phillip Frost 3 Doris Matsui Alan G. Spoon 1 Paul Neely, Smithsonian National Board Chair David Silfen, Regents’ Investment Committee Chair 2 Vice President Joseph R. Biden, Senators Thad Cochran and Patrick J. Leahy, and Representative Xavier Becerra were unable to attend the meeting. Also present were: G. Wayne Clough, Secretary John Yahner, Speechwriter to the Secretary Patricia L. Bartlett, Chief of Staff to the Jeffrey P. Minear, Counselor to the Chief Justice Secretary T.A. Hawks, Assistant to Senator Cochran Amy Chen, Chief Investment Officer Colin McGinnis, Assistant to Senator Dodd Virginia B. Clark, Director of External Affairs Kevin McDonald, Assistant to Senator Leahy Barbara Feininger, Senior Writer‐Editor for the Melody Gonzales, Assistant to Congressman Office of the Regents Becerra Grace L. Jaeger, Program Officer for the Office David Heil, Assistant to Congressman Johnson of the Regents Julie Eddy, Assistant to Congresswoman Matsui Richard Kurin, Under Secretary for History, Francisco Dallmeier, Head of the National Art, and Culture Zoological Park’s Center for Conservation John K.
    [Show full text]
  • Oaxaca, Mexico 2018 with Alex Webb and Rebecca Norris Webb
    FINDING YOUR VISION: OAXACA, MEXICO 2018 WITH ALEX WEBB AND REBECCA NORRIS WEBB FINDING YOUR VISION: OAXACA, MEXICO 2018 WITH ALEX WEBB AND REBECCA NORRIS WEBB This workshop will be about finding your own unique vision of the airy southern Mexico city of Oaxaca by using the camera to explore the region in a direct, spontaneous way. Open to both serious amateurs and professionals alike, from fine art photographers to documentary photographers, from college students to seasoned photographers, it is a workshop that will emphasize the development of your own personal way of seeing photographically. This workshop will also be about learning how to edit your work intuitively, and will include discussions about how to take your photography to the next level. NOTE: This is a workshop for photographers who collaborate with the world, not for those who dramatically alter their photographs digitally. DATES: ACCOMMODATIONS: Parador de Alcala Hotel. February 11-17, 2018 We have blocked rooms at Parador de Alcala Hotel, where Alex and Rebecca will stay. We strongly encourage students to stay in the same hotel. We have a special rate for the class that expires on Nov 10 so please make your reservation before that day. For more information about special rates and how to make your reservation with the discount please email [email protected]. photoxpeditions.com [ +1.888.741.3974 [email protected] ] 1 FINDING YOUR VISION: OAXACA, MEXICO 2018 WITH ALEX WEBB AND REBECCA NORRIS WEBB WORKSHOP SCHEDULE IN BRIEF MORE ABOUT THE SCHEDULE images on the wall; and how long-term projects can evolve into books and This schedule is subject to change at any There are two main components of this exhibitions.
    [Show full text]
  • Beat Streuli Living Room
    Beat Streuli Living Room September 3 to October 8, 2014 Yumiko Chiba Associates viewing room shinjuku Gallery Talk & Opening Reception: Saturday, September 6 (Gallery Talk will be held in HILLSIDE TERRACE café at Daikanyama Hillside Terrace.) ©Beat Streuli, Courtesy of Yumiko Chiba Associates Yumiko Chiba Associates viewing room shinjuku is pleased to present a solo exhibition by Beat Streuli, ‘Living Room’, from September 3 to October 8, 2014. Beat Streuli, a Swiss photographer who started working in the 1980s, has presented his works in cities around the globe. Presently based in Zurich and Brussels, he has been actively working all over Europe and in many other parts of the world. He first received attention for his series from the early 1990s; some of this work was photographed in Rome, Paris, and New York. Streuli takes photographs of local people in public places, often with a telephoto lens, focusing on them and their ordinary lives. He has begun to work more outside of Europe and the United States, in both Western and non-Western countries. Recently, his work has started to include more non-figurative, almost abstract elements. At the beginning of his career, Streuli produced and presented his works as small format and black and white photographs, but in the early 1990s, he developed new forms of presentation, working with floor to ceiling, multi-screen slide and video projections. He also started working with large scale images installed on the façades of public buildings in various cities, and with monumental billboard installations. For the past twenty years, Streuli's work has been frequently exhibited around the world; he has also realized many temporary and permanent projects in public spaces.
    [Show full text]
  • Book of Abstracts: Studying Old Master Paintings
    BOOK OF ABSTRACTS STUDYING OLD MASTER PAINTINGS ­ TECHNOLOGY AND PRACTICE THE NATIONAL GALLERY TECHNICAL BULLETIN 30TH ANNIVERSARY CONFERENCE 16­18 September 2009, Sainsbury Wing Theatre, National Gallery, London Supported by The Elizabeth Cayzer Charitable Trust STUDYING OLD MASTER PAINTINGS ­ TECHNOLOGY AND PRACTICE THE NATIONAL GALLERY TECHNICAL BULLETIN 30TH ANNIVERSARY CONFERENCE BOOK OF ABSTRACTS 16­18 September 2009 Sainsbury Wing Theatre, National Gallery, London The Proceedings of this Conference will be published by Archetype Publications, London in 2010 Contents Presentations Page Presentations (cont’d) Page The Paliotto by Guido da Siena from the Pinacoteca Nazionale of Siena 3 The rediscovery of sublimated arsenic sulphide pigments in painting 25 Marco Ciatti, Roberto Bellucci, Cecilia Frosinini, Linda Lucarelli, Luciano Sostegni, and polychromy: Applications of Raman microspectroscopy Camilla Fracassi, Carlo Lalli Günter Grundmann, Natalia Ivleva, Mark Richter, Heike Stege, Christoph Haisch Painting on parchment and panels: An exploration of Pacino di 5 The use of blue and green verditer in green colours in seventeenth­century 27 Bonaguida’s technique Netherlandish painting practice Carole Namowicz, Catherine M. Schmidt, Christine Sciacca, Yvonne Szafran, Annelies van Loon, Lidwein Speleers Karen Trentelman, Nancy Turner Alterations in paintings: From non­invasive in­situ assessment to 29 Technical similarities between mural painting and panel painting in 7 laboratory research the works of Giovanni da Milano: The Rinuccini
    [Show full text]
  • THE THEORY of MATHEMATICAL SUBTRACTION in ARISTOTLE By
    THE THEORY OF MATHEMATICAL SUBTRACTION IN ARISTOTLE by Ksenia Romashova Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2019 © Copyright by Ksenia Romashova, 2019 DEDICATION PAGE To my Mother, Vera Romashova Мама, Спасибо тебе за твою бесконечную поддержку, дорогая! ii TABLE OF CONTENTS LIST OF FIGURES .................................................................................................................. iv ABSTRACT ............................................................................................................................... v LIST OF ABBREVIATIONS USED ....................................................................................... vi ACKNOWLEDGEMENTS ..................................................................................................... vii CHAPTER 1 INTRODUCTION ............................................................................................... 1 CHAPTER 2 THE MEANING OF ABSTRACTION .............................................................. 6 2.1 Etymology and Evolution of the Term ................................................................... 7 2.2 The Standard Phrase τὰ ἐξ ἀφαιρέσεως or ‘Abstract Objects’ ............................ 19 CHAPTER 3 GENERAL APPLICATION OF ABSTRACTION .......................................... 24 3.1 The Instances of Aphairein in Plato’s Dialogues ................................................. 24 3.2 The Use of Aphairein in Aristotle’s Topics
    [Show full text]
  • October 2011 - January 2012
    Art Exhibition October 2011 - January 2012 Barbara Kasten Barbara Kasten, a Chicago born artist, is best known for her photographs of well known architectural sites. She experiments with different photographic processes such as color, light and focus, while conveying meaning through the elements involved. Her use of architecture as an inspiration is prevalent throughout her art, and as seen here, she infuses pops of color to highlight vivid angles and sharp lines. She explores the relationship between light in a setting of large-scale assemblages, which ultimately makes light and shadows the subject. With influences from The Bauhaus and Constructivism, Kasten explores modes of reorganizing the visual environment while using geometric shapes and lighting to create an abstract interpretation. Barbara Kasten received her BFA in painting and sculpture from the University of Arizona in Tucson. She went on to receive her MFA from the California College of Arts and Crafts in Oakland, CA. Kasten’s work can be seen in many prestigious museums throughout the U.S., Europe and Japan, including The Art Institute of Chicago, The Museum of Contemporary Photography and the Metropolitan Museum of Art. For more information about Barbara Kasten and her work, please contact Tony Wight Gallery at 312/492-7261 or visit www.tonywightgallery.com Bernard Williams Bernard Williams was born in Chicago and has worked in the mediums of painting, sculpture, metalwork, murals and installations. His interest in American and world history are evident as he pulls from the “melting pot” cultures that make up this country. Inspired by signs and symbols, Williams often arranges them in ways to depict the complexities of human and historical development.
    [Show full text]
  • 2021 Transpacific Yacht Race Event Program
    TRANSPACTHE FIFTY-FIRST RACE FROM LOS ANGELES 2021 TO HONOLULU 2 0 21 JULY 13-30, 2021 Comanche: © Sharon Green / Ultimate Sailing COMANCHE Taxi Dancer: © Ronnie Simpson / Ultimate Sailing • Hamachi: © Team Hamachi HAMACHI 2019 FIRST TO FINISH Official race guide - $5.00 2019 OVERALL CORRECTED TIME WINNER P: 808.845.6465 [email protected] F: 808.841.6610 OFFICIAL HANDBOOK OF THE 51ST TRANSPACIFIC YACHT RACE The Transpac 2021 Official Race Handbook is published for the Honolulu Committee of the Transpacific Yacht Club by Roth Communications, 2040 Alewa Drive, Honolulu, HI 96817 USA (808) 595-4124 [email protected] Publisher .............................................Michael J. Roth Roth Communications Editor .............................................. Ray Pendleton, Kim Ickler Contributing Writers .................... Dobbs Davis, Stan Honey, Ray Pendleton Contributing Photographers ...... Sharon Green/ultimatesailingcom, Ronnie Simpson/ultimatesailing.com, Todd Rasmussen, Betsy Crowfoot Senescu/ultimatesailing.com, Walter Cooper/ ultimatesailing.com, Lauren Easley - Leialoha Creative, Joyce Riley, Geri Conser, Emma Deardorff, Rachel Rosales, Phil Uhl, David Livingston, Pam Davis, Brian Farr Designer ........................................ Leslie Johnson Design On the Cover: CONTENTS Taxi Dancer R/P 70 Yabsley/Compton 2019 1st Div. 2 Sleds ET: 8:06:43:22 CT: 08:23:09:26 Schedule of Events . 3 Photo: Ronnie Simpson / ultimatesailing.com Welcome from the Governor of Hawaii . 8 Inset left: Welcome from the Mayor of Honolulu . 9 Comanche Verdier/VPLP 100 Jim Cooney & Samantha Grant Welcome from the Mayor of Long Beach . 9 2019 Barndoor Winner - First to Finish Overall: ET: 5:11:14:05 Welcome from the Transpacific Yacht Club Commodore . 10 Photo: Sharon Green / ultimatesailingcom Welcome from the Honolulu Committee Chair . 10 Inset right: Welcome from the Sponsoring Yacht Clubs .
    [Show full text]
  • Continuity and Mathematical Ontology in Aristotle
    Journal of Ancient Philosophy, vol. 14 issue 1, 2020. DOI: http://dx.doi.org/10.11606/issn.1981-9471.v14i1p30-61 Continuity and Mathematical Ontology in Aristotle Keren Wilson Shatalov In this paper I argue that Aristotle’s understanding of mathematical continuity constrains the mathematical ontology he can consistently hold. On my reading, Aristotle can only be a mathematical abstractionist of a certain sort. To show this, I first present an analysis of Aristotle’s notion of continuity by bringing together texts from his Metaphysica and Physica, to show that continuity is, for Aristotle, a certain kind of per se unity, and that upon this rests his distinction between continuity and contiguity. Next I argue briefly that Aristotle intends for his discussion of continuity to apply to pure mathematical objects such as lines and figures, as well as to extended bodies. I show that this leads him to a difficulty, for it does not at first appear that the distinction between continuity and contiguity can be preserved for abstract mathematicals. Finally, I present a solution according to which Aristotle’s understanding of continuity can only be saved if he holds a certain kind of mathematical ontology. My topic in this paper is Aristotle’s understanding of mathematical continuity. While the idea that continua are composed of infinitely many points is the present day orthodoxy, the Aristotelian understanding of continua as non-punctiform and infinitely divisible was the reigning theory for much of the history of western mathematics, and there is renewed interest in it from current mathematicians and philosophers of mathematics.
    [Show full text]
  • Northern Paiute and Western Shoshone Land Use in Northern Nevada: a Class I Ethnographic/Ethnohistoric Overview
    U.S. DEPARTMENT OF THE INTERIOR Bureau of Land Management NEVADA NORTHERN PAIUTE AND WESTERN SHOSHONE LAND USE IN NORTHERN NEVADA: A CLASS I ETHNOGRAPHIC/ETHNOHISTORIC OVERVIEW Ginny Bengston CULTURAL RESOURCE SERIES NO. 12 2003 SWCA ENVIROHMENTAL CON..·S:.. .U LTt;NTS . iitew.a,e.El t:ti.r B'i!lt e.a:b ~f l-amd :Nf'arat:1.iern'.~nt N~:¥G~GI Sl$i~-'®'ffl'c~. P,rceP,GJ r.ei l l§y. SWGA.,,En:v,ir.e.m"me'Y-tfol I €on's.wlf.arats NORTHERN PAIUTE AND WESTERN SHOSHONE LAND USE IN NORTHERN NEVADA: A CLASS I ETHNOGRAPHIC/ETHNOHISTORIC OVERVIEW Submitted to BUREAU OF LAND MANAGEMENT Nevada State Office 1340 Financial Boulevard Reno, Nevada 89520-0008 Submitted by SWCA, INC. Environmental Consultants 5370 Kietzke Lane, Suite 205 Reno, Nevada 89511 (775) 826-1700 Prepared by Ginny Bengston SWCA Cultural Resources Report No. 02-551 December 16, 2002 TABLE OF CONTENTS List of Figures ................................................................v List of Tables .................................................................v List of Appendixes ............................................................ vi CHAPTER 1. INTRODUCTION .................................................1 CHAPTER 2. ETHNOGRAPHIC OVERVIEW .....................................4 Northern Paiute ............................................................4 Habitation Patterns .......................................................8 Subsistence .............................................................9 Burial Practices ........................................................11
    [Show full text]
  • Regional Oral History Off Ice University of California the Bancroft Library Berkeley, California
    Regional Oral History Off ice University of California The Bancroft Library Berkeley, California Richard B. Gump COMPOSER, ARTIST, AND PRESIDENT OF GUMP'S, SAN FRANCISCO An Interview Conducted by Suzanne B. Riess in 1987 Copyright @ 1989 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West,and the Nation. Oral history is a modern research technique involving an interviewee and an informed interviewer in spontaneous conversation. The taped record is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The resulting manuscript is typed in final form, indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. All uses of this manuscript are covered by a legal agreement between the University of California and Richard B. Gump dated 7 March 1988. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California, Berkeley.
    [Show full text]
  • Chua / Hamon at Tugon / Bersyong 13 Abril 2013 1 HAMON at TUGON Conquista at Reaksyon Ng Bayan Tungo Sa Pambansang Himagsikan* (
    Chua / Hamon at Tugon / Bersyong 13 Abril 2013 1 HAMON AT TUGON Conquista at Reaksyon ng Bayan Tungo sa Pambansang Himagsikan * (1571-1913) Michael Charleston “Xiao” B. Chua Pamantasang De La Salle Maynila Maikling Paglalarawan ng Paksa ng Modyul-Gabay: Nakaugalian nang ilahad ang kasaysayan ng kolonyalismo sa pananaw ng mga opisyal na dokumento ng mga dayuhan at mga kolonyalistang sanaysay na nagpatibay ng kolonyal na mentalidad ng Pilipino na ang Kanluran ay laging daluyan ng ginhawa. Liban pa sa nawalan na ng saysay ang nakaraang ito sa maraming Pilipino dahil hindi nito talaga nasalamin ang kanilang kamalayan. Ang Nasyunalistang Kasaysayan ni Agoncillo, na lalong pinaunlad at pinagpapatuloy ng Pantayong Pananaw, ang nagbukas ng daan na lalong maintindihan ang kasaysayan sa pananaw ng mga Pilipino sa nakalipas na mga taon. Ayon kay Zeus A. Salazar at sa iba pang tagapagtaguyod ng Pantayog Pananaw, ang Kasaysayan ay “salaysay na may saysay para sa sinasalaysayang grupo ng tao.” Sa paglalahad ng kwento mula sa pananaw ng mga lider tungo sa pananaw ng mga namumuhay ng kalinangan—ang mga mamamayan, nais ng module na ito na ipakita ang pag-unlad ng kapuluan mula sa iba’t ibang bayan tungo sa pagiging isang bansa. Ang karanasan ng Conquista at pakikibaka ang nagbuo sa bayan tungo sa kamalayang pambansa, na ang magiging katuparan ay ang Himagsikang Pilipino ng 1896. Sa kasamaang palad, dahil sa Dambuhalang Pagkakahating Pangkalinangan, nagkaroon din ng tunggalian sa loob ng bansa, kaya naman hindi pa rin natatapos ang gawain ng pagbubuo nito tungo sa tunay na kaginhawaan ng mga Pilipino. Mga Layunin: 1.
    [Show full text]