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Africando · Afrikatuz MÚSICA · MUSIKA

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Africando · Afrikatuz MÚSICA · MUSIKA Africando · Afrikatuz MÚSICA · MUSIKA noviembre 2016ko azaroa Hace ya muchos años que las músicas africanas han dejado de ser un testimonio exótico de culturas ancestrales. Los ritmos tradicionales se han combinado con formas populares de todo el mundo (blues, rock, soul, jazz, hip-hop…) y los instrumentos originales de aquellos paises (balafón, kora, djembe…) han mezclado sus sonidos con los de occidente, oriente u otros remotos paisajes. Nuestra biblioteca ha reunido en su sección musical un amplio panorama de esas nuevas músicas de África, una muestra de la enorme riqueza y diversidad musical de los Ritmos Étnicos del continente vecino. (Esta selección es un complemento de la Fonoteca Civican de ritmos étnicos. Una selección de músicas del mundo, obra realizada por José Miguel López en 2007 y publicada por Fundación Caja Navarra) Afrikako musikek duela urte asko utzi zioten antzinako kulturen testigantza exotiko izateari. Erritmo tradizionalak mundu osoko molde herrikoiekin nahasi dira (bluesa, rocka, soula, jazza, hip- hopa, eta abar), eta herrialde horietako jatorrizko instrumentuen soinuak (balafonoa, kora, djembea…) mendebaldekoekin, ekialdekoekin eta urrutiko beste herrialde batzuetakoekin nahastu dira. Gure liburutegiak Afrikako doinu berri horien panorama zabala bildu du musikako bere atalean, alboko kontinenteko erritmo etnikoen aberastasun eta aniztasun izugarriaren lekuko. (Lan sorta hori José Miguel Lópezek 2007an eginiko eta Nafarroako Kutxa Fundazioak argitaraturiko Fonoteca Civican de ritmos étnicos. Una selección de músicas del mundo delakoaren osagarri da) ADAMS, Justin; CAMARA; Juldeh In trance. Real World, 2011 (Gambia, Reino Unido · Gambia, Erresuma Batua) Este disco fue grabado en directo para capturar el éxtasis de las catárticas actuaciones de ambos músicos. Justin y Juldeh —Juju— se transforman en el escenario y, en pleno trance, canalizan los ritmos hipnóticos africanos, el jazz y el rock. (Real World) Disko hau zuzenean grabatu zen bi musikarien emanaldi katartikoen estasia atzitu ahal izateko. Justin eta Juldeh —Juju— eraldatu egiten dira agertokiaren gainean, eta trantze betean, Afrikako erritmo hipnotikoak, jazza eta rocka bideratzen dituzte. (Real World) ADAMS, Justin; CAMARA; Juldeh Tell no lies. Real World, 2009 (Gambia, Reino Unido · Gambia, Erresuma Batua) Los dos músicos han ido fusionando paulatinamente sus respectivos estilos para configurar un lenguaje musical propio. El punto de referencia de este disco son las grabaciones de los años 50 de Bo Diddley y Muddy Waters. (Real World) Bi musikariak beren estiloak bateratzen joan dira pixkanaka, hala musika hizkuntza propioa osatu ahal izateko. Disko honen erreferentzia puntua Bo Diddleyren eta Muddy Watersen 50eko hamarkadako grabaketak dira. (Real World) AKENDENGUE, Pierre Vérité d’Afrique. Lusafrica, 2008 (Gabón · Gabon) Un álbum lleno de ritmos brillantes que destaca entre la discografía del músico como una obra maestra. Nando Andrade, el reciente productor de Cesaria Evora, colabora en la producción y los arreglos dando un aroma caboverdiano a la grabación. (Lusafrica) Erritmo distiratsuz beteriko albuma. Musikariaren diskografiako maisulan bat. Nando Andradek, Cesaria Evoraren ekoizle berriak, ekoizpen lanetan eta moldaketetan lagundu du, eta nolabaiteko kutsu caboverdetarra eman dio grabaketari. (Lusafrica) ALLEN, Tony Secret Agent. World Circuit, 2009 (Nigeria · Nigeria) Tony Allen es reconocido como uno de los músicos más influyentes del continente. Su debut en este sello discográfico es una majestuosa invitación a degustar las raíces del hardcore afrobeat. (World Circuit) Tony Allen eragin handiena duen kontinenteko musikarietako bat da. Diskoetxe honekin eginiko lehenengo lana hardcore afrobeat delakoaren sustraiak dastatzeko gonbidapen handientsua da. (World Circuit) AMADOU & MARIAM Welcome to Mali. Because, 2008 (Malí · Mali) Amadou & Mariam, el dúo mundialmente conocido, grabó este disco con el antiguo productor y director Marc-Antoine Moreau durante 12 meses en París, Londres, Dakar y Senegal. El álbum refleja las amistades que han hecho y las colaboraciones que iniciaron durante sus viajes. (Nonesuch) Amadou & Mariam bikote aski ezagunak 12 hilabete eman zituen disko hau grabatzen Marc-Antoine Moreau ekoizle eta zuzendari ohiarekin, Paris, Londres, Dakar eta Senegal artean. Albumak ezin hobe islatzen ditu bidaietan eginiko lagun onak eta haiei esker hasitako lankidetzak. (Nonesuch) ATLAS; Natacha; THE MAZEEKA ENSEMBLE Ana hina. Redoz Music, 2008 (Egipto · Egipto) Un repertorio de canciones clásicas árabes compone este primer disco acústico de Natacha Atlas. Con él, la vocalista obtuvo abrumador éxito de crítica. (www.natacha-atlas.com) Arabiar abesti klasikoen errepertorio batek osatzen du Natacha Atlasen lehenengo disko akustiko hau. Honi esker, arrakasta izugarria lortu zuen abeslariak kritikarien artean. (www.natacha-atlas.com) BAGAYOGO, Issa Mali koura. Six Degrees, 2008 (Malí · Mali) El músico malinés electrificó algunos instrumentos de cuerda de la tradición africana, consiguiendo con ello un peculiar sonido de aire tecno. En este disco, su sonido, híbrido entre África y Europa, ha madurado y ofrece una propuesta singular y evolucionada. (Six Degrees) Maliko musikariak elektrifikatu egin zituen Afrikako hainbat hari instrumentu tradizional tekno kutsuko soinu bitxia lortuta. Disko honek proposamen berezi eta aurreratua eskainiko digu, Afrika eta Europa arteko nahasketa den soinu helduago baten bitartez. (Six Degrees) BASSY, Blick Akö. No Format!, 2015 (Camerún · Kamerun) La etérea voz de Blick Bassy dibuja penetrantes melodías acompañada por su guitarra y adopta nuevas e insospechadas esencias junto al cello y el trombón de Clément Petit y Fidel Fourneyron. (No Format!) Blick Bassyren ahots etereoak melodia sarkorrak marrazten ditu gitarraren laguntzaz, eta esentzia berri eta susmagaitzak hartzen ditu Clément Petit-en txeloari eta Fidel Fourneyron-en tronboiari esker. (No Format!) BOMBINO Agadez. Cumbancha, 2011 (Níger · Niger) Las electrizantes improvisaciones de este joven compositor y guitarrista tuareg capturan el espíritu de resistencia y rebelión de su pueblo, mientras que sus riffs de guitarra recuerdan a grandes de la música africana como Tinariwen y Ali Farka Touré. Este disco dio alcance universal a su sonido, que ya era muy conocido entre la comunidad tuareg. (Cumbancha) Konpositore eta gitarra jotzaile tuareg gazte honen inprobisazio berotzaileek bere herriaren erresistentzia-espiritu erreboltaria ezin hobe atzematen dute, eta bere gitarra riffek Afrikako musikari handienak ekartzen dizkigute gogora; esaterako Tinariwen eta Ali Farka Touré. Disko honek irismen unibertsala eman zio tuaregen artean ezaguna zen soinuari. (Cumbancha) BOMBINO Azel. Partisan Records, Knitting Factory, 2016 (Níger · Niger) Este disco aporta varias novedades a la música de Bombino: un nuevo estilo, que él llama tuareggae —mezcla de blues/rock tuareg con reggae— y una importante innovación: el uso de armonías vocales occidentales en la música grabada tuareg, que aporta a las canciones una nueva profundidad y color. (Partisan Records) Disko honek hainbat berritasun ekartzen dizkio Bombinoren musikari: estilo berri bat, egileak tuareggae bataiaturikoa –blues/rock tuaregaren eta reggaeren arteko nahasketa –, baita berrikuntza handi bate ere: mendebaldeko harmonia bokalen erabilera grabaturiko tuareg musika gainean, sakontasun eta kolore berria ematen diena abestiei. (Partisan Records) BOMBINO Nomad. Nonesuch, 2013 (Níger · Niger) Por invitación de Dan Auerbach (The Black Keys), el artista nacido en Níger y su banda viajaron a Nashville para esta grabación, dirigida por Auerbach en su estudio. El LP se editó en vinilo de 140 gramos. (Nonesuch) Dan Auerbach-ek (The Black Keys) gonbidatuta, Nigerren jaiotako artista eta bere banda Nashvillera joan ziren disko hau grabatzera Auerbachen estudioan eta haren zuzendaritzapean. LPa 140 gramoko biniloan argitaratu zen. (Nonesuch) BONA, Richard; MANDEKAN CUBANO Heritage. Qwest, Membran, 2016 (Camerún, EEUU · Kamerun, AEB) Heritage es una colaboración del bajista camerunés Richard Bona y el conjunto Mandekan Cubano en una exploración musical de dos culturas con el lazo común de África como punto de origen e influencia. (All About Jazz: www.allaboutjazz.com) Heritage Richard Bona baxu jotzaile kamerundarrak eta Mandekan Cubano taldeak bi kulturaren musika esplorazio gisa sorturiko baterako lana da. Bi kultura horien arteko lotura, jatorria eta eragina Afrika da. (All About Jazz: www.allaboutjazz.com) BONGA Hora kota. Lusafrica, 2012 (Angola · Angola) Trigésimo álbum de Bonga que incluye once nuevas canciones sobre su Angola natal, la tierra a la que ha regresado después de una larga ausencia. El disco tiene dos dúos: Angola con Bernard Lavilliers, y Dikanga con Agnès Jaoui. (Lusafrica) Bongaren hogeita hamargarren albumak haren jaioterri Angolari buruzko hamaika abesti berri biltzen ditu, denbora luzez atzerrian izan ostean bertara itzuli ondoren sortuak. Diskoak bi duo biltzen ditu: Angola, Bernard Lavilliers-ekin, eta Dikanga, Agnès Jaoui- rekin. (Lusafrica) BRAHIM, Aziza Abbar el Hamada. Glitterbeat, 2016 (Sahara Occidental · Mendebaldeko Sahara) La activista y artista del Sahara Aziza Brahim publica Abbar el Hamada (A través de la Hamada), toda una declaración musical sobre la época tumultuosa en la que vivimos. La música y las letras reflejan con maestría la búsqueda del hogar, explícito en el título del álbum. (Glitterbeat) Aziza Brahim aktibista eta artista sahararrak Abbar el Hamada
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