Record Store Day 18.04.2015
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Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
Garage Zine Scionav.Com Vol. 3 Cover Photography: Clayton Hauck
GARAGE ZINE SCIONAV.COM VOL. 3 COVER PHOTOGRAPHY: CLAYTON HAUCK STAFF Scion Project Manager: Jeri Yoshizu, Sciontist Editor: Eric Ducker Creative Direction: Scion Art Director: malbon Production Director: Anton Schlesinger Contributing Editor: David Bevan Assistant Editor: Maud Deitch Graphic Designers: Nicholas Acemoglu, Cameron Charles, Kate Merritt, Gabriella Spartos Sheriff: Stephen Gisondi CONTRIBUTORS Writer: Jeremy CARGILL Photographers: Derek Beals, William Hacker, Jeremy M. Lang, Bryan Sheffield, REBECCA SMEYNE CONTACT For additional information on Scion, email, write or call. Scion Customer Experience 19001 S. Western Avenue Company references, advertisements and/ Mail Stop WC12 or websites listed in this publication are Torrance, CA 90501 not affiliated with Scion, unless otherwise Phone: 866.70.SCION noted through disclosure. Scion does not Fax: 310.381.5932 warrant these companies and is not liable for Email: Email us through the contact page their performances or the content on their located on scion.com advertisements and/or websites. Hours: M-F, 6am-5pm PST Online Chat: M-F, 6am-6pm PST © 2011 Scion, a marque of Toyota Motor Sales U.S.A., Inc. All rights reserved. Scion GARAGE zine is published by malbon Scion and the Scion logo are trademarks of For more information about MALBON, contact Toyota Motor Corporation. [email protected] 00430-ZIN03-GR SCION A/V SCHEDULE JUNE Scion Garage 7”: Cola Freaks/Digital Leather (June 7) Scion Presents: Black Lips North American Tour The Casbah in San Diego, CA (June 9) Velvet Jones -
Star Shines at Shell
May 24, 2014 Star Shines at Shell PHOTO BY YOSHI JAMES Homage to cult band’s “Third” kicks off Levitt series By Bob Mehr The Levitt Shell’s 2014 summer season opened Friday night, with a teeming crowd of roughly 4,000 who camped out under clear skies to hear the music of Memphis’ greatest cult band Big Star, in a show dedicated to its dark masterpiece, Third. Performed by an all-star troupe of local and national musicians, it was yet another reminder of how the group, critically acclaimed but commercially doomed during their initial run in the early 1970s, has developed into one of the unlikeliest success stories in rock and roll. The Third album — alternately known as Sister Lovers — was originally recorded at Midtown’s Ardent Studios in the mid-’70s, but vexed the music industry at the time, and was given a belated, minor indie-label release at the end of the decade. However, the music and myth of Third would grow exponentially in the decades to come. When it was finally issued on CD in the early ’90s, the record was hailed by Rolling Stone as an “untidy masterpiece ... beautiful and disturbing, pristine and unkempt — and vehemently original.” 1 North Carolina musician Chris Stamey had long been enamored of the record and the idea of recreating the Third album (along with full string arrangements) live on stage. He was close to realizing a version of the show with a reunited, latter- day Big Star lineup, when the band’s camp suffered a series of losses: first, with the passing of Third producer Jim Dickinson in 2009, and then the PHOTO BY YALONDA M. -
Episode 2 - Agenda Made 20140822
Episode 2 - Agenda Made 20140822 Intro Welcome to Point Radio Cast. Contact Info [email protected] Links to music on pointradiocast.com Click through the site to buy it, and support us and the bands. Show intro - Theme Best CDs I currently own, part one. If on a deserted island with a CD player and a solar power source, which CDs would I want to have? 2 songs from each disc. This will be a 2 part episode. Chronological order. The Misfits - Static Age Recorded 1978. Loved by millions. Classic and great. Some Kinda Hate Last Caress Minor Threat - Complete Discography. Recorded between 1981-1983. Godfathers of straight edge hardcore. Odd for me, but awesome and raw. Filler Out of Step The Pogues - The Best of the Pogues Recorded between 1984-1991. Dog through painting on cover. Godfathers of punk edge irish. Many bands spring from them, like the Tossers, Flogging Molly, anything of that ilk. Fairytale of New York Streams of Whiskey Guns N Roses - Appetite for Destruction Release 1987. A bit mainstream, but awesome. Nuff said. It's So Easy My Michelle Sloppy Seconds - Destroyed Released 1989. Classic bad attitude obnoxious midwest punk rock. Black Mail Steal your Beer Mid-show Interruption Can we fuck off with the ice bucket shit? Remember when people did their share without needing recognition for it from the world? Fuck ALS, it sucks. All the toolbox ice bucket bullshit sucks too. Try and do your part without needing a pat on the back from all your FB friends. Bad Religion - Against the Grain Released 1990. -
Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
JPMS3202 05 Marshall 50..62
WAYNE MARSHALL Berklee College of Music Email: [email protected] Ragtime Country Rhythmically Recovering Country’s Black Heritage ABSTRACT In 1955, Elvis Presley and Ray Charles each stormed the pop charts with songs employing the same propulsive rhythm. Both would soon be hailed as rock ’n ’roll stars, but today the two songs would likely be described as quintessential examples, respectively, of rockabilly and soul. While seeming by the mid-50s to issue from different cultural universes mapping neatly onto Jim Crow apartheid, their parallel polyrhythms point to a revealing common root: ragtime. Coming to prominence via Maple Leaf Rag (1899) and other ragtime best-sellers, the rhythm in question is exceedingly rare in the Caribbean compared to variations on its triple-duple cousins, such as the Cuban clave. Instead, it offers a distinctive, U.S.-based instantiation of Afrodiasporic aesthetics—one which, for all its remarkable presence across myriad music scenes and eras, has received little attention as an African-American “rhythmic key” that has proven utterly key to the history of American popular music, not least for the sound and story of country. Tracing this particular rhythm reveals how musical figures once clearly heard and marketed as African-American inventions have been absorbed by, foregrounded in, and whitened by country music while they persist in myriad forms of black music in the century since ragtime reigned. KEYWORDS race and ethnic studies, popular music, music history In , Elvis Presley and Ray Charles each stormed the pop charts with songs employing the same propulsive rhythm. Both would soon be hailed as rock ’n’ roll stars, but today the two songs would likely be described as quintessential examples, respectively, of rockabilly and soul. -
Astounding Stories of Super Science 1930
- -- ft ISN'T SUCH ABUM WORLD AFTERALU t and bills keep piling upon WHEN YOU WORK UNDER A SIMON AND YOU NEVER H«iE you till you camt see IKKf STRAW BOSS WITH A TIME ANYTHING IN YOUR POCKETS" how in the sam hill you'be gflCK AARINGAT VOU ALITHE TIME- EXCEPT A HOLE — EVER GOING TO GET OUT or DEBT- AND THEN VOU FIND IN A LITTLE AND YOU START USING THOSE BOOK THE KEY TO SECRETS WHICH SECRETS YOURSELF AND LEARN OH FELLERS' it isn't such H« WOE THOUSANDS COMFORTABLY WHAT IT IS TO REALLY MAKE ABUM WORLD AFTER ALL ffll OFF AND EVEN RICH — BIG MONEY AS A SALESMAN — When Men Raise Their Pay $3,000 to ft,000 a Year . After Reading This Little Free Book I — A MARVELOUS little free Iwok is bringing vital does something which people said could not he done m to thousands of men today and making mo- if makes salesmen—successful high power earners, out of ntvtis changes in their lives. Just sixty (our pane? average men with normal every day brains. It lias proved —•boat seven ounces of paper and printers' ink ; but that salesmen do not have to be "born." It teaches, in care arc thousands of nun holding clown big-pay jobs easy, yet thorough lessons, right 111 your home, 1 lie Mcrets i3 over the United States and Canada with earnings whrcli great salesmen have spent years on the road to learn. rating Dp to JlO.tMi a year. \ and even bigger, who You can't keep a good man down —not if he really is tuned by reading this great hook. -
I S C O R D E R Free
I S C O R D E R FREE IUTE K OGWAI ARHEAD NC HR IS1 © "DiSCORDER" 2001 by the Student Radio Society of the University of British Columbia. All rights reserved. Circuldtion 1 7,500. Subscriptions, payable in advance, to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN elsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money orders payable to DiSCORDER Mag azine. DEADLINES: Copy deadline for the August issue is July 14th. Ad space is available until July 21st and ccn be booked by calling Maren at 604.822.3017 ext. 3. Our rates are available upon request. DiS CORDER is not responsible for loss, damage, or any other injury to unsolicited mcnuscripts, unsolicit ed drtwork (including but not limited to drawings, photographs and transparencies), or any other unsolicited material. Material can be submitted on disc or in type. As always, English is preferred. Send e-mail to DSCORDER at [email protected]. From UBC to Langley and Squamish to Bellingham, CiTR can be heard at 101.9 fM as well as through all major cable systems in the Lower Mainland, except Shaw in White Rock. Call the CiTR DJ line at 822.2487, our office at 822.301 7 ext. 0, or our news and sports lines at 822.3017 ext. 2. Fax us at 822.9364, e-mail us at: [email protected], visit our web site at http://www.ams.ubc.ca/media/citr or just pick up a goddamn pen and write #233-6138 SUB Blvd., Vancouver, BC. -
“Punk Rock Is My Religion”
“Punk Rock Is My Religion” An Exploration of Straight Edge punk as a Surrogate of Religion. Francis Elizabeth Stewart 1622049 Submitted in fulfilment of the doctoral dissertation requirements of the School of Language, Culture and Religion at the University of Stirling. 2011 Supervisors: Dr Andrew Hass Dr Alison Jasper 1 Acknowledgements A debt of acknowledgement is owned to a number of individuals and companies within both of the two fields of study – academia and the hardcore punk and Straight Edge scenes. Supervisory acknowledgement: Dr Andrew Hass, Dr Alison Jasper. In addition staff and others who read chapters, pieces of work and papers, and commented, discussed or made suggestions: Dr Timothy Fitzgerald, Dr Michael Marten, Dr Ward Blanton and Dr Janet Wordley. Financial acknowledgement: Dr William Marshall and the SLCR, The Panacea Society, AHRC, BSA and SOCREL. J & C Wordley, I & K Stewart, J & E Stewart. Research acknowledgement: Emily Buningham @ ‘England’s Dreaming’ archive, Liverpool John Moore University. Philip Leach @ Media archive for central England. AHRC funded ‘Using Moving Archives in Academic Research’ course 2008 – 2009. The 924 Gilman Street Project in Berkeley CA. Interview acknowledgement: Lauren Stewart, Chloe Erdmann, Nathan Cohen, Shane Becker, Philip Johnston, Alan Stewart, N8xxx, and xEricx for all your help in finding willing participants and arranging interviews. A huge acknowledgement of gratitude to all who took part in interviews, giving of their time, ideas and self so willingly, it will not be forgotten. Acknowledgement and thanks are also given to Judy and Loanne for their welcome in a new country, providing me with a home and showing me around the Bay Area. -
Danielle De Picciotto
Danielle de Picciotto Born in Tacoma, Washington USA Studied music & art in NYC Works as interdisciplinary artist in the fields of art / film/ music/ literature/performance Co-founder of Berlin "Loveparade" Has exhibited at Zoo London Art Fair (England), Berliner Liste Art Fair (Germany) Cooperation with German Cultural Goethe Institute in Hong Kong, Milan, Rome, Tokyo, Berlin, Prague, Sarajevo, Mexico City Book Publications by Danielle de Picciotto "We Are Gypsies Now" Publisher: Amok Books, Los Angeles Release Date: August 13th 2015 "We Are Gypsies Now - Der Weg ins Ungewisse" Publisher: Metrolit Verlag, Berlin 2013 “The Beauty of Transgression” (a Berlin Memoir) Publisher: Die Gestalten Verlag, Berlin 2011 Films & Publications featuring Danielle de Picciotto “Citiy of Exiles- Berlin from the Outside in” Stuart Brown, 2015 "Wendeklang" a Film about the fall of the wall & Berlin" von Felix Denk & Sven von Thülen, August 2014 "It's not only Rock'n'Roll : Sexe, drogues & sagesse du rock" by Catharine Viale & Matthias Moreau;Publisher:Laurent De Sutter 2014 "Berlin What?" Artpublication, Publisher: Uwe Neu & Oliver Thoben; Neonchocolate Gallery, 2013 “Der Klang der Familie” (Suhrkamp); Oral History of Techno in Berlin, by Felix Denk & Sven von Thülen 2012 “Künstlerische Transformationen” Artreviews, Publisher: Reimer Verlag; 2010 "Do You Love Me Like I Love You: Tender Prey" – Filmdocumentary on Nick Cave & the Bad Seeds & contemporaries by Iain Forsyth und Jane Pollard 2009 "SubBerlin" – Filmdocumentary about the legendary Berlin Techno-Club -
Valentina Mér Wincent Weiss Feist Gorillaz Adel Tawil Thurston Moore China Moses Alexa Feser ALEX Kasabian VARGAS Inhalt
GRATIS | APRIL 2017 Ausgabe 37 VALENTINA MÉR WINCENT WEISS FEIST GORILLAZ ADEL TAWIL THURSTON MOORE CHINA MOSES ALEXA FESER ALEX KASABIAN VARGAS INHALT INHALT EdITION – IMPRESSUM 03 ALEX VARGAS HERAUSGEBER 04 VALENTINA MÉR | TOM SCHILLING AKTIV MUSIK MARKETING GMBH & CO. KG 05 WINCENT WEISS | ZWEI VON MILLIONEN | Steintorweg 8, 20099 Hamburg, UstID: DE 187995651 KENSINGTON PERSÖNLICH HAFTENDE GESELLSCHAFTERIN: 06 FEIST | JOHN MELLENCAMP | MARY J BLIGE AKTIV MUSIK MARKETING 07 WILLIE NELSON | RAY DAVIES | PROCOL HARUM VERWALTUNGS GMBH & CO. KG 08 SHERYL CROW | GORILLAZ Steintorweg 8, 20099 Hamburg 09 INCUBUS | THURSTON MOORE | ALPHAVILLE SITZ: Hamburg, HR B 100122 10 ADEL TAWIL | K. FLAY | BEN MARWOOD GESCHÄFTSFÜHRER Marcus-Johannes Heinz 12 CHINA MOSES | TROMBONE SHORTY | HELGE LIEN FON: 040/468 99 28-0 Fax: 040/468 99 28-15 13 25 JAHRE ACT | NATALIA MATEO E-MAIL: [email protected] 14 ALEXA FESER | THOMAS ANDERS 15 PAROV STELAR | MAXIMO PARK | IMMINENCE REDAKTIONS- UND ANZEIGENLEITUNG 16 IMELDA MAY | KASABIAN Daniel Ahrweiler (da) (verantwortlich für den Inhalt) 18 HUBERT VON GOISERN | SAN2 & HIS SOUL PATROL | KALEO MITARBEITER DIESER AUSGABE 19 HÖRSTOFF Marcel Anders (ma), Kai Florian Becker (kfb), 22 DAS LÄUFT IM LADEN Helmut Blecher (hb), Dagmar Leischow (dl), 23 TOP 20 VINYL-CHARTS Patrick Niemeier (nie), Steffen Rüth (sr), Anja Wegner, 24 PLATTENLADEN DES MONATS | PLATTENLÄDEN Nadine Wenzlick (nw) Bleibe auf dem Laufenden und bestelle unseren Newsletter auf WWW.PLATTENLADENTIPPS.DE/NEWSLETTER FOTOGRAFEN DIESER AUSGABE Universal Music (1,3 Alex Vargas, 6 Feist, 9 Alphaville, 10 Adel Tawil, 16 Imelda May), Alexandra Kinga Fekete (4 Tom Schilling & The Jazz Kids), Warner Music AuF TOUR (4 Valentina Mér), Sascha Wernicke/Vertigo Berlin (5 Wincent Weiss), Steve Gullick (7 Ray Davies), AWA LY Mark Seliger (8 Sheryl Crow), Brantley Gutierrez Awa Ly, französische Sängerin mit senegalesischen (9 Incubus), Sylvain Norget (12 China Moses), Jörg Grosse Geldermann/ACT (13 Natalia Mateo), Wurzeln, ist in Italien und Frankreich bereits ein Star.