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Personality Development - English 1 Personality Development - English 2 Initiative for Moral and Cultural Training [IMCTF]
Personality Development - English 1 Personality Development - English 2 Initiative for Moral and Cultural Training [IMCTF] Personality Development (English) Details Book Name : Personality Development (English) Edition : 2015 Pages : 224 Size : Demmy 1/8 Published by : Initiative for Moral and Cultural Training Foundation (IMCTF) Head Office : 4th Floor, Ganesh Towers, 152, Luz Church Road, Mylapore, Chennai - 600 004. Admin Office : 2nd Floor, “Gargi”, New No.6, (Old No.20) Balaiah Avenue, Luz, Mylapore, Chennai - 600 004. Email : [email protected], Website : www.imct.org.in This book is available on Website : www.imct.org.in Printed by : Enthrall Communications Pvt. Ltd., Chennai - 30 © Copy Rights to IMCTF Personality Development - English Index Class 1 1. Oratorical ................................................................................................12 2. Great sayings by Thiruvalluvar .........................................................12 3. Stories .......................................................................................................12 4. Skit ........................................................................................................15 Class 2 1. Oratorical .................................................................................................16 2. Poems .......................................................................................................16 3. Stories .......................................................................................................18 4. -
Janaka Janamejaya I Janamejaya I
JANAKA 345 JANAMEJAYA I the King was transferred to them they could be set discussion with Sage Paficasikha about the means to free. One early morning Janaka had, with a pure avoid death. (Santi Parva, Chapter 319). heart, chanted "Rama, Rama" and that good act was (13) There was once a Janaka King called Dharma- exchanged for the freedom of the sinners. dhvaja, and Sulabha, an erudite woman in Mithila After their release had been effected, Janaka asked wanted to test the King. By her yogic powers she Kala : "You say that only sinners come here. What sin assumed the form of a very beautiful woman and visited have I committed that I should come here ?" Kala's Janaka's palace. She was offered a seat by the King, reply to the question was as follows : "Oh ! King, and seated on the stool she took her soul into the no one else in the whole world has so much punya as body of Janaka, and the soul entered into a dicussion you have got. But, a small sin you have committed. on philosophic subjects with Janaka. Sulabha was thus Once you prevented a cow from eating grass, and, convinced about the unique scholarship of the King therefore, you had to come up to the gates ofhell. Now, and left the palace ashamed about her attempt to for. So that sin has been atoned you may go to svarga." test the King. (Santi Parva, Chapter 320) . saluted Kala and in the divine vimana to the son of Janaka went ( 14) Suka, Vyasa not being fully satisfied by Heaven. -
9 Ever Remember the Name of Rama
103 9 Ever Remember The Name Of Rama HOUSANDS of years have passed since the Tadvent of Treta Yuga, yet even now everyone, right from children to elderly people, remember the name of Rama. The glory of Rama’s name is such that it has not diminished even a bit with the passage of time. This truth should be recognised by all. Rama is the name given to a form, but the name of Rama is not limited to a form. Atma is Rama, and its true name is Atmarama. Therefore, wherever and whenever you remember the name of Rama, Rama is there with you, in you, around you. The Name Of Rama Is Eternal Embodiments of Love! Rama is one, whether you identify him with the 104 SATHYA SAI SPEAKS, Volume 40 atma or with the form installed in your heart. Every year comes the festival of Sri Rama Navami. But we have not so far understood its true significance. You identify Rama with a form. But Rama is not limited to any particular form. It is the name that is latent in your heart. Many changes and variations keep occurring in the world, but the name of Rama is immutable, eternal, unsullied and everlasting. Rama was not an ordinary individual. He was verily God who incarnated on earth for the welfare of mankind. People call God by many names like Rama, Krishna, Easwara and Mahadeva. They are all the names of one God. You should recognise the glory of this name. Sage Vasishta said, “Ramo vigrahavan Dharma” (Rama is the personification of Dharma). -
Maa Durga Temple, Auckland, NZ Monthly Newsletter
May 2016 Issue #17 Maa Durga Temple, Auckland, NZ Monthly Newsletter May 2016 – Events and Festival dates (Please confirm exact date and time with Panditji) WEEKLY PROGRAMS AT THE TEMPLE(4/3 Onslow Avenue, Papatoetoe, Auckland) Temple Timings: Tuesday: 9am to 12.00 am and RAM KATHA, HANUMAN CHALISA, AARTI AND MAHA 5pm to 8.00pm PRASAD. Panditji: Tel. 09 2798108 Friday: Sahastra Naam Pooja, PRAVACHAN, HANUMAN FREE HINDI CLASS EVERY SUNDAY FROM CHALISA AND DURGA CHALISA 10.30AM & MUSIC CLASSES ON MONDAYS Saturday: MATA RANI CHOWKI or BHAJAN SANDHYA FROM 5PM AT TEMPLE CONTACT TEL. 09 FOLLOWED BY AARTI AND MAHA PRASAD 2798108 April Highlights at the Temple that the holy river Ganga was reborn. Ganga Saptami is considered as an occasion where river From 8th till 16th Chaitra Navratri was celebrated at Ganga is worshipped with full devotion. In India the Temple. There was Ram Katha, pooja, aarti lot of dedication and devotion is shown to Ganga and maha Prasad on all days. Many devotees Ji. There are many stories about the magnificence participated in the festival. Please check out the and importance of Ganga ji. One legend is that photos and videos posted on our facebook page. Ganga ji is born due to sweat of God Vishnu’s feet, another legend is that Ganga Ji was born from May Festival Details: Kamandal of Lord Brahma.There is one more Surdas Jayanti 2016 - May 11: story about the origin of Ganga that Bali was Surdas Jayanti commemorates the birthday of killed by Lord Vishnu. Then Lord Brahma cleaned saint Surdas who was blind. -
The Ramayana by R.K. Narayan
Table of Contents About the Author Title Page Copyright Page Introduction Dedication Chapter 1 - RAMA’S INITIATION Chapter 2 - THE WEDDING Chapter 3 - TWO PROMISES REVIVED Chapter 4 - ENCOUNTERS IN EXILE Chapter 5 - THE GRAND TORMENTOR Chapter 6 - VALI Chapter 7 - WHEN THE RAINS CEASE Chapter 8 - MEMENTO FROM RAMA Chapter 9 - RAVANA IN COUNCIL Chapter 10 - ACROSS THE OCEAN Chapter 11 - THE SIEGE OF LANKA Chapter 12 - RAMA AND RAVANA IN BATTLE Chapter 13 - INTERLUDE Chapter 14 - THE CORONATION Epilogue Glossary THE RAMAYANA R. K. NARAYAN was born on October 10, 1906, in Madras, South India, and educated there and at Maharaja’s College in Mysore. His first novel, Swami and Friends (1935), and its successor, The Bachelor of Arts (1937), are both set in the fictional territory of Malgudi, of which John Updike wrote, “Few writers since Dickens can match the effect of colorful teeming that Narayan’s fictional city of Malgudi conveys; its population is as sharply chiseled as a temple frieze, and as endless, with always, one feels, more characters round the corner.” Narayan wrote many more novels set in Malgudi, including The English Teacher (1945), The Financial Expert (1952), and The Guide (1958), which won him the Sahitya Akademi (India’s National Academy of Letters) Award, his country’s highest honor. His collections of short fiction include A Horse and Two Goats, Malgudi Days, and Under the Banyan Tree. Graham Greene, Narayan’s friend and literary champion, said, “He has offered me a second home. Without him I could never have known what it is like to be Indian.” Narayan’s fiction earned him comparisons to the work of writers including Anton Chekhov, William Faulkner, O. -
Valmiki Ramayana – Bala Kanda – Chapter 50
Om Sri Lakshmi Narashimhan Nahama Valmiki Ramayana – Bala Kanda – Chapter 50 Rama and His Associates Enter Mithila Summary Rama arrives at Mithila along with Lakshmana led by Vishvamitra. On hearing that Vishvamitra has arrived at their city Mithila, King Janaka proceeds to him welcomingly. On seeing Rama and Lakshmana near at Vishvamitra, Janaka inquisitively [curiously] asks Vishvamitra about these two princes. Vishvamitra announces them as the sons of Dasharatha and informs about the adventurous deeds the boys have undertaken. Chapter [Sarga] 50 in Detail tatah praak uttaraam gatvaa raamah saumitrinaa saha | vishvaamitram purashkritya yajna vaatam upaagamat || 1-50-1 Rama then traveled along with Lakshmana towards northeast direction keeping Vishvamitra afore and neared the hall of Vedic ritual of Janaka in Mithila kingdom. [1-50-1] raamah tu muni shaarduulam uvaaca saha laksmanah | saadhvii yajna samriddhih hi janakasya mahaatmanah || 1-50-2 Rama who is with Lakshmana spoke to the tigerly saint Vishvamitra, the Vedic-ritual of noble-souled Janaka is excellent, indeed with bountifully garnered [collected] paraphernalia [articles] of the ritual. [1-50-2] Page 1 of 6 Om Sri Lakshmi Narashimhan Nahama Valmiki Ramayana – Bala Kanda – Chapter 50 bahuuni iha sahasraani naanaa desha nivaasinaam | braahmanaanaam mahaabhaaga veda adhyayana shaalinaam || 1-50-3 risi vaataah ca drishyante shakatii shata sa.nkulaah | desho vidhiiyataam brahman yatra vatsyaamahe vayam || 1-50-4 Oh, highly fortunate sage, this place abounds with many thousands of Brahmans who are experts in Vedic practices and who seem to be the dwellers of numerous provinces, and also discernable [distinct] are the cottages of sages rife with hundreds of carts full with their ceremonial chattels, as such oh, Brahman, a campsite may be decided for us too, as I discern every inch is inhabited. -
The Ramayana
The Ramayana Inspirations Theater Camp Summer 2016 Script and Songs by Torsti Rovainen Rights held by Rovainen Musicals Story based on the ancient Indian epic of The Ramayana Some spoken lines in Scene IIIB from a translation of The Kurontokai (The Ancient Epic of Love) Script printed on post-consumer recycled paper using less environmentally damaging inks Rovainen Musicals Inspirations Theater Camps and Clubs http://rovainenmusicals.com Scene Synopsis / Song List ACT I (Overture) 0.0: Street scene in modern-day India: Boy playing gets into fight, comforted by Grandmother who sings The Ramayana along with Demon and Human Narrators. Describes creation of world of yakshas and Rakshasas, rakshasas initially peaceful; how Ravana came to be; Rakshasas beginning to prey on humans; the no-man's land between Rakshasa & human territory; Rama & Lakshmana's roles along with Vibishina I Opening Village Bazaar Bazaar Song II Rama learns he to become king in How To Be King Sung by Dasaratha his ministers; overheard by Kaikeyi's servants Manthara and Suchara; Manthara and Suchara discuss the news of Rama's planned kingship. III Sita's rooms; she is arguing with her father about her rejecting suitors. He reflects on how they used to get along in the Lullaby and Then You'd Grow. Maidservants enter for You Should Marry Transitions to brief balcony scene where Rama and Sita see each other and are enamored; brief song (at end of You Should Marry) III.B Having met Sita, Rama is smitten; Lakshamana and the other warriors try to persuade Rama not to marry her, instead to stay single and a warrior in Love Just Makes Things Worse IV Bowlifting ceremony; Rama and Sita decide to marry V Beha Din Ayo Bollywood-inspired short song and dance showing Ayodhya celebrating the upcoming wed- ding VI Manthara and Suchara persuade Kaikeyi to have Rama banished and Bharatha put on throne He Promised You VII Na Jane Rama's Mother, Viswamithra, Sumanthra, nobles, and townsfolk singing to Rama to stay. -
Agriculturists and the People of the Jungle: Reading Early Indian Texts
Vidyasagar University Journal of History, Volume III, 2014-2015 Pages 9-26 ISSN 2321-0834 Agriculturists and the People of the Jungle: Reading Early Indian Texts Prabhat Kumar Basant Abstract: Historians of early India have understood the transition from hunting-gathering to agriculture as a dramatic transformation that brought in its wake urbanism and state. Jungles are believed to have been destroyed by chiefs and kings in epic encounters. Does anthropology support such an understanding of the processes involved in the transition from hunting –gathering to agriculture? Is it possible that historians have misread early Indian texts because they have mistaken poetic conventions for a statement of reality? A resistant reading of the early Indian texts together with information from anthropology shows that communities of agriculturists, pastoral nomads and forest people were in active contact. Agriculturists located on the cultural or spatial margins of state societies colonised new areas for cultivation. Transition to agriculture was facilitated by the brahman-shramana tradition. Keywords: The Neolithic Revolution, Slash and burn cultivation, Burning of the Khandava forest, The Arthashastra, The Mahabharata, Jatakas, Kadambari. The history of India in the last five thousand years is a history of the expansion of agriculture. Anyone who has mapped archaeological sites over the last five thousand years will testify that though there are cases where the wild has made a comeback, the general trend has been that of conquest of the jungle by agriculturists. I wish to study the processes involved in the transition to agriculture in early India, though such studies are handicapped by lack of information in contemporary texts. -
Ramayan Ki Kathayen, Pandemic and the Hindu Way of Life and the Contribution of Hindu Women, Amongst Others
Hindu Sevika Samiti (UK) Mahila Shibir 2020 East and South Midlands Vibhag FOREWORD INSPIRING AND UNPRECEDENTED INITIATIVE In an era of mass consumerism - not only of material goods - but of information, where society continues to be led by dominant and parochial ideas, the struggle to make our stories heard, has been limited. But the tides are slowly turning and is being led by the collaborative strength of empowered Hindu women from within our community. The Covid-19 pandemic has at once forced us to cancel our core programs - which for decades had brought us together to pursue our mission to develop value-based leaders - but also allowed us the opportunity to collaborate in other, more innovative ways. It gives me immense pride that Hindu Sevika Samiti (UK) have set a new precedent for the trajectory of our work. As a follow up to the successful Mahila Shibirs in seven vibhags attended by over 500 participants, 342 Mahila sevikas came together to write 411 articles on seven different topics which will be presented in the form of seven e-books. I am very delighted to launch this collection which explores topics such as: The uniqueness of Bharat, Ramayan ki Kathayen, Pandemic and the Hindu way of life and The contribution of Hindu women, amongst others. From writing to editing, content checking to proofreading, the entire project was conducted by our Sevikas. This project has revealed hidden talents of many mahilas in writing essays and articles. We hope that these skills are further encouraged and nurtured to become good writers which our community badly lacks. -
Essence of Valmiki Ramayana in Four Parts So Far of Baala-Ayodhya-Aranya- and Now the Kishkindha
ESSENCE OF VALMIKI KISHKINDHA RAMAYANA Translated and interpreted byV.D.N.Rao, former General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, now at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda- Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers -Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu - Dharma Bindu - Shiva Sahasra Lingarchana-Essence of Paraashara Smriti- Essence of Pradhana Tirtha Mahima Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ -Essence of Maha Narayanopanishad; Essence of Maitri Upanishad Essence of Virat Parva of Maha Bharata- Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Essence of Knowledge of Numbers for students Essence -
Mahabharata Tatparya Nirnaya
SRImAdAnAMdatIrthaBagavatpaadaprANIta Mahabharata Tatparya Nirnaya With Original Sanskrit Verses, Kannada translation, Explanation and Special Notes Volume - 3 (Chapters: 18 – 21) Editing, Translation and Explanation By Dr. Vyasanakere Prabhanjanacharya Note: Translation to English by Harshala Rajesh. With permission to translate - from Dr. Vyasanakere Prabhanjanacharya Transliterated Roman Scripts of the Original Shlokas from AHDS London (thanks to Sri Desiraju Hanumantha Rao for providing the same and Sri Srisha Rao et al for Transliterated Roman Scripts) pAMDavavanapravEshaH atha ekaviMsho.adhyAyaH || OM || janArdanAj~nayA mayaH samastakautukottarAm.h | sabhAM vidhAya bhUbhR^ite dadau gadAM vR^ikodare || 21.1|| Construction of assembly hall by mayA 21.1. As per shrI krRushNa’s instructions, mayA built an excellent assembly hall filled with all the wonders and presented it to yudhishThira. He also offered a mace to BImasEna. Notes: 1. The assembly hall built by mayAsura as per instructions of shrI kRushNa’s instruction was exceptionally good. 2. This unusual building which was built in 14 months could provide the climate of all four seasons. It had lakes, wells, ponds and gardens. 3. AcArya had indicated all these by using the word “samstakautukOttarAM” 4. In the verses that will follow, it has been mentioned the great sinner duryOdhana could not understand the secret of this and was subjected to mockery. (Verse 277) Reference 1. dadau gadAmiti | biMdusarasi mucukuMdanihatAM gadAM dadAvityarthaH | tathA ca sabhA-parvaNi mayavAkyam | asti biMdusarasyEva gadA shrEShThAkurUdwaha | nihitA yauvanAshwEna rAj~jA hatwA ripUn raNE ||' iti | - tAmraparNISrInivAsAcAryakRutapramEyamaNimAlA 1. IdRushaM tAM sabhAM kRutwA mAsaiH paricaturdashaiH | niShThitAM dharmarAjAya mayO rAjAn nyavEdayat || - bhArata(2/3/37) sa vAyudhAritAM gadAM hi yauvanAshvabhUbhR^itA | prasAdato.asya lambhitAmavApya modamApa ha || 21.2|| mayA offers mace to BImasEna 21.2. -
Are These Statements About Hindu Mythology Fact Or Fiction?
EVENT GUIDE To prepare for your Pandava event, use the following tips to get your event prepped and ready. DECORATING varies based on the region of the country from where No Pandava party is complete without the right it developed, get partygoers up and moving with decor! The covers of the Pandava series can be your some step-by-step instructions on basic elements to inspiration; use its palette of the artwork to adorn Indian dance. your space. Embellish the art by creating images of mythological animals (such as the tiger, crocodile, ram, BOO’S NEWS three-headed elephant, peacock, swan, and seven-headed In Aru Shah and the End of Time, Boo serves as a horse that pledge themselves to serve Aru and Mini for messenger, teacher, and guide to Aru and Mini. Have their battle with the Sleeper). event attendees sit in a straight row and play a few rounds of Boo’s News (a variation of the game telephone) where Alternatively, for a simpler plan, decorate your the person at the end of the row quickly and quietly space with bright, vibrant colors (especially reds and shares a favorite fact about a chosen mythology or why golds) using bright fabric or butcher paper and adorn they are excited to read Aru Shah and the End of Time your space with an abundance of white twinkle lights. into the ear of the person sitting next to him or her. From there, each person repeats this process and passes the FOOD information down the line. Once it gets to the end, have The foods of India are as diverse as the people and the final person share what was said to them to see how culture; in that spirit, set up a feast for attendees that close to the original news the “fact” was.