The Science Behind Sandhya Vandanam
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Complete List of Books in Library Acc No Author Title of Book Subject Publisher Year R.No
Complete List of Books in Library Acc No Author Title of book Subject Publisher Year R.No. 1 Satkari Mookerjee The Jaina Philosophy of PHIL Bharat Jaina Parisat 8/A1 Non-Absolutism 3 Swami Nikilananda Ramakrishna PER/BIO Rider & Co. 17/B2 4 Selwyn Gurney Champion Readings From World ECO `Watts & Co., London 14/B2 & Dorothy Short Religion 6 Bhupendra Datta Swami Vivekananda PER/BIO Nababharat Pub., 17/A3 Calcutta 7 H.D. Lewis The Principal Upanisads PHIL George Allen & Unwin 8/A1 14 Jawaherlal Nehru Buddhist Texts PHIL Bruno Cassirer 8/A1 15 Bhagwat Saran Women In Rgveda PHIL Nada Kishore & Bros., 8/A1 Benares. 15 Bhagwat Saran Upadhya Women in Rgveda LIT 9/B1 16 A.P. Karmarkar The Religions of India PHIL Mira Publishing Lonavla 8/A1 House 17 Shri Krishna Menon Atma-Darshan PHIL Sri Vidya Samiti 8/A1 Atmananda 20 Henri de Lubac S.J. Aspects of Budhism PHIL sheed & ward 8/A1 21 J.M. Sanyal The Shrimad Bhagabatam PHIL Dhirendra Nath Bose 8/A2 22 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam VolI 23 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vo.l III 24 J.M. Sanyal The Shrimad Bhagabatam PHIL Oriental Pub. 8/A2 25 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vol.V 26 Mahadev Desai The Gospel of Selfless G/REL Navijvan Press 14/B2 Action 28 Shankar Shankar's Children Art FIC/NOV Yamuna Shankar 2/A2 Number Volume 28 29 Nil The Adyar Library Bulletin LIT The Adyar Library and 9/B2 Research Centre 30 Fraser & Edwards Life And Teaching of PER/BIO Christian Literature 17/A3 Tukaram Society for India 40 Monier Williams Hinduism PHIL Susil Gupta (India) Ltd. -
Sri Lakshmi Narayana Stotram
Sincere Thanks To: 1. SrI Seva SwAmi Memorial Foundation and SrI Vedanta Desika Research Centre, Villivakkam, Chennai, India for the source text of the SrI SUkti. 2. SrI Sundar Kidambi for facilitating the access to the Sanskrit Sloka-s and providing the ITrans text for the Sloka-s 3. SrI Srinivasan Narayanan swami for Sanskrit text and proof-reading 4. http://nallurtemple.org and http://groups.yahoo.com/group/arasanipalai/ for pictures 5. Smt Jayashree Muralidharan for eBook assembly Cover image of ArasAnipAlai SrI LakshmInArAyaNa perumAL mUlavar and utsavar Courtesy of ArasAnipAlai SrI Rajagopalan Swami, ArasAnipAlai Thattai SrI Sampath swAmi http://groups.yahoo.com/group/arasanipalai/ and www.anudinam.org www.sadagopan.org C O N T E N T Introduction 1 Slokams and Comments 3 Slokams 1 - 21 and Mangala Slokam 5 - 20 nigamanam 20 Transliteration Scheme used in the eBook 21 - 22 www.sadagopan.org SrI LkshmInArayana perumAL MUlavar and utsavar - arasANipAlai Thanks: http://groups.yahoo.com/group/arasanipalai/ www.sadagopan.org . ïI>. ïI seva Svaimn> Anug&hIten ïIlúmInaray[StaeÇm! SrI lakshmInArAyaNa stotram (Composed by SrI sevA Swamy) Introduction: We will visit the srotria village of ArasANipAlai, where SrI LakshmI nArAyaNa perumaL blesses us with MahA LakshmI seated on His left lap. ArasANipAlai is one of the 18 Vaidika agrahArams situated between the two rivers, PaalARu and SeyyAr. Dusi MaamaNDUr and Nallur are two of such agrahArams besides ArasANipAlai in this region. Many yajn~ams have been conducted at the NallUr and ArasANipAlai agrahArams by the descendants of KiDaambi AcchAn (PraNatArtiharar) who performed MaDappaLLi kaimkaryam for AcArya RaamAnuja (1017-1137 CE). -
Particulars of Some Temples of Kerala Contents Particulars of Some
Particulars of some temples of Kerala Contents Particulars of some temples of Kerala .............................................. 1 Introduction ............................................................................................... 9 Temples of Kerala ................................................................................. 10 Temples of Kerala- an over view .................................................... 16 1. Achan Koil Dharma Sastha ...................................................... 23 2. Alathiyur Perumthiri(Hanuman) koil ................................. 24 3. Randu Moorthi temple of Alathur......................................... 27 4. Ambalappuzha Krishnan temple ........................................... 28 5. Amedha Saptha Mathruka Temple ....................................... 31 6. Ananteswar temple of Manjeswar ........................................ 35 7. Anchumana temple , Padivattam, Edapalli....................... 36 8. Aranmula Parthasarathy Temple ......................................... 38 9. Arathil Bhagawathi temple ..................................................... 41 10. Arpuda Narayana temple, Thirukodithaanam ................. 45 11. Aryankavu Dharma Sastha ...................................................... 47 12. Athingal Bhairavi temple ......................................................... 48 13. Attukkal BHagawathy Kshethram, Trivandrum ............. 50 14. Ayilur Akhileswaran (Shiva) and Sri Krishna temples ........................................................................................................... -
Rishi and Devtas of Vedic Mantra
www.ved-yog.com 52 Chapter V Rishis and Devatas of the Mantras The general notion of the ‘Western’ Scholars and their Indian followers is that the Rishis whose names are mentioned on the Mantras are their composers and devatas are the deities to be worshipped. But this is a very erroneous view. By Rishis are meant, according to all ancient Authorities, the seers who made out the secrets of the Vedas and propagated them. Yaskacharya, the well known philologist and author of the Nirukta.says in 1-91. lk{kkRÏr/kekZ.k _"k;ks cHkwoqLrs·lk{kkr~Ïr/keZH; mins'ksu eU=ku~ lEizknq%µ fu#Dr 1-19µ The original seers were men of realisation who saw or perfectly understood’ the Dharma. They taught it to those who themselves had not realised it or were not inspired persons. In Nirukta 2-11 Yaskacharya says – _"k;ks eU=nz"Vkj% _f"knZ'kZukr~Lrkseku~ nn'ksZR;kSieU;o%A ;nsuku~ riL;ekuku~ czã Lo;EHkw vH;ku'kZr~ rn`.kh.kke`f"kRofefr foKkirsµ i.e. The Rishis are seers of the Mantras. The word Rishi means Drashta. Opaomanyava Acharya is of opinion that those who by austerities, realised the Yedic-hymns were called Rishis.” The Taittiriya Aranyak (2-9-1) says similarly - _"k;ks ;r~ ,uku~ riL;ekuku~ czãLo;EHkw vH;ku"kZr~ rs_"k;ks·Hkou~ rn`"k;ks·Hkou~ rn`"kh.kke`f"kRoe~A www.ved-yog.com 53 Those that after tapas or deep meditation realised the secret meaning of the Vedic Mantras, became Rishis by the Grace of the Almighty. -
SACRED SPACES and OBJECTS: the VISUAL, MATERIAL, and TANGIBLE George Pati
SACRED SPACES AND OBJECTS: THE VISUAL, MATERIAL, AND TANGIBLE George Pati BRAUER MUSEUM OF ART | APRIL 13 — MAY 8, 2016 WE AT THE BRAUER MUSEUM are grateful for the opportunity to present this exhibition curated by George Pati, Ph.D., Surjit S. Patheja Chair in World Religions and Ethics and Valparaiso University associate professor of theology and international studies. Through this exhibition, Professor Pati shares the fruits of his research conducted during his recent sabbatical and in addition provides valuable insights into sacred objects, sites, and practices in India. Professor Pati’s photographs document specific places but also reflect a creative eye at work; as an artist, his documents are also celebrations of the particular spaces that inspire him and capture his imagination. Accompanying the images in the exhibition are beautiful textiles and objects of metalware that transform the gallery into its own sacred space, with respectful and reverent viewing becoming its own ritual that could lead to a fuller understanding of the concepts Pati brings to our attention. Professor Pati and the Brauer staff wish to thank the Surjit S. Patheja Chair in World Religions and Ethics and the Partners for the Brauer Museum of Art for support of this exhibition. In addition, we wish to thank Gretchen Buggeln and David Morgan for the insights and perspectives they provide in their responses to Pati's essay and photographs. Gregg Hertzlieb, Director/Curator Brauer Museum of Art 2 | BRAUER MUSEUM OF ART SACRED SPACES AND OBJECTS: THE VISUAL, MATERIAL, AND TANGIBLE George Pati George Pati, Ph.D., Valparaiso University Śvetāśvatara Upaniṣad 6:23 Only in a man who has utmost devotion for God, and who shows the same devotion for teacher as for God, These teachings by the noble one will be illuminating. -
A Study of the Early Vedic Age in Ancient India
Journal of Arts and Culture ISSN: 0976-9862 & E-ISSN: 0976-9870, Volume 3, Issue 3, 2012, pp.-129-132. Available online at http://www.bioinfo.in/contents.php?id=53. A STUDY OF THE EARLY VEDIC AGE IN ANCIENT INDIA FASALE M.K.* Department of Histroy, Abasaheb Kakade Arts College, Bodhegaon, Shevgaon- 414 502, MS, India *Corresponding Author: Email- [email protected] Received: December 04, 2012; Accepted: December 20, 2012 Abstract- The Vedic period (or Vedic age) was a period in history during which the Vedas, the oldest scriptures of Hinduism, were composed. The time span of the period is uncertain. Philological and linguistic evidence indicates that the Rigveda, the oldest of the Vedas, was com- posed roughly between 1700 and 1100 BCE, also referred to as the early Vedic period. The end of the period is commonly estimated to have occurred about 500 BCE, and 150 BCE has been suggested as a terminus ante quem for all Vedic Sanskrit literature. Transmission of texts in the Vedic period was by oral tradition alone, and a literary tradition set in only in post-Vedic times. Despite the difficulties in dating the period, the Vedas can safely be assumed to be several thousands of years old. The associated culture, sometimes referred to as Vedic civilization, was probably centred early on in the northern and northwestern parts of the Indian subcontinent, but has now spread and constitutes the basis of contemporary Indian culture. After the end of the Vedic period, the Mahajanapadas period in turn gave way to the Maurya Empire (from ca. -
In the Hindu Temples of Kerala Gilles Tarabout
Spots of Wilderness. ’Nature’ in the Hindu Temples of Kerala Gilles Tarabout To cite this version: Gilles Tarabout. Spots of Wilderness. ’Nature’ in the Hindu Temples of Kerala. Rivista degli Studi Orientali, Fabrizio Serra editore, 2015, The Human Person and Nature in Classical and Modern India, eds. R. Torella & G. Milanetti, Supplemento n°2 alla Rivista Degli Studi Orientali, n.s., vol. LXXXVIII, pp.23-43. hal-01306640 HAL Id: hal-01306640 https://hal.archives-ouvertes.fr/hal-01306640 Submitted on 25 Apr 2016 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Published in Supplemento n°2 alla Rivista Degli Studi Orientali, n.s., vol. LXXXVIII, 2015 (‘The Human Person and Nature in Classical and Modern India’, R. Torella & G. Milanetti, eds.), pp.23-43; in the publication the photos are in B & W. /p. 23/ Spots of Wilderness. ‘Nature’ in the Hindu Temples of Kerala Gilles Tarabout CNRS, Laboratoire d’Ethnologie et de Sociologie Comparative Many Hindu temples in Kerala are called ‘groves’ (kāvu), and encapsulate an effective grove – a small spot where shrubs and trees are said to grow ‘wildly’. There live numerous divine entities, serpent gods and other ambivalent deities or ghosts, subordinated to the presiding god/goddess of the temple installed in the main shrine. -
Šrî Sâi Leela
ŠRÎ SÂI LEELA Šrî Shirdi Sai Bâbâ Temple 1449 & 1451 Abers Creek Road, Monroeville, PA 15146 Mailing: PO Box 507 , Monroeville, PA 15146-0507 Phone: 412-374-9244 Fax: 412-374-0940 Website: http://www.baba.org “Help Ever, Hurt Never” Like us - www.facebook.com/pittsburghbabatemple August 2017 Spend money in charity; be generous and munificent but not extravagant - Šrî Sâi Bâbâ. Kshetrapalaka Sanjeevani Veera HANUMAN PRATISHTA(CONSECRATION) Thursday August 10th - Saturday 12th Dear Sai Family, With at most enthusiasm we are very happy to announce that an 8 feet Kshetrapalaka SANJEEVANI VEERA HANUMAN is on its way from Maha Balipuram, INDIA personally hand picked by Founder President Saint Sri Panduranga. Concecration is set for August 10th - 12th . The Temple is getting ready for concecration, your attendence and financial support is needed to make this event successful. For further details call temple at 412 374 9244 or visit our website baba.org. Jai Sairam! Sri Hanuman Pratishta Program Thursday Aug 10th - 6.00 pm - 9.00 pm Hanuman Pratishta Sankalpam $1008 Deeksha vastralu & Gold pendent Ksheera , Jala Adhivasa Cultural Program Theertham & Prasadam Friday Aug 11th - 9am – 12noon Sukta , Adivasa , Mula Mantra Homam - $126 Sponsorship Form for Sri Hanuman ji 6.00 pm Anjaneya Moola Mantra Homam – $126 Consecration Pushpadhivasa & Cultural Program Theertham & Prasadam Sri Hanuman Ji Statue - $15000 th Names on Plaque & Photo(4.25'’ x 5.5'’) on Wall of Devotees Saturday Aug 12 - 8 am – 12noon Vayu Pratishta Karyakramam (Custom made) Gazebo -
Kirtan Leelaarth Amrutdhaara
KIRTAN LEELAARTH AMRUTDHAARA INSPIRERS Param Pujya Dharma Dhurandhar 1008 Acharya Shree Koshalendraprasadji Maharaj Ahmedabad Diocese Aksharnivasi Param Pujya Mahant Sadguru Purani Swami Hariswaroopdasji Shree Swaminarayan Mandir Bhuj (Kutch) Param Pujya Mahant Sadguru Purani Swami Dharmanandandasji Shree Swaminarayan Mandir Bhuj (Kutch) PUBLISHER Shree Kutch Satsang Swaminarayan Temple (Kenton-Harrow) (Affiliated to Shree Swaminarayan Mandir Bhuj – Kutch) PUBLISHED 4th May 2008 (Chaitra Vad 14, Samvat 2064) Produced by: Shree Kutch Satsang Swaminarayan Temple - Kenton Harrow All rights reserved. No part of this book may be used or reproduced in any form or by any means without written permission from the publisher. © Copyright 2008 Artwork designed by: SKSS Temple I.T. Centre © Copyright 2008 Shree Kutch Satsang Swaminarayan Temple - Kenton, Harrow Shree Kutch Satsang Swaminarayan Temple Westfield Lane, Kenton, Harrow Middlesex, HA3 9EA, UK Tel: 020 8909 9899 Fax: 020 8909 9897 www.sksst.org [email protected] Registered Charity Number: 271034 i ii Forword Jay Shree Swaminarayan, The Swaminarayan Sampraday (faith) is supported by its four pillars; Mandir (Temple), Shastra (Holy Books), Acharya (Guru) and Santos (Holy Saints & Devotees). The growth, strength and inter- supportiveness of these four pillars are key to spreading of the Swaminarayan Faith. Lord Shree Swaminarayan has acknowledged these pillars and laid down the key responsibilities for each of the pillars. He instructed his Nand-Santos to write Shastras which helped the devotees to perform devotion (Bhakti), acquire true knowledge (Gnan), practice righteous living (Dharma) and develop non- attachment to every thing material except Supreme God, Lord Shree Swaminarayan (Vairagya). There are nine types of bhakti, of which, Lord Shree Swaminarayan has singled out Kirtan Bhakti as one of the most important and fundamental in our devotion to God. -
Thirumangai Azhwar's Thirukkurunthandakam
Thirumangai AzhwAr’s ThirukkurunthANdakam Annotated Commentary in English By: Oppiliappan Koil SrI VaradAchAri SaThakopan sadagopan.org CONTENTS Page Introduction 1 Paasuram 1 6 Paasuram 2 8 Paasuram 3 10 Paasuram 4 & 5 11 Paasuram 6 13 Paasuram 7 & 8 14 Paasuram 9 & 10 15 Paasuram 11 & 12 16 Paasuram 13 & 14 18 Paasuram 15 & 16 19 Paasuram 17 & 18 21 Paasuram 19 22 Paasuram 20 23 sadagopan.org Nigamanam 24 sadagopan.org THIRUMANGAI AZHWAR VAIBHAVAM Parakalan at Ahobilam Thirumangai AzhwAr was the last of the Twelve AzhwArs. His Taniyan is: KaarthikE KrittikA Jaatham chathushkavi SikhAmaNim ShaDprabhandha kruthaM Saarnga-mUrthim kaliyamAsrayE sadagopan.org Thirumangai AzhwAr known as Kaliyan, ParakAlan was born in Nala samvathsaram, VriscchikA Maasam, PourNami dinam. It was a Thursday and KritthikA Nakshathram was in ascendance. His place of birth is Thirukkurayaloor near ThiruvAli-Thirunahari. His given name at birth was Neelan. He was born in Chathurtha VarNam and he mastered svakula Vidhyai of DhanussAsthram. With his mastery of archery and weapons handling, he was formidable in fights. He became a chieftain of a district in the kingdom of ChOLAs and served the ChOLA king. He had four ministers with the names of ThALUthuvAN, Neer-mEl NadappAn, Nizhalil MaRaivAn and ThOlA Vazhakkan. With their help and the carrying power of his horse with the name of AadalmA, Neelan was able to drive away many enemies of the ChOLA king and enjoyed an honoured status in the ChOLA Kingdom. Meanwhile, in a nearby village, there was a female child born as BhUmyamsai in an Aambal pond (Kumuda saras) and a Vaisyan took that child home and adopted it as his own. -
Few Translation of Works of Tamil Sidhas, Saints and Poets Contents
Few translation of works of Tamil Sidhas, Saints and Poets I belong to Kerala but I did study Tamil Language with great interest.Here is translation of random religious works That I have done Contents Few translation of works of Tamil Sidhas, Saints and Poets ................. 1 1.Thiruvalluvar’s Thirukkual ...................................................................... 7 2.Vaan chirappu .................................................................................... 9 3.Neethar Perumai .............................................................................. 11 4.Aran Valiyuruthal ............................................................................. 13 5.Yil Vazhkai ........................................................................................ 15 6. Vaazhkkai thunai nalam .................................................................. 18 7.Makkat peru ..................................................................................... 20 8.Anbudamai ....................................................................................... 21 9.Virunthombal ................................................................................... 23 10.Iniyavai kooral ............................................................................... 25 11.Chei nandri arithal ......................................................................... 28 12.Naduvu nilamai- ............................................................................. 29 13.Adakkamudamai ........................................................................... -
Vivekachudamani
Adi Sankaracharya’s VIVEKCHUDAMANI Selected 108 Verses VOLUME 01 Index S. No. No. of Verses Original Text Page no Verse No 1. Verse 1 Verse 1 2 2. Verse 2 Verse 3 4 3. Verse 3 Verse 4 8 4. Verse 4 Verse 6 12 5. Verse 5 Verse 11 18 6. Verse 6 Verse 15 20 7. Verse 7 Verse 14 23 8. Verse 8 Verse 18 26 9. Verse 9 Verse 19 29 10. Verse 10 Verse 20 33 11. Verse 11 Verse 21 36 12. Verse 12 Verse 22 46 13. Verse 13 Verse 23 56 14. Verse 14 Verse 24 62 15. Verse 15 Verse 25 74 [i] S. No. No. of Verses Original Text Page no Verse No 16. Verse 16 Verse 26 86 17. Verse 17 Verse 27 91 18. Verse 18 Verse 32 105 19. Verse 19 Verse 33 122 20. Verse 20 Verse 34 142 21. Verse 21 Verse 36 144 22. Verse 22 Verse 37 150 23. Verse 23 Verse 43 155 24. Verse 24 Verse 47 157 25. Verse 25 Verse 49 168 26. Verse 26 Verse 71 173 27. Verse 27 Verse 88 174 [ii] SELECTED 108 VERSES Verse 1 to 27 i Lecture 1 • By Shankaracharya - 585 Verses • 108 Verses for study • Chudamani (Crest, head - Jewel) = Ornament for head • Valmiki Ramayanam • Sita gives Chudamani, Rama gives ring to Anjaneer • Viveka = Discriminative, important qualification required for spiritual seeker. Spiritual Journey - 2 Stages in Vivekachudamani Karma Yoga Jnana Yoga - Dharma - Adharma Viveka - Atma (Real I ) - Discretion - Anatma (False I ) • Viveka = Chudamani - inner ornament required within head for all seekers - Leads to seeker to liberation 1 Topic I : Mangalacharanam : Verse 1 : My salutations to Sri Sad-Guru Govinda who is of the nature of Bliss Supreme, who can be known only through the import of the essence of Vedanta and who is beyond the reach of the known instruments of perception.