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Laura Harker & Paul Sullivan on Nick Cave and the 80S East
Behaviour 11 Extr me LaurA HArKer & PAul SullIvAn On Nick CAve AnD THe 80S East KreuzBerg SCene Photography by Peter gruchot 10 ecords), 24 April 1986 Studio session for the single ‘The Singer’ (Mute r Cutting a discreet diagonal between Kottbusser Tor and Oranienplatz, Dresdener Straße is one of the streets that provides blissful respite from east Kreuzberg’s constant hustle and bustle. Here, the noise of the traffic recedes and the street’s charms surge subtly into focus: fashion boutiques and indie cafés tucked into the ground floors of 19th Century Altbauten, the elegantly run-down Kino Babylon and the dark and seductive cocktail bar Würgeengel, the “exterminating angel”, a name borrowed from a surrealist film by luis Buñuel. It all looked very different in the 80s of course, when the Berlin Wall stood just under a kilometre away and the façades of these houses – now expensively renovated and worth a pretty penny – were still pockmarked by World War Two bulletholes. Mostly devoid of baths, the interiors heated by coal, their inhabitants – mostly Turkish immigrants – shivered and shuffled their way through the Berlin winter. 12 13 It was during this pre-Wende milieu that a tall, skinny and largely unknown Australian musician named Nicholas Edward Cave moved into no. 11. Aside from brief spells in apartments on naumannstraße (Schöneberg), yorckstraße, and nearby Oranienstraße, Cave spent the bulk of his seven on-and-off years in Berlin living in a tiny apartment alongside filmmaker and musician Christoph Dreher, founder of local outfit Die Haut. It was in this house that Cave wrote the lyrics and music for several Birthday Party and Bad Seeds albums, penned his debut novel (And The Ass Saw The Angel) and wielded a sizeable influence over Kreuzberg’s burgeoning post-punk scene. -
Topical Weill
Volume 20 Number 2 topical Weill Fall 2002 A supplement to the Kurt Weill Newsletter news &news events The Threepenny Opera Thrives Seventy-four years after its Berlin premiere, Die Dreigroschenoper remains contem- porary to audiences all around the world, as attested by recent performances in Bucharest, Ankara, Ljubljana, Izmir, and Rio de Janeiro. In Germany, new produc- tions open this fall in Wiesbaden (28 September) and Augsburg (23 November), among others; and on 21 December Landestheater Linz revives its lauded 2001–2002 season production (see review, p. 3a). HK Gruber continues his concert performances of the work with Ensemble Modern, begun in Weill’s centenary year, at the Cologne Philharmonie (6 November), the Frankfurt Alte Oper (7 November), the Dortmund Konzerthaus (8 November), and the Baden-Baden Festspielhaus (9 November). Pittsburgh Opera Center will showcase its young artists in The Threepenny Opera 27 February–2 March 2003. The Royal National Theatre’s education department will tour a new production throughout the UK from October 2002–February 2003, after which it will have a limited run in the Cottesloe Theatre at the National Theatre in London. In Scotland, the Dundee Firebrand on Broadway, 1945 Repertory Theatre will present the work 7 April–31 May 2003, in Dundee and on tour. Weill in Concert The Firebrand of Florence Notable upcoming Weill concert offerings include the New Year’s Eve concert of is Published the Berlin Philharmonic, conducted by Sir Simon Rattle and including Walt Whitman songs and excerpts from Street Scene. Thomas Hampson, Kim Criswell, European American Music Audra McDonald, and Brent Barrett will be among the concert soloists. -
Razorcake Issue
RIP THIS PAGE OUT Curious about how to realistically help Razorcake? If you wish to donate through the mail, please rip this page out and send it to: Razorcake/Gorsky Press, Inc. PO Box 42129 Los Angeles, CA 90042 Just NAME: turn ADDRESS: the EMAIL: page. DONATION AMOUNT: 5D]RUFDNH*RUVN\3UHVV,QFD&DOLIRUQLDQRWIRUSUR¿WFRUSRUDWLRQLVUHJLVWHUHG DVDFKDULWDEOHRUJDQL]DWLRQZLWKWKH6WDWHRI&DOLIRUQLD¶V6HFUHWDU\RI6WDWHDQGKDV EHHQJUDQWHGRI¿FLDOWD[H[HPSWVWDWXV VHFWLRQ F RIWKH,QWHUQDO5HYHQXH &RGH IURPWKH8QLWHG6WDWHV,562XUWD[,'QXPEHULV <RXUJLIWLVWD[GHGXFWLEOHWRWKHIXOOH[WHQWSURYLGHGE\ODZ SUBSCRIBE AND HELP KEEP RAZORCAKE IN BUSINESS Subscription rates for a one year, six-issue subscription: U.S. – bulk: $16.50 • U.S. – 1st class, in envelope: $22.50 Prisoners: $22.50 • Canada: $25.00 • Mexico: $33.00 Anywhere else: $50.00 (U.S. funds: checks, cash, or money order) We Do Our Part www.razorcake.org Name Email Address City State Zip U.S. subscribers (sorry world, int’l postage sucks) will receive either Grabass Charlestons, Dale and the Careeners CD (No Idea) or the Awesome Fest 666 Compilation (courtesy of Awesome Fest). Although it never hurts to circle one, we can’t promise what you’ll get. Return this with your payment to: Razorcake, PO Box 42129, LA, CA 90042 If you want your subscription to start with an issue other than #72, please indicate what number. TEN NEW REASONS TO DONATE TO RAZORCAKE VPDQ\RI\RXSUREDEO\DOUHDG\NQRZRazorcake ALVDERQDILGHQRQSURILWPXVLFPDJD]LQHGHGLFDWHG WRVXSSRUWLQJLQGHSHQGHQWPXVLFFXOWXUH$OOGRQDWLRQV The Donation Incentives are… -
Kid Congo Powers Double Record Release Party
KID CONGO POWERS DOUBLE RECORD RELEASE PARTY KID CONGO POWERS DOUBLE RECORD RELEASE PARTY Tonic, March 3, 2006 Kid Congo Powers is celebrating the release of two albums on March 3, 2006 at Tonic. The first, Solo Cholo, is a career-spanning compilation focusing on the legendary guitarist’s work as a vocalist and songwriter from 1985 to the present. The second, Philosophy and Underwear, is the debut recording of his current New York band, Kid Congo and the Pink Monkey Birds - in which Kid not only sings, but also plays blistering dual guitars with ace Jack Martin (Knoxville Girls, Honeymoon Killers, etc.). After twenty-five years in the recording business (The Cramps’ Psychedelic Jungle was 1981), these two albums are the first full-length recordings that focus on Kid’s songs. The event also marks New York Night Train (www.newyorknighttrain.com) webzine’s debut as a record label. For this momentous occasion Kid has gathered an all-star cast of collaborators, friends, and favorites that will amount to one of the most unusual assemblages of underground figures in downtown history. The headliner is of course Kid Congo and the Pink Monkey Birds. The Birds will also back up Thalia Zedek (ex-Come, Live Skull, Uzi, etc.) on a few Gun Club numbers (Zedek is the vocalist who reminds Kid most of Jeffrey Lee Pierce). Another highlight of the evening is the reunion of the original New York version of Congo Norvell – Kid, Sally Norvell (actress, ex-Norvells, Prohibition, etc.), Jim Sclavunos (Nick Cave and the Bad Seeds and Vanity Set, ex-Sonic Youth, Cramps, etc.), Paul Wallfisch (Botanica, ex-Firewater, Love and Rockets, etc.), and Brian Emrich (film composer, ex-Foetus, Toasters, etc.). -
Bad Seed: the Biography of Nick Cave PDF Book
BAD SEED: THE BIOGRAPHY OF NICK CAVE PDF, EPUB, EBOOK Ian Johnston | 352 pages | 03 Oct 1996 | Little, Brown Book Group | 9780349107783 | English | London, United Kingdom Bad Seed: The Biography of Nick Cave PDF Book Retrieved 12 October Archived from the original on 19 October London: Faber and Faber, Retrieved 27 August The difference in Cave and Howard's approach to songwriting was a major factor, as Cave explained in an interview with On The Street : "the main reason why The Birthday Party broke up was that the sort of songs that I was writing and the sort of songs that Rowland was writing were just totally at odds with each other. Archived from the original on 26 March The album also marked the arrival of Swiss drummer Thomas Wydler , a member of Die Haut , and featured guest appearances from Race, Pew, and Birthday Party guitarist Howard, who had briefly toured with the Bad Seeds as a substitute member in Even though this is the biography of Nick Cave, it felt more like an evolution of him and his band. The American edition of the same book published by Grove Press contains a foreword by the noted American writer Barry Hannah. Mute Records. Lists with This Book. The Birthday Party. Namespaces Article Talk. Casey — bass, backing vocals Conway Savage — piano, organ, backing vocals Thomas Wydler — drums, percussion, backing vocals Jim Sclavunos — percussion, drums, backing vocals. Bick's and Cave's twin sons, Arthur and Earl, were born in Brighton in At the request of his friend Russell Crowe , Cave wrote a script for a proposed sequel to Gladiator which was rejected by the studio. -
English Press Release
Communication occurs when sources take turns transmitting messages between one another Press Contact : Amanda Singer Mobile: 01706279086 E-mail: [email protected] INFO für den 6. NOVEMBER 2009 GALERIE NEUROTITAN BERLIN Place : Neurotitan Galerie im Haus Schwarzenberg The multifaceted American artist based in Rosenthalerstraße 39 10178 Berlin Berlin, Danielle de Picciotto has fostered a long Tel: +49(0)30.308 725 76 Fax: +49(0)30.282 90 33 running and wonderful ritual over the years. She Opening Times: Mon - Sat: 12 - 20h: Sun: 14 -19h anually curated an exhibition bringing together an eclectic Vernissage: 6th November 2009, 19:00 mix of artists from different backgrounds, inviting them to Exhibition Duration: 7th until 28th November 2009 traverse the limits of their main disciplines and thus yielding provocative results. This year, between the 6th and 28th of November, she will be exploring the dialogue Title: Feedback between music and Pop Surrealism, a young art form gaining recognition around Europe after having large An Exhibition With Works From: success in America over the last decade. Laurie Lipton London www.laurielipton.com Danielle has invited six influential artists from around the world to exhibit together with her in the Haus Tina Winkhaus Berlin www.fortina.de Schwarzenberg, a renowned Berlin cultural institution. In addition, she has asked seven distinguished musicians to Angie Mason NYC www.angiemason.com interpret the work of each artist respectively and create a “soundtrack” to a select image. These interpretations will Petra Wende Munich www.paw-art.de then be presented over headphones adjacent to the corresponding picture. As the artists and musicians had Claudia Drake Missouri www.claudiadrake.com no contact during the process, the interaction takes place between the music and the artwork as a form of Kai Teichert Berlin www.kunstfueralle.de/kt/kt.htm “Feedback”. -
Kid Congo Powers
KID CONGO POWERS The gigantic tone of Kid Congo Powers’ open-tuned guitar is one of the more readily identifiable sounds in the history of underground rock. Best known for his contribution to the development of the contemporary noise guitar with The Gun Club, The Cramps, and Nick Cave and the Bad Seeds in the 1980s, Kid’s spent the last fifteen years as a sideman (Make-Up, Mark Eitzel, Angels of Light, etc.), as a partner in Congo Norvell and Kid and Khan, a member of garage rock supergroup Knoxville Girls, and, most recently, the leader of Kid Congo Powers and the Pink Monkey Birds. What’s important about Kid’s resume isn’t only that he played with some of the best bands of all time, but that he did so during their finest hours, from The Cramps’ Psychedelic Jungle to Nick Cave’s Tender Prey to Angels of Light’s How I Loved You, Kid’s always had a knack for being with the right people at the right place at the right time. The last five years however, Kid’s gradually quit relying on his luck and taken matters into his own hands, emerged as a world-class songwriter and a distinctive vocalist. Jump-starting his career when he and Jeffrey Lee Pierce formed The Gun Club in 1979, Kid Congo Powers left the obscure new band in late 1980 when he was offered the universally coveted gig replacing Bryan Gregory in The Cramps. Though Kid was already a Cramp when The Gun Club recorded their classic debut Fire of Love (1981), a number of songs that he helped write and develop appear on the record. -
Die Unerzogenen the Unpolished
DIE UNERZOGENEN THE UNPOLISHED a film by Pia Marais with Céci Chuh Birol Ünel Pascale Schiller press dossier dated: January 2007 director Pia Marais writers Horst Markgraf Pia Marais www.dieunerzogenen.de / www.theunpolished.com DIE UNERZOGENEN by Pia Marais Synopsis Stevie, a precocious 14-year-old girl must cope with the instabilities of her immoderate parents. When they decide to move to a small provincial town in Germany, Stevie attempts to slip into a normal life. Whilst her parents playfully escape their responsibilities, Stevie tries to make a good impression in town, spreading stories of grandeur and claiming to be the daughter of a diplomat. She makes progress. Yet the good weather doesn’t last and before long, she discovers that her parents have once more resorted to illegal means, as a way of supporting their leisurely lifestyle. As friends and hangers-on of her parents fill their new home, the chaos continually mounts. It is in this atmosphere of physical and emotional destruction, that Stevie must now start to define herself and perhaps even break free. THE UNPOLISHED/ DIE UNERZOGENEN tells the story of a girl caught up in a complicated adult world. A world in which the child/parent roles have been washed away and responsibilities are thrown back and forth. www.dieunerzogenen.de / www.theunpolished.com DIE UNERZOGENEN by Pia Marais DIE UNERZOGENEN THE UNPOLISHED by Pia Marais a production by PANDORA FILM PRODUKTION in co-production with WESTDEUTSCHER RUNDFUNK & SÜDWESTDEUTSCHER RUNDFUNK supported by FILMSTIFTUNG NRW FILMFÖRDERUNGSANSTALT MEDIA Programme of the European Community world premiere Tiger Awards Competition Rotterdam 2007 ARD-Treatment prize 2002 Max Ophüls Filmfestival Saarbrücken www.dieunerzogenen.de / www.theunpolished.com DIE UNERZOGENEN by Pia Marais Director's Comment An ambivalent childhood. -
Kiff Aarau We Keep You in the Loop
SEP.17 Nick Cave EINSCHLAUFEN Betrifft: Sepia-Tinte, Siff und Samt Impressum Nº 07.17 Manchmal sind es tatsächlich nur Menschen Als Berlin Ende 1989 mit dem Mauerfall den DER MUSIKZEITUNG LOOP 20. JAHRGANG und Orte. Eine flüchtige Kombination aus Bio- Frontstadt-Status verlor, mochte auch unser Ti- grafie und Geografie, die sich mit Bedeutung telheld nicht mehr dort leben. Sein Ruhm, den er P.S./LOOP Verlag auflädt. William S. Burroughs in Tanger. Jörg sich inzwischen erarbeitet hatte, folgte ihm al- Langstrasse 64, 8004 Zürich Fauser in Istanbul. Malcolm Lowry in Mexiko. lerdings auch auf seinem Schlingerkurs um den Tel. 044 240 44 25, Fax. …27 Fixe Bezugspunkte in einem Atlas der Sucht, Globus. Und wurde einer Transformation unter- www.loopzeitung.ch die freilich nicht nur endlosen Exzess, sondern worfen. Der Siff der frühen Jahre verschwand, auch Phasen von geradezu manischer Kreativi- zur inzwischen sorgsam gekämmten und ge- Verlag, Layout: Thierry Frochaux tät markieren. Die zugehörigen Romane: «In- tönten Frisur trug man gut sitzende Anzüge, [email protected] terzone», «Rohstoff», «Under the Volcano». diskrete Hemden und hin und wieder gar eine In diese Reihe der Vertriebenen – oder um einen Krawatte. Unter der samtenen Oberfläche hin- Administration, Inserate: Manfred Müller musikalisch-technischen Begriff zu verwenden: gegen brodelte es weiter. Leidenschaftlich arran- [email protected] aus dem Leben Ausgekoppelten – gehört auch gierte Liebe, biblischer Furor und eine archaisch Nick Cave. Ein paar Jahre früher war auch anmutende Weltsicht kondensierten zu Liedern, Redaktion: Philippe Amrein (amp), David Bowie in der Hauptstadt des Heroins die genau das tun, was man von ihnen erwartet: Benedikt Sartorius (bs), Koni Löpfe unterwegs und hat dort wegweisende Alben Sie zerwühlen das Herzfett der Hörerschaft. -
Dossier De Premsa
22 – 26 MAYO BARCELONA DOSSIER DE PREMSA EL FESTIVAL CARTELL PARC DEL FÒRUM PROGRAMACIÓ COMPLEMENTÀRIA PRIMAVERA A LA CIUTAT PRIMAVERAPRO ORGANITZACIÓ I PARTNERS TICKETS CAMPANYA GRÀFICA CITES DE PREMSA HISTÒRIA CONTACTE ANNEX: BIOGRAFIES D’ARTISTES EL FESTIVAL Des dels seus inicis, el festival ha centrat els seus esforços en oferir noves propostes musicals de l’àmbit independent juntament amb artistes de contrastada trajectòria i de qualsevol estil o gènere, buscant primor- dialment la qualitat i apostant essencialment pel pop, el rock i les tendències més underground de la música electrònica i de ball. El festival ha comptat al llarg de la seva història amb propostes dels més diversos colors i estils. Així ho demostren els artistes que durant aquests deu anys han desfilat pels seus escenaris: de Pixies a Aphex Twin, passant per Neil Young, Sonic Youth, Portishead, Pet Shop Boys, Pavement, Echo & The Bunnymen, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Cat Power, Public Enemy, Grin- derman, Franz Ferdinand, Television, Devo, Enrique Morente, The White Stripes, LCD Soundsystem, Tinders- ticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Swans, Melvins, The National, Psychic TV, Spiritualized, The Cure, Bon Iver, La Buena Vida, Death Cab For Cutie, Iggy & The Stooges, De La Soul, Marianne Faithfull o Mazzy Star, entre molts d’altres. Primavera Sound s’ha consolidat com el festival urbà per excel·lència amb característiques úniques, atès que es desmarca de la resta de macro esdeveniments musicals i es manté fidel a la línia artística, el nivell d’exigència i la qualitat organitzativa de les passades edicions, prescindint de grups de caràcter comercial. -
![FEUCHTGEBIETE Presseheft [*.Pdf]](https://docslib.b-cdn.net/cover/5236/feuchtgebiete-presseheft-pdf-4275236.webp)
FEUCHTGEBIETE Presseheft [*.Pdf]
präsentiert eine Produktion von T REGIE DAVID WNEND AB 22. AUGUST IM KINO PRESSEHEFT BESETZUNG 2 Helen Carla Juri Robin Christoph Letkowski Mutter Meret Becker Vater Axel Milberg Corinna Marlen Kruse Schwester Valerie Peri Baumeister Prof. Notz Edgar Selge Neuer Freund Harry Baer STAB Regie David Wnendt Produktion Peter Rommel, Rommel Film in Koproduktion mit ZDF Drehbuch Claus Falkenberg David Wnendt nach dem Roman von Charlotte Roche Kamera Jakub Bejnarowicz Szenenbild Jenny Roesler Kostümbild Elke von Sivers Maske Monika Münnich Johanna Hinsch Ton Paul Rischer Musik Enis Rotthoff Schnitt Andreas Wodraschke Casting Ulrike Müller Redaktion Doris Schrenner, Lucas Schmidt Technische Daten Länge: 109 Minuten Bild: Cinemascope Ton: Dolby Digital Presseserver: www.presse.majestic.de Pressebetreuung LimeLight PR · Petra Schwuchow, Natalie Graf & Sabine Schwerda Köthener Straße 44, 10963 Berlin · Tel. 030 / 263 96 98 0 · Fax 030 / 263 96 98 77 [email protected] · [email protected] 3 „Ein Feuchtgebiet ist ein Gebiet, das im Übergangsbereich von trockenen zu dauerhaft feuchten Ökosystemen liegt. Der Begriff des Feuchtgebiets umfasst verschiedene Lebensraumtypen wie Sumpf, Moor, Bruchwald, Feuchtwiese, Sumpfgraben, Aue oder Ried. Flora und Fauna sind an den ganzjährigen Überschuss von Wasser angepasst.“ (Quelle: Wikipedia) ÜBER DEN FILM 4 Kurzinhalt Sie experimentiert beim Masturbieren gern mit Gemüse. Körperhygiene ist ihrer Ansicht nach weit über- schätzt. Sie provoziert ihre Umwelt, indem sie ganz unmädchenhaft ausspricht, was andere nicht einmal zu denken wagen: Das ist Helen Memel! Helen (CARLA JURI) ist eine Herausforderung für ihre geschiedenen Eltern (MERET BECKER und AXEL MILBERG) – und wünscht sich doch nichts sehnlicher, als eine wiedervereinte Familie. -
News and Events
Volume 23 Number 1 topical Weill Spring 2005 A supplement to the Kurt Weill Newsletter Weill/Brecht Works Take the Stage. &news events A bevy of productions of Weill’s collaborations with Bertolt Brecht are in the works, partially inspired by the upcoming 50th anniversary of the death of Brecht in 2006. Aufstieg und Fall der Stadt Mahagonny is currently playing in Nuremberg, Darmstadt, and Pforzheim, and Harry Kupfer’s new staging of the work opens at the Dresden Semperoper on 6 May 2005 (Sebastian Weigle, conductor). In the autumn, addition- al Mahagonnys premiere at Theater Basel (Marko Letonja, conductor) on 14 September; on 12 November at Saarländisches Staatstheater, Saarbrücken (Leonid Grin, conductor), in a co-production with Stadttheater Ulm; and in Madrid at Teatro Español on 1 December. Two Berlin productions are planned: a revival of the 1999 Günter Krämer production at Deutsche Oper Berlin beginning 30 October 2005, and a new one at the Komische Oper opening in September 2006. Mahagonny will also Bertolt Brecht and Kurt Weill, ca. 1928 highlight the 2006 Kurt Weill Fest in Dessau. Spring 2005 and the 2005/2006 season are filled with productions of Die Dreigroschenoper worldwide. The work is ubiquitous in Germany, and U.S. outings are led by a Broadway revival of The Threepenny Opera scheduled by the Roundabout Theatre Company for early 2006. Directed by Scott Elliott, the Roundabout production will feature a new translation by Wallace Shawn. An increasing number of North American opera companies are choosing the work: after recent productions at Opera Omaha and Vancouver Opera, future venues include Long Beach Opera (11–15 June 2005), Arizona Opera (premiere 11 November 2005), and Opera Columbus (13–15 January 2006).