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43E Festival International Du Film De La Rochelle Du 26 Juin Au 5 Juillet 2015 Le Puzzle Des Cinémas Du Monde
43e Festival International du Film de La Rochelle du 26 juin au 5 juillet 2015 LE PUZZLE DES CINÉMAS DU MONDE Une fois de plus nous revient l’impossible tâche de synthétiser une édition multiforme, tant par le nombre de films présentés que par les contextes dans lesquels ils ont été conçus. Nous ne pouvons nous résoudre à en sélectionner beaucoup moins, ce n’est pas faute d’essayer, et de toutes manières, un contexte économique plutôt inquiétant nous y contraint ; mais qu’une ou plusieurs pièces essentielles viennent à manquer au puzzle mental dont nous tentons, à l’année, de joindre les pièces irrégulières, et le Festival nous paraîtrait bancal. Finalement, ce qui rassemble tous ces films, qu’ils soient encore matériels ou virtuels (50/50), c’est nous, sélectionneuses au long cours. Nous souhaitons proposer aux spectateurs un panorama généreux de la chose filmique, cohérent, harmonieux, digne, sincère, quoique, la sincérité… Ambitieux aussi car nous aimons plus que tout les cinéastes qui prennent des risques et notre devise secrète pourrait bien être : mieux vaut un bon film raté qu’un mauvais film réussi. Et enfin, il nous plaît que les films se parlent, se rencontrent, s’éclairent les uns les autres et entrent en résonance dans l’esprit du festivalier. En 2015, nous avons procédé à un rééquilibrage géographique vers l’Asie, absente depuis plusieurs éditions de la programmation. Tout d’abord, avec le grand Hou Hsiao-hsien qui en est un digne représentant puisqu’il a tourné non seulement à Taïwan, son île natale mais aussi au Japon, à Hongkong et en Chine. -
Georgian Country and Culture Guide
Georgian Country and Culture Guide მშვიდობის კორპუსი საქართველოში Peace Corps Georgia 2017 Forward What you have in your hands right now is the collaborate effort of numerous Peace Corps Volunteers and staff, who researched, wrote and edited the entire book. The process began in the fall of 2011, when the Language and Cross-Culture component of Peace Corps Georgia launched a Georgian Country and Culture Guide project and PCVs from different regions volunteered to do research and gather information on their specific areas. After the initial information was gathered, the arduous process of merging the researched information began. Extensive editing followed and this is the end result. The book is accompanied by a CD with Georgian music and dance audio and video files. We hope that this book is both informative and useful for you during your service. Sincerely, The Culture Book Team Initial Researchers/Writers Culture Sara Bushman (Director Programming and Training, PC Staff, 2010-11) History Jack Brands (G11), Samantha Oliver (G10) Adjara Jen Geerlings (G10), Emily New (G10) Guria Michelle Anderl (G11), Goodloe Harman (G11), Conor Hartnett (G11), Kaitlin Schaefer (G10) Imereti Caitlin Lowery (G11) Kakheti Jack Brands (G11), Jana Price (G11), Danielle Roe (G10) Kvemo Kartli Anastasia Skoybedo (G11), Chase Johnson (G11) Samstkhe-Javakheti Sam Harris (G10) Tbilisi Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Workplace Culture Kimberly Tramel (G11), Shannon Knudsen (G11), Tami Timmer (G11), Connie Ross (G11) Compilers/Final Editors Jack Brands (G11) Caitlin Lowery (G11) Conor Hartnett (G11) Emily New (G10) Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Compilers of Audio and Video Files Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Irakli Elizbarashvili (IT Specialist, PC Staff) Revised and updated by Tea Sakvarelidze (Language and Cross-Culture Coordinator) and Kakha Gordadze (Training Manager). -
Film Education (Levan Koghuashvili, Maia Gugunava, Tato Kotetishvili) 139 1001 Ingredients for Making Films from Nana Jorjadze 146
~ editors letter ~ The year of 2015 started with our becoming members of the Creative Europe, while by the end of the year, with the purpose of supporting the cinema industry, Geor- gian government introduced a cash rebate system, we have been working on since 2009. I believe both of these initiatives will make a huge contribution to the develop- ment of our industry. 1 In 2016, movies of different genres will be released. It is notable that three feature films among those are directed by women. Projects we are currently working on are very important. We have announced new types of competitions on script development, including comedy and children’s movies, adaptation of Georgian prose of the 21st century, scripts dedicated to the 100th anniver- sary of Georgia’s independence, and animation. Winners are given long- term work- shops by European script doctors, so 2016 will be dedicated to the script development. The young generation has become active in the field: we had premieres of six short films and a short film by Data Pirtskhalava “Father” was the winner of the main prize in this category at Locarno International Film Festival. Other films – “Ogasavara”, “Fa- ther”, “Exit”, “Preparation”, “The First Day” – are also participating at different festivals. Masters of Georgian cinema are also making films side-by-side with the young genera- tion. I have to mention a film by Rezo Esadze “Day as a Month” with its extraordinary nar- rative structure and visualaspect, which will take its noteworthy place in our film collection. One of the most important goals this year will be to return Georgian cinema heritage from archives in Moscow and design a suitable storage facility for it. -
Representation of Political Forces in the Legislative Body of Georgia in the Period Between 1990 and 2016
Representation of Political Forces in the Legislative Body of Georgia in the period between 1990 and 2016 Since 1990, parliamentary elections have taken place nine times in Georgia. The ones held in 2016 resulted in election of the Parliament of the 9th convocation by the population of Georgia. 2016 parliamentary elections brought along concerns whether concentration of the constitutional majority in a single party in the legislative body is well justified or vice versa, whether diversity of political parties can lead to positive outcomes for the country. According to the Election Code of Georgia, a subject which represents a registered party, an election bloc, an initiative group of voters or independent candidate to majoritarian membership is entitled to run for elections. Transparency International – Georgia explored representation of political forces in the legislative body of Georgia in the period between 1990 and 2016 as well as number of elected members and election threshold stipulated by the law. ● The 2nd convocation of Parliament (1992-1995), with 24 parties overcoming the election threshold, was the one with the greatest number of political subjects. ● In terms of the number of MPs, the Supreme Council with 247 members was the most numerous. ● 2% represented the lowest election threshold, whereas 7% - the highest. ● The parliament of the 8th convocation (2012-2016) included just two election subjects, though the bloc “Georgian Dream” was comprised of six parties. th ● Since 1990, including the parliament of the 8 c onvocation, the legislative body has had 1216 members ● The following members were most frequently represented in different convocations of the Parliament: Akaki Bobokhidze (member of six convocations) and Giorgi Baramidze (member of five convocations) Number of MPs in the legislative body and the election threshold Number of elected MPs as well as the election threshold have experienced a number of changes over time along with amendments to the law. -
Saqartvelos Inteleqtualuri Sakutrebis Erovnuli Centris Saqpatentis Perioduli Gamocema Saqartvelo Gamodis Sam Tvesiiertxel © Saqpatenti, 2014
gazafxuli SPRING #7 2014 saqarTvelos inteleqtualuri sakuTrebis erovnuli centris saqpatentis perioduli gamocema saqarTvelo gamodis sam TveSiIerTxel © saqpatenti, 2014 PERIODICAL PUBLICATION OF NATIONAL INTELLECTUAL PROPERTY CENTER OF GEORGIA “SAKPATENTI” GEORGIA PUBLISHED QUARTERLY dabeWdilia saqpatentis poligrafiaSi PRINTED AT SAKPATENTI PUBLISHING HOUSE mis.: 0179, Tbilisi, nino ramiSvilis q. 31 ADDRESS: 0179 TBILISI, NINO RAMISHVILI STR. 31 © SAKPATENTI, 2014 tel.: (+995 32) 291-71-82 TEL.: (+995 32) 291-71-82 www.sakpatenti.org.ge [email protected] Tavmjdomaris sveti CHAIRMAN’S COLUMN Dear Reader, 26 April is the World Intellectual Property Day. The World Intellectual Property Organization (WIPO) celebrates this date since 2001 and every year defines the theme and slogan of the day. This year the World Intellectual Property Day is dedicated to cinematography Zvirfaso mkiTxvelo, and, respectively, to the people working in this field, 26 aprili inteleqtualuri sakuTrebis msoflio who indeed deserve universal admiration by their work. dRea. am dRes inteleqtualuri sakuTrebis msof And the slogan Movies – A Global Passion, selected by lio organizacia (ismo) 2001 wlidan aRniSnavs da WIPO for this day, is very accurate. yovelwliurad gansazRvravs masTan dakavSirebul Cinematography has always been a sensitive and re Tematikasa da slogans. wels es dRe mieZRvna kine levant issue for Georgia. At the Georgian Film Archives matografias da, Sesabamisad, am sferoSi moRvawe ada numerous films are preserved which have gained mianebs, romlebic Tavisi SemoqmedebiT marTlac sa international recognition as the best directing, acting, yovelTao aRtacebas iwveven. Zalian zustia am dRisTvis SerCeuli sloganic _ „kino _ sayovelTao aRtaceba“. artistic or musical works. It is extremely important that kinematografiis Tema yovelTvis Zalian mgrZno this high standard of Georgian cinematography was biare da aqtualuri iyo saqarTvelosTvis. -
Géorgie 1985-1995 Economie Et Transition
Géorgie 1985-1995 Economie et transition Kevin Tuite hiver 2014 Uprisings & protests in the Georgian SSR • Uprising against Soviet rule in Aug-Sept 1924 (10K + killed in fighBng or executed aerwards) • Demonstraons on 3rd anniversary of Stalin’s death, 6-9 March 1956 (100-200 killed by Transcaucasian Military District troops) • Demonstraon in support of the official status of the Georgian language, 14 April 1978 AWempted hijacking of Aeroflot airliner, 18-19 November 1983 (3 hijackers & 5 others killed at airport; 3 hijackers & priest executed 3 Oct 1984) The Perestroika Years (1985-1989) • Economy • Society • Culture & educaon • Religion « Taux de change » mulBples: 1. Rouble vs. $ (taux officiel, marché noir) 2. Heures de travail (1 R = 0,5-1 h) 3. « Indice des prix à la consommaon » Prix de la nourriture en 1985-86 • Prix officiel en roubles sovéques • Prix en $ selon le taux de change officiel • Prix en $ selon le taux du marché noir • Heures de travail (salaire mensuel de 300R) Prix du transport et de produits culturels Prix du marché noir (produits importés) • Burda: catalogue de mode avec patrons de couture Social rituals: the banquet (supra) • (L) Birthday party in Tbilisi, Janury 1986 • (R) impromptu supra inside medieval church in SvaneB, June 1988 Pre-perestroika Georgian cinema • 1980 La migraon des moineaux (Beghurebis gadaprena, Temur Babluani) • 1981 Le nageur (Motsurave, Irakli Kvirikadze) • 1983 Les montagnes bleues (Tsisperi mtebi, Eldar Shengelaia) • 1983-86 RepenBr (Monanieba, Tengiz Abuladze; début du tournage, avec Gega Kobakhidze -
The Myth of Red Messiah, Deconstructed Nationalism And
Vilnius Academy of Arts Photography and media arts department Giorgi Papalashvili’s MA degree theoretical work: The myth of red messiah, Deconstructed nationalism and story telling Author of the work: Giorgi Papalashvili Supervisor of the work: Laima Kreivyte Reviewer: Auridas Gajauskas Vilnius, 2014 1 Summary A Georgian monk Ioane Zosime in his 10th century poem predicted, that on the second coming of the Messiah he will judge the world in Georgian language. It has become the future telling of the Georgian nation. The interlacement of political power and religion in the stories being told in this crossroad between Asia and Europe is the reason why by now Georgian Orthodox Church and Stalinism adore each other. In my work “Red Messiah” I investigate this phenomenon and construct a storytelling situation based on chance, various object and events from Georgia. 2 Contents Introduction 4 Red messiah 6 Caucasian Clay Circle 19 Barbare Rafaliantsi case 24 Where your heart beats 28 Conclusion 34 Bibliography 35 3 Introduction In the end of 20th century globally one of the most important appearances was the collapse of Soviet Union, which is seen as the mirror and culmination of fast social changes. In 1991 Enton Giddens wrote: “today we live in an epoch which characterizes with huge social changes that is radically different from the changes of previous epochs”. The changes were sudden and fast for the nations of Eastern Europe. One day they woke up not in huge communist union but in capitalist world. For some of the countries this move was so shocking that they still can’t decline the hidden communist mentality but on the same time living as independent democratic states. -
ART HOUSE БИОСКОП КИНОТЕКА ДАНИ ЧЕШКОГ ФИЛМА ШВЕДСКИ ФИЛМ У КИНОТЕЦИ: Рикард Хуберт (Richard Hobert)
Септембар 2015 ISSN 1820-6549 музеја програмпрограм југословенске кинотеке ARARTT HOUSE БИОСКОП КИНОТЕКА ДАНИ ЧЕШКОГ ФИЛМА ШВЕДСКИ ФИЛМ У КИНОТЕЦИ: Рикард Хуберт (Richard Hobert) ВЕЛИКАНИ СВЕТСКОГ ФИЛМА: ФРЕНК СИНАТРА (Frank Sinatra) ФОКУС: ДУШАН МАКАВЕЈЕВ ЏОН МИЛИЈУС (John Milius) ТЕРЕНС МАЛИК (Terence Malick) БИТЕФ НА ФИЛМУ ДАНИ ЕВРОПСКЕ БАШТИНЕ: Стари занати ШОК КОРИДОР ПРЕДСТАВЉА: ВИЛИЈАМ ЛУСТИГ (William Lustig) ПРЕМИЈЕРЕ: ИЛУЗИОНИСТИ 60 ГОДИНА ОД СМРТИ ЏЕМСА ДИНА (James Dean) ISSN 1820-6549 Музеј југословенске кинотеке ПРОГРАМ Септембар 2015. ART HOUSE БИОСКОП КИНОТЕКА ДАНИ ЧЕШКОГ ФИЛМА ШВЕДСКИ ФИЛМ У КИНОТЕЦИ: Рикард Хуберт (Richard Hobert) ВЕЛИКАНИ СВЕТСКОГ ФИЛМА: ФРЕНК СИНАТРА (Frank Sinatra) ФОКУС: ДУШАН МАКАВЕЈЕВ ЏОН МИЛИЈУС (John Milius) ТЕРЕНС МАЛИК (Terence Malick) БИТЕФ НА ФИЛМУ ДАНИ ЕВРОПСКЕ БАШТИНЕ: Стари занати ШОК КОРИДОР ПРЕДСТАВЉА: ВИЛИЈАМ ЛУСТИГ (William Lustig) ПРЕМИЈЕРЕ: ИЛУЗИОНИСТИ Сећање на... 60 година од смрти Џемса Дина (James Dean) Студио за електронске медије “Влада Петрић” 15. и 16. септембар увек са почетком у 18:00 Непознати Починилац - заступник мрцварених: John Doe Vigilantе музеј југословенске кинотеке програм Импресум: За издавача: Радослав Зеленовић Уредници: Марјан Вујовић, Александар Саша Ердељановић Уредник програма Студија за електронске медије „Др Влада Петрић“: Борислав Станојевић Сарадници на програму: Александар Саша Ердељановић, Марјан Вујовић, Ненад Беквалац, Петар Михајловић, Милена Гвозденовић, Уна Чолић, Ђорђе Зеленовић, Бојан Ковачевић, Бранислав Ердељановић, Милан Крунић, Радиша Цветковић, -
Translation Studies Was One of the Special Focuses of the Conference As It Has Been Part of the Cultural and Literary Studies
BATUMI SHOTA RUSTAVELI STATE UNIVERITY East European Multicultural Space© 2018 East European Multicultural Space 2018 PROCEEDINGS OF THE INTERNATIONAL CONFERENCE BATUMI SHOTA RUSTAVELI STATE UNIVERSITY Batumi 2020 1 BATUMI SHOTA RUSTAVELI STATE UNIVERITY East European Multicultural Space© 2018 აღმოსავლეთ ევროპის მულტიკულტურული სივრცე 2018 საერთაშორისო კონფერენციის მასალები ბათუმის შოთა რუსთაველის სახელმწიფო უნივერსიტეტი ბათუმი 2020 2 BATUMI SHOTA RUSTAVELI STATE UNIVERITY East European Multicultural Space© 2018 ISSN 2587 5485 © ბათუმის შოთა რუსთაველის სახელმწიფო უნივერსიტეტი © Batumi Shota Rustaveli State University © Translation and Interdisciplinary Research Centre Permission to make digital or hard copies of part or all of the papers in these proceedings for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies refer to this copyright and cite the original publication in the MuTra Conference Proceedings. Abstracting with credit is permitted. Authors may reuse any portion of their work, without fee, in future works of the Author's own, including books, lectures and presentations in all media, or to post author-prepared versions of the work covered by this copyright in a personal collection on their own Home Page and on a publicly accessible server provided the MuTra copyright and publication are cited. All other rights, including those of translation into foreign languages, are reserved. 3 BATUMI SHOTA RUSTAVELI STATE UNIVERITY East European -
Why Parties of Power? Elite Strategies and Institutional Choice in Post-Soviet Eurasia by Eli Adam Feiman a Dissertation Submit
Why Parties of Power? Elite Strategies and Institutional Choice in Post-Soviet Eurasia by Eli Adam Feiman A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Political Science) in the University of Michigan 2015 Doctoral Committee: Professor Pauline Jones-Luong, Chair Professor Anna M. Grzymała-Busse Associate Professor Allen D. Hicken Professor Ronald G. Suny To my family ii Acknowledgements My first thanks go to the faculty at Brown University and the University of Michigan for their mentorship. I am grateful to Melani Cammett for early assistance with research design and to the late Alan Zuckerman for conversations that broadened my understanding of political parties. I thank Allen Hicken and Anna Grzymala-Busse for incisive comments at all stages of this project. I very much appreciated Ronald Suny’s regional expertise and his historical perspective. I offer Pauline Jones-Luong my heartfelt thanks for taking me on as her student and for being an unflinching source of support, encouragement, and inspiration for the past ten years. This project would not have been possible without generous financial support from the International Research and Exchange Board (IREX), the American Research Institute of the South Caucasus (ARISC), the Dolores Zohrab Liebmann Fund, as well as Brown University and the University of Michigan, Ann Arbor. This project has benefitted from feedback provided at the Davis Center Postcommunist Politics and Economics Workshop, the 2009 Institute for Qualitative and Multi-Method Research, the Caucasus Resource Research Center/American Councils Works in Progress lecture series, the Comparative Politics Workshop at the University of Michigan, and the Eurasia Collective Rackham Interdisciplinary Workshop. -
Modifications of Women's Representations in 1920S Georgian
TBILISI STATE UNIVERSITY, FACULTY OF SOCIAL AND POLITICAL SCIENCES, INTERNATIONAL PHD PROGRAM IN GENDER STUDIES Modifications of Women’s Representations in 1920s Georgian Soviet Silent Films Orientalisation, Agency, Class Salome Tsopurashvili Academic Supervisor Professor Denise J. Youngblood, PhD. Department of History University of Vermont Tbilisi 2016 Contents Acknowledgements ....................................................................................................................................... 1 Abstract ......................................................................................................................................................... 2 Chapter I-Introduction .................................................................................................................................. 3 Statement of the problem and the limitations ......................................................................................... 3 Historical Context ...................................................................................................................................... 4 Literature Review ...................................................................................................................................... 9 The Aim of the Project ............................................................................................................................ 20 Methodological Framework ................................................................................................................... -
Gender Equality Outreach Meeting Will Take the Form of a Panel Discussion and Will Bring Together a New Generation of Georgian Female Directors
ON THE OCCASION OF THE 153rd EURIMAGES BOARD OF MANAGEMENT MEETING IN TBILISI Tuesday, 11 December 2018 - 7pm-10.30pm Venue: Lolita Conference Hall, Tbilisi, Georgia PROGRAMME 7pm Opening of the event 7.45-9.30pm Panel Discussion – WHY and HOW do Zura Magalashvili (Director of GNFC) & female voices count in Georgia? Tamara Tatishvili (Georgian delegate to Eurimages), GNFC representative/Host of Moderated by: Tamara Tatishvili (Georgian the Event delegate to Eurimages) and Anna Dziapshipa (Art historian and 7.05pm Welcome audiovisual producer) Levan Berulava, Managing Director Adjara Group Hospitality PANELLISTS: Tinatin Kajrishvili – Director of “Brides” 7.10pm Introductory Speech – Eurimages Russudan Glurjidze – Director of Catherine Trautmann, President of “House of Others” Eurimages Nino Zhvania – Director of “Parade” Ana Urushadze – Director of “Scary Mother” 7.20pm Short presentation of Eurimages’ action in the Salome Jashi – documentary filmmaker (“The area of gender equality Dazzling Light of Sunset”, “Bakhmaro”) Francine Raveney, Project Manager, Eurimages 9.30-10pm Q & A with the audience 7.30pm Keynote speech about female directors in 10pm Georgian cinema – past & present Reception (drinks & finger food) Speaker: Anna Dziapshipa SCOPE OF DISCUSSIONS The Gender Equality Outreach meeting will take the form of a panel discussion and will bring together a new generation of Georgian female directors. The moderators will debate gender equality issues with reference to the fictional characters created by the panellists in their feature debuts. Through those characters the role of women in contemporary Georgia will be addressed and analysed. The discussion will aim to highlight: WHY the participating directors have come up with specific main protagonists of their films as women; WHAT challenges are faced or overcome by those characters; and HOW contemporary Georgian woman is seen by them – reality and stereotypes.