A Bibliography of Canadian Poetry
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Introduction
Introduction Imagine you’re invited to a party. You arrive at the venue, slip past security, and Margaret Atwood is there; so are Michael Ondaatje, Anne Carson, and Dionne Brand. CanLit’s luminaries surround you, and having never brushed elbows with so many prominent writers, you turn paparazzi and start taking photographs in earnest. Point and click—easy to tell who monopolizes the spotlight and who falls back. It’s only once you focus manually, looking for an unconventional angle, that you begin to notice others: a younger, more anonymous crowd pushing at the margins, trying to bypass the guest list. So you raise your camera to include them too, at least those close enough to see clearly. Some of the shots will turn out perfectly—balanced composition, candid expressions that capture the palpable energy of the event. Some won’t. The blur of time will seep in, poor exposure rendering the photographs unusable. You might think I’m describing a Griffin Poetry Prize gala. I am, of course, but this is also the plight of prospective anthologists. Working without the benefit of hindsight, anthologists are responsible for scouting talent in little magazines, hard-to-find books, and critical periodicals. Canonization is a gamble, and time and time again Canadian editors have either gone all in or hedged their bets, offering up both generation defining compilations and remixed versions of established texts. With New Provinces, F.R. Scott curated 13 The Next Wave the first essential anthology of Canadian poetry in 1936. Providing a platform for future icons like E.J. -
Ii TABLE of CONTENTS INVENTORY ENTRY
ii TABLE OF CONTENTS INVENTORY ENTRY ......................................................... iii NOTE ON THE FINDING AID .................................................. iv POLITICAL CAREER ..........................................................4 Town of Westmount .......................................................4 Metropolitan Parks Commission ..............................................8 Miscellaneous Political Activities ..............................................8 ROYAL SOCIETY OF CANADA .................................................9 MANUSCRIPTS ..............................................................9 Archaeology and Anthropology ..............................................9 History and Biography ....................................................11 Novels ................................................................14 Philosophy .............................................................17 Poetry ................................................................19 Political Affairs ..........................................................20 Miscellaneous ..........................................................21 FINANCIAL PAPERS .........................................................22 SUBJECT FILES .............................................................22 PRINTED MATERIAL .........................................................23 MEMORABILIA .............................................................26 CLIPPINGS .................................................................28 APPENDIX -
Duncan Campbell Scott - Poems
Classic Poetry Series Duncan Campbell Scott - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Duncan Campbell Scott(2 August 1862 – 19 December 1947) Duncan Campbell Scott was a Canadian poet and prose writer. With <a href="http://www.poemhunter.com/charles-g-d-roberts/">Charles G.D. Roberts</a>, <a href="http://www.poemhunter.com/bliss-carman/">Bliss Carman</a> and <a href="http://www.poemhunter.com/archibald- lampman/">Archibald Lampman</a>, he is classed as one of Canada's Confederation Poets. Scott was also a Canadian lifetime civil servant who served as deputy superintendent of the Department of Indian Affairs from 1913 to 1932, and is "best known" today for "advocating the assimilation of Canada’s First Nations peoples" in that capacity. <b>Life</b> Scott was born in Ottawa, Ontario, the son of Rev. William Scott and Janet MacCallum. He was educated at Stanstead Wesleyan Academy. Early in life, he became an accomplished pianist. Scott wanted to be a doctor, but family finances were precarious, so in 1879 he joined the federal civil service. As the story goes, "William Scott might not have money [but] he had connections in high places. Among his acquaintances was the prime minister, Sir John A. Macdonald, who agreed to meet with Duncan. As chance would have it, when Duncan arrived for his interview, the prime minister had a memo on his desk from the Indian Branch of the Department of the Interior asking for a temporary copying clerk. Making a quick decision while the serious young applicant waited in front of him, Macdonald wrote across the request: 'Approved. -
The Anglo-Catholic Identities of Frederick George Scott, 1861 -1944
The Anglo-Catholic Identities of Frederick George Scott, 1861-1944. BY Terrence Jacob Whalen A thesis submitted to the Department of History in conformity with the requirements for the degree of Master of Arts Queen's University Kingston, Ontario, Canada September, 2000 @ copyright Terrence Jacob Whalen, 2000 National Library Bibliothequê nationale du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellingtcm Street 395, nre Wellington OttawaON KIAW OüawaON K1AW Canada CaMda The author has granted a non- L'auteur a accordé une licence non exclusive licence aliowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantiai extracts fkom it Ni la thèse ni des extraits substantiels may be printed or otherwise de ceUe-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Frederick George Scott, New York City, 1942. (McCord Museum, Montreal.) *. 11 TABLE OF CONTENTS Abstract iii Acknowledgements iv List of Illustrations v Introduction F.G. Scott: A Biographical Sketch 1 Chapter 1 God and Evolution in F.G. Scott's ReSigious Thought 7 Chapter 2 Scott's Emergence as an Anglo-Catholic Patriarc h 34 Chapter 3 'The Pilgrirnage of Canon Scott': industrial Paternalism 63 and the Cape Breton Miners, 1923 Conclusion 90 Appendix A Scott's algebraic expression of the Holy Eucharist in the 94 scheme of evolution. -
The Portraits of William Wilfred Campbell
Our Sponsors 6th Annual William Wilfred Campbell Poetry Festival The Portraits of RE/MAX GREY BRUCE REALTY William Wilfred Campbell Thanks to the following donors: Dr. Murray and Ruth Cathcart, Toronto Mike and Val Popjoy, Wiarton and others Special Thank you to Allison Billings, Artist - Facilitator of Youth Portrait Workshop Participation from the Bluewater District School Board “He reminds us that to have the gifts of such fire, and to voice it The Wiarton Propeller Club and Meeting Place for worthy causes, is a noble and rare thing. Some causes may The WWC Festival Directors, Committee and Partners pass their time, and literary fashions come and go, but we can Cliff Bilyea, Evelyn Newbould, Caleb Hull, Pam Crawford, Victor Last, Harriet still remember and celebrate the voice.” Maconaghie, Paul Conway, and the Bruce County Library - Wiarton - Paul Conway, Voyageur Storytelling www.williamwilfredcampbellpoetryfestival.ca June 23, 2019 William Wilfred Campbell, 1861-1918 Introduction In his lifetime, Wiarton-raised Wilfred Campbell was an internationally famous poet. At The Campbells Are Coming played by Steve Wolfe his death in Ottawa where he was working as a Civil Servant, he was lauded as Canada’s Unofficial Poet Laureate, Poet Laureate of the Lakes and as one of seven Welcome - Chair, Cliff Bilyea noted Confederation Poets. Recognition of Artwork He began writing published poetry at age 14 and went on to publish five volumes of his ‘The Story of William Wilfred Campbell’ poetry, five historical novels, ten dramatic plays and three non-fiction books. by Paul Conway, Voyageur Storytelling The University of Aberdeen, Scotland conferred upon him an honorary Doctor of Laws degree. -
Canadian Poets and the Great Tradition
CANADIAN POETS AND THE GREAT TRADITION Sandra Djwa IIN. THE BEGINNING, as Francis Bacon observes, "God Al- mightie first Planted a Garden ... the Greatest Refreshment to the Spirits of Man."1 It is this lost garden of Eden metamorphosed into the Promised Land, the Hesperides, the El Dorado and the Golden Fleece which dominates some of the sixteenth and seventeenth century accounts of the New World reported in Richard Hakluyt's Principal Navigations, Voyages, Trafiques and Discoveries of the English Nation (i 598-1600) and the subsequent Purchas His Pilgrimes (1625). References to what is now Canada are considerably more restrained than are the eulogies to Nova Spania and Virginia; nonetheless there is a faint Edenic strain in the early reports of the first British settlement in the New World. John Guy implemented the first Royal Patent for settlement at Cupar's Cove, Newfoundland in 1610, a settlement inspired by Bacon and supported by King James, who observed that the plantation of this colony was "a matter and action well beseeming a Christian King, to make true use of that which God from the beginning created for mankind" (Purchas, XIX). Sir Richard Whitbourne's "A Relation of the New-found-land" (1618) continues in the same Edenic vein as he describes Newfoundland as "the fruitful wombe of the earth" : Then have you there faire Strawberries red and white, and as faire Raspasse berrie, and Gooseberries, as there be in England; as also multitudes of Bilberries, which are called by some Whortes, and many other delicate Berries (which I cannot name) in great abundance. -
The Epic Phase in Canadian Poetry
E. J. PRATI: THE EPIC PHASE IN CANADIAN POETRY Edwin John Pratt ( 1882-1964) dominates Canadian poetry in the first half of the twentieth century and, therefore, he belongs, at least chronologically, toa generation of artists who wit nessed two world wars and who, as a result of this appalling experience, set asirle the youthful enthusiasm of the Romantics and the didactic impulse of the Victorians to voice the pes simism of the new age. In Europe, the echoes of the old faith in man's ability to achieve a more meaningful existence could still be heard, but the dominant mood was one of scepticism about the progress and future of mankind. Romantic and post-Romantic .poets had generally adopted the role of guides who could provide the right orientation for existence. The most in fluential modero artists, on the contrary, chose to highlight man's decadence and frustration Against this, The poetry of E. J. Pratt, seems to be more Romantic than modero because this Canadian artist is essentially optimistic about man's potential and celebrates progress, strength and resilience instead of brooding on life-destructive forces. To a great extent, the reason for this vitality and optimism is to be found in the social and political climate that dominated Canadian life in the frrst decades of this century. In an article entitled ''The 1920s: E. J. Pratt Transitional Modero", the critic Sandra Djwa contrasts the aftermath of World W ar I in Europe and the United States with the effects that the conflict produced in Canada and explains the reasons for the wave of optimism that pervaded Canadian society when peace was restored: In Europe and in the United States, the reaction to the war had been one of profound disillusionment. -
Frederick George Scott - Poems
Classic Poetry Series Frederick George Scott - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Frederick George Scott(7 April 1861 – 19 January 1944) Frederick George Scott was a Canadian poet and author, known as the Poet of the Laurentians. He is sometimes associated with Canada's Confederation Poets, a group that included <a href="http://www.poemhunter.com/sir-charles-gd- roberts/">Charles G.D. Roberts</a> , <a href="http://www.poemhunter.com/bliss-william-carman/">Bliss William Carman</a>, <a href="http://www.poemhunter.com/archibald- lampman/">Archibald Lampman</a>, and <a href="http://www.poemhunter.com/duncan-campbell-scott/"> Duncan Campbell Scott</a> . Scott published 13 books of Christian and patriotic poetry. Scott was a British imperialist who wrote many hymns to the British Empire—eulogizing his country's roles in the Boer Wars and World War I. Many of his poems use the natural world symbolically to convey deeper spiritual meaning. Frederick George Scott was the father of poet F. R. Scott. <b>Life</b> Frederick George Scott was born 7 April 1861 in Montreal, Canada. He received a B.A. from Bishop's College, Lennoxville, Quebec, in 1881, and an M.A. in 1884. He studied theology at King's College, London in 1882, but was refused ordination in the Anglican Church of Canada for his Anglo-Catholic beliefs. In 1884 he became a deacon. In 1886 he was ordained an Anglican priest at Coggeshall, Essex. He served first at Drummondville, Quebec, and then in Quebec City, where he became rector of St. -
INTERDISCIPLINARY JOURNAL of DECADENCE STUDIES Issue 1 Spring 2018 Hierophants of Decadence: Bliss Carman and Arthur Symons Rita
INTERDISCIPLINARY JOURNAL OF DECADENCE STUDIES Issue 1 Spring 2018 Hierophants of Decadence: Bliss Carman and Arthur Symons Rita Dirks ISSN: 2515-0073 Date of Acceptance: 1 June 2018 Date of Publication: 21 June 2018 Citation: Rita Dirks, ‘Hierophants of Decadence: Bliss Carman and Arthur Symons’, Volupté: Interdisciplinary Journal of Decadence Studies, 1 (2018), 35-55. volupte.gold.ac.uk This work is licensed under a Creative Commons Attribution- ShareAlike 4.0 International License. Hierophants of Decadence: Bliss Carman and Arthur Symons Rita Dirks Ambrose University Canada has never produced a major man of letters whose work gave a violent shock to the sensibilities of Puritans. There was some worry about Carman, who had certain qualities of the fin de siècle poet, but how mildly he expressed his queer longings! (E. K. Brown) Decadence came to Canada softly, almost imperceptibly, in the 1880s, when the Confederation poet Bliss Carman published his first poems and met the English chronicler and leading poet of Decadence, Arthur Symons. The event of Decadence has gone largely unnoticed in Canada; there is no equivalent to David Weir’s Decadent Culture in the United States: Art and Literature Against the American Grain (2008), as perhaps has been the fate of Decadence elsewhere. As a literary movement it has been, until a recent slew of publications on British Decadence, relegated to a transitional or threshold period. As Jason David Hall and Alex Murray write: ‘It is common practice to read [...] decadence as an interstitial moment in literary history, the initial “falling away” from high Victorian literary values and forms before the bona fide novelty of modernism asserted itself’.1 This article is, in part, an attempt to bring Canadian Decadence into focus out of its liminal state/space, and to establish Bliss Carman as the representative Canadian Decadent. -
"A Strange Aesthetic Ferment
"A STRANGE AESTHETIC FERMENT Malcolm Ross w. ONE LOOKS DOWN over Fredericton from the hills where Charles Roberts and Bliss Carman once took their long hikes with George Parkin, one still sees the spire of Bishop Medley's Cathedral rising above a city hidden in elms. Old Frederictonians, whether they be Anglican or Roman, Baptist or Marxist, think first of their Cathedral whenever they think of home. George Goodridge Roberts, the father of Charles and Theodore (and Bliss Carman's uncle) was Canon of the Cathedral and Rector of the parish church of St. Anne's. George Parkin, headmaster of the Collegiate School in Fredericton, was an active Cathedral layman. Something should be said about the coincidence at just the right time of the Tractarian Bishop, his Gothic Cathedral, the great teacher whose classroom had no walls, "the new music, the new colours, the new raptures of Pre-Raphaelite poetry",1 and the young and eager spirits ready to respond to the peculiar genius of this place and this time. "The Fredericton of those days", Charles G. D. Roberts recalls, "was a good place for a poet to be." It was "stirring with a strange aesthetic ferment." Tiny as it was, with no more than six thousand inhabitants, Fredericton was nonetheless a capital city, a university city, a cathedral city : She had little of the commercial spirit, and I fear was hardly as democratic as is nowaday considered the proper thing to be. But she was not stagnant, and she was not smug. Instead of expecting all the people to be cut of one pattern, she seemed to prefer them to be just a little queer... -
Historical Portraits Book
HH Beechwood is proud to be The National Cemetery of Canada and a National Historic Site Life Celebrations ♦ Memorial Services ♦ Funerals ♦ Catered Receptions ♦ Cremations ♦ Urn & Casket Burials ♦ Monuments Beechwood operates on a not-for-profit basis and is not publicly funded. It is unique within the Ottawa community. In choosing Beechwood, many people take comfort in knowing that all funds are used for the maintenance, en- hancement and preservation of this National Historic Site. www.beechwoodottawa.ca 2017- v6 Published by Beechwood, Funeral, Cemetery & Cremation Services Ottawa, ON For all information requests please contact Beechwood, Funeral, Cemetery and Cremation Services 280 Beechwood Avenue, Ottawa ON K1L8A6 24 HOUR ASSISTANCE 613-741-9530 • Toll Free 866-990-9530 • FAX 613-741-8584 [email protected] The contents of this book may be used with the written permission of Beechwood, Funeral, Cemetery & Cremation Services www.beechwoodottawa.ca Owned by The Beechwood Cemetery Foundation and operated by The Beechwood Cemetery Company eechwood, established in 1873, is recognized as one of the most beautiful and historic cemeteries in Canada. It is the final resting place for over 75,000 Canadians from all walks of life, including im- portant politicians such as Governor General Ramon Hnatyshyn and Prime Minister Sir Robert Bor- den, Canadian Forces Veterans, War Dead, RCMP members and everyday Canadian heroes: our families and our loved ones. In late 1980s, Beechwood began producing a small booklet containing brief profiles for several dozen of the more significant and well-known individuals buried here. Since then, the cemetery has grown in national significance and importance, first by becoming the home of the National Military Cemetery of the Canadian Forces in 2001, being recognized as a National Historic Site in 2002 and finally by becoming the home of the RCMP National Memorial Cemetery in 2004. -
Proquest Dissertations
R-r.>»* . V •>. SUSS CARMAN From a photographic study by J, Vanderpant, F.R.P S. 082 BLISS CARMAN HIS STATUS IN THE ANNALS OF CANADIAN LITERATURE i <";, * BIBUOTH&UfS # y~^\ \, ^Ottawa LIBRARIES • BT M.S. MCCRACKEN B.A. - 1936 - UMI Number: EC55953 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform EC55953 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 CONTENTS Chapter Page Preface i 1 Life 1 11 Early Poems 18 111 Transition 49 IV Later Poetry 101 7 Contemporary Comments 112 Bibliography. 119 THE BOOKS OF BLISS CARMAN LOW TIDE ON GRAND PRE A Book of Lyrics 1893. SONGS FROM VAGABONDIA (with Richard Hovey) 1894. BEHIND THE ARRAS A Book of the Unseen 1895. A SEAMARK A Threnody for B..L. Stevenson 1895. MORE SONGS FROM VAGABONDIA (with R. Hovey) 1896. BALLADS OF LOST HAVEN A Book of the Sea 1897. BY THE AURELIAN WALL AND OTHER ELEGIES 1898. A WINTER HOLIDAY 1899. LAST SONGS FROM VAGABONDIA (withR.