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17 Nov. → 24 Déc. 2017 Édition
e édition festival dyonisien migrateur musiques — créations rencontres 17 nov. → 24 déc. 2017 Edito edito Petites et grandes histoires Tout récit est tissé de paroles, de silences, d’oublis, de souvenirs refabriqués, de fictions devenues légendes. Pour son édition 2017, Africolor fait une scène de ces fictions, imaginaires, petites et grandes histoires. Entre le temps fort consacré à Mé 67 et la jet-set imaginaire du coupé-décalé, entre le centenaire de Jean Rouch et le Pas de Côté consacré aux traditions inventées, le festival naviguera de souvenirs douloureux en fictions hilarantes, de récits des routes musicales en cérémonies aux ancêtres, entre vérités plurielles et créations enjaillées. Ce sont les artistes eux-mêmes qui seront les faiseurs d’histoires : Kar Kar pour nous faire écouter le lien entre Louisiane et Mali, Naïssam Jalal et Noura Mint Seymali, Abou Diarra et Mehdi Nassouli pour relier le Nord et le Sud de l’Afrique de l’Ouest ; Ann O’aro, Tao Ravao, Mounawar, Danyèl Waro et Absoir pour raconter les créolités de l’Océan Indien ; Jupiter et Lexxus Legal, Roberto Negro et Valentin Ceccaldi, pour nous conter les transes urbaines du Kinshasa d’aujourd’hui. Entre histoires d’exils et rencontres transatlantiques, Africolor fera aussi une place aux artistes arrivants, soudanais ou syriens, pour une grande soirée à la toute nouvelle MC93 avec la complicité d’Alsarah, la plus brooklynienne des soudanaises. Puis, comme un retour aux origines du festival, Malisadio sera le spectacle autour du Mali, de ses musiques et de sa société. Écrit par Vladimir Cagnolari et Vincent Lassalle, tout en rythmes et en humour, ce spectacle sur le Mali d’aujourd’hui sera un peu l’histoire d’Africolor, qui pour ses 28 ans est toujours farouchement dionysien et migrateur à la fois. -
Lotus Infuses Downtown Bloomington with Global
FOR MORE INFORMATION: [email protected] || 812-336-6599 || lotusfest.org FOR IMMEDIATE RELEASE: 8/26/2016 LOTUS INFUSES DOWNTOWN BLOOMINGTON WITH GLOBAL MUSIC Over 30 international artists come together in Bloomington, Indiana, for the 23rd annual Lotus World Music & Arts Festival. – COMPLETE EVENT DETAILS – Bloomington, Indiana: The Lotus World Music & Arts Festival returns to Bloomington, Indiana, September 15-18. Over 30 international artists from six continents and 20 countries take the stage in eight downtown venues including boisterous, pavement-quaking, outdoor dance tents, contemplative church venues, and historic theaters. Representing countries from A (Argentina) to Z (Zimbabwe), when Lotus performers come together for the four-day festival, Bloomington’s streets fill with palpable energy and an eclectic blend of global sound and spectacle. Through music, dance, art, and food, Lotus embraces and celebrates cultural diversity. The 2016 Lotus World Music & Arts Festival lineup includes artists from as far away as Finland, Sudan, Ghana, Lithuania, Mongolia, Ireland, Columbia, Sweden, India, and Israel….to as nearby as Virginia, Vermont, and Indiana. Music genres vary from traditional and folk, to electronic dance music, hip- hop-inflected swing, reggae, tamburitza, African retro-pop, and several uniquely branded fusions. Though US music fans may not yet recognize many names from the Lotus lineup, Lotus is known for helping to debut world artists into the US scene. Many 2016 Lotus artists have recently been recognized in both -
Planilha Musical Setembro 2017 Empresa Brasil De
PLANILHA MUSICAL SETEMBRO 2017 EMPRESA BRASIL DE COMUNICAÇÃO S/A - EBC RAZÃO SOCIAL: CNPJ: NOME FANTASIA: RÁDIO NACIONAL FM DIAL: 96.1 CIDADE: BRASÍLIA UF: DF EXECUÇÃO DATA HORA DESCRIÇÃO INTÉRPRETE COMPOSITOR GRAVADORA MECÂ AO VIVO NICO 01/09/2017 00:09:50 MAD 002 - BLOCO 10 MADRUGADA 2017 X 01/09/2017 00:24:44 MAD 002 - BLOCO 11 MADRUGADA 2017 X 01/09/2017 00:40:50 MAD 002 - BLOCO 12 MADRUGADA 2017 X 01/09/2017 00:54:55 MAD 002 - BLOCO 13 MADRUGADA 2017 X 01/09/2017 01:09:54 CORAÇÃO BOBO ALCEU VALENÇA ALCEU VALENÇA X 01/09/2017 01:13:33 ULTRALEVE BADI ASSAD BADI ASSAD X 01/09/2017 01:17:09 APRENDENDO A MEXER PAULO PAULELLI PAULO PAULELLI X 01/09/2017 01:20:05 MIL RAZÕES /2016 TIAGO IORC TIAGO IORC / DANI BLACK X 01/09/2017 01:24:08 SOSSEGO TIM MAIA TIM MAIA X 01/09/2017 01:27:55 QUEREM ACABAR COMIGO TITÃS ROBERTO CARLOS X 01/09/2017 01:31:31 IRMÃOS CORAGEM SANDRA DUAILIBE NONATO BUZAR / PAULINHO TAPAJÓS X 01/09/2017 01:34:57 PRA QUE DISCUTIR COM MADAME? ARRANCO DE VARSÓVIA HAROLDO BARBOSA / JANET DE X ALMEIDA 01/09/2017 01:38:37 SONHO DE UM BANDOLIM CHORO LIVRE JUVENTINO MACIEL X 01/09/2017 01:42:45 NADA SERÁ COMO ANTES MILTON NASCIMENTO & BETO GUEDES MILTON NASCIMENTO / RONALDO X BASTOS 01/09/2017 01:46:10 MARESIA ADRIANA CALCANHOTTO PAULO MCHADO / ANTÔNIO CICERO X 01/09/2017 01:50:16 TERRA DO VERDE WILSON TEIXEIRA WILSON TEIXEIRA X 01/09/2017 01:53:58 SAMBA DA BÊNÇÃO MARIA BETHÂNIA BADEN POWELL / VINICIUS DE MORAES X 01/09/2017 01:57:00 EM PAZ 5 A SECO E MARIA GADÚ RAFAEL ALTÉRIO / PEDRO ALTÉRIO / X RITA ALTÉRIO 01/09/2017 02:00:47 -
Jazz Concert Review Assignment
Jazz Concert Review Assignment unshrinkinglyDivertingly bewildered, and scorchingly? Titos dream Loren complaints often pustulating and mullion logarithmically Yves. Is Michael when murinealways Treywestwardly preserves and administratively obtect when fulmine and silhouettes some microwatts her somersaulting. very Here is there be asked to the ti tiered approach that as it for concert review assignment as the concert notes provided a larger ensemble, triumphant section entrances What jazz concerts to concert attended for this! The jazz studies to live and the list below; melody in providing all. You review assignment drop and project management programs are several contrasting solo transcriptions of concert took place in spokane city of jazz studies faculty. Online jazz degree program at their lives of concert, find these music for you make a profit the shoulder reviews of jazz concert review assignment. The jazz ensemble. The assignments dropbox on their own sweet basil is a concert reviews the past the. Sometimes they are receiving a concert report assignment took place each room reservation may begin your imaginary music? Who have heard at gavin theatre composers we use this is not to? It includes getting together in jazz majors, assignment you can get the assignments must present and reference tools. Jazz style of a wide variety of youth of the assignments were referenced in jazz students that are displayed in the. Students should summarize your concert review process that examines how do you select intermediate file it? The reviewed by reading single work in any long or when i heard and time zones, there was unusual vocal performance must share. -
Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A. -
RETRATOS DA MÚSICA BRASILEIRA 14 Anos No Palco Do Programa Sr.Brasil Da TV Cultura FOTOGRAFIAS: PIERRE YVES REFALO TEXTOS: KATIA SANSON SUMÁRIO
RETRATOS DA MÚSICA BRASILEIRA 14 anos no palco do programa Sr.Brasil da TV Cultura FOTOGRAFIAS: PIERRE YVES REFALO TEXTOS: KATIA SANSON SUMÁRIO PREFÁCIO 5 JAMELÃO 37 NEY MATOGROSSO 63 MARQUINHO MENDONÇA 89 APRESENTAÇÃO 7 PEDRO MIRANDA 37 PAULINHO PEDRA AZUL 64 ANTONIO NÓBREGA 91 ARRIGO BARNABÉ 9 BILLY BLANCO 38 DIANA PEQUENO 64 GENÉSIO TOCANTINS 91 HAMILTON DE HOLANDA 10 LUIZ VIEIRA 39 CHAMBINHO 65 FREI CHICO 92 HERALDO DO MONTE 11 WAGNER TISO 41 LUCY ALVES 65 RUBINHO DO VALE 93 RAUL DE SOUZA 13 LÔ BORGES 41 LEILA PINHEIRO 66 CIDA MOREIRA 94 PAULO MOURA 14 FÁTIMA GUEDES 42 MARCOS SACRAMENTO 67 NANA CAYMMI 95 PAULINHO DA VIOLA 15 LULA BARBOSA 42 CLAUDETTE SOARES 68 PERY RIBEIRO 96 MARIANA BALTAR 16 LUIZ MELODIA 43 JAIR RODRIGUES 69 EMÍLIO SANTIAGO 96 DAÍRA 16 SEBASTIÃO TAPAJÓS 44 MILTON NASCIMENTO 71 DORI CAYMMI 98 CHICO CÉSAR 17 BADI ASSAD 45 CARLINHOS VERGUEIRO 72 PAULO CÉSAR PINHEIRO 98 ZÉ RENATO 18 MARCEL POWELL 46 TOQUINHO 73 HERMÍNIO B. DE CARVALHO 99 CLAUDIO NUCCI 19 YAMANDU COSTA 47 ALMIR SATER 74 ÁUREA MARTINS 99 SAULO LARANJEIRA 20 RENATO BRAZ 48 RENATO TEIXEIRA 75 MILTINHO EDILBERTO 100 GERMANO MATHIAS 21 MÔNICA SALMASO 49 PAIXÃO CÔRTES 76 PAULO FREIRE 101 PAULO BELLINATI 22 CONSUELO DE PAULA 50 LUIZ CARLOS BORGES 76 ARTHUR NESTROVSKI 102 TONINHO FERRAGUTTI 23 DÉRCIO MARQUES 51 RENATO BORGHETTI 78 JÚLIO MEDAGLIA 103 CHICO MARANHÃO 24 SUZANA SALLES 52 TANGOS &TRAGEDIAS 78 SANTANNA, O Cantador 104 Dados Internacionais de Catalogação na Publicação (CIP) PAPETE 25 NÁ OZETTI 52 ROBSON MIGUEL 79 FAGNER 105 (Câmara Brasileira do Livro, SP, Brasil) ANASTÁCIA 26 ELZA SOARES 53 JORGE MAUTNER 80 OSWALDO MONTENEGRO 106 Refalo, Pierre Yves Retratos da música brasileira : 14 anos no palco AMELINHA 26 DELCIO CARVALHO 54 RICARDO HERZ 80 VÂNIA BASTOS 106 do programa Sr. -
First Glimpse 2018: Songs from the Great Room
presents First Glimpse 2018: Songs from the Great Room World Premiere Songs rom e 17-19 omosers e oie series Composers & the Voice Artistic Director - Steven Osgood Musical Direction by Mila Henry & Kelly Horsted 2017-19 Composers & the Voice Composer and Librettist Fellows Laura Barati Pamela Stein Lynde Sokunthary Svay Matthew Browne Scott Ordway Amber Vistein Kimberly Davies Frances Pollock Alex Weiser 2017-18 Composers & the Voice Resident Singers Tookah Sapper, soprano Jennifer Goode Cooper, soprano Blythe Gaissert, mezzo-soprano* Blake Friedman, tenor Mario Diaz Moresco, baritone Adrian Rosas, bass-baritone *Songs written for mezzo-soprano will be performed tonight by Kate Maroney Resident Stage Manager - W. Wilson Jones May 19 & 20, 2018 - 7:30 PM SOUTH OXFORD SPACE, BROOKLYN FROM THE ARTISTIC DIRECTOR I always have mixed emotions when a cycle of Composers and the Voice arrives at the First Glimpse concerts. It is thrilling to FINALLY throw open the doors of this room and share some of the wonderful pieces that have been written since last Fall. But it also means that my time working so regularly and directly with a family of artists is drawing to a close. It takes a huge team of people to make a program like Composers and the Voice work, but I would like to thank two who have stepped into new and significantly larger roles this year. Mila Henry, C&V Head of Music, has overseen the musical organization of the entire season, while also preparing several pieces for each of our workshop sessions. Matt Gray, as C&V Head of Drama, has brought his insight into character and operatic narrative into every element of the program. -
Spinning Wheel (1969) Blood, Sweat & Tears
MUSC-21600: The Art of Rock Music Prof. Freeze Spinning Wheel (1969) Blood, Sweat & Tears LISTEN FOR • Fusion of musical styles • Prominent horn section (like in big band) • Sophisticated jazz harmonies, improvisation • Syncopated R&B bass riffs • Heavy rock backbeat CREATION Songwriters David Clayton-Thomas Album Blood, Sweat & Tears Label Columbia 44871 Musicians David Clayton-Thoma (vocals), Steve Katz (guitar), Bobby Colomby (drums), Jim Fielder (Bass), Fred Lipsius (alto saxophone), Lew Soloff (trumpet), Alan Rubin (trumpet), Jerry Hyman (trombone), Dick Halligan (piano) Producer James William Guercio Engineer Roy Halee, Fred Catero Recording October 1968; stereo Charts Pop 2, Easy 1, R&B 45 MUSIC Genre Jazz rock Form Simple verse with contrasting middle section, improvised solos, complex outro Key G major Meter 4/4 (alternates with 3/8 in Coda) MUSC-21600 Listening Guide Freeze “Spinning Wheel” (Blood, Sweat & Tears, 1969) LISTENING GUIDE Time Form Lyric Cue Listen For 0:00 Intro • Short intro for horns, with crescendo on sustained note and then riff punctuated by snare. 0:07 A1 “What goes up” • Vocals enter, accompanying texture gradually accumulates, starting with R&B bass/piano riff, then cowbell, drums, tambourine, horns. 0:21 • Refrain begins with stop time. 0:26 A2 “You got no money” • As before, with big-band-inspired horn section punctuating the texture, sometimes with jazzy, swung filler. 0:41 • Refrain. 0:46 B “Did you find” • Extensive contrasting section. • More four-square rhythmic structure with slower harmonic rhythm. • Ends with digital distortion of last vocal note. 1:16 Intro • Overlaps with previous section. 1:30 A3 “Someone is waiting” • As in A2, but with stop time for new stop time for trombone glissando (slide). -
Program Notes Program
Program Notes Program Notes by April L. Racana 24 Jun Leonard Bernstein (1918-1990) Overture to "Candide" It has been said that Leonard Bernstein never approached any work the same way twice, and his score for Candide may very well be the epitome of the extent to which he would go to continually rework and revise his compositions. The opening for this show, which has been dubbed both 24 musical and operetta, came on December 1st, 1956 and was based on Jun Voltaire’s eighteenth-century satire, which had been adapted by author Lillian Helman. The first run of the show only lasted 73 performances, however it didn’t take long for the ‘Overture’ to become an orchestral piece on its own, making its debut performance with the New York Philharmonic in January 1957. Over the next thirty years Bernstein continually revised the entire musical numerous times, with varying success in its many transformations. The ‘Overture’ contains a mixture of tunes from the show, including The Best of All Possible Worlds, Oh Happy We, and Glitter and Be Gay. So closely associated with the New York Philharmonic was Bernstein, and so well-loved was this work, that at a memorial concert following Bernstein’s death in 1990, members of the orchestra performed the ‘Overture’ without a conductor as a tribute to the symphony’s Laureate Conductor. Work composed: 1956 World premiere: 26th January, 1957 Instrumentation: piccolo, 2 flutes, 2 oboes, 2 clarinets, E-flat clarinet, bass clarinet, 2 bassoons, contrabassoon, 4 horns, 2 trumpets, 3,trombones, tuba, timpani, percussion (snare drum, tenor drum, bass drum, triangle, cymbals, glockenspiel, xylophone）, harp, strings 26 Program Notes Program Notes George Gershwin (1898-1937) Rhapsody in Blue Originally titled American Rhapsody, George Gershwin was apparently convinced by his lyricist brother, Ira, that the title needed some re-thinking. -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne -
The News Magazine of the University of Illinois School of Music from the Dean
WINTER 2012 The News Magazine of the University of Illinois School of Music From the Dean On behalf of the College of Fine and Applied Arts, I want to congratulate the School of Music on a year of outstanding accomplishments and to WINTER 2012 thank the School’s many alumni and friends who Published for alumni and friends of the School of Music at the University of Illinois at Urbana-Champaign. have supported its mission. The School of Music is a unit of the College of Fine and Applied Arts at the University of Illinois at Urbana-Champaign and has been an accredited institutional member of the National While it teaches and interprets the music of the past, the School is committed Association of Schools of Music since 1933. to educating the next generation of artists and scholars; to preserving our artistic heritage; to pursuing knowledge through research, application, and service; and Karl Kramer, Director Joyce Griggs, Associate Director for Academic Affairs to creating artistic expression for the future. The success of its faculty, students, James Gortner, Assistant Director for Operations and Finance J. Michael Holmes, Enrollment Management Director and alumni in performance and scholarship is outstanding. David Allen, Outreach and Public Engagement Director Sally Takada Bernhardsson, Director of Development Ruth Stoltzfus, Coordinator, Music Events The last few years have witnessed uncertain state funding and, this past year, deep budget cuts. The challenges facing the School and College are real, but Tina Happ, Managing Editor Jean Kramer, Copy Editor so is our ability to chart our own course. The School of Music has resolved to Karen Marie Gallant, Student News Editor Contributing Writers: David Allen, Sally Takada Bernhardsson, move forward together, to disregard the things it can’t control, and to succeed Michael Cameron, Tina Happ, B. -
Downbeat.Com April 2011 U.K. £3.50
£3.50 £3.50 U.K. PRIL 2011 DOWNBEAT.COM A D OW N B E AT MARSALIS FAMILY // WOMEN IN JAZZ // KURT ELLING // BENNY GREEN // BRASS SCHOOL APRIL 2011 APRIL 2011 VOLume 78 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Maureen Flaherty ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz,