Trevor Pinch and Frank Trocco: Analog Days Steve Reich: Six Pianos, Organ Music, Jeremy Grimshaw: Draw a Straight Line and Follow It; The Come Out, Drumming Music and Mysticism of La Monte Young John Luther Adams: Become Ocean Greg Millner: Perfecting Sound Forever Franco Battaio: Za Steve Reich: Writings on Music Dariush Dolat-Shahi: Electronic Music, John Cage: Silence Tar and Sehtar Thom Holmes: Electronic and Experimental Music John Cage: Sonatas and Interludes David Grubbs: Records Ruin the Landscape: John Cage, Rashad Becker: Traditional Music Of the Sixties and Sound Recording Notional Species Michael Nyman: Experimental Music Stockhausen: Gesang Der Junglinge Pierre Schaeffer: In Search of a Concrete Music La Monte Young: The Well- John Tilbury: Cornelius Cardew, a Life Unfinished Tuned Piano La Monte Young and Jackson Mac Low: David Borden: Music for Amplified An Anthology of Chance Operations Keyboard Instruments Richard Orton: Electronic Music for Schools Piotr Kurek: Edena Ray Wilson: Make Analog Synthesizers The Scratch Orchestra: The Great David Toop: Ocean of Sound Learning, Paragraph Seven Giorgio Maffei: Records by Artists, 1958-1990 Morton Subotnik: The Wild Bull Theresa Sauer: Notations 21 Poppy Ackroyd: Feathers Kevin Kelly: Cool Tools Aphex Twin: Syro, Computer Controlled Nikolaos Kotsopoulos: Krautrock, Acoustic Instruments Cosmic Rock and its Legacy Roberto Cacciapaglia: Sei Note in Douglas Self: Small Signal Audio Design Logica, Sonanze Nicholas Collins: Handmade Electronic Music Keith Fullerton Whitman: Multiples Hal Chamberlin: Musical Cluster and Eno: Cluster & Eno Applications of Microprocessors Popol Vuh: Aguirre Allen Strange: Electronic Music Systems, Philip Glass: Music with Changing Parts, Techniques and Controls Train/Spaceship Terence Dwyer: Composing with Tape Recorders Nicholas Jaar: Essential Mix 2012 Iannis Xenakis: Formalized Music Charlemagne Palestine: John Cage: Notations Strumming Music David Bernstein: The San Francisco Tape Music Center Alessandro Cortini: Forse 1 Trevor Pinch: The Oxford Handbook of Sound Studies James Brown: The Payback Tristram Cary: Illustrated Compendium Herbie Hancock: Sextant of Music Technology Harald Grosskopf: Synthesist Open Robert Adlington: Sound Commitments; Rival Consoles: Odyssey Avant-Garde Music and the Sixties LTM Recordings: A Young Person’s source Dennis DeSantis: 74 Creative Strategies for Guide to the Avant-Garde Electronic Music Production Lasry-Baschet: Les Eurorack Mark Cunningham: Good Vibrations Structures Sonores Curtis Roads: The Computer Music Tutorial Alvin Lucier: I Am Sitting in a Room Louis Niebur: Special Sound; the Creation and Legacy of John Coltrane: Africa/Brass modules. the BBC Radiophonic Workshop Caroline Shaw: Partita for 8 Singers Tom Hughes: Analog Man’s Guide to Vintage Effects John Cage: Williams Mix Designed Larry Austin and Douglas Khan: Source; Music of the Glenn Branca: The Ascension Avant-Garde, 1966–1973 Broadcast: Tender Buttons in London Music Thing Random Module Generator bit.ly/random_module and built Module guide Tom Whitwell musicthing.co.uk @musicthing worldwide. May 2015 Turing Machine Spring Radio Music A random looping sequencer. It generates strings of random A flexible, easy-to-build voltage A voltage controlled sample player voltages that can be locked into 8/16/32 step sequences. These controlled mono spring reverb. that behaves like a radio. It plays sequences can be allowed to slip, changing gradually over time. It can use full-sized reverb files from a SD card to simulate a This module was inspired by the long history of shift register tanks or solid-state modules. AM/FM/Shortwave/Time Travel pseudorandom synth circuits, including the Triadex Muse, Buchla The circuit is optimised for full- radio. It’s Arduino compatible (built 266 Source of Uncertainly and Grant Richter’s Noisering. range electronic music, unlike on a Teensy 3.1) with fully most guitar-led spring reverbs. hackable firmware.

PULSES. Vactrol 1 MIX. TREBLE TREBLE 2 STATION STATION DRY WET DRY WET

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BASS BASS 7 CONTROL CONTROL START START GAIN GAIN

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2+4 IN OUT IN OUT OUT IN OUTOUT IN OUT RESET OUT RESET OUT 1+2 Out 4+7 InIn Out

MIKRO RADIO MIKRO RADIO SPRING SPHONIEPRING MUSIC EQPHONIE MUSIC EQ

How it works Turing Machine Expanders Mikrophonie Simple EQ Find everything you need These modules connect to the back of the Turing Machine A mic preamp with a piezo Learn SMD soldering by to build these modules at Pulses turns the sequence into a series of rythmic semi-random contact mic built into the building two channels of the www.musicthing.co.uk clock signals, based on the main clock input panel. An easy way to bring kind of tone controls you’d Full kits are often available Voltages adds two more control voltage outputs, determined by environmental noise and find on an old hifi. No voltage from Thonk: thonk.co.uk the positions of the 8 illuminated faders feedback into a modular control, but just enough Vactrol Mix combines four audio or CV signals into two system, inspired by the early range to push sounds into channels, determined by the random sequence. It’s a great way days of electroacoustic music distortion. Works well in a to create stereo effects, complex waveforms or feedback loops. in Paris and Cologne. feedback loop.