King Janaka Had Organized a Dhanushya Yagya, a Grand Swayamvara of His Beautiful Daughter Sita

Total Page：16

File Type：pdf, Size：1020Kb

King Janaka Had Organized a Dhanushya Yagya, a Grand Swayamvara of His Beautiful Daughter Sita

MangalMandirJagrati Class Lesson 6 February 9, 2014 Birth of Sita The word Sita means furrow, the impression left by a plough. King Janaka ruled the kingdom of Videha with Mithila as its capital. He had no children. Once, while preparing land for a yagna, he found Sita Maa in the ploughed field. He brought her home to Mithilapur, in present day Nepal, and raised her as his own. The many names of Sita are: Janaki – found and adopted by Janaka Maithili – princess of Mithila Vaidehi – princess of Videha kingdom Bhumija – born of earth Ramaa – dear to Rama The story of Sita Swayamvar is very dear to our hearts. Demons, Mareech and Subahu, wreaked havoc on Sage Vishwamitra’s hermitage. Rama and Lakshmana helped Sage Vishwamitra continue with his yagya and protected him from the demons. At the end of the yagya, they proceeded to Mithilapur. King Janaka had organized a Dhanushya Yagya, a grand swayamvara of his beautiful daughter Sita. A swayamvara was a ritual where kings and princes' from far and near would visit the king's court to ask for the princess's hand, but only the bravest would be selected. King Janaka announced that he had a mighty bow, which was blessed by Shiva. The one who could string the bow would marry Sita. Many princes' tried but all failed. No one could even move the bow from its place leave alone string it. The wise kings did not even try. Seeing this, King Janaka was disheartened and wished he had never laid down this condition for the swayamvara. Lakshmana got upset and pleaded with Rama to show his glory and might. After receiving Sage Vishwamitra’s blessings, Rama proceeded to the spot where the bow was kept. Rama lifted the bow effortlessly. As He started to string the bow, it broke into two pieces. Sita walked up to Rama and garlanded Him. King Janaka immediately sent his ministers to Kosala and the marriage preparations began. When King Dashrath came to Mithilapur, Rama was married to Sita, Lakshmana was married to Urmila, Sita’s sister. Bharata was married to Mandavi and Shatrughana was married to Shrutakirti, daughters of King Janak’s brother. They returned to Ayodhya where they were warmly welcomed. There was joy and merriment all over the kingdom. MangalMandirJagrati Class Lesson 6 February 9, 2014 MangalMandirJagrati Class Lesson 6 February 9, 2014 .

Copy Link

Recommended publications

Das Ramayana Nach Valmiki
Revidierte Fassung der Examensarbeit Das Ramayana Das Ramayana nach Valmiki von Volker Schlee 1984 nach Valmiki Die vorliegende Ausgabe beruht auf einer alten Textvorlage zu meiner Examensarbeit 1984 in Wesen und Wandel und illustriert mit Bildmaterial unter der Genehmigung von Peter Rum Verfasser: www.reise-know-how.de/ Volker Schlee Fotos: Volker Schlee www.terraculta.org Originaltitel von 1984 Das Ramayana nach Valmiki Verfasser: Volker Schlee Detmolderstraße 197 4800 Bielefeld Vorgelegt am: 24.4.1984 (c) Volker Schlee 1983-2012 1 Inhaltsverzeichnis Das Buch vom Walde = Aranya-Kanda 28 Vorwort (zur Originalausgabe 3 Das Buch der Affenhauptstadt = Kishkindah-Kanda 28 Zur Zielsetzung und Motivation der Arbeit 3 Das schöne Buch = Sundara-Kanda 28 Geschichte 4 Das Buch vom Kampfe = Yuddhya-Kanda 29 Auf den Spuren der Indus - Kultur 4 Das letzte Buch = Uttara-Kanda 29 Im 500-Jahresschritt zum Christentum 6 Zu Art und Glaubwürdigkeit der Überlieferungen 6 Schlussbemerkung 30 Auf der Suche nach einem Zuhause 7 Die erstan Arien gelangen an den Indus 7 Anmerkungen 31 Die Städtezerstörer 9 ‘Die Zeit der Rivalitäten’ 9 Primärliteratur 32 Götter-Urwald und Kastenwesen 10 Sekundärliteratur 32 Zum Kassenwesen 10 Die Götter fliehen in den Himmel 12 Anhang 34 Die Klassische Periode 12 (*1) Kunstmärchen und -epen in der Neuzeit: 34 Buddhismus 14 (*2) geschichtliche Analogien 34 (*3) Die erste deutsche Komplettübersetzung 34 Das Ramayana 17 (*4) Entstehungszeit 34 Art der Überlieferungen Ramas erster Besuch in Deutschland Ramayana - Bibliothek VolkerSchlee
[Show full text]
Janaka Janamejaya I Janamejaya I
JANAKA 345 JANAMEJAYA I the King was transferred to them they could be set discussion with Sage Paficasikha about the means to free. One early morning Janaka had, with a pure avoid death. (Santi Parva, Chapter 319). heart, chanted "Rama, Rama" and that good act was (13) There was once a Janaka King called Dharma- exchanged for the freedom of the sinners. dhvaja, and Sulabha, an erudite woman in Mithila After their release had been effected, Janaka asked wanted to test the King. By her yogic powers she Kala : "You say that only sinners come here. What sin assumed the form of a very beautiful woman and visited have I committed that I should come here ?" Kala's Janaka's palace. She was offered a seat by the King, reply to the question was as follows : "Oh ! King, and seated on the stool she took her soul into the no one else in the whole world has so much punya as body of Janaka, and the soul entered into a dicussion you have got. But, a small sin you have committed. on philosophic subjects with Janaka. Sulabha was thus Once you prevented a cow from eating grass, and, convinced about the unique scholarship of the King therefore, you had to come up to the gates ofhell. Now, and left the palace ashamed about her attempt to for. So that sin has been atoned you may go to svarga." test the King. (Santi Parva, Chapter 320) . saluted Kala and in the divine vimana to the son of Janaka went ( 14) Suka, Vyasa not being fully satisfied by Heaven.
[Show full text]
Sita Ram Baba
सीता राम बाबा Sītā Rāma Bābā סִיטָ ה רְ אַמָ ה בָבָ ה Bābā بَابَا He had a crippled leg and was on crutches. He tried to speak to us in broken English. His name was Sita Ram Baba. He sat there with his begging bowl in hand. Unlike most Sadhus, he had very high self- esteem. His eyes lit up when we bought him some ice-cream, he really enjoyed it. He stayed with us most of that evening. I videotaped the whole scene. Churchill, Pola (2007-11-14). Eternal Breath : A Biography of Leonard Orr Founder of Rebirthing Breathwork (Kindle Locations 4961-4964). Trafford. Kindle Edition. … immortal Sita Ram Baba. Churchill, Pola (2007-11-14). Eternal Breath : A Biography of Leonard Orr Founder of Rebirthing Breathwork (Kindle Location 5039). Trafford. Kindle Edition. Breaking the Death Habit: The Science of Everlasting Life by Leonard Orr (page 56) ראמה راما Ράμα ראמה راما Ράμα Rama has its origins in the Sanskrit language. It is used largely in Hebrew and Indian. It is derived literally from the word rama which is of the meaning 'pleasing'. http://www.babynamespedia.com/meaning/Rama/f Rama For other uses, see Rama (disambiguation). “Râm” redirects here. It is not to be confused with Ram (disambiguation). Rama (/ˈrɑːmə/;[1] Sanskrit: राम Rāma) is the seventh avatar of the Hindu god Vishnu,[2] and a king of Ayodhya in Hindu scriptures. Rama is also the protagonist of the Hindu epic Ramayana, which narrates his supremacy. Rama is one of the many popular ﬁgures and deities in Hinduism, speciﬁcally Vaishnavism and Vaishnava reli- gious scriptures in South and Southeast Asia.[3] Along with Krishna, Rama is considered to be one of the most important avatars of Vishnu.
[Show full text]
9 Ever Remember the Name of Rama
103 9 Ever Remember The Name Of Rama HOUSANDS of years have passed since the Tadvent of Treta Yuga, yet even now everyone, right from children to elderly people, remember the name of Rama. The glory of Rama’s name is such that it has not diminished even a bit with the passage of time. This truth should be recognised by all. Rama is the name given to a form, but the name of Rama is not limited to a form. Atma is Rama, and its true name is Atmarama. Therefore, wherever and whenever you remember the name of Rama, Rama is there with you, in you, around you. The Name Of Rama Is Eternal Embodiments of Love! Rama is one, whether you identify him with the 104 SATHYA SAI SPEAKS, Volume 40 atma or with the form installed in your heart. Every year comes the festival of Sri Rama Navami. But we have not so far understood its true significance. You identify Rama with a form. But Rama is not limited to any particular form. It is the name that is latent in your heart. Many changes and variations keep occurring in the world, but the name of Rama is immutable, eternal, unsullied and everlasting. Rama was not an ordinary individual. He was verily God who incarnated on earth for the welfare of mankind. People call God by many names like Rama, Krishna, Easwara and Mahadeva. They are all the names of one God. You should recognise the glory of this name. Sage Vasishta said, “Ramo vigrahavan Dharma” (Rama is the personification of Dharma).
[Show full text]
Maa Durga Temple, Auckland, NZ Monthly Newsletter
May 2016 Issue #17 Maa Durga Temple, Auckland, NZ Monthly Newsletter May 2016 – Events and Festival dates (Please confirm exact date and time with Panditji) WEEKLY PROGRAMS AT THE TEMPLE(4/3 Onslow Avenue, Papatoetoe, Auckland) Temple Timings: Tuesday: 9am to 12.00 am and RAM KATHA, HANUMAN CHALISA, AARTI AND MAHA 5pm to 8.00pm PRASAD. Panditji: Tel. 09 2798108 Friday: Sahastra Naam Pooja, PRAVACHAN, HANUMAN FREE HINDI CLASS EVERY SUNDAY FROM CHALISA AND DURGA CHALISA 10.30AM & MUSIC CLASSES ON MONDAYS Saturday: MATA RANI CHOWKI or BHAJAN SANDHYA FROM 5PM AT TEMPLE CONTACT TEL. 09 FOLLOWED BY AARTI AND MAHA PRASAD 2798108 April Highlights at the Temple that the holy river Ganga was reborn. Ganga Saptami is considered as an occasion where river From 8th till 16th Chaitra Navratri was celebrated at Ganga is worshipped with full devotion. In India the Temple. There was Ram Katha, pooja, aarti lot of dedication and devotion is shown to Ganga and maha Prasad on all days. Many devotees Ji. There are many stories about the magnificence participated in the festival. Please check out the and importance of Ganga ji. One legend is that photos and videos posted on our facebook page. Ganga ji is born due to sweat of God Vishnu’s feet, another legend is that Ganga Ji was born from May Festival Details: Kamandal of Lord Brahma.There is one more Surdas Jayanti 2016 - May 11: story about the origin of Ganga that Bali was Surdas Jayanti commemorates the birthday of killed by Lord Vishnu. Then Lord Brahma cleaned saint Surdas who was blind.
[Show full text]
The Ramayana by R.K. Narayan
Table of Contents About the Author Title Page Copyright Page Introduction Dedication Chapter 1 - RAMA’S INITIATION Chapter 2 - THE WEDDING Chapter 3 - TWO PROMISES REVIVED Chapter 4 - ENCOUNTERS IN EXILE Chapter 5 - THE GRAND TORMENTOR Chapter 6 - VALI Chapter 7 - WHEN THE RAINS CEASE Chapter 8 - MEMENTO FROM RAMA Chapter 9 - RAVANA IN COUNCIL Chapter 10 - ACROSS THE OCEAN Chapter 11 - THE SIEGE OF LANKA Chapter 12 - RAMA AND RAVANA IN BATTLE Chapter 13 - INTERLUDE Chapter 14 - THE CORONATION Epilogue Glossary THE RAMAYANA R. K. NARAYAN was born on October 10, 1906, in Madras, South India, and educated there and at Maharaja’s College in Mysore. His first novel, Swami and Friends (1935), and its successor, The Bachelor of Arts (1937), are both set in the fictional territory of Malgudi, of which John Updike wrote, “Few writers since Dickens can match the effect of colorful teeming that Narayan’s fictional city of Malgudi conveys; its population is as sharply chiseled as a temple frieze, and as endless, with always, one feels, more characters round the corner.” Narayan wrote many more novels set in Malgudi, including The English Teacher (1945), The Financial Expert (1952), and The Guide (1958), which won him the Sahitya Akademi (India’s National Academy of Letters) Award, his country’s highest honor. His collections of short fiction include A Horse and Two Goats, Malgudi Days, and Under the Banyan Tree. Graham Greene, Narayan’s friend and literary champion, said, “He has offered me a second home. Without him I could never have known what it is like to be Indian.” Narayan’s fiction earned him comparisons to the work of writers including Anton Chekhov, William Faulkner, O.
[Show full text]
Valmiki Ramayana – Bala Kanda – Chapter 50
Om Sri Lakshmi Narashimhan Nahama Valmiki Ramayana – Bala Kanda – Chapter 50 Rama and His Associates Enter Mithila Summary Rama arrives at Mithila along with Lakshmana led by Vishvamitra. On hearing that Vishvamitra has arrived at their city Mithila, King Janaka proceeds to him welcomingly. On seeing Rama and Lakshmana near at Vishvamitra, Janaka inquisitively [curiously] asks Vishvamitra about these two princes. Vishvamitra announces them as the sons of Dasharatha and informs about the adventurous deeds the boys have undertaken. Chapter [Sarga] 50 in Detail tatah praak uttaraam gatvaa raamah saumitrinaa saha | vishvaamitram purashkritya yajna vaatam upaagamat || 1-50-1 Rama then traveled along with Lakshmana towards northeast direction keeping Vishvamitra afore and neared the hall of Vedic ritual of Janaka in Mithila kingdom. [1-50-1] raamah tu muni shaarduulam uvaaca saha laksmanah | saadhvii yajna samriddhih hi janakasya mahaatmanah || 1-50-2 Rama who is with Lakshmana spoke to the tigerly saint Vishvamitra, the Vedic-ritual of noble-souled Janaka is excellent, indeed with bountifully garnered [collected] paraphernalia [articles] of the ritual. [1-50-2] Page 1 of 6 Om Sri Lakshmi Narashimhan Nahama Valmiki Ramayana – Bala Kanda – Chapter 50 bahuuni iha sahasraani naanaa desha nivaasinaam | braahmanaanaam mahaabhaaga veda adhyayana shaalinaam || 1-50-3 risi vaataah ca drishyante shakatii shata sa.nkulaah | desho vidhiiyataam brahman yatra vatsyaamahe vayam || 1-50-4 Oh, highly fortunate sage, this place abounds with many thousands of Brahmans who are experts in Vedic practices and who seem to be the dwellers of numerous provinces, and also discernable [distinct] are the cottages of sages rife with hundreds of carts full with their ceremonial chattels, as such oh, Brahman, a campsite may be decided for us too, as I discern every inch is inhabited.
[Show full text]
The Ramayana
The Ramayana Inspirations Theater Camp Summer 2016 Script and Songs by Torsti Rovainen Rights held by Rovainen Musicals Story based on the ancient Indian epic of The Ramayana Some spoken lines in Scene IIIB from a translation of The Kurontokai (The Ancient Epic of Love) Script printed on post-consumer recycled paper using less environmentally damaging inks Rovainen Musicals Inspirations Theater Camps and Clubs http://rovainenmusicals.com Scene Synopsis / Song List ACT I (Overture) 0.0: Street scene in modern-day India: Boy playing gets into fight, comforted by Grandmother who sings The Ramayana along with Demon and Human Narrators. Describes creation of world of yakshas and Rakshasas, rakshasas initially peaceful; how Ravana came to be; Rakshasas beginning to prey on humans; the no-man's land between Rakshasa & human territory; Rama & Lakshmana's roles along with Vibishina I Opening Village Bazaar Bazaar Song II Rama learns he to become king in How To Be King Sung by Dasaratha his ministers; overheard by Kaikeyi's servants Manthara and Suchara; Manthara and Suchara discuss the news of Rama's planned kingship. III Sita's rooms; she is arguing with her father about her rejecting suitors. He reflects on how they used to get along in the Lullaby and Then You'd Grow. Maidservants enter for You Should Marry Transitions to brief balcony scene where Rama and Sita see each other and are enamored; brief song (at end of You Should Marry) III.B Having met Sita, Rama is smitten; Lakshamana and the other warriors try to persuade Rama not to marry her, instead to stay single and a warrior in Love Just Makes Things Worse IV Bowlifting ceremony; Rama and Sita decide to marry V Beha Din Ayo Bollywood-inspired short song and dance showing Ayodhya celebrating the upcoming wed- ding VI Manthara and Suchara persuade Kaikeyi to have Rama banished and Bharatha put on throne He Promised You VII Na Jane Rama's Mother, Viswamithra, Sumanthra, nobles, and townsfolk singing to Rama to stay.
[Show full text]
Savitribai Phule Pune University
SAVITRIBAI PHULE PUNE UNIVERSITY FACULTY : Science Convo No NAME Exam Name SC15-00710 Aafiya Israrul-Haque Master of Science SC15-00001 Aakanksha Vatsal Doctor of Philosophy SC15-03333 Aaliya Tabassum Mukhtar Ahmad Master of Science SC15-02568 Aarti Ramesh Mane Master of Science SC15-10639 Abbasi Ruqqia Ghufran Master of Science SC15-03354 Abdul Rahman Manzoor Ahmed Master of Science SC15-02211 Abdulghani Ghazwan Mahmood Master of Science SC15-01758 Abhale Sheetal Macchindra Master of Science SC15-00636 Abhale Shraddha Balasaheb Master of Science SC15-01387 Abhang Tushar Anandrao Master of Science SC15-00143 Abhang Vishal Bhauso Master of Science SC15-03961 Abhani Kishan Mansukhlal Master of Computer Applications SC15-03021 Abhijeet Hanmant Nimbalkar Master of Science SC15-02030 Abhijeet Singh Master of Science SC15-00002 Abhik Santra Doctor of Philosophy SC15-04173 Abhiram Sudhir Gadekar Six Year Integrated M. Tech. Biotechnology SC15-03850 Abhishek Prakashchand Chhajed Master of Computer Applications SC15-04032 Abhishek Shantanu Dahale Master of Computer Applications SC15-00367 Abhishek Sudhakar Kale Master of Science SC15-00368 Abhyankar Sukhada Mahesh Master of Science SC15-01765 Abinash Swain Master of Science SC15-03826 Achare Mahesh Pandurang Master of Computer Applications SC15-03127 Acharya Chaitali Ajit Master of Science SC15-04033 Acharya Gauri Pramod Master of Computer Applications SC15-03162 Acharya Pooja Santosh Master of Science SC15-02164 Acharya Tejas Ganesh Master of Science SC15-01930 Adarsh Prem Kumar Master of Science
[Show full text]
Ramayan Ki Kathayen, Pandemic and the Hindu Way of Life and the Contribution of Hindu Women, Amongst Others
Hindu Sevika Samiti (UK) Mahila Shibir 2020 East and South Midlands Vibhag FOREWORD INSPIRING AND UNPRECEDENTED INITIATIVE In an era of mass consumerism - not only of material goods - but of information, where society continues to be led by dominant and parochial ideas, the struggle to make our stories heard, has been limited. But the tides are slowly turning and is being led by the collaborative strength of empowered Hindu women from within our community. The Covid-19 pandemic has at once forced us to cancel our core programs - which for decades had brought us together to pursue our mission to develop value-based leaders - but also allowed us the opportunity to collaborate in other, more innovative ways. It gives me immense pride that Hindu Sevika Samiti (UK) have set a new precedent for the trajectory of our work. As a follow up to the successful Mahila Shibirs in seven vibhags attended by over 500 participants, 342 Mahila sevikas came together to write 411 articles on seven different topics which will be presented in the form of seven e-books. I am very delighted to launch this collection which explores topics such as: The uniqueness of Bharat, Ramayan ki Kathayen, Pandemic and the Hindu way of life and The contribution of Hindu women, amongst others. From writing to editing, content checking to proofreading, the entire project was conducted by our Sevikas. This project has revealed hidden talents of many mahilas in writing essays and articles. We hope that these skills are further encouraged and nurtured to become good writers which our community badly lacks.
[Show full text]
Ramayana: a Divine Drama Actors in the Divine Play As Scripted by Bhagawan Sri Sathya Sai Baba
Ramayana: A Divine Drama Actors in the Divine Play as scripted by Bhagawan Sri Sathya Sai Baba Volume I Compiled by Tumuluru Krishna Murty Edited by Desaraju Sri Sai Lakshmi © Tumuluru Krishna Murty ‘Anasuya’ C-66 Durgabai Deshmukh Colony Ahobil Mutt Road Hyderabad 500007 Ph: +91 (40) 2742 7083/ 8904 Typeset and formatted by: Desaraju Sri Sai Lakshmi Cover Designed by: Insty Print 2B, Ganesh Chandra Avenue Kolkata - 700013 Website: www.instyprint.in VOLUME I No one can shake truth; no one can install untruth. No one can understand My mystery. The best you can do is get immersed in it. The mysterious, indescribable power has come within the reach of all. No one is born and allowed to live for the sake of others. Each has their own burden to carry and lay down. - Bhagawan Sri Sathya Sai Baba Put all your burdens on Me. I have come to bear it, so that you can devote yourselves to Sadhana TABLE OF CONTENTS FOR VOLUME I PRAYERS 11 1. SAMARPANAM 17 2. EDITORIAL COMMENTS 27 3. THE ESSENCE OF RAMAYANA 31 4. IKSHVAKU DYNASTY-THE IMPERIAL LINE 81 5. DASARATHA AND HIS CONSORTS 117 118 5.1 DASARATHA 119 5.2 KAUSALYA 197 5.3 SUMITRA 239 5.4 KAIKEYI 261 INDEX 321 LIST OF ILLUSTRATIONS FIGURE 1: DESCENT OF GANGA 113 FIGURE 2: PUTHRAKAMESHTI YAGA 139 FIGURE 3: RAMA TAKING LEAVE OF DASARATHA 181 FIGURE 4: DASARATHA SEES THE FATALLY INJURED SRAVANA 191 PRAYERS Vaamaankasthitha Jaanaki parilasat kodanda dandaamkare Chakram Chordhva karena bahu yugale samkham saram Dakshine Bibranam Jalajadi patri nayanam Bhadradri muurdhin sthitham Keyuradi vibhushitham Raghupathim Soumitri Yuktham Bhaje!! - Adi Sankara.
[Show full text]
Constructing Consanguinity Through Culture in Kavitha Kane's Sita's Sister
© 2019 JETIR March 2019, Volume 6, Issue 3 www.jetir.org (ISSN-2349-5162) Constructing Consanguinity through Culture in Kavitha Kane’s Sita’s Sister P. SUBA VETHA Ph. D Research Scholar Research Centre in English Sri Parasakthi College for Women Courtallam-627802 DR. S. KARTHIKA Assistant Professor (Research Supervisor & Head) Research Centre in English Sri Parasakthi College for Women Courtallam-627802 (Affiliated to Manonmaniam Sundaranar University, Abishekapatti, Tirunelveli- 627012, Tamil Nadu, India) Abstract Indian English literature is an expression of the profound Indian sensibility and finds its roots in the rich Indian culture. Indian Literature revolves around human actions and the motivation behind the human behavior. The earlier forms of Indian literature were religious. India is a country whose value system is largely dominated by the epics. Kavita Kane, author of the new era, retelling Indian mythology in contemporary context, brings contemporary feel which makes the narrative more relatable for the present-day readers. Kavita Kane gives the readers a new outlook and a new lens for viewing the great epics Ramayan and Mahabharat. The word ‘Consanguinity’ means family relationship. Ramayan demonstrates the highest level of family values. The three types of Family life representing the three forms of civilizations were portrayed in Ramayan. They are: Aryan, Vanara and Rakshasha. The Aryan household was at Ayodhya. The Vanara household at Kishkindha and Rakshasha’s household at Lanka. This paper tries to analyse the point that how a strong bond of Consanguinity was constructed through culture in Kavita Kane’s Sita’s Sister. JETIRAG06143 Journal of Emerging Technologies and Innovative Research (JETIR) www.jetir.org 676 © 2019 JETIR March 2019, Volume 6, Issue 3 www.jetir.org (ISSN-2349-5162) Keywords: Family, Strong Relationship, Acceptance, Unity etc….
[Show full text]