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Stories of Canada: National Identity in Late-Nineteenth-Century English-Canadian Fiction" (2003)
The University of Maine DigitalCommons@UMaine Electronic Theses and Dissertations Fogler Library 2003 Stories of Canada: National Identity in Late- Nineteenth-Century English-Canadian Fiction Elizabeth Hedler Follow this and additional works at: http://digitalcommons.library.umaine.edu/etd Part of the Cultural History Commons, Ethnic Studies Commons, and the Literature in English, North America Commons Recommended Citation Hedler, Elizabeth, "Stories of Canada: National Identity in Late-Nineteenth-Century English-Canadian Fiction" (2003). Electronic Theses and Dissertations. 193. http://digitalcommons.library.umaine.edu/etd/193 This Open-Access Dissertation is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of DigitalCommons@UMaine. STORIES OF CANADA: NATIONAL IDENTITY IN LATE-NINETEENTH- CENTURY ENGLISH-CANADIAN FICTION Elizabeth Hedler B.A. McGill University, 1994 M.A. University of Maine, 1996 A THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy (in History) The Graduate School The University of Maine May, 2003 Advisory Commit tee: Marli F. Weiner, Professor of History, Co-Advisor Scott See, Professor of History and Libra Professor of History, Co-Advisor Graham Cam, Associate Professor of History, Concordia University Richard Judd, Professor of History Naorni Jacobs, Professor of English STORIES OF CANADA: NATIONAL IDENTITY IN LATE-NINETEENTH- CENTURY ENGLISH-CANADIAN FICTION By Elizabeth Hedler Thesis Co-Advisors: Dr. Scott W. See and Dr. Marli F. Weiner An Abstract of the Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy (in History) May, 2003 The search for a national identity has been a central concern of English-Canadian culture since the creation of the Dominion of Canada in 1867. -
The Champlain Myth in Early Canadian Literature Andre John Narbonne
ariel: a review of international english literature ISSN 0004-1327 Vol. 42 No. 2 Pages 75–98 Copyright © 2012 An Aesthetic of Companionship: The Champlain Myth in Early Canadian Literature Andre John Narbonne In a letter to William Douw Lighthall on November 18, 1888, Charles G.D. Roberts describes the activities at the Haliburton Society at King’s College in Windsor, Nova Scotia. “I talk Canadianism all the time to the members,” he writes. “We have a literary programme, of Canadian color each night, & we smoke, & drink lime juice & raspberry vinegar, all thro[ugh] the meeting. I am sort of permanent Pres[iden]t, as it were” (Collected Letters 96; italics in original). In the letter’s postscript, Roberts asks Lighthall if he would like to join the society and names Bliss Carman as one of its members. According to the Oxford English Dictionary the word “Canadianism” first entered into the English language in 1875, and Roberts’ letter to Lighthall indicates that by 1888 it was already the byword of a new literary project—a project that was openly and idealis- tically nationalistic,1 and, clearly, important both to the acknowledged leader of the Confederation group of poets and to the most important anthologist of Canadian literature in the post-Confederation period. Until the ascension of modernism in Canada and the rise of profession- alism, anthologists/literary historians such as Lighthall were enormously influential in determining critical trends, and a nationalistic preoccupa- tion with identifying and promulgating a literary tradition is a salient feature of Canadian literary criticism after Confederation. -
Canadian Literature at Home and Abroad: International Contexts of W.D
Canadian Literature at Home and Abroad: International Contexts of W.D. Lighthall’s Songs of the Great Dominion (1889) and Robert Weaver’s Canadian Short Stories (1960) Carole Gerson he recently published collection of essays, Anthologizing Canadian Literature: Theoretical and Critical Perspectives (2015), enhances editor Robert Lecker’s groundbreaking Tbook, Keepers of the Code: English-Canadian Literary Anthologies and the Representation of Nation (2013), with in-depth studies by other scholars who address the significance of anthologies in Canadian literary stud- ies by focusing on the contents, editing, production, reception, and/ or cultural contexts of specific examples of the genre. Supporting this aspect of Canada’s literary history is the impressive enumerative bibli- ography of English-Canadian literary anthologies, issued by Lecker in 1997 with the assistance of Colin Hill and Peter Lipert, that lists more than two thousand English-Canadian literary anthologies published from 1837 to 1997. In these endeavours, scholars have concentrated on the Canadian contexts of Canadian literary anthologies, exemplified in Janet Friskney’s chapter on the publishing history of this genre, which analyzes the 94.5% of Lecker’s bibliographic entries that were issued in Canada (184). Missing from all of this fine scholarship is attention to the role of off-shore producers of several important national anthologies that owe their existence to the international reach of British publishers. This essay argues that the full story of Canadian literary anthologies requires recognition of non-Canadian instances of their production, best understood in relation to the aims of each volume’s publishing house and the goals of its editor. -
Bibliography of Canadian Literature in the Special Collections of the Trent University Archives As of March 2012
Bibliography of Canadian Literature in the Special Collections of the Trent University Archives as of March 2012. This collection has grown over a number of decades and often through donations. Early on the Library’s base collection was built via the Shell Canada Fund for Canadian Literature. Later donors of significant numbers of books include, A.J.M. Smith, Margaret Laurence, and Hugh and Elizabeth Anson-Cartwright. Note: This bibliography is in Library of Congress call number order. The first section lists Canadian literature serials and the second section lists monographs. The monographs are both fiction and literary criticism. Canadian Literature Serials Coming Attractions 89 / edited by Maggie Helwig & Bronwen Wallace. Ottawa, Ont. : Oberon Press, c1989. PS 8329 .C65 1989 TC Coming attractions 99 / edited by Maggie Helwig. [Ottawa] : Oberon Press, 1999. PS 8529 .C65 1999 TC Coming attractions 97 / Elyse Gasco, Dennis Bock, & Nadine McInnis. [Ottawa] : Oberon Press, c1997. PS 8329 .C65 1997 TC The Grammateion : the St. Michael's College journal of the arts. [Toronto] : The College, [1975]- PS 8001 .G73 V.9 NO.1 1983 SPC PS 8001 .G73 V.9 NO.2 1983 SPC Index, a guide to good reading. Montreal, Index editorial service, 1946-9999. PS 8001 .I4885 V.1, NO.6 (AUG. 1946) Intercourse; contemporary Canadian writing. Montreal, Poverty Press. PS 8001 .I5 NO.4 (1966?) It needs to be said (Kingston, Ont. : 1976) Kingston, Ont. [1976] PS 8001 .I732 NO.2 (FALL 1976) It needs to be said/the front. Kingston, Ont. [s.n.] PS 8001 .I732 NO.1 [1976] The Literary garland, and British North American magazine. -
The Habitus of Mackenzie King
The Habitus of Mackenzie King: Canadian Artists, Cultural Capital and the Struggle for Power Anton Reinhold Wagner A Dissertation submitted to the Faculty of Graduate Studies In Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy Graduate Program in Theatre and Performance Studies York University Toronto, Ontario, Canada September, 2014 © Anton Reinhold Wagner, 2014 Abstract This dissertation analyzes the struggle between William Lyon Mackenzie King, Canada’s longest-serving Prime Minister (1922-1930, 1935-1948), and Canadian artists to define and determine the nature and distribution of arts and culture in Canada prior to the 1949 Royal Commission on National Development in the Arts, Letters and Sciences. Using Pierre Bourdieu’s theories of habitus, “fields” of knowledge and power, and religious, social and cultural capital, the dissertation analyzes the central paradox of why—despite his decades-long involvement in half-a-dozen artistic disciplines—King failed to implement cultural policies as Prime Minister that would have benefited Canadian artists and the arts and culture in Canada. The dissertation applies Pierre Bourdieu’s model of social change in which “priests” with conservation strategies and charismatic “prophets” with subversion strategies compete among the “laity” for consumers of their respective symbolic goods to document how artists organized locally and nationally to accumulate social, cultural and political capital in their attempt to compel the federal government to implement their cultural objectives—state support for the arts. The dissertation posits that Mackenzie King’s inability to control his sexual impulses led him to espouse a conception of art whose primary function was to project Christian character and ideals. -
Reprints and the Reading Public
REPRINTS AND THE READING PUBLIC George Woodcock I DON'T THINK Jack McClelland has ever quite forgiven me for a review I wrote and published in Canadian Literature thirteen years ago, in the summer issue of i960. I was discussing the third batch of four titles in the New Canadian Library. (The Library and Canadian Literature are close con- temporaries, as students of our cultural history might profitably note). I had been greatly encouraged by the series as an idea, and on the whole with the first eight selections which Malcolm Ross, the General Editor, had made. They in- cluded — the record by now has become literary history — such basic Canadian books as As for Me and My House, Over Prairie Trails, Barometer Rising and The Tin Flute; my own assessment of the eight was six bullseyes and two misses, and since I revised my view of Such is my Beloved shortly afterwards, my score- board for those first eight titles would now be seven palpable hits, though I still confess to being quite unable to appreciate Charles G. D. Roberts' The Last Barrier, perhaps because it was imposed on me with excessive enthusiasm at the age of ten by a Canadophil father in England. Given such a fine beginning, the third quartet of the New Canadian Library was no less than terrifyingly bathetic. A second Leacock (in the first twelve titles), dull volumes by Raddall and Drummond, and a collection of Confederation poets with too much Carman and too little Scott! The real disappointment was that there was nothing here to represent the vital trends in Canadian writing -
The Canadian Monthly, 1872-1882.
THE CANADIAN MONTHLY, 1872-1882 Marilyn G. Flitton B.A., McGill University, 1942- A THESIS SUBMITTED IN PARTIAL F'ULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department 0 f English @ MARILYN G. FLITTON 1973 SIMON FRASER UNIVERSITY April 1973 All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without per- mission of the author. APPROVAL Name : Marilyn G. Flitton Degree : Master of Arts Title of Thesis: The Canadian Monthly, 1872-1882 Examining Committee: Chairman: Stephen A. Black Bruce H. Nesbitt! Senior Supervisor Gordon R. Elliott Sandra A. Djwa Victor G. Hopwood Associate Professor University of British Columbia Vancouver, B .C . Date Approved : March 19, 1973 PARTIAL COPYRIGHT LICENSE I hereby grant to Simon Fraser University the right to lend my thesis or dissertation (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this thesis for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Title of Thesis /~issertation: The Canadian Monthly, 1872-1882 Author : (signature) Marilyn G. Flitton (name ) May 1, 1973 (date) ABSTRACT THE CANADIAN MONTHLY, 1872-1882 Much valuable source material directly related to the development of Canadian literature can be found in the Canadian periodicals of the nineteenth century, one of the most important of which is the Canadian Monthly and National Review. -
Robert Burns, Pre-Confederation Poets, and Transatlantic Circulation Leith Davis
Document generated on 09/06/2020 11:52 a.m. Studies in Canadian Literature Études en littérature canadienne The “Unfetter’d” Muse Robert Burns, Pre-Confederation Poets, and Transatlantic Circulation Leith Davis Volume 44, Number 1, 2019 URI: https://id.erudit.org/iderudit/1066501ar DOI: https://doi.org/10.7202/1066501ar See table of contents Publisher(s) University of New Brunswick, Dept. of English ISSN 0380-6995 (print) 1718-7850 (digital) Explore this journal Cite this article Davis, L. (2019). The “Unfetter’d” Muse: Robert Burns, Pre-Confederation Poets, and Transatlantic Circulation. Studies in Canadian Literature / Études en littérature canadienne, 44 (1), 100–121. https://doi.org/10.7202/1066501ar All Rights Reserved ©, 2019 Studies in Canadian Literature / Études en This document is protected by copyright law. Use of the services of Érudit littérature canadienne (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ The “Unfetter’d” Muse: Robert Burns, Pre-Confederation Poets, and Transatlantic Circulation Leith Davis n May 1859, artist and writer James Ballantine published his Chronicle of the Hundredth Birthday of Robert Burns, collecting into one massive volume accounts of 872 celebrations “honouring the Imemory of the Ploughman Bard” that had been held on 25 January that year (v). As Ballantine’s book makes clear, within the British North American colonies, from Pictou, Nova Scotia, to Peterborough, Canada West, a variety of lavish events marked the centenary of the birth of Burns. -
Download Full Issue
Canadian Literature / Littérature canadienne A Quarterly of Criticism and Review Number 213, Summer 212, New Work on Early Canadian Literature Published by The University of British Columbia, Vancouver Editor: Margery Fee Associate Editors: Judy Brown (Reviews), Joël Castonguay-Bélanger (Francophone Writing), Glenn Deer (Poetry), Laura Moss (Reviews) Past Editors: George Woodcock (1959–1977), W.H. New (1977–1995), Eva-Marie Kröller (1995–23), Laurie Ricou (23–27) Editorial Board Heinz Antor University of Cologne Alison Calder University of Manitoba Carrie Dawson Dalhousie University Cecily Devereux University of Alberta Kristina Fagan University of Saskatchewan Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Helen Gilbert University of London Susan Gingell University of Saskatchewan Faye Hammill University of Strathclyde Paul Hjartarson University of Alberta Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Linda Morra Bishop’s University Lianne Moyes Université de Montréal Maureen Moynagh St. Francis Xavier University Reingard Nischik University of Constance Ian Rae King’s University College Julie Rak University of Alberta Roxanne Rimstead Université de Sherbrooke Sherry Simon Concordia University Patricia Smart Carleton University David Staines University of Ottawa Cynthia Sugars University of Ottawa Neil ten Kortenaar University of Toronto Marie Vautier University of Victoria Gillian Whitlock University of Queensland David Williams University of Manitoba Mark Williams Victoria University, New Zealand Herb Wyile Acadia University Editorial Guest Editors: Janice Fiamengo and Thomas Hodd New Work on Early Canadian Literature 6 Articles I.S. -
Unit-1 Canadian Poetry
UNIT-1 CANADIAN POETRY Structure 1.0 Objectives 1.1 Introduction 1.2 Pre-Confederation Period 1.2.1 The First Stirrings of the Poetic Culture 1.3 Confederation Period 1.3.1 Emergence of a National Literature 1.4 Modernist Period: 1.4.1 First Phase 1.4.2 Second Phase 1.4.3 Third Phase 1.5 Postmodernist /Contemporary Period 1.6 Let Us Sum Up 1.7 Review Questions 1.8 Bibliography 1.0 Objectives · To introduce the students to an understanding of the phases of Canadian poetic culture; · To familiarize them with the representative poets of the different periods; · To help them understand Canadian response towards nature. · To enable the students to gain a knowledge of Canadian spirit in poetry. 1.1 Introduction Canadian poetry over the last two centuries divides roughly in four main periods : the pre- Confederation period, the Confederation period, the modernist period and the postmodernist period. Each period has the same integrity, the same skilful moderation that is aware of the continuity of its heritage and a recalcitrance of personality. This division of Canadian poetry does not mean the water- tight compartmentalization, rather, it is a continuous growth of Canadian poetry contributing to the cumulative identity that is Canadian. Canadian poetic culture is a growth having its first stirrings of poetics culture, emergence of a national poetic culture, transitional poetic culture, modernist poetic culture and post modernist or contemporary poetic culture. 1 1.2 Pre-Confederation Period The pre-Confederation period had the first stirrings of a poetic culture before Canada became a nation. -
A Bibliography of Canadian Poetry
REF. Victoria University Library PUBLICATION No. J. A BIBLIOGRAPHY OF Canadian Poetry (ENGLISH) BY C. C. JAMES. PRINTED FOR THE LIBRARY BY WILLIAM BRIGQS, TORONTO 1899. &m VICTORIA UNIVERSITY LIBRARY PUBLICATION NO. I. A BIBLIOGRAPHY OF CANADIAN POETRY (ENGLISH) BY C. C. JAMES. PRINTED FOR THE LIBRARY BY WILLIAM BRIGGS, TORONTO 1899. k 2 /377 c4,3 Entered according to Act of the Parliament of Canada, in the year one thousand eight hundred and ninety-nine, by Charles Cannipf Jambs, at the Department of Agriculture. This Bibliography of Canadian Poetry is based on a collection of about four hundred volumes and pamphlets brought together by the author during the past ten years, now in the Library of Victoria University, The other principal sources of information have been the Toronto Public Library, the Library of the Ontario Legislature, the Library of the Ontario Department of Education, and the Library of the Dominion Parliament, Ottawa. It has been restricted to publications in English. The author will be pleased to be informed of any olnissions or errors, and also to receive additional personal notes of any authors mentioned. He is indebted to Mr. A. E. Lang, B.A., for much valuable assistance in the preparation of this volume. C. C. JAMES. Toronto, August 1st, 1899. LIBRARY COMMITTEE OF VICTORIA UNIVERSITY. J. F. McLaughlin, M.A., B.D. {Librarian). L. E. Horning, Ph.D. J. C. Robertson, B.A. A. E. Lang, B.A. C. C. James, M.A. A. L. Langford, M.A. A BIBLIOGRAPHY OF CANADIAN POETRY Note. —The references to Morgan in this volume are to " Canadian Men and 'Women of the Time," by Henry J. -
Naturalizing Canada As a “Modern” Nation: Concepts of Political Association in Late-Nineteenth Century English Canada
NATURALIZING CANADA AS A “MODERN” NATION: CONCEPTS OF POLITICAL ASSOCIATION IN LATE-NINETEENTH CENTURY ENGLISH CANADA By Peter Price A thesis submitted to the Graduate Program in History in conformity with the requirements for the Degree of Doctor of Philosophy Queen's University Kingston, Ontario, Canada September, 2014 Copyright © Peter Price, 2014 Abstract The meaning and future of the new political jurisdiction created in 1867 called Canada were far from obvious or certain for those who witnessed Confederation and its first decades of development. This study looks at some of the ways in which the creation of a new Canadian state in 1867 influenced ways of thinking about the nature of political association and civic identity. Based on a thorough analysis of English-Canadian magazines published between 1867 and 1900, as well as major books and pamphlets written about the constitution in Canada, many by the same authors, it focuses on the English-Canadian intellectuals and public writers who tended to write most systemically about such issues. This study assesses changing ideas of political association in these sources through an analysis of the key political concepts of constitution, nationality, citizenship, and loyalty, each of which form the basis of separate chapters. It argues that ideas of “modern” political association developed by these concepts often led to concerted efforts to describe the Canadian state as a legitimate and natural container of civic affiliation. While many described these concepts as increasingly defined by the relationship between the individual and the territorial, constitutional state, they continued to be guided by assumptions about racial identity and lines of exclusion.