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Boise, Idaho, a Moderately Priced Home, As Chick House, Etc
SUNDAY - 1 . 1 .Afl-'USi-JJ— ■ FOR BALI N bws r o R J M S :‘T « > — ;— *--------»--------------------------------- ■IsosHansouB Published every Sunday morning at U v M t o o k Automobil— R—I Estata Real T iflT JONES FURNITURE CO. T fa * CAPWA l 'n ^W S PUBLISHING WANTKD—Ironing to do. Call 72 6J FOR SALE—155 hampshlre ewes, age 1 Majestic range, good *75. BIG REDUCTION ON U SE D CARS— FARMERS NOTie* THIS as new. 1 to 4 years. $13 a head. Also 40 lam bs. Want to buy an automobile, truck ' 'CO, LIMITED, HIGHEST PRICES paid for furs. New 1 double barrel shot gu n $25. Phone 38-J-3. 44 acres all In hay, $8500. 2 second hand dressers. trailer or a Ford, don’t fail to see FOR SALE BY OWNER. 40 acres close In $8258. RICHARD STORY SHERIDAN York Store, 915 Main St. Trailers built to order. Ohmeral Manager 3 new Home Sewing machines brand FOR SALE—Six pigs, weight from 75 80 ucres close In, $11600. ALL KINDS of furnuiture, upholster new at $45 each. to 85 pounds, in good shape. Phone „„ ^A.Lo ALTO AUTO MARKET A convenient, 5-room bunga 157 acres bench land $47190. ADVANCE^SUBSCRIPTION ing and repair work. Prices rea 9J4. Z3rd * Falrvlew Ave. P hone 2089 low home, modern except heat, 20 acres good s tu ff $4000. sonable. J. A. Jo hnson. Phone 1026 That good Red Crown gasoline for has light, airy sleeping rooms, BA K ER & C H A P P E L L E OR HALE—1918 F ord cheap. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
Music Tech-1
Radnor Middle School Course Overview Music Technology I. Course Description Music Technology is offered as an eighth grade music elective, meeting three times a cycle. Students will be introduced to the study of music technology and music fundamentals. Areas of instruction will include instrument and equipment care, beginning level music literacy (reading and writing music), keyboard performance skills, music technology related history, concepts, terminology and experience with a variety of applications. II. Resources, Materials , Equipment • iMacs • GarageBand • Korg K61p MIDI Studio Contoller Keyboards • Student Journals III. Course Goals, Objectives (Essential Questions, Enduring Understandings) Students will be able to: 1. Accurately perform melody, harmony and rhythm parts of a composition and record the parts separately into the sequencer of the keyboard. 2. Accurately perform melody, harmony and rhythm parts of their own composition and record the parts separately into the sequencer of the keyboard. 3. Record multiple parts to an electronic “sound piece” using non-traditional instrument timbres and effects. 4. Orchestrate and perform three- and four-part synthesizer ensemble pieces within expected performance parameters for their individual levels of expertise. 5. Transfer sequenced MIDI files from the keyboard disk into the computer and, using appropriate software, edit needed corrections, format, and print out the composition. 6. Change instrumentation using an existing music composition stored as MIDI data; and alter tempo, range, and dynamics during the course of the piece, while still maintaining the original integrity of the composition. 7. Compose a four-part electronic sound piece using varied timbre (tone), texture, and dynamics of at least three minute length. Students may incorporate digitally recorded audio sounds into this piece. -
Violent Femmes Why Do Birds Sing? Mp3, Flac, Wma
Violent Femmes Why Do Birds Sing? mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Why Do Birds Sing? Country: UK Released: 1991 Style: Alternative Rock, Folk Rock MP3 version RAR size: 1558 mb FLAC version RAR size: 1349 mb WMA version RAR size: 1675 mb Rating: 4.7 Votes: 439 Other Formats: MIDI XM MOD ASF VQF AAC AHX Tracklist A1 American Music A2 Out The Window A3 Look Like That A4 Do You Really Want To Hurt Me A5 Hey Nonny Nonny A6 Used To Be B1 Girl Trouble B2 He Likes Me B3 Life Is A Scream B4 Flamingo Baby B5 Lack Of Knowledge B6 More Money Tonight B7 I'm Free Companies, etc. Phonographic Copyright (p) – Slash Records Copyright (c) – Slash Records Manufactured By – Festival Records Pty. Ltd. Mastered At – Masterdisk Credits Design, Photography – Hanson Graphic Mastered By – Howie Weinberg Mixed By – David Vartanian, E.T. Thorngren* Producer – Brian Ritchie, Gordon Gano, Michael Beinhorn, Victor DeLorenzo Recorded By – Susan Rogers Notes ℗ © 1991 Slash Records, U.S.A. Manufactured by Festival Records Pty, Ltd, Australia. Barcode and Other Identifiers Barcode: 9 399603 055144 Other versions Category Artist Title (Format) Label Category Country Year Violent Why Do Birds Sing? (CD, Slash, Reprise 9 26476-2 9 26476-2 US 1991 Femmes Album) Records Violent Why Do Birds Sing? Slash, Reprise 92 64764 92 64764 Canada 1991 Femmes (Cass, Album, Dol) Records Violent Why Do Birds Sing (LP, Slash, Liberation L30551 L30551 Australia 1991 Femmes Album) Records Violent Why Do Birds Sing? (CD, Slash, Reprise CD 26476 CD 26476 Canada 1991 Femmes Album) Records Violent Why Do Birds Sing? (CD, D 30551 Liberation Records D 30551 Australia 1991 Femmes Album) Related Music albums to Why Do Birds Sing? by Violent Femmes Violent Femmes - Add It Up (1981-1993) Los Lobos - Will The Wolf Survive? Violent Femmes - Violent Femmes Violent Femmes - Hallowed Ground Violent Femmes - American Music Violent Femmes - Permanent Record: Live & Otherwise Violent Femmes - Permanent Record: The Very Best Of The Violent Femmes Various - Slash Cuts. -
I S C O R D E R Free
I S C O R D E R FREE IUTE K OGWAI ARHEAD NC HR IS1 © "DiSCORDER" 2001 by the Student Radio Society of the University of British Columbia. All rights reserved. Circuldtion 1 7,500. Subscriptions, payable in advance, to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN elsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money orders payable to DiSCORDER Mag azine. DEADLINES: Copy deadline for the August issue is July 14th. Ad space is available until July 21st and ccn be booked by calling Maren at 604.822.3017 ext. 3. Our rates are available upon request. DiS CORDER is not responsible for loss, damage, or any other injury to unsolicited mcnuscripts, unsolicit ed drtwork (including but not limited to drawings, photographs and transparencies), or any other unsolicited material. Material can be submitted on disc or in type. As always, English is preferred. Send e-mail to DSCORDER at [email protected]. From UBC to Langley and Squamish to Bellingham, CiTR can be heard at 101.9 fM as well as through all major cable systems in the Lower Mainland, except Shaw in White Rock. Call the CiTR DJ line at 822.2487, our office at 822.301 7 ext. 0, or our news and sports lines at 822.3017 ext. 2. Fax us at 822.9364, e-mail us at: [email protected], visit our web site at http://www.ams.ubc.ca/media/citr or just pick up a goddamn pen and write #233-6138 SUB Blvd., Vancouver, BC. -
First-Plymouth Congregational Church, Lincoln, Nebraska (Article Reprinted from the American Organist Dated January 1999)
Schoenstein & Co., Benicia, California First-Plymouth Congregational Church, Lincoln, Nebraska (Article reprinted from The American Organist dated January 1999) Page 1 of 8 Gallery organ. The façade mirrors the chancel façade and is also made of quarter-sawn white oak with Art Deco details. (photo: Lou Hurst) This is the fourth in a series of large instruments in our “American Romantic” style with tonal variety and dynamic range of symphonic proportions. It is also the “Magnum Opus” to date in our 121 years of organ-building. In an interesting way, this instrument both reviews that history and looks forward to the next century. Its design draws upon the great traditions of Romantic organ-building, which had taken hold at the time of our company’s founding, and incorporates them into a modern framework with the resources necessary for a multifaceted, contemporary church music program. The design is based on the conviction that the organ can and should have the same kind of expressiveness as the symphony orchestra. Given the organ’s many advantages, including pitch and dynamic range, tonal variety, and unlimited sustain, all under the control of one artist, the organ should be able to eclipse the orchestra in accompanimental versatility and musical expression. In fact, it must do so if it is to be the foundation of mainstream church music in the future. Over a period of 25 years, Jack Levick, minister of music and fine arts, has built one of the most respected music programs in the country. In addition to everything expected in a church that serves one of America’s largest Protestant congregations, First-Plymouth has a resident professional brass ensemble of ten players, and sponsors Abend-musik, Lincoln’s premier subscription concert series, which presents both well-known and seldom-heard choral works with organ and orchestra in the tradition of the great oratorio societies, and organ/orchestra solo works, as well as internationally known guest artists. -
The Uses and Misuses of Popular Music Lyrics in Legal Writing, 64 Wash
Washington and Lee Law Review Volume 64 | Issue 2 Article 4 Spring 3-1-2007 [Insert Song Lyrics Here]: The sesU and Misuses of Popular Music Lyrics in Legal Writing Alex B. Long Follow this and additional works at: https://scholarlycommons.law.wlu.edu/wlulr Part of the Legal Writing and Research Commons Recommended Citation Alex B. Long, [Insert Song Lyrics Here]: The Uses and Misuses of Popular Music Lyrics in Legal Writing, 64 Wash. & Lee L. Rev. 531 (2007), https://scholarlycommons.law.wlu.edu/wlulr/vol64/iss2/4 This Article is brought to you for free and open access by the Washington and Lee Law Review at Washington & Lee University School of Law Scholarly Commons. It has been accepted for inclusion in Washington and Lee Law Review by an authorized editor of Washington & Lee University School of Law Scholarly Commons. For more information, please contact [email protected]. [Insert Song Lyrics Here]: The Uses and Misuses of Popular Music Lyrics in Legal Writing Alex B. Long* Table of Contents I. For Those About To Rock (I Salute You) .................................... 532 II. I'm Looking Through You ........................................................... 537 A. I Count the Songs That Make the Legal Profession Sing, I Count the Songs in Most Everything, I Count the Songs That Make the Young Lawyers Cry, I Count the Songs, I Count the Songs ................................................. 537 B . A dd It U p ............................................................................... 539 C. I'm Looking Through You .................................................... 541 1. It Takes a Profession of Thousands To Hold Us Back .... 541 2. Baby Boomers Selling You Rumors of Their History ..... 544 3. -
Vf & Tso Mofo Mr
VIOLENT FEMMES AND THE TASMANIAN SYMPHONY ORCHESTRA World Premiere Monday 22 & Tuesday 23 January Due to popular demand Mona Foma today announced an extra show for the world premiere of the Violent Femmes performing with the TSO. For two nights only, the Violent Femmes will take their acoustic punk-rock and work with the Tasmanian Symphony Orchestra to reimagine it as a full orchestra experience. Conducted by Hamish McKeich they’ll perform a long list of cult classics such as Add It Up, Blister In The Sun, Kiss Off, Gone Daddy Gone, American Song and Gimme The Car at The Federation Concert Hall on Monday 22 and Tuesday 23 January. “Most rock bands would blow off an orchestra with the amplifiers, but for these two shows we’re prepared to back off on the volume and actually play almost at the same volume as the orchestra musicians and create a more unified approach, “ said Brian Ritchie. The Violent Femmes were formed in 1981 as an acoustic band playing on the streets of Milwaukee. Their main influences at that time were Gene Vincent and the Blue Caps and The Velvet Underground. Enduring a couple of hiatuses throughout their 36-plus year career, the band — original members Gordon Gano and Brian Ritchie, along with drummer John Sparrow have been performing steadily since reuniting again in 2013. The TSO’s performance with the Violent Femmes represents another innovative collaboration for the orchestra, which in 2017 alone has seen sold out concerts with vocal star Kate Miller-Heidke, a Dark MOFO collaboration with Norwegian metal band Ulver, an original show with comedy trio Tripod and a sold out concert with ARIA award-winning and multi-platinum artist Megan Washington. -
FOOTBALL CROWD BEHAVIORAL RESPONSES to a UNIVERSITY MARCHING BAND's MUSICAL PROMPTS by AMANDA L. SMITH a THESIS Presented To
FOOTBALL CROWD BEHAVIORAL RESPONSES TO A UNIVERSITY MARCHING BAND’S MUSICAL PROMPTS by AMANDA L. SMITH A THESIS Presented to the School of Music and Dance and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Music June 2018 THESIS APPROVAL PAGE Student: Amanda L. Smith Title: Football Crowd Behavioral Responses to a University Marching Band’s Musical Prompts This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Music degree in the School of Music and Dance by: Dr. Eric Wiltshire Chair Dr. Melissa Brunkan Member Dr. Beth Wheeler Member and Sara D. Hodges Interim Vice Provost and Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2018. ii © 2018 Amanda L. Smith iii THESIS ABSTRACT Amanda L. Smith Master of Music School of Music and Dance June 2018 Title: Football Crowd Behavioral Responses to a University Marching Band’s Musical Prompts Decades of market research have investigated how music can influence consumer purchase, food consumption, and alcoholic drinking. Before market researchers declared music an influencer of atmospheric perception, sociologists discovered the sway of music on crowd collective action in sporting events, political rallies, and societal unrest. There remains a lack of research on how live music may influence football fan behavior during a game. Therefore, this study observed the number of behavioral responses from university students elicited by a university marching band’s music prompts (N = 11) at an American university football game. -
An Analysis of Social Media Marketing in the Classical Music Industry
#CLASSICAL: AN ANALYSIS OF SOCIAL MEDIA MARKETING IN THE CLASSICAL MUSIC INDUSTRY Ms Annabelle Angela Lan Lee Royal Holloway, University of London (2017) A dissertation submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy (Music) Page 1 of 299 Page intentionally left blank. Page 2 of 299 Declaration of Authorship I Annabelle Angela Lan Lee hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 28 April 2017 Page 3 of 299 Page intentionally left blank. Page 4 of 299 Abstract With the re-emergence of social media in the 2000s and the increased worldwide usage of mobile devices, the impact of social media still cannot be ignored. From corporate businesses to popular culture, social media are now used in many sectors of society. Not least among these is the classical music industry. Artists and organisations have keenly capitalised on social media in the face of increasing budgetary reductions in the arts and long-held elitist perceptions of classical music. In addition, the classical music business has used social media to profit from economic growth, audiences, and public profiles, and to market accessibility, relevance, and value to a wider audience, notably, younger demographics and non-attenders. As a result, the classical music scene tries to engender technological determinism and digital optimism, ideologies reflecting discourses around Web 2.0/social media. Simultaneously, a so-called ‘digital divide’ is at risk. Various factors, for example, socioeconomic strata, greatly influence how classical music is marketed and branded on social media networks, however, they are barriers to access and enjoyment of the art, online and offline. -
Educating the Net Generation Diana G
Educating the Net Generation Diana G. Oblinger and James L. Oblinger, Editors Chapter 1: Introduction by Diana Oblinger, EDUCAUSE, and James Oblinger, North Carolina State University Chapter 2: Is It Age or IT: First Steps Toward Understanding the Net Generation by Diana Oblinger, EDUCAUSE, and James Oblinger, North Carolina State University • Introduction • Implications • Asking the Right Questions • Endnotes • Acknowledgments • About the Authors Chapter 3: Technology and Learning Expectations of the Net Generation by Gregory Roberts, University of Pittsburgh–Johnstown • Introduction • Technology Expectations of the Net Generation • Learning Expectations of the Net Generation • Conclusion • Endnotes • About the Author Chapter 4: Using Technology as a Learning Tool, Not Just the Cool New Thing by Ben McNeely, North Carolina State University • Growing Up with Technology • How the Net Gen Learns • Cut-and-Paste Culture • Challenges for Higher Education • The Next Generation • About the Author Chapter 5: The Student’s Perspective by Carie Windham, North Carolina State University • Introduction • Meet Generation Y Not • Filling the Attention Deficit • Reaching the Net Generation in a Traditional Classroom • A Virtual Education: Crafting the Online Classroom • E-Life: The Net Gen on Campus • Outlook for the Future • Endnotes • About the Author ISBN 0-9672853-2-1 © 2005 EDUCAUSE. Available electronically at www.educause.edu/educatingthenetgen/ Chapter 6: Preparing the Academy of Today for the Learner of Tomorrow by Joel Hartman, Patsy Moskal, -
Opportunities for Affordable Construction in Uganda Using Locally Available Materials by Herbert Mwesigye Nuwagaba B.S
Opportunities for Affordable Construction in Uganda using Locally Available Materials By Herbert Mwesigye Nuwagaba B.S. Civil Engineering University of Illinois at Chicago, 2019 SUBMITTED TO THE DEPARTMENT OF CIVIL AND ENVIRONMENTAL ENGINEERING IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ENGINEERING IN CIVIL AND ENVIRONMENTAL ENGINEERING AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY May 2020 © 2020 Herbert Mwesigye Nuwagaba. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: ………………………………………………………………………………. Herbert Mwesigye Nuwagaba Department of Civil and Environmental Engineering May 8, 2020 Certified by: ……………………………………………………………………………………….. Caitlin T. Mueller Ford International Career Development Professor Associate Professor of Civil and Environmental Engineering and Architecture Thesis Supervisor Accepted by: ………………………………………………………………………………………. Colette L. Heald Professor of Civil and Environmental Engineering Chair, Graduate Program Committee 2 Opportunities for Affordable Construction in Uganda using Locally Available Materials By Herbert Mwesigye Nuwagaba Submitted to the Department Of Civil and Environmental Engineering on May 8th, 2020 in Partial Fulfillment of the Requirements for the Degree of Master of Engineering in Structural Mechanics and Design. Abstract Uganda, like many other countries in the Global South, is in dire need of affordable housing. According to the 2017 Uganda National Household Survey, the number of poor Ugandans increased from 6.6 million in 2012/13 to 10 million in 2017 (Twinoburyo 2018). Uganda’s population growth is also the fourth highest in the world (The World Bank Group 2018). With the cost of manufacturing and purchasing construction materials like cement increasing due to scarcity of raw materials (Kamukama 2018), many Ugandans are unable to afford to construct homes.