David Tudor Papers, 1884-1998, Bulk 1940-1996, the Getty Research Institute, Los Angeles, Accession No

Home , Conlon Nancarrow, David Tudor, Earle Brown, Henry Cowell, Neue Musik, Stefan Wolpe

Series X. Audio and video recordings in the

David Tudor Papers, 1884-1998, bulk 1940-1996, The Getty Research Institute, Los Angeles, accession no. 980039 (reformatted copies)

A. Audio recordings ...... 5 I. David Tudor compositions ...... 6 a. Bandoneon! ...... 6 b. Dialects ...... 6 c. Forest Speech ...... 7 d. Hedgehog ...... 7 e. Island ...... 8 f. Island Eye, Island Ear ...... 8 g. Kite works ...... 8 i. Cerfs Volants ...... 8 ii. Kite String ...... 8 iii. Lines & Reflections ...... 9 iv. Sea Tails ...... 10 v. Tailing a Dream ...... 11 h. Likeness to Voices ...... 11 i. Monobird ...... 11 j. Neural works ...... 12 k. Pepsi works ...... 12 i. Miscellaneous Pepsi tapes ...... 12 ii. Anima Pepsi ...... 13 iii. Microphone ...... 13 iv. Pepscillator ...... 15 v. Pepsibird ...... 16 l. Phonemes ...... 16 m. Phrases ...... 17 n. Pulsars ...... 17 Audio and video recordings, David Tudor papers, 1884-1998 (bulk 1940-1996), The Getty Research Institute, Los Angeles, accession no. 980039

o. Rainforest works ...... 18 i. Rainforest ...... 18 ii. Rainforest I ...... 20 iii. Rainforest III ...... 20 iv. Rainforest IV ...... 21 p. Sextet for Seven ...... 21 q. Soundings: Ocean Diary ...... 22 r. Talking Shrimp ...... 22 s. Toneburst ...... 22 t. Untitled (aka Homage to Toshi Ichiyanagi) ...... 22 u. Virtual Focus ...... 23 v. Weatherings ...... 23 w. Web for John Cage ...... 24 x. Webwork...... 24 II. Non-David Tudor works ...... 25 a. Mark Applebaum ...... 25 b. Robert Ashley ...... 25 c. Larry Austin ...... 25 d. Milton Babbitt ...... 25 e. David Behrman ...... 25 f. Pierre Boulez ...... 26 g. Herbert Brun ...... 26 h. Warren Burt (see Carl Vine) ...... 26 i. Sylvano Bussotti ...... 26 j. John Cage ...... 26 k. Juan Carillo ...... 36 l. Tom Connors ...... 36 m. Henry Cowell ...... 37 n. Stuart Dempster...... 37 o. Morton Feldman ...... 37 p. Bill Fontana ...... 37

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q. Christopher Fox ...... 37 r. John Gromada ...... 37 s. Werner J. Gruber ...... 37 t. Hisako Ishibashi ...... 38 u. Ralph Jones ...... 38 v. Mauricio Kagel ...... 38 w. Roland Kayn ...... 38 x. Fergus Kelly ...... 38 y. Rudolf Komorous ...... 38 z. Takehisa Kosugi ...... 39 aa. Douglas Leedy ...... 39 bb. Richard Lerman ...... 39 cc. Peter Tod Lewis ...... 39 dd. Alvin Lucier ...... 39 ee. Nicholas Lyon ...... 40 ff. Richard Maxfield ...... 40 gg. Yoichi Miura ...... 40 hh. Elena Moneak ...... 40 ii. David Moss ...... 41 jj. Conlon Nancarrow ...... 41 kk. Lelo Nazario ...... 41 ll. Kirk Nurock ...... 41 mm. Pauline Oliveros ...... 41 nn. Hans Otte ...... 41 oo. Emanuel Dimas de Melo Pimenta ...... 42 pp. Terry Riley ...... 42 qq. Frank Rothkamm ...... 42 rr. Michael Sahl ...... 42 ss. Erik Satie ...... 43 tt. Kaikhosru Shapurji Sorabji ...... 43 uu. Peter Stenshoel (see Tom Connors) ...... 43

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vv. Karlheinz Stockhausen ...... 43 ww. Carl Vine ...... 43 xx. Jerry Walker ...... 43 yy. Forrest Warthman ...... 44 zz. R. Wilding-White ...... 44 aaa. J. Williams ...... 44 bbb. Christian Wolff ...... 44 ccc. La Monte Young ...... 45 III. Source Sounds ...... 46 a. Animal and Insect Sounds ...... 46 b. Earth Sounds ...... 48 c. Storm Sounds ...... 49 d. Water Sounds ...... 49 e. Other Sounds ...... 52 i. Electronic Sounds...... 52 ii. Natural Sounds ...... 58 IV. David Tudor performances ...... 64 a. Historical recordings ...... 64 b. Other recordings ...... 65 V. Other musical works ...... 67 a. Unidentified ...... 67 b. Compilations, miscellaneous ...... 68 VI. Spoken word ...... 74 VII. Missing recordings, blank tapes...... 77 B. Video recordings ...... 79

Page 4 of 79 Audio and video recordings, David Tudor papers, 1884-1998 (bulk 1940-1996), The Getty Research Institute, Los Angeles, accession no. 980039

A. Audio Recordings

The audio recordings in the David Tudor Papers consist of approximately 600 audio tapes of Tudor's performances, the performances of others, and Tudor's found sounds. Recordings have been transferred from audio cassette tapes, digital audio tapes (DAT), and reel-to-reel tapes.

Tapes have been reformatted, except for a few that were damaged and a few blank and duplicate tapes. Tapes were reformatted by John D.S. Adams and Tom Erbe, 1999-2002.

Digitized versions are available online. Access is available only to on-site readers and Getty staff.

Box numbers refer to the location of physical Use Copies.

Times are approximate and stated in (HH:MM:SS) format, where HH is number of hours, MM is number of minutes, and SS is number of seconds.

Page 5 of 79 Audio and video recordings, David Tudor papers, 1884-1998 (bulk 1940-1996), The Getty Research Institute, Los Angeles, accession no. 980039

I. David Tudor Compositions

This group of audio recordings from the David Tudor Papers includes performances of compositions by David Tudor, arranged alphabetically by name of composition.

Description Box No. Item No.

Bandoneon! Bandoneon! 6D c91_a [Side A of Item C91]; EAT 9E A: David Tudor, Bandoneon! (21:38). [Side B listed separately in this inventory and contains: EAT Pav B: David Tudor at Pepsi Pavilion (possibly Pepsibird?).]

Dialects [Dialects]. 16D CU6 *Recording of “Dialects”, by David Tudor, (29:51)+. “Dialects” material. 22D R59 Track 1, channels 1 and 2 (25:25); Track 2, channels 3 and 4 (25:25). 4 channel. Dialects. 8 Track Source Tape. December 16, 1983. 31D R254 [Channels 1 and 2 (48:46), channels 3 and 4 (48:46), channels 5 and 6 (48:46), Channels 7 and 8 on (48:46). Total running time (3:14:55). Electronic sounds.] Dialects, 1984 [1]. 4D C48_a David Tudor Dialects [Side A and Side B may be different versions; Side A, C48_b (32:04); Side B, (25:46)]; 1984. Dialects, 1984 [2]. 4D C51 David Tudor, Dialects [four channel] (1:01:22); 1984. [Use copy is stereo remix] Dialects, February, 1984. 4D C49 David Tudor, Dialects, February, 1984, stereo binaural, 30 minutes, Dolby B (28:33); 1984. Dialects, Miami, February, 1984. 4D C50_a David Tudor, Dialects. Sides A & B, performance in Miami, February, 1984 C50_b [binaural recording? Side A, (46:24); Side B, (17:33)]; 1984. Dialects, March, 1984. 4D C53 David Tudor, Dialects, March, 1984, stereo, binaural, 10 minutes (excerpt from 30 minutes) (10:20); 1984. Dialects, March 14, 1984. 4D C54 David Tudor, Dialects, March 14, 1984 [rehearsal tape?] (32:52); 1984.

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Description Box No. Item No. Dialects, March 15, 1984. 4D C52_a Side A [of Item C52], David Tudor, Dialects, March 15, 1984, 4.30 pm [Live mix of six line channels and a Neumann binaural head. Dolby B, CrO2 (29:44); Recorded by David E. Meschter.] 1984. [Side B listed separately in this inventory and contains: David Tudor, Sextet for Seven, March 17, 1984, 2.55 pm] Dialects (excerpt), from, “Imaginary Landscapes”, 1989 *1+. 5D C70 David Tudor, Dialects (excerpt); from, “Imaginary Landscapes”, recorded at The Kitchen, New York; excerpt made August 7, 1989; [Side A only (4:02)]; 1989. Dialects (excerpt), from, “Imaginary Landscapes”, 1989 *2+. 5D C71 David Tudor, Dialects (excerpt); from, “Imaginary Landscapes”, recorded at The Kitchen, New York; excerpt made August 7, 1989; [Side A only (5:44)] Dialects (excerpt), from, “Imaginary Landscapes”, 1989 *3+. 5D C72 David Tudor, Dialects (excerpts); from, “Imaginary Landscapes”, recorded at The Kitchen, New York; excerpt made August 7, 1989 [Side A only, (4:06)]. Dialects (excerpt), from “Imaginary Landscapes”, 1989 *4+. 5D C77 David Tudor, Dialects (excerpt); from “Imaginary Landscapes”, recorded at The Kitchen, New York; excerpt made August 7, 1989 (5:35); 1989.

Forestspeech Forestspeech Dub. 35D RU5 (46:14) Forestspeech - Dub. 6D C95_a [Side A of Item C95, (44:56).] [Side B listed separately in this inventory and contains: unidentified recording of outdoor ambiance and footsteps.] Forestspeech, Dub #2. 9D C150 Dolby NR [Side A only, (31:03)]. Forestspeech, Dub #2, from Dub #1 cassette. 9D C151 Incomplete Dolby NR [Side A only, (30:56)].

Hedgehog Hedgehog, September 28, 1985. 5D C73_a Sides A & B, September 28, 1985 [Side A, (46:07); Side B, (46:05)]; 1985. C73_b Hedgehog, September 29, 1985 [1]. 5D C74_a Sides A & B [Side B also contains some unidentified material], September 29, C74_b 1985 [Side A (46:02); Side B (45:55)]; 1985.

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Description Box No. Item No. Hedgehog, September 29, 1985 [2]. 5D C75_a Workshop with students at Mobius, Boston, September 29, 1985; [Side A C75_b (45:41); Side B (44:39)]; 1985.

Island “Island” 13D C245_a Side A [of C245], David Tudor, “Island” (13:51). [Side B listed separately in this inventory and contains: John Cage, “Telephones and Birds” #2.] Island ’74. 13D C247 [Side A only (23:19); 1974? Water sounds, outdoor ambiance; some spoken words at the end.]

Island Eye, Island Ear Island Eye, Island Ear. 14D C279 [Side A only, (2:23)].

Kite Works

Cerfs Volants Cerfs Volants [1]. 20D R12 Cerfs Volants; music, David Tudor. Track 1, “1” (8:22); Track 2, “2” (6:12); Track 3, “3” (8:36); Track 4, “4” (6:34). Mono. Cerfs Volants [2]. 20D R13 Cerfs Volants; music, David Tudor. Track 1, “5” (2:59); Track 2, “6” (5:15); Track 3, “7” (7:24); Track 4, “8” (5:55). Mono. Cerfs Volants [3]. 20D R14 Cerfs Volants; music, David Tudor. Track 1, “9” (3:50); Track 2, “10” (7:46); Track 3, “11” (8:33); Track 4, “12” (8:36). Mono.

Kite String Kite String [1]. 14D C263_a Side A, Kite String: fp (13:13); Side B, Kite String, C/F, lo’s (8:40). C263_b Kite String [2]. 15D C283_b Side B, Kite String - dd (9:47). [Side A listed separately in this inventory and contains: Rhythm orig.]

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Description Box No. Item No. “Kite String’, Coney Island, March, 1985. 1D C0_a “Kite String’, Coney Island, March 1985 *Side A, (15:33); Side B, C0_b (14:56)]; 1985.

Lines and Reflections 1987, Lines and Reflections, source material [1]. 5D C78 1987, Lines and Reflections, source material; Side A, Line source material (19:45); 1987. 1987, Lines and Reflections, source material [2]. 5D C79 1987, Lines and Reflections, source material. Side A, K? Line with multigate (40:50); 1987. 1987, Lines and Reflections, source material [3]. 5D C80_a 1987, Lines and Reflections, source material. Side A, Line [second C80_b recording] (46:28); Side B, Line with multigate (44:19); 1987. 1987, Lines and Reflections [source material] [4]. 5D C81_a 1987, Lines and Reflections [source material]. Side A, Radarmania C81_b [30:45]; Side B, Line [30:47]; 1987. 1988, Lines and Reflections [Cassette I]. 5D C82 David Tudor, 1988, Lines and Reflections; Sides A & B, Cassette 1, Performance at Akademie der Kunste, Dusseldorf. [Side A (45:04) and Side B (45:54) stitched together in reformatting for continuity]; 1988. 1988, Lines and Reflections [Cassette II]. 5D C83_a David Tudor, 1988, Lines and Reflections. Side A, continuation of C83_b Tape # C82 (38:44); Side B, Cassette II, Performance at Akademie der Kunste, Dusseldorf (43:41); 1988. 1988, Lines and Reflections [Cassette III]. 5D C84 David Tudor, 1988, Lines and Reflections. Side A [only], Cassette III, performance at Akademie der Kunste, Dusseldorf (29:12)]; 1988. 1988, Lines and Reflections [Cassette IV]. 5D C85 David Tudor, 1988, Lines and Reflections. Side A [only], Cassette IV, performance at Akademie der Kunste, Dusseldorf, (41:47)]; 1988. Lines & Reflections, 5/88, 4 CH, A. 6D C101 5/88, 4CH, A (46:21); 1988. Lines & Reflections, 5/88, 4 CH, B. 6D C103 5/88, 4 CH, B (46:16); 1988. Lines & Reflections, 5/88, 4 CH, C. 6D C102 5/88, 4 CH, C (46:21); 1988.

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Description Box No. Item No. Lines & Reflections, 5/88, 4 CH, D. 6D C104 5/88, 4 CH, D (46:18); 1988. Lines & Reflections 5/88, 4 CH, E. 6D C105 5/88, 4 CH, E (46:23); 1988. Lines & Reflections, 4 CH, F. 6D C106 4 CH, F (01:01:01); 1988.

Sea Tails Sea Tails (L) invert. 10D C180 Sea Tails (L) invert, Pulsers (R) invert [Side B only, (31:06)]. Sea Tails Musique 1. 2D C24_a David Tudor, Sea Tails Musique 1; Tape 1, Original, February, 1983 C24_b [Side A, (22:44); Side B, (21:49); 1983. Large pause of silence in middle left intact.] Sea Tails [Process Transfer]. 2D C18_a David Tudor, Sea Tails. Side A, “Process Transfer” (used in C18_b recording) (11:01); Side B, 8 minute version. Produced for Molly Davies (8:18); 1983. Sea Tails [Tape 1]. 2D C19_a David Tudor, Sea Tails. Tape 1, February, 1983 [Recording of C19_b underwater sounds. Side A, (45:50); Side B, (45:27)]; 1983. Sea Tails [Tape 2]. 2D C20_a David Tudor Sea Tails. Tape 2, February, 1983 [Side A, (46:44); Side C20_b B, (46:28)]; 1983. Sea Tails [Tape 3]. 2D C21_a David Tudor, Sea Tails. Tape 3, February, 1983 [Side A, (45:00); Side C21_b B, (43:35); 1983. Sea Tails [Tape 4]. 2D C22 David Tudor, Sea Tails. Tape 4, February, 1983 (30:48); 1983. Sea Tails [Tape One, Original]. 3D C38 David Tudor, Sea Tails. Side A [only], Sea Tails, Tape One, Original, June 20, 1983 (22:33); 1983. Sea Tails [Tape Two, Original]. 3D C39_a David Tudor, Sea Tails; Side A, Sea Tails, Tape Two [recorded with C39_b EQ] (22:40); Side B, Sea Tails, Original, Tape Two (22:12). Sea Tails, [Tapes One and Three, Original]. 3D C40_a David Tudor, Sea Tails. Side A, Sea Tails, Tape One [with EQ] C40_b (22:26); Side B, Sea Tails, Original, Tape Three (22:18).

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Description Box No. Item No. ST 1 [Sea Tails]. 10D C187 (22:25) [ST 2]. 11D C204_a Side A, ST 2 (22:44); Side B, ST 2 HG (22:35). C204_b [ST 3]. 11D C203_a Side A, ST 3 (22:32); Side B, ST 3 HG (22:39). C203_b

Tailing a Dream Material for the production of “Tailing a Dream”. 2D C23 David Tudor, Material for the production of “Tailing a Dream” [Soundtrack for film by Jackie Monnier] (26:24).

Likeness to Voices [Likeness to Voices 1]. 4D C68_b David Tudor, Concert of October 19, 1983, Oggi Musica, Lugano. Side B, David Tudor, Likeness to Voices (41:30), 1983. [Original inventory also included “Dialects” on Side B, but only audience ambiance follows “Likeness to Voices”.] [Side A listed separately in this inventory and includes: David Tudor, Concert of October 19, 1983, Oggi Musica, Lugano. Side A, John Cage, Variations II.] Likeness to Voices [2]. 22D R58 [Mistakenly identified in original inventory as, “David Tudor Listens to Voices”+. 4 channel *Track 1, channels 1 and 2, (33:10); Track 2, channels 3 and 4, (33:10)].

Monobird Mono-Bird. 34D R335 (32:23) Monobird [1]. 8D C147_a Side A, Monobird NX (30:20); Side B, Monobird SX (30:28). C147_b Monobird [2]. 20D R9 (47:42). Monobird [3]. 29D R196 [Track 1, 33:18 sec.; Track 2, 33:17]. Monobird N. 8D C148 N (28:03). A Monobird N, B Monobird S. 10D C181 A Monobird N, B Monobird S [Side A only, (44:45)].

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Description Box No. Item No. Monobird Slo. 10D C182_a Monobird Slo [Side A, (44:49); Side B, (45:47)]. C182_b

Neural works Neural Network Plus, Tape 1. 7D C119_a David Tudor: Neural Network Plus, Tape 1. [47.00] Subtropic New Music C119_b Festival 5, 1993, Gustavo Matamoros [Side A, (29:25); Side B, (19:30)]; 1993. Neural Network Plus, Tape 2. 7D C120_a David Tudor: Neural Netword Plus, Tape 2 [55.00], Subtropic New Music C120_b Festival 5, 1993, Gustavo Matamoros [Side A, (29:35); Side B, (30:00)]; 1993. CPE/Tudor @ Mills, 5/3/94. Neural Synthesis No. 3 by David Tudor. 19D DAT2_t4 [Track 4 of DAT2: Neural Synthesis No. 3 by David Tudor (57:42).] [Tracks 1, 2, and 3 each listed separately in this inventory and contain: Track 1, Bouquet I, II, III, IV by Steed Cowart; Track 2, Chromatic Canon by James Tenney; and Track 3, Harmonium by James Tenney.]

Pepsi works

Miscellaneous Pepsi Tapes Effects for Pepsi [?] 30D R230 [No information on tape, (9:27)]. Effects for Pepsi, Reel #2. 30D R229 20 tracks: tree crash (0:11); sawing wood (0:35); hammering nails (0:54); ping pong (0:25); bowling alley background (0:56); bowling ball rolls and hits (0:24); people’s feet walking (1:20); water tower filling up (0:52); tree crash (0:25); flubbery bubbling sounds (0:20); turkey gobbles (0:33); avalanche (0:52); glass shattering (0:23); bubbling sounds on Jupiter (2:07); stream (water) (1:16); walking on gravel (1:05); slaps of meat on table (2:38); basketball bounce (0:50); rim hit basketball (0:20); people walking (0:25). Pepsi Sound Effects. 23D R78 [18 tracks: gargling (0:45); bubbling tar (3:21); sawing wood (1:04); garbage truck (1:05); gravel truck (0:43); turkeys (0:27); glass shatters (0:39); boing; ping; mooge boing (1:47); female turkey (0:18); turkey gobbles (0:16); tree fall (0:23); motorcycle - sequence (3:17); sandpapering (1:38); various water sounds (2:56); rubber ball - bounce (1:26); comments on a view (0:55); Mack 6 truck (5:26); crowd footsteps (1:20). ½ track.]

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Description Box No. Item No. Pepsi Tape No. 1. 22D R56 (31:21), 2 track. Pepsi Tape No. 2. 22D R57 (24:18), 2 track.

Anima Pepsi Anima Pepsi. 5D C88_b [Side B of Item C88 (23:30)] 1971. [Side A listed separately in this inventory and contains: Pepsibird; 1971].

Microphone [Microphone 1]. 21D R37 [Unmarked tape; contents have been identified as “Microphone”; (32:17)]. [Microphone 2]. 21D R38 *Unmarked tape; contents have been identified as “Microphone”; (32:35)]. Microphone [3]. 32D R287 [Track 1, Channels 1 and 2, (33:00); Track 2, Channels 3 and 4, (33:00)]. Microphone [4]. 32D R288 [Track 1, Channels 1 and 2, (32:24); Track 2, Channels 3 and 4, (32:24)]. Microphone [5]. 32D R289 [Track 1, Channels 1 and 2, (32:51); Track 2, Channels 3 and 4, (32:51)]. Microphone [6]. 33D R290 [Track 1, Channels 1 and 2, (33:18); Track 2, Channels 3 and 4, (33:18)]. Microphone [7]. 34D R332 [Track 1, (33:17); Track 2, (33:19)]. Microphone mix A original material 1973. 20D R4_t1 Track 1 [of R4], David Tudor: microphone mix A original material 1973 (32:45). [Track 2 listed separately in this inventory and includes: David Tudor: Rainforest 4 (Linda Fisher, Martin Kalve, David Tudor, Bill Viola)]

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Description Box No. Item No. Microphone [Side One]. 34D R315 (33:40), ½ track stereo. Microphone [Side Two]. 34D R316 (33:50), ½ track stereo. Microphone #1. 32D R276 [Wednesday takes mixdown (33:10)]. Microphone #2. 32D R275 [Wednesday takes mixdown (33:17)]. Microphone #3. 32D R274 [Wednesday takes mixdown (33:05)]. Microphone #4. 32D R273 [Wednesday takes mixdown (33:30)]. Microphone #5. 32D R272 [4 track tape mixdown (33:39)]. Microphone 1A, excerpt. 34D R323 (2:40) Microphone - Mix 1A & 1B. 32D R270 (33:27) Microphone - Mix 2A & 2B. 32D R271 (32:36) Microphone 1A - Mixdown. 32D R280 (31:30) Microphone 1B - Mixdown. 32D R279 (32:17) Microphone 2A - Mixdown. 32D R277 (32:18) Microphone 2B - Mixdown. 32D R278 (32:12) Microphone - Mixdown of #3 & #5. 32D R281 [Wednesday (33:46)]. Microphone - Mixdown of #2 & #4. 32D R282 [Wednesday takes (33:38)]. Microphone Worktape [1]. 32D R283 [Track 1, Channels 1 and 2, (33:23); Track 2, Channels 3 and 4, (33:50)]. Microphone Worktape [2]. 32D R284 [Track 1, Channels 1 and 2, (34:12); Track 2, Channels 3 and 4, (34:12)].

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Description Box No. Item No. Microphone Worktape [3]. 32D R285 [Track 1, Channels 1 and 2, (33:49); Track 2, Channels 3 and 4, (33:49)]. Microphone. Mix 1A and 1B. 35D RU4 (32:43) Microphone. Mix 2A and 2B. 35D RU1 (32:32) Microphone. Wed. Mix 2 and 4. 35D RU3 (33:27) Microphone. Wed. Mix 3 and 5. 35D RU2 (33:25) Room Tone for “Microphone” Sessions [1]. 33D R291 [Track 1, Channels 1 and 2, (6:08); Track 2, Channels 3 and 4, (6:08)]. Room Tone for “Microphone” Sessions [2]. 33D R292 [Track 1, Channels 1 and 2, (33:11); Track 2, Channels 3 and 4, (33:11)]. Side 1 DBX, Microphone. 32D R268 (33:34) Side 2 DBX, Microphone. 32D R269 (33:24) Side 2 Premix, Microphone. 32D R267 (34:00)

Pepscillator Pepscillator [1]. 33D R296 (11:39) Pepscillator [2]. 4D C47_b Side B [of Item C47], David Tudor, Pepscillator (11:22). [Side A contained: David Tudor, Pulsers, January 6.] Pepscillator [3]. 20D R19_t2 [Track 2 of R19, (24:15)]. ¼ track stereo [tracks are mislabeled as “mono” and “4 channel” on tape.] [Track 1 listed separately in this inventory and includes: Pepsibird.] Pepscillator (25). 3D C42_b Side B [of Item C42], David Tudor, Pepscillator (25) (11:02); 1971(?). [Side A listed separately in this inventory and contains: David Tudor, Rainforest I, December 11, 1970.]

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Description Box No. Item No.

Pepsibird Pepsibird [1]. 20D R19_t1 [Track 1 of R19, (29:52)]. ¼ track stereo [tracks are mislabeled as “mono” and “4 channel” on tape.] [Track 2 listed separately in this inventory and includes: Pepscillator.] Pepsibird [2]. 5D C88_a [Side A of Item C88, (29:56)]. [Side B listed separately in this inventory and contains: Anima Pepsi; 1971]. 1971. EAT Pav B: David Tudor at Pepsi Pavilion [Pepsibird?] [1]. 5D C89 EAT Pav B: David Tudor at Pepsi Pavilion [Pepsibird?] (46:09); 1971. EAT Pav B: David Tudor at Pepsi Pavilion [Pepsibird?] [2]. 6D C91_b [Side B of Item C91]; EAT Pav B: David Tudor at Pepsi Pavilion, (46:00). [Side A listed separately in this inventory and contains: EAT 9E A: David Tudor, Bandoneon!]

Phonemes Phonemes, 1981 [1]. 4D C57_a [Side A of Item C57], David Tudor, Phonemes, 1981 (Music for the dance, Channels/Inserts) [Recorded, March 12, 1986] (12:51); 1981. [Side B listed separately in this inventory and contains: David Tudor, Phrases, March 1986.] Phonemes, 1981 [2]. 4D C61_a Side A [of Item C61], David Tudor, Phonemes, 1981 [Recorded March 14, 1984]; 1984. [Side B listed separately in this inventory and contains: David Tudor, Sextet for Seven.] Phonemes, 1981 [3]. 4D C62 David Tudor, Phonemes. Side A *only+, recorded at Sadler’s Wells, London, June 20, 1981, by David Meschter (27:21); 1981. Phonemes, 1981; Phonemes, March 21, 1986. 4D C59 David Tudor, Phonemes, 1981; Phonemes, March 21, 1986 [Tape identifies it as “CH/IN,” for, Channels/Inserts (title of dance). Possibly a four channel recording]; 1981. [Tracks 1 & 2 (33:45), tracks 3 & 4 (33:43).]

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Description Box No. Item No. Phonemes, [1984]. 4D C63_a David Tudor, Phonemes, 1981. Side A, recorded March 17, 1984 (26:56); Side C63_b B, recorded March 16, 1984 (27:29).

Phrases 7 Mix [SAE] for Phrases. 3D C31_b Side B [of Item C31], 7 Mix [SAE] for Phrases (31:22). 1976? [Side A listed separately in this inventory and contains: Pulsers, January 7, 1976] Phrases, March 1986. 4D C57_b Side B [of Item C57], David Tudor, Phrases, March 1986 [this recording may have been overdubbed, being four channel] (32:44); 1981/1986. [Side A listed separately in this inventory and contains: David Tudor, Phonemes, 1981 (Music for the dance, Channels/Inserts). Recorded, March 12, 1986.]

Pulsers [Composers Inside Electronics - Pulsers]. 31D R258 *Not labeled as such, but this is, “Composers Inside Electronics (1)” - see entry for R257]; Track 1, David Tudor, Pulsers (52:17); Track 2, Audience Talk, by Rhys Chatham (13:48). 4 track. [Composers Inside Electronics - Pulsers Continued]. 31D R257 Composers Inside Electronics (2). Track 1, David Tudor, Pulsers Continued (January 6, 1977) (21:46); Cinde Fisher (January 7, 1977) (19:35). 4 track. Pulsers. 4D C44_a David Tudor, Pulsers [both sides recorded, different versions. Side A, (19:40); C44_b Side B, (39:52)]. Pulsers, David Tudor, 1978. 4D C46 Side A, Pulsers, David Tudor, 1978. For performance electronics [Takehisa Kosugi, electronic violin] (39:46); Side B, Untitled, David Tudor., 1972. For performance electronics [Version 1982, with Takehisa Kosugi, voice]; both sides recorded 1983; 1983. [Side B is actually blank, despite the label on the original cassette.] Pulsers Dub. 31D R259 [Track 1, (51:37); Track 2, (19:44); Note: seems to be a stereo copy of recordings on R257 and R258].

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Description Box No. Item No. Pulsers, January 6. 4D C47_a Side A [of Item C47], David Tudor, Pulsers, January 6, 20 minutes (19:36). [Side B listed separately in this inventory and contains: David Tudor, Pepscillator.] Pulsers, January 7, 1976. 3D C31_a Side A [of Item C31], Pulsers, January 7, 1976 (40:06). [Side B listed separately in this inventory and contains: 7 Mix [SAE] for Phrases, 1976?] Pulsers, Sydney, 1976. 3D C32_a Pulsers, Sydney, 1976 [Performance at Sydney Conservatorium, David Tudor C32_b (Pulsers, with recorded improvisation by Takehisa Kosugi), April 21, 1976. Defective recording. Side A, (43:35); Side B, (36:24)]; 1976.

Rainforest Works

Rainforest Everson Rainforest. 31D R252 [Unidentified interview (0:42), Rainforest (46:52)] Laser Rock, (for Rainforest, the conference), 1973. 4D C45_a Side A [of Item C45], Laser Rock (for, Rainforest, the conference), 1973 (46:07). [Side B listed separately in this inventory and contains: David Tudor, Untitled, June 1982.]. [Rainforest] [1]. 16D CU13 *Recording of performance of “Rain Forest”, (45:45)+. [Rainforest] [2]. 16D CU15 *Recording of performance of “Rain Forest”, (45:36)+. Rainforest [3]. 20D R18 (26:38); 2 track, stereo. Rainforest [4]. 22D R55 2 track, stereo (23:12). Rainforest [5]. 29D R199 (25:40) Rainforest [6]. 29D R200 Track 1, channels 1 and 2 (22:25); Track 2, channels 3 and 4 (22:25). 4 channel. Rainforest [7]. 29D R201 (22:47)

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Description Box No. Item No. Rainforest [8]. 29D R202 (21:26) Rainforest [9]. 3D C41_a Rainforest. Side A, Rainforest, Performance #1, Chicago, January, C41_b 1971 (22:55); Side B, Rainforest, Performance #2, Chicago, January, 1971 (37:08). [1971]. Rainforest, 4 track sub-master, November, 1976. 31D R261 “Dance in America” soundtrack. Track 1, channels 1 and 2 (32:20); Track 2, channels 3 and 4 (32:20). Rainforest (binaural), UCSD, February 2, 1977. 31D R260 [Track 1, Rainforest, (28:08); Track 2, Rainforest, (22:50)]. ½ track. Rainforest Buffalo - Upstairs Master. 31D R253 (01:07:09) Rainforest. Concert performance, 11/12/70. 28D R188 Cornell University, N.Y., Tudor & Mumma (42:34). Stereo. Rainforest, “Dance in America”, November, 1976. 31D R262 (32:23), ½ track stereo. Rainforest, de Saisset, November 25, 1975. 20D R22 4 channel. [Track 1: channels 1 & 2, (33:52); Track 2: channels 3 & 4, (34:00)]. “Rainforest”, Hi-fi sound. 12D C235 “Rainforest”, Hi-fi sound [Side A only, (19:52)]. “Rainforest”, Kodak, November 3, 1970. 12D C237 “Rainforest”, Kodak, November 3, 1970 [Side A only, (20:20)]; 1970. “Rainforest”, Maestro, February 8, 1972. 12D C236 “Rainforest”, Maestro, February 8, 1972 [Side A only, (22:41)]; 1972. Rainforest, (Nov. 79), Dance in America. 5D C87 Rainforest (Nov. 79), Dance in America [Linda Fisher, Martin Kalve, David Tudor, Bill Viola; stereo, Dolby] (30:30); 1979. “Rainforest”, Red Seal. 12D C234 David Tudor: “Rainforest”, Red Seal [Side A only, (19:47)]. [Rainforest?] September 23, 1978. 31D R251 *Possibly a recording of “Rainforest”, part of which has 4 channel electric guitar piece recorded over it?]. Rainforest Synapse Innervision, Reel 1. 20D R20 4 channel; [Track 1: channels 1 & 2 (47:11); Track 2: channels 3 & 4 (48:09)].

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Description Box No. Item No. Rainforest Synapse Innervision, Reel 2. 20D R21 4 channel; [Track 1: channels 1 & 2 (42:05); Track 2: channels 3 & 4, (42:06)]. Rainforest, Syracuse, March 9, 1974 [1]. 20D R23 4 channel. [Track 1: channels 1 & 2, (35:41); Track 2: channels 3 & 4, (35:46)]. Rainforest, Syracuse, March 9, 1974 [2]. 20D R24 (David Tudor, John Driscoll, Linda Fisher, Bill Viola, Ralph Jones). 4 channel. [Track 1: channels 1 & 2, (34:13); Track 2: channels 3 & 4, (34:11)]. Rainforest, Transducers, Chicago. 12D C219_a [Side A (20:38), Side B (20:41)] C219_b Ralph Jones Rainforest instrument. 20D R1 Track 1, shortwave through garbage-can lid and wire (31:00); Track 2, tape and amplifier hiss through same (11:02). 2 channel, mono. Synapse Rainforest, Syracuse University, March 9, 1974. 31D R255 4 track dub (crown). Track 1, channels 1 and 2 (35:12); Track 2, channels 3 and 4 (35:10).

Rainforest I Rainforest I, December 11, 1970. 3D C42_a Side A [of Item C42], David Tudor, Rainforest I, December 11, 1970 (41:37); 1970. [Side B listed separately in this inventory and contains: David Tudor, Pepscillator] Rainforest I, 1971. 4D C58_a David Tudor, Rainforest I. Side A, Chicago, January 12, 1971 C58_b [Recorded acoustically from transducers] (22:18); Side B, Recorded at Irvine, CA, February, 1971 (16:49); 1971.

Rainforest III Rainforest III, with John Cage, Mureau [1]. 1D C9_a Side A [of Item C9], David Tudor, Rainforest III, with John Cage, Mureau (58:58); [Recorded in Basel by Ritty Birchfield]; 1972? [Side B listed separately in this inventory and contains: Untitled, with John Cage, Mesostics Re: Merce Cunningham.]

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Description Box No. Item No. Rainforest III, with John Cage - Mureau [2]. 3D C25_a David Tudor. Side A [of Item C25], Rainforest III, with, John Cage - Mureau (59:29); [Recorded in London. Simultaneous performances of works by John Cage and David Tudor. Recorded by Ritty Birchfield]; 1979? [Side B listed separately in this inventory and contains: Untitled, with, John Cage, 52 Mesostics Re: Merce Cunningham.]

Rainforest IV Rainforest 4. 20D R4_t2 Track 2 [of R4], David Tudor: Rainforest 4 [Linda Fisher, Martin Kalve, David Tudor, Bill Viola (32:54).] [Track 1 listed separately in this inventory and includes: David Tudor: microphone mix A original material 1973.] Rainforest [IV]. 3D C27_a David Tudor, Rainforest I. Side A, David Tudor, Rainforest IV [Two C27_b channel mixdown from four channel. November, 1976, Dolby. Produced for Dance in America. Performers: David Tudor, Bill Viola, Martin Kalve, Linda Fisher.] (31:14); Side B, David Tudor, Rainforest IV [Recorded at UCSD, February, 1977. Performers: David Tudor, John Driscoll, Bill Viola, Philip Edelstein, Prent Rodgers and/or Paul Dimirinis.] (45:23); 1976/1977. Rainforest IV - Stockholm Master, 15 ips. 31D R256 ½ track (binaural) (45:08) Rainforest, Version IV. 9D C161_a Rainforest [Side A, (21:29); Side B, (46:07)]. C161_b

Sextet for Seven Sextet [for Seven], March 14, 1984. 4D C55_a Side A [of Item C55], Sextet, March 14, 1984, binaural [probably Sextet for Seven. March 17? (17:37); 1984.] [Side B listed separately in this inventory and contains: David Behrman, “Interspecies Smalltalk”, City Center Theater, New York City, March 17, 1984.] Sextet for Seven [Recorded March 16, 1984]. 4D C61_b Side B [of Item C61], David Tudor, Sextet for Seven [Recorded March 16, 1984; 1984.] [Side A listed separately in this inventory and contains: David Tudor, Phonemes, 1981.]

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Description Box No. Item No. Sextet for Seven, March 17, 1984, 2.55 pm. 4D C52_b Side B [of Item C52], David Tudor, Sextet for Seven, March 17, 1984, 2.55 pm [Live mix of six line channels and two pseudobinaural Sony ECM 150s. Recorded by David E. Meschter. (17:00); 1984.] [Side A listed separately in this inventory and contains: David Tudor, Dialects, March 15, 1984, 4.30 pm.] Quartet, March 22, 1986 [probably Sextet for Seven]. 4D C56 David Tudor, Quartet, March 22, 1986 [probably Sextet for Seven] [4 channel] (18:11); 1986.

Soundings: Ocean’s Diary “Soundings: Ocean’s Diary” [1]. 14D C274_a Side A, bearded seals, recorded in Baffin Bay (22:02); Side B, whales, recorded C274_b in Lancaster Sound (44:55). “Soundings: Ocean’s Diary” [2]. 14D C275_a Side A, elephant seals (29:06); Side B, midshipman (9:40). C275_b “Soundings: Ocean’s Diary” [3]. 14D C276 Woods Hole [Side A only (20:58)].

Talking Shrimp Talking Shrimp. 8D C134 [Side B only, (1:27)]

Toneburst Toneburst. 1D C8 David Tudor, Toneburst, Recorded in San Francisco, 1972? (19:02); 1972?

Untitled (aka Homage to Toshi Ichiyanagi) Homage to Toshi Ichiyanagi, Study 1. 3D C28 David Tudor, Hommage to Toshi Ichiyanagi, Study 1; D.T., H.to T.I., Study 1 (29:34); 1972. Homage to Toshi Ichiyanagi, Study 2. 3D C29_a David Tudor, Hommage to Toshi Ichiyanagi; D.T., H. To T.I., Study 2 [Side A, C29_b (29:30); Side B, (31:19)]; 1972. Homage to Toshi Ichiyanagi, Study 3, 1972. 3D C30 David Tudor, Hommage to Toshi Ichiyanagi; D.T., H. To T. I., Study 3 (30:50); 1972.

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Description Box No. Item No. “Untitled (Homage to Toshi Ichyanagi)”, Study 2. 12D C220_b Side A, left channel, brain waves, right channel, beetle walking (31:09); Side B, David Tudor, “Untitled (Homage to Toshi Ichyanagi)”, Study 2 (31:05). [Side A listed separately in this inventory and contains: Brain waves, beetle walking.] Untitled, June 1982. 4D C45_b Side B [of Item C45], David Tudor, Untitled, June 1982 [Performed with Takehisa Kosugi, violin and electronics, Amsterdam (46:08); 1982.] [Side A listed separately in this inventory and contains: Laser Rock (for, Rainforest, the conference), 1973] Untitled, with John Cage, 52 Mesostics Re: Merce Cunningham. 3D C25_b Side B [of Item C25], Untitled, with, John Cage, 52 Mesostics Re: Merce Cunningham (45:06); [Recorded in London. Simultaneous performances of works by John Cage and David Tudor. Recorded by Ritty Birchfield; 1979?] [Side A listed separately in this inventory and contains: David Tudor. Rainforest III, with, John Cage - Mureau.] Untitled, with John Cage, Mesostics Re: Merce Cunningham. 1D C9_b Side B [of Item C9], Untitled, with John Cage, Mesostics Re: Merce Cunningham. [Recorded in Basel by Ritty Birchfield (32:46); 1972?] [Side A listed separately in this inventory and contains: David Tudor, Rainforest III, with John Cage, Mureau.]

Virtual Focus Polarity - last perf., Paris, 10/5/90, “Virtual Focus”. 11D C212 [Side A only, (25:53)]; 1990. “Virtual Focus” tests, March, 1990. 14D C266_a [Side A (25:06), Side B (46:09)] C266_b Virtual Focus, V.F. 2, March 1990. 12D C230 [Side A only, (27:41)]; 1990.

Weatherings Weatherings, [London, June 18, 1981, 8.20-8.54 pm]. 1D C11 David Tudor, Weatherings. Side A *Recorded by David E. Meschter, Sadler’s Wells, London, June 18, 1981, 8.20-8.54 pm] (34:28); 1981. Weatherings, Milano. 9D C152_a Milano [Side A, (47:15); Side B, (36:10)]. C152_b Weatherings, [Milano, November 2, 1980]. 1D C10_a David Tudor, Weatherings [Recorded in Milano, November 2, 1980 [Side A, C10_b (31:08); Side B, (8:32)]; 1980.

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Description Box No. Item No. Weatherings, [Ohio State University, May 6, 1981, 9.25 pm]. 2D C12 David Tudor, Weatherings [May 6, 1981, 9.25 pm, Ohio State University] (36:46); 1981.

Web for John Cage Web for John Cage [1]. 10D C192 [4 channel; (4:50)]. Web for John Cage, [2]. 1D C1_a David Tudor. Web for John Cage. Side A, Source material 1 & 2 (12:28); Side B, C1_b Source material 3 & 4 (8:34); 1987. Web for John Cage, [3]. 1D C2_a David Tudor, Web for John Cage. Side A, Mixdown? (18:00); Side B, Mixdown? C2_b (13:53); 1987. Web for John Cage, [4]. 1D C3_a David Tudor, Web for John Cage. Side A, Demodulated Alpha/Wasp chewing C3_b modified (Harris Gate). (31:16); Side B, Web for John Cage 1-4 (Harris Gate) (29:03); 1987. Web for John Cage, 1987 [1]. 1D C4 David Tudor, Web for John Cage, 1987. Side A [only], 1-4 continuous, 42 minutes (42:24); 1987. Web for John Cage, 1987 [2]. 1D C5 David Tudor, Web for John Cage, 1987. Side A [only]. Copy of tape for Klaus Schonig, 4 minutes?, Dolby B (4:08); 1987. [Appears to be duplicate of C6, or vice versa.] Web for John Cage, 1987 [3]. 1D C6 David Tudor, Web for John Cage, 1987; Stereo, 4 minutes, Dolby B (4:11); 1987. [Appears to be duplicate of C5, or vice versa.] Web for John Cage, Web Trax Dub 1-4. 11D C206 [Side A only, (27:30)].

Webwork Webwork, 3/16/88. 11D C211_b [Side B of C211 (25:10). 1988. Side A listed separately in this inventory and contains: Interspecies Smalltalk, 3/15/88] “Webwork”, Shards. 11D C213_a *Side A of C213+, David Tudor, “Webwork”, Shards; Joyce Theater, New York City, March, 1998 (24:51); [Side B listed separately in this inventory and contains: Erik Satie, “Trois Morceaux en Forme de Poire”, Septet; Joyce Theatre, March 1988.]

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II. Non-David Tudor works

This group of audio recordings from the David Tudor Papers includes recordings of compositions by composers other than David Tudor, and compilations created by composers other than David Tudor. This group is arranged alphabetically by last name of composer.

Description Box No. Item No.

Mark Applebaum Misc. Appelbaum, for David Tudor. 6D C107 Mark Applebaum. *Track 1, “Doctor Applebaum”, improvisation for solo piano, (15:00); Track 2, “Improvisation for David Tudor”, for mousetrap, (11:21); Track 3, “Penumbra Part IV”, for solo piano, (7:36); Track 4, “Dead White Males”, for orchestra, (18:20)+.

Robert Ashley Wolfman, by Robert Ashley, for voice and tape. 29D R216 [This is tape portion of work, text is with original tape, (6:12).]

Larry Austin Transmission Two: The Great Excursion, Part I [1]. 6D C113 [C113 and C114 contain parts of the same item. See inserts with copies for details (01:27:37)] Transmission Two: The Great Excursion, Part I [2]. 7D C122 [C122 and C123 contain parts of the same piece. See inserts with copies for details (01:20:40)] Transmission Two: The Great Excursion, Part II [1]. 7D C114 [C113 and C114 contain parts of the same item. See inserts with copies for details (55:41)] Transmission Two: The Great Excursion, Part II [2]. 7D C123 [C122 and C123 contain parts of the same piece. See inserts with copies for details (01:17:18)]

Milton Babbitt “Ensembles for Synthesizer”. 34D R327 [Track 1, (15:38); Track 2, (5:51)].

David Behrman Cello, with Melody Driver electronics. 21D R33 *By David Behrman, with David Gibson, ‘cello, (39:50)+.

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Description Box No. Item No. Interspecies Smalltalk, 3/15/88 . 11D C211_a [Side A of C211 (29:06).] [Side B listed separately in this inventory and contains: Webwork, 3/16/88] “Interspecies Smalltalk”, City Center Theater, New York City, March 17, 4D C55_b 1984. Side B [of Item C55], David Behrman, “Interspecies Smalltalk”, City Center Theater, New York City, March 17, 1984 (26:36). 1984. [Side A listed separately in this inventory and contains: Sextet, March 14, 1984, binaural (probably Sextet for Seven). March 17?]

Pierre Boulez Etudes I and II, for, Fragments. 29D R214 Track 1, Etude I (2:44); Track 2, Etude II (2:59).

Herbert Brun Polka. 28D R191 (3:53)

Warren Burt [See Carl Vine]

Sylvano Bussotti Five Piano Pieces for David Tudor [1]. 22D R49 (20:54) Five Piano Pieces for David Tudor [2]. 22D R50 (20:51)

John Cage 103 for orchestra, cassette I. 12D C226 [Performed by Kolner Rundfunk Sinfonie-Orchester, September 19, 1992, at Kolner Philharmonie, conducted by Arturo Tamayo; 1992; Side A (30:36) and Side B (30:49) stitched together in reformatting ; This is cassette 1 of 2, C197 is cassette 2.] 103 for Orchestra, cassette II. 11D C197 [Performed by Kolner Rundfunk Sinfonie-Orchester, conductor, Arturo Tamayo; recorded at Kolner Philharmonie, September 19, 1992; (25:31); [This is cassette 2 of 2, C226 is cassette 1.]

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Description Box No. Item No. “103”, Symphonieorchester des Westdeutscher Rundfunks. 6D C109 John Cage, “103”, Symphonieorchester des Westdeutscher Rundfunks (01:29:32). 34’46. 776 *Part 1]. 35D RU8 [Part 1 (15:56); Original on 2 separate reels] 34’46. 776 *Part 2]. 35D RU7 [Part 2 (16:10); Original on 2 separate reels] 5 Stone, 10/93, MGP; Dolby C [1]. 11D C209 [Side A only, (56:53)]; 1993. 5 Stone, 10/93, MGP; Dolby C [2]. 11D C210 [Side A only, (56:26)]; 1993. 5 Stone (MGP 10/93). 19D DAT1 (MGP 10/93). Five Stone Wind. 3D C35_a John Cage/David Tudor/Takehisa Kosugi, Five Stone Wind. Side A, 5 Stone C35_b Wind (with recording of fire curtain) (39:42); Side B, 5 Stone Wind, Berlin Final (32:32). 7 Pieces for Haiku. 33D R293 (3:21) Bklyn. Canfield, 7 Haiku. 8D C142_b [Side B of C142, (43:50)]; 1971. [Misc people talking in background, followed by piano music - possibly 7 Haiku by Cage?] [Side A listed separately in this inventory and contains: Computer - CTC data point terminal.] Cartridge Music, October 10, 1960, Stockholm. 33D R295 (22:38) Field Dances [Cage: Variations IV]. 29D R193 (16:11), Stereo. Fontana Mix [I]. 22D R67 (16:51) Fontana Mix (II). 22D R69 (17:12) Fontana Mix (III). 22D R68 (17:04) Fontana Mix (IV). 22D R70 (16:53)

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Description Box No. Item No. Imaginary Landscape #5. 34D R313_t2 [Part 2 of R313]. John Cage - Imaginary Landscape #5 (3:09). [Per patron Volker Straebel, in reader’s note, June 24, 2011: “John Cage - Imaginary Landscape #5” seems to be the only surviving copy of the tape realization.+ [Part 1 of R313 listed separately in this inventory and contains: Christian Wolff: For Magnetic Tape III (4:10), For Magnetic Tape IV (6:14).] Ocean 1 - 95 Rehearsal. 8D C131 [ca. 80 players; Total timing (89:43); 1995. Orchestral rehearsal. Side A (44:47) and Side B (45:01) stitched together in reformatting for continuity.] Solo for Piano [1]. 4D C60_a Side A, John Cage, Solo for Piano, David Tudor, piano (54:12); 1986? [Recorded at Almeida Theatre, London, June 13, 1986?] [Side B listed separately in this inventory and contains: John Cage, Variations II, David Tudor, piano.] Solo for Piano [2]. 6D C94_a Performance by David Tudor at Phila. Museum of Art, 9/11/82 [recorded by WUHY-FM] [Side A of C94, (40:14)]; 1982. [Side B listed separately in this inventory and contains: Variations II, performance by David Tudor at Phila. Museum of Art, 9/11/82.] [Solo for Piano] [3]. 34D R326 [Recording of piece for piano and tape, identified as Solo for Piano (32:02).] “Telephones and Birds” #2. 13D C245_b Side B *of C245+, John Cage, “Telephones and Birds” #2 (13:41). [Side A listed separately in this inventory and contains: David Tudor, “Island”.] Variations II [1]. 4D C60_b Side B, John Cage, Variations II, David Tudor, piano [Recorded at Almeida Theatre, London, June 13, 1986? (45:13); 1986?] [Side A listed separately in this inventory and contains: John Cage, Solo for Piano, David Tudor, piano.] Variations II [2]. 4D c68_a David Tudor, Concert of October 19, 1983, Oggi Musica, Lugano. Side A, John Cage, Variations II [David Tudor, piano and electronics (40:44).] [Side B listed separately in this inventory and contains: David Tudor, Likeness to Voices/Dialects.] Variations II [3]. 30D R232 Stereo (26:27) Variations II [Take 1]. 21D R46 (37:40)

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Description Box No. Item No. Variations II [Takes 2 and 3]. 21D R47 (27:42) Variations II [Take 4]. 21D R48 (19:26) Variations II, 1982. n/a C94_b Performance by David Tudor at Phila. Museum of Art, 9/11/82 [recorded by WUHY-FM] [Side B of C94, (38:08); 1982.] [Side A listed separately in this inventory and contains: Solo for Piano, performance by David Tudor at Phila. Museum of Art, 9/11/82.] [No CD Use Copy of C94_b] Variations IV, for, Field Dances. 29D R194 (16:21), Stereo. Variations IV - Field Dances. 29D R195 Note on box: “For playback on 60 Hz machines at 50 Hz cyclage (57:54). ¼ track, stereo. Williams Mix Source Material, June 16 & 18, 1952. 34D R311 6/16 (First) (#1 - #11) 6/18 (Second) (#1 - #9) 1- Evcv (0:37) 12- Bvvv (0:54) 2- Eccv (0:31) 13- B4ccc (0:38) 3- Eccc (0:33) 14- B5ccc (0:35) 4- Evcc (0:33) 15- B3vvv (0:38) 5- Dvcc (0:37) 16- B2vvv (0:29) 6- A1ccc (0:21) 17- Bcvv (0:39) 7- A2ccc (0:35) 18- Bcvc (0:24) 8- F2ccc (0:32) 19- Eccv (0:35) 9- F7ccc (0:36) 20- Bccc (0:44) 10- F1ccc (0:34) 11- F10ccc (0:13)

Page 29 of 79 Audio and video recordings, David Tudor papers, 1884-1998 (bulk 1940-1996), The Getty Research Institute, Los Angeles, accession no. 980039

Description Box No. Item No. Williams Mix Source Material, June 23 & 25, 1952. 33D R302 [Notes on reel: “6/23”; “6/25”+ 6/25 (First) (#1 - #5) 6/23 (Second) (#1 - #9) 1- Cvcv Fccc (0:23) 6- Fccc (0:40) 2- E11ccc (0:39) 7- Fvcc (1:05) 3- D1ccc (0:51) 8- Acvc (0:42) 4- Bccv Eccc (0:28) 9- Dccc (0:32) 5- Bcvv Dvvc (0:34) 10- Avcv (0:40) 11- Fvcc (0:38) 12- Fvvc (0:39) 13- Bvcc (0:32) 14- Bvvc (0:39) Williams Mix Source Material, November 10 & 17, 1952. 33D R307 11/10 (First) (#1 - #13) 11/17 (Second) (#1 - #14) 1- A1vvv (0:19) 14- A1ccv (0:21) 2- C1vvv (0:20) 15- A1vcc (0:22) 3- Fvvv (0:18) 16- A2ccc (0:18) 4- Evvc (0:30) 17- A1cvc (0:25) 5- Bvcv (0:31) 18- D12ccc (0:23) 6- Ccvv (0:37) 19- D2ccc (0:24) 7- Acvc Bccc (0:33) 20- D8ccc (0:27) 8- Accv Bvcv (0:29) 21- D10ccc (0:15) 9- Avcc Bccv (0:34) 22- E2ccc (0:14) 10- Avvv Bvcv (0:37) 23- D13ccc (0:10) 11- Dcvc Eccc (0:31) 24- Accv Bccc (0:28) 12- Dvcv Fvvv (0:18) 25- Avvv Cvvv (0:28) 13- Evvv Fvvv (0:35) 26- Accc Dcvc (0:18) 27- Acvc Dccc (0:22) Williams Mix Source Material, December 29, 1952. 33D R300 [Note on card in box: “12/29/52”+ 1- Accc Eccc (0:21) 6- Accc Dccc (0:14) 2- C2ccc E1ccc (0:20) 7- D2ccc D1ccc (0:17) 3- Accc Bccc (0:15) 8- B2ccc F1ccc (0:15) 4- Cccc Dccc (0:16) 9- C1ccc D1ccc (0:17) 5- A1ccc Bccc (0:15) 10- Dccc Eccc (0:15)

Page 30 of 79 Audio and video recordings, David Tudor papers, 1884-1998 (bulk 1940-1996), The Getty Research Institute, Los Angeles, accession no. 980039

Description Box No. Item No. Williams Mix Source Material, December 30, 1952 [1]. 33D R306 12/30 (#37 - #56, #56A, #57 - #72) 1- C2ccc F2ccc (0:20) 20- C2ccc E2ccc (0:12) 2- C2ccc C1ccc (0:11) 21- B1ccc (Sarah) (0:57) 3- C2ccc A2ccc (0:12) 22- D2ccc F1ccc (0:12) 4- D1ccc Bccc (0:13) 23- E2ccc Eccc (0:14) 5- Bccc Dccc (0:16) 24- D2ccc C1ccc (0:13) 6- C1ccc Dccc (0:15) 25- E2ccc A1ccc (0:23) 7- Cccc Eccc (0:14) 26- E2ccc D1ccc (0:14) 8- D1ccc Eccc (0:13) 27- E1ccc F1ccc (0:14) 9- D1ccc Dccc (0:16) 28- Eccc Fccc (0:12) 10- E2ccc C1ccc (0:16) 29- A2ccc F1ccc (0:13) 11- B2ccc Dccc (0:16) 30- A1ccc F1ccc (0:18) 12- A1ccc C1ccc (0:13) 31- D1ccc F1ccc (0:15) 13- A1ccc D1ccc (0:15) 32- E1ccc Fccc (0:13) 14- C1ccc F1ccc (0:14) 33- E2ccc F1ccc (0:13) 15- D1ccc Dccc (0:12) 34- C1ccc E1ccc (0:14) 16- B2ccc C1ccc (0:15) 35- B2ccc Fccc (0:13) 17- C1ccc Eccc (0:15) 36- D2ccc Fccc (0:18) 18- C2ccc D1ccc (0:17) 37- D1ccc Fccc (0:21) 19- D1ccc E1ccc (0:12)

Page 31 of 79 Audio and video recordings, David Tudor papers, 1884-1998 (bulk 1940-1996), The Getty Research Institute, Los Angeles, accession no. 980039

Description Box No. Item No. Williams Mix Source Material, December 30, 1952 [2]. 33D R308 *Note on card in box: “12/30”+ 1- F2ccc-2 (0:19) 19- E1ccc-4 (0:16) 2- C2ccc-6 (0:13) 20- C2ccc-5 (0:14) 3- C2ccc-2 (0:12) 21- D2ccc-5 (0:13) 4- D1ccc-4 (0:13) 22- Eccc-15 (0:15) 5- Dccc-8 (0:15) 23- D2ccc-3 (0:13) 6- Dccc-5 (0:16) 24- E2ccc-5 (0:24) 7- Eccc-3 (0:12) 25- D1ccc-12 (0:15) 8- Eccc-6 (0:13) 26- E1ccc-6 (0:14) 9- D2ccc-7 (0:14) 27- Fccc-6 (0:13) 10- E2ccc-6 (0:18) 28- A2ccc-3 (0:14) 11- B2ccc-4 (0:16) 29- A1ccc-5 (0:13) 12- A1ccc-10 (0:14) 30- D1ccc-13 (0:14) 13- A1ccc-11 (0:15) 31- E1ccc-5 (0:14) 14- C1ccc-13 (0:14) 32- F1ccc (0:14) 15- Dccc-14 (0:13) 33- C1ccc-3 (0:15) 16- C1ccc-2 (0:14) 34- Fccc-1 (0:13) 17- Eccc-4 (0:15) 35- D2ccc-4 (0:18) 18- D1ccc (0:16) 36- Fccc-4 (0:22) Williams Mix Source Material, December 31, 1952. 33D R304 1- F4ccc (2:03) 13- E1vcc (0:11) 2- F3ccc (0:51) 14- E1cvc (0:20) 3- F11ccc (0:28) 15- F1ccv (0:22) 4- F12ccc (0:56) 16- F1cvc 5- F5ccc (0:28) 17- D1ccc Eccc (0:08) 6- F8ccc (0:23) 18- D1ccc Fccc (0:09) 7- E5ccc (1:02) 19- A2ccc Fccc (0:14) 8- F6ccc (0:33) 20- A1ccc Eccc (0:15) 9- B1ccv (0:41) 21- A1ccc Bccc (0:11) 10- B1vcc (0:52) 22- E1ccc Eccc (0:10) 11- B1ccc (0:21) 23- C1ccc A1ccc (0:11) 12- F4ccc (0:22)

Page 32 of 79 Audio and video recordings, David Tudor papers, 1884-1998 (bulk 1940-1996), The Getty Research Institute, Los Angeles, accession no. 980039

Description Box No. Item No. Williams Mix Source Material, January 2, 1953 [1]. 33D R301 [Note on card in box: “1/2/53”+ 1- A1ccc B1ccc (0:15) 21- A1ccc Accc (0:21) 2- A2ccc B1ccc (0:10) 22- B1ccc Accc (0:33) 3- B2ccc B1ccc (0:22) 23- Accc Cccc (0:22) 4- B1ccc Cccc (0:18) 24- Accc Fccc (0:25) 5- B1ccc D1ccc (0:17) 25- Accc Dccc (0:21) 6- D2ccc B1ccc (0:25) 26- B1ccc Bccc (0:23) 7- B1ccc Fccc (0:34) 27- A1ccc Bccc (0:20) 8- Cccc Fccc (0:27) 28- Bccc Dccc (0:20) 9- Accc A1ccc (0:23) 29- Cccc Dccc (0:26) 10- A1ccc Cccc (0:16) 30- Dccc Eccc (0:27) 11- Cccc Eccc (0:21) 31- Eccc Fccc (0:14) 12- Cccc Dccc (0:20) 32- A1ccc Eccc (0:23) 13- C1ccc Fccc (0:28) 33- Accc Eccc (0:27) 14- A1ccc Cccc (0:18) 34- Bccc Fccc (0:23) 15- Bccc Cccc (0:14) 35- B1ccc Fccc (0:22) 16- B1ccc Cccc (0:16) 36- A1ccc Fccc (0:18) 17- Cccc C1ccc (0:27) 37- Accc Fccc (0:15) 18- Accc Cccc (0:22) 38- Dccc Fccc (0:24) 19- C1ccc Dccc (0:17) 39- Eccc Fccc (0:22) 20- Accc Eccc (0:14) 40- B1ccc Cccc (0:25)

Page 33 of 79 Audio and video recordings, David Tudor papers, 1884-1998 (bulk 1940-1996), The Getty Research Institute, Los Angeles, accession no. 980039

Description Box No. Item No. Williams Mix Source Material, January 2, 1953 [2]. 33D R309 1/2/53 (#41 - #72) 1- C1ccc B1ccc (0:25) 17- Acvc Cccc (0:18) 2- B1ccc Dccc (0:24) 18- Acvc Dccc (0:27) 3- Avcc Dccc (0:20) 19- Bcvc Evcc (0:19) 4- Bccc Fvcc (0:26) 20- Bcvc Fvcc (0:33) 5- Fvcc Accc (0:20) 21- Dvvc Fvvc (0:31) 6- Cccc Dcvc (0:30) 22- Dcvc Fvvc (0:29) 7- Bccc Dcvc (0:24) 23- Cccv Dcvc (0:27) 8- Dcvc Fccc (0:25) 24- Bvcv Cccv (0:27) 9- Ecvc Bccc (0:33) 25- Dcvv Evcc (0:27) 10- B1ccc C1ccc (0:29) 26- Avcv Fcvv (0:21) 11- Accv Fccc (0:18) 27- Bvcc Ccvv (0:26) 12- Eccc Accv (0:22) 28- Evvc Fccv (0:26) 13- Cccc Eccv (0:25) 29- Avvc Cvvc (0:30) 14- Accc Eccv (0:25) 30- Cvvv Ecvv (0:31) 15- C2ccc F1ccc (0:30) 31- Bvcc Cvcc (0:26) 16- Bcvc Cccc (0:32) 32- Bcvv Fvvc (0:34) Williams Mix Source Material, November 26, and July 9 & 11. 33D R303 11/26 (First) (#1 - #17) 7/9 (Second) (#1 - #5) 1- A6ccc (0:38) 18- Avcv Dvvv (0:33) 2- D4ccc (0:21) 19- Dvcv Fvvc (0:18) 3- B6ccc (0:23) 20- Bccc(3) Eccc(11) (0:29) 4- A4ccc (0:33) 21- Bccc(2) Eccc(5) (0:30) 5- A3ccc (0:26) 22- B2ccc (3:31) 6- A5ccc (0:13) 7- D3ccc (0:23) 7/11 (Third) (#1 - #5) 8- E4ccc (0:12) 23- Cvvv Dvvv (0:33) 9- E9ccc (0:12) 24- B2ccc(1) Eccc(6) (0:20) 10- E10ccc (0:14) 25- B1ccc F1ccc (0:29) 11- E5ccc (0:23) 26- F9ccc (0:53) 12- E13ccc (0:19) 27- F13ccc (1:09) 13- E3ccc (0:24) 14- C1vcc (0:19) 15- C1cvc (0:19) 16- C1ccv (0:20) 17- E1ccc (0:29)

Page 34 of 79 Audio and video recordings, David Tudor papers, 1884-1998 (bulk 1940-1996), The Getty Research Institute, Los Angeles, accession no. 980039

Description Box No. Item No. Williams Mix Source Material, June 27 and December 2. 33D R305 *Notes on tape box: “6/27 - complete”; “12/2 - 1-15”.+ 6/27 (First part of reel) (#1 - #24) 12/2 (Second part) (#1 - #16) 1- Dcvc Acvv (0:29) 25- Fccc Ccvc (0:26) 2- Dcvc Eccc (0:24) 26- Ccvc Fccv (0:30) 3- Eccv Bcvc (0:25) 27- Ccvc Dccc (0:25) 4- Cvcc Fccc (0:26) 28- Bccc Ccvc (0:28) 5- Cccv Dvvc (0:25) 29- Acvc Cvvc (0:24) 6- Eccc Fvcc (0:27) 30- Acvc Cccc (0:17) 7- Bvvv Cvvc (0:28) 31- Acvc Dvvv (0:21) 8- Bvcc Ccvc (0:18) 32- Acvc Eccc (0:22) 9- Avvv Bvvv (0:29) 33- Acvc Eccv (0:19) 10- Accc Bcvc (0:22) 34- Acvv Evcv (0:15) 11- Acvv Fccv (0:19) 35- Acvc Fccc (0:21) 12- Avcc Cccv (0:25) 36- Acvc Fvcc (0:20) 13- Fvcc Eccv (0:21) 37- Bvcc Dccv (0:10) 14- Bccc Fccc(4) (0:25) 38- Bcvc Dccc (0:18) 15- Cccc(2) Fccc (0:24) 39- Cccc Dccv (0:12) 16- Bccc Cccc (0:25) 40- Dccv Evvc (0:23) 17- Bccc Eccc (0:25) 18- Bccc Dccc (0:23) 19- Cccc(3) Eccc (0:27) 20- Bccc(4) (0:16) 21- Dccc Eccc(4) (0:25) 22- Accc Bccc(2) (0:25) 23- Accc Bccc(2) (0:24) 24- Bccc Eccc(3) (0:36)

Page 35 of 79 Audio and video recordings, David Tudor papers, 1884-1998 (bulk 1940-1996), The Getty Research Institute, Los Angeles, accession no. 980039

Description Box No. Item No. Williams Mix Source Material, December 2 & June 11. 33D R310 *Notes on tape box: “12/2 16-End”; “6/11 Complete”; “Reel No. 2”+ 12/2 (First part) (#16 - #25) 6/11 (Second part) (#1 - #20) 1- Dccv Evvc (0:17) 11- Acvv (1:18) 2- Dccv Fccc (0:18) 12- Ecvv (0:44) 3- Dvcc Accc (0:16) 13- Fcvv (0:35) 4- Eccc Accv (0:16) 14- Dcvv (0:42) 5- Accc Eccv (0:17) 15- Dvcc (0:42) 6- Fvcc Accc (0:20) 16- Avvc (0:34) 7- Accv Fccc (0:19) 17- Dcvc (0:32) 8- Bccc Dcvc (0:19) 18- Dccv (0:39) 9- Ecvc Bccc (0:15) 19- Fccv (0:30) 10- Bccc Fvcc (0:33) 20- Fcvc (0:41) 21- Ecvc (0:25) 22- Cvvc (0:40) 23- Cvvv (0:39) 24- Cvcv (0:35) 25- Cccc (0:36) 26- Cccv (0:40) 27- Ccvc (0:39) 28- Fvcv (0:35) 29- Avcc (0:36) 30- Accc (0:37)

Juan Carillo [Reel 1 of 2]. 21D R26 Preludio a Colon (11:33); Balbuceos (1:01); Tracks 1 and 2 from original Reel 26; Both reels were a gift to David Tudor from Charles Amirkhanian, November 12, 1969. Full track, mono. [Reel 2 of 2]. 21D R27 Horizontes (22:10), from original Reel 27. Both reels were a gift to David Tudor from Charles Amirkhanian, November 12, 1969. Full track, mono.

Tom Connors Unauthorized Thinking. 6D C108 Tom Connors and Peter Stenshoel (6:27).

Page 36 of 79 Audio and video recordings, David Tudor papers, 1884-1998 (bulk 1940-1996), The Getty Research Institute, Los Angeles, accession no. 980039

Description Box No. Item No.

Henry Cowell “Whirling Dervish”. 8D C137 [Piano piece, played by the composer, (3:46)].

Stuart Dempster On the Boards. 10D C188 *Track 1, Didjeridervish, (5:50); Track 2, Roulette, (7:40); Track 3, Don’t Worry, It Will Come, (3:58); Track 4, JDBBBDJ, (19:09)].

Morton Feldman [Cassette 1]. 7D C126 [For Cynthia, (2:20); Piano Piece, 1956, A & B, (2:50); Intersection III, (3:11); Intermission 5 (3:03)]. [Cassette 2]. 17D CU40_a Side A: Triadic Memories [beginning] (46:08); Side B: Triadic Memories CU40_b [conclusion] (14:17); Spring of Chosroes (17:24).

Bill Fontana Sound Environments. 20D R10 For David Tudor and John Cage, two recordings of sound environments, with Australian birds, from Bill Fontana. Track 1, with crows (5:37); Track 2, with bell birds (26:30). ½ track, stereo.

Christopher Fox [Cassette 1]. 14D C270 Track 1, unknown sound, south Pacific (0:20); Track 2, unknown sound, plus earthquake (0:56).

John Gromada [Cassette 1]. 14D C267 [Unidentified, electronic piece. (11:35)]

Werner J. Gruber Revolutions Per Second. 7D C116 [9 tracks, total timing, (19:56)].

Page 37 of 79 Audio and video recordings, David Tudor papers, 1884-1998 (bulk 1940-1996), The Getty Research Institute, Los Angeles, accession no. 980039

Description Box No. Item No.

Hisako Ishibashi [Cassette 1]. 12D C240_a Side A: Distans (15:09); Side B: N.Y.C. (3:36). C240_b

Ralph Jones Ultrasonics. 20D R11 Track 1, water coming to a boil (8:25); Track 2, sink aeration (3:08); Track 3, fire (17:49); Track 4, Grand Island frogs (14:21); Track 5, river ice - Fort Niagara (27:39); Track 6, fire (16:25). ½ track, mono.

Mauricio Kagel Improvisation Ajoutee. 30D R231_t1 [Track 1 of R231 (13:40). Track 2 listed separately in this inventory and contains: Christian Wolff: For 1, 2, or 3 people.] Improvisation Ajoutee (Reel I). 21D R42 (33:18) Improvisation Ajoutee (Reel II). 21D R43 (30:22) Improvisation Ajoutee (Reel III). 21D R44 (34:30) Improvisation Ajoutee (Reel IV). 21D R45 (15:15)

Roland Kayn Diffusions for Hammond Organ, Version IV + II. 34D R338 (14:34)

Fergus Kelly Hisswhispersplash. 15D C291 [10 tracks, total timing, (54:20)].

Rudolf Komorous Gone, (1969) [Reel 1]. 21D R39a [Reel 1, (12:55)]; 2 channel, stereo. [Original is actually 2 reel-to-reel tapes in 1 box. All copies separate contents of these reels.] Gloomy Grace, (1968) [Reel 2]. 21D R39b [Reel 2, (5:03)]; 2 channel, stereo. [Original is actually 2 reel-to-reel tapes in 1 box. All copies separate contents of these reels.]

Page 38 of 79 Audio and video recordings, David Tudor papers, 1884-1998 (bulk 1940-1996), The Getty Research Institute, Los Angeles, accession no. 980039

Description Box No. Item No.

Takehisa Kosugi Improvisation by Takehisa Kosugi (violin, voice), Sydney, 1976. 3D C33 Improvisation by Takehisa Kosugi (violin, voice), Sydney, 1976 [For the performance at Sydney Conservatorium, April 21, 1976] (45:55). 1976.

Douglas Leedy Decay. 22D R52 [Recording of piano, in which there are two piano performances, one on each channel] (48:31).

Richard Lerman Audio Transducer series - excerpts. 7D C130 [6 tracks, total timing, (01:01:16). See inserts with copies for details.]. Music by Richard Lerman. 7D C129_a [Side A: Track 1 (32:04), track 2 (8:38). Side B: Track 1 (20:18), track 2 (24:25)] C129_b Richard Lerman Performances. 17D CU41_a Side A: Ten Year Anniversary Piece (12:27); Kristallnacht Music (14:10); Music CU41_b for Takuhon (12:46); Side B: Piece for Computer, Shakuhachi, and Transducers (26:09); Changing States 3 (20:26). Travelon Gamelon, for Amplified Bicycles. 7D C128 [Track 1, Concert version, (15:45); Track 2, Promenade version, (5:26)].

Peter Tod Lewis Scorpio-bird (homage a David Tudor). 22D R64 (12:46).

Alvin Lucier Elegy for Albert Anastasia, 1965. 29D R222 (1965), Alvin Lucier (11:26). North American Time Capsule, 1967, Channels 1 and 2. 29D R205 [from original Reel 205, (10:09)] North American Time Capsule, 1967, Channels 3 and 4. 29D R206 [from original Reel 206, (10:17)] North American Time Capsule, 1967, Channels 5 and 6. 29D R207 [from original Reel 207, (10:28)] North American Time Capsule, 1967, Channels 7 and 8. 29D R208 [from original Reel 208, (10:21)]

Page 39 of 79 Audio and video recordings, David Tudor papers, 1884-1998 (bulk 1940-1996), The Getty Research Institute, Los Angeles, accession no. 980039

Description Box No. Item No.

Nicholas Lyon Cultural Conversations. 13D C258 Composed and recorded and played by N. Lyon [14 tracks, total timing, (60:13); See inserts with copies for details].

Richard Maxfield Piano Concerto for David Tudor. 31D R250 [Track 1, (13:18); Track 2, (13:00)]. Piano Concerto for David Tudor, 1967. 2D C15 Richard Maxfield. Piano Concerto for David Tudor, 1967 [Side A only (13:52)]; 1967 (?). Piano Concerto for David Tudor, 1969 [1]. 2D C13_a Richard Maxfield. Piano Concerto for David Tudor, 1969 [Notes on cassette C13_b label: Side A, “Pastoral Symphony” (3:57); Bacchanale” (8:97); Side B, “Piano Concerto for David Tudor” (12:27); Amazing Grace” (3:12). [Appears to be the same as C14] Piano Concerto for David Tudor, 1969 [2]. 2D C14_a Richard Maxfield. Side A, Pastoral Symphony; Bacchanale (12:21); Side B, C14_b Piano Concerto for David Tudor, 1969 (16:03); 1969. [Appears to be the same as C13] Piano Concerto for David Tudor, Copy E, 1969(?). 2D C16 Richard Maxfield, Piano Concerto for David Tudor; Copy E, mono tape, part only, Dolby B, 70 usec [Side A only, (13:08)]; 1969 (?). Piano Concerto for David Tudor, Copy F, 1969(?). 2D C17 Richard Maxfield, Piano Concerto for David Tudor; Copy F, stereo tape, part only, Dolby B, 70 usec [Side A only, (13:08)]; 1969(?).

Yoichi Miura Electronic Music Works [1]. 7D C115 [GTKB (1994), (20:19); Virginal Director (1992), (8:59); This tape is the same as C256.] Electronic Music Works [2]. 13D C256 [GTKB (1994), (20:19); Virginal Director (1992), (8:59); This tape is the same as C115.]

Elena Moneak Elena Moneak and her Theremin. 13D C254 (28:08)

Page 40 of 79 Audio and video recordings, David Tudor papers, 1884-1998 (bulk 1940-1996), The Getty Research Institute, Los Angeles, accession no. 980039

Description Box No. Item No.

David Moss “Terrain”. 12D C239_a [Side A of C239 (30:41). Side B listed separately in this inventory and contains: recording of Episode 2 of “The Hitch Hiker’s Guide to the Galaxy”.]

Conlon Nancarrow Nancarrow, Reel 2. 29D R198 [7 tracks, total timing, (40:47)]. 4 track, stereo. NC 690 [Conlon Nancarrow player piano studies]. 14D C271 [Identified by patron Matt Rogalski, in reader’s note, November 11, 2000 as set of Conlon Nancarrow player piano studies; Side A only, (43:39)]. Rhythm Studies. 21D R35 [24 tracks, approximate total timing, (86:45)]. ¼ track stereo.

Lelo Nazario [Cassette 1]. 6D C92_a Side A, Grupo Un/ “A Flor de Plastico Incinerada” (36:38); Side B, “Discurso C92_b nos Objetos”, for tape; “Balada Unidimensional”, for guitar and tape (16:10).

Kirk Nurock Natural Sound. 34D R341 (Concert, Dana Lobby, July 16, 1975, Connecticut College, 28th A.D.F.) (29:43).

Pauline Oliveros Duo for Accordion and Bandoneon, with possible Mynah Bird obligato. 22D R54 Pauline Oliveros: Duo for Accordion and Bandoneon, with possible Mynah Bird obligato (17:44)]. November 17. Light Piece for Piano, for David Tudor [1]. 21D R40 [see entry for R41; Tracks 1 and 2, 33:37]. November 17, 1965. Light Piece for Piano, for David Tudor [2]. 21D R41 [see entry for R40; Tracks 3 and 4, 35:28]. November 17, 1965. Pep-psi 3. 33D R294 (25:47)

Hans Otte “Tropismen 1” [1959] [1]. 25D R120 [1959, (9:33)].

Page 41 of 79 Audio and video recordings, David Tudor papers, 1884-1998 (bulk 1940-1996), The Getty Research Institute, Los Angeles, accession no. 980039

Description Box No. Item No. “Tropismen 1” [1959] [2]. 25D R121 [1959, (9:23)].

Emanuel Dimas de Melo Pimenta [Cassette 1]. 6D C100_a Gravitational Sounds/Gravity Sound Waves; [Side A, (31:14); Side B, (30:09)]. C100_b [Cassette 2]. 12D C227 4 Pianos (29:50); Cathay (29:42). [Cassette 3]. 12D C228 Boxes (28:42); “Yori” and “Mass.Age” (29:32). [Cassette 4]. 12D C229 Cell 193 (28:43); Daytime (26:00). Fabrications - Shortwaves, 1985. 9D C153 With speed correction. Parts I & II Dub [Side A only, (26:13)]; 1985. Through the Looking Glass, Tape One. 11D C193 [Side A (45:40) and Side B (45:43) stitched together in reformatting] Through the Looking Glass, Tape Two. 11D C194 [Side A (45:44) and Side B (45:55) stitched together in reformatting]

Terry Riley Terry Riley Dupe. 28D R169 *Notes on tape box, “”22””, “Terry Riley Dupe”, “Poppy Nogood’s All Night Flight”; (20:10)+.

Frank Rothkamm Frank Genius presents Music by H.A.L. 6D C110 [Frank Genius aka Frank Rothkamm; Track 1, Algorithm Block One, (9:20) sec.; Track 2, Living Under Water, (8:29); Track 3, Magnetism, (9:47); Track 4, Slow Motion 4F, (12:11); Track 5, Meltdown, (10:57); Track 6, Essence of Time Floating By, (7:35)].

Michael Sahl “The Waltz”. 29D R213 (8:14) Full track, mono.

Page 42 of 79 Audio and video recordings, David Tudor papers, 1884-1998 (bulk 1940-1996), The Getty Research Institute, Los Angeles, accession no. 980039

Description Box No. Item No.

Erik Satie “Trois Morceaux en Forme de Poire”, Septet. 11D C213_b *Side B of C213+, Erik Satie, “Trois Morceaux en Forme de Poire”, Septet; Joyce Theater, March 1988 (16:20); 1988. [Side A listed separately in this inventory and contains: David Tudor, “Webwork”, Shards; Joyce Theatre, New York City, March, 1998]

Kaikhosru Shapurji Sorabji Piano music. 15D C289 Track 1, Prelude, Interlude and Fugue (14:46); Track 2, Valse-Fantaisie: Hommage a Johann Strauss (15:05); Track 3, St. Bertrand de Comminges: “He was laughing in the tower” (20:04)+.

Peter Stenshoel (See Tom Connors)

Karlheinz Stockhausen Gesang der Junglinge. 35D RU6 Gesang der Junglinge, by K. H. Stockhausen (13:07) Klavierstucke [1st recording] [1]. 6D C111_a David Tudor, piano [Side A, (43:28); Side B, (24:52)]. C111_b Klavierstucke [1st recording] [2]. 6D C112_a David Tudor, piano [Side A, (43:33); Side B, (24:37)]. C112_b Kontakte. 21D R28 (25:34)

Carl Vine Masquerade - Carl Vine and Warren Burt. 21D R31 (19:58). ½ track, stereo. [Note: letter from Carl Vine to David Tudor is in tape box.]

Jerry Walker “Flute Tunnel Monkey Crick”. 23D R75 [Letter explaining piece in tape box; (24:17)]. Padma Sambhava excerpt. 21D R34 (32:25). ½ track, stereo. [Note: a letter from Jerry Walker to David Tudor is in tape box.]

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Description Box No. Item No.

Forrest Warthman Forrest Warthman/Sounds of a Creek. 15D C287 Track 1, Forrest Warthman, 6/9/96 (51:19); Track 2, Sounds of a Creek (51:14); [Letter from Forrest Warthman to David Tudor enclosed with original cassette].

R. Wilding-White [Cassette 1]. 21D R30 Track 1, Time Motion Study (2:55); Track 2, Fanfare for Jasper Johns (1:23); Track 3, Crusade (5:39); Track 4, Time and the River (There Is No Of) (12:48). ¼ track, stereo.

J. Williams Untitled [Recording of Music by J. Williams] 29D R217 [Note on tape box, “Irish-Demo”; (17:44)+.

Christian Wolff Christian Wolff [tape 1 of 2]. 30D R233 Take 1 (5:53); Take 2 (6:51); Take 3 (7:13); Take 4 (3:19); Take 5 (2:41); Take 6 (4:02). Stereo. Christian Wolff [tape 2 of 2]. 30D R234 Take 7 (3:09); Take 8 (5:46); Take 9 (5:06); Take 10 (5:19); Take 11 (7:56); Take 12 (2:26). Stereo. For 1, 2, or 3 people. 30D R231_t2 [Track 2 of R231]. Stereo half track (9:32). [Track 1 listed separately in this inventory and contains: Improvisation Ajoutee.] For Magnetic Tape [I and II]. 34D R312 For Magnetic Tape I (5:35); For Magnetic Tape II (6:48). For Magnetic Tape [III and IV]. 34D R313_t1 [Part 1 of R313]. For Magnetic Tape III (4:10); For Magnetic Tape IV (6:14). [Part 2 of R313 listed separately in this inventory and contains: John Cage - Imaginary Landscape #5]. Untitled [Part of a recording session by Christian Wolff]. 34D R325 (8:22)

Page 44 of 79 Audio and video recordings, David Tudor papers, 1884-1998 (bulk 1940-1996), The Getty Research Institute, Los Angeles, accession no. 980039

Description Box No. Item No.

La Monte Young 1698 to Henry Flint. 20D R6 (30:29) Excerpt from “Drift Study”. 30D R247 (21:05)

Page 45 of 79 Audio and video recordings, David Tudor papers, 1884-1998 (bulk 1940-1996), The Getty Research Institute, Los Angeles, accession no. 980039

III. Source Sounds

This group of audio recordings consists of recorded sounds such as field recordings, sound effects compilations, and test recordings. They have been divided into the following groups: Animal and Insect Sounds, Earth Sounds, Storm Sounds, Water Sounds, and Other Sounds.

Other Sounds has been further divided into Electronic Sounds and Natural Sounds. Electronic Sounds includes recordings that were electronically produced and/or appear to have been modified electronically. Natural Sounds includes recordings that appear to have had no electronic or sound- modification actions performed on them.

Description Box No. Item No.

Animal and Insect Sounds Animal and country sounds from the library of Lawrence Shove. 30D R236 15 tracks: Intro, and bittern (2:03); golden eagle fledgling, alarm (0:54); golden eagle fledgling, call (0:55); pine marten, mating sequence (3:05); pine marten, aggressive behavior (3:38); weasel, anxiety call #1 (0:28); weasel, anxiety call #2 (0:19); water vole (1:09); grey squirrel, alarm call (2:12); thunder (4:27); corn thresher machinery #1 (1:11); corn thresher machinery #2 (1:06); fox hound master calls (1:49); fog horn on remote island (2:24). Assorted animal/insect/bird sounds. 23D R79 [16 tracks: giant wood wasp, (2:01); oak leaf minor, (0:49); fallow deer rutting, (1:21); fallow deer fighting, (0:31); greater horseshoe bat, awakening, (1:53); greater horseshoe bat, cluster of young, (1:04); pipistrelles, (1:41); noctule bats, (1:09); Daubenton’s bat, (1:42); red fox, (10:05); large marsh grasshopper, (1:43); hedgehog, (0:20); grey seal pup, (0:30), Malabar thrush imitating person whistling, (0:45); unknown mammal, Himalyan foothills, (1:05); angry Angus bull, (1:54)]. Aviary, Pittsburgh, Irene Posner Lowe. 11D C199 Binaural, 2/12/84; [Side A only, (46:18)]; 1984. Bats. 26D R137 (48:14) [Bird Sounds]. 30D R248 Untitled recording (8:02) Birds. 13D C248 [Side A only (14:40)] Continuous animal sounds 1. 26D R132 (48:23) Continuous animal sounds 2. 25D R122 (48:07)

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Description Box No. Item No. David Tudor’s Animal Sounds, 11/23/92. 7D C124 (01:35:09) Floor Loop, Lion. 24D R91 [Lion roars (01:36:17)] Fly on flypaper. 26D R131 (01:36:21) *Fly paper modified, mosquito in test tube; Cat’s eye slow, bat 1 7/8+. 12D C221_a Side A, left channel, fly paper modified, right channel, mosquito in test tube C221_b slow (31:21); Side B, left channel, cat’s eye slow, right channel, bat 1 7/8 (31:21). Insects, Continuous, #12. 33D R299 (48:34) L Animals 3, 4, R Animals 11, 12. 10D C177_a Side A [of C177], L Animals 3, 4, R Animals 11, 12 (45:45). [Side B listed separately in this inventory and contains: M (Axial) 366.] Lawrence Shove: Curious Dupe [?]. 20D R25 Track 1, Birds (5:58); Track 2, Grey seals (4:41); Track 3, Red deer (7:33); Track 4, Seeker deer (3: 13); Track 5, Fallow deer (1:32). ½ track. *Looped recording of lion’s roar+. 16D CU17 (8:07) Longhorn beetle walking. 26D R129 (01:37:04) Monkeys. 26D R124 (48:11) [Mosquitoes]. 30D R245 Track 1, mosquitoes in test tubes (24:07); Track 2, mosquitoes in a water jar (9:35). Stereo. Mosquitoes in a water jar [1]. 26D R123 (48:17) Mosquitoes in a water jar [2]. 28D R166 (33:40), Stereo. [Mosquitoes in a water jar] [3]. 30D R244 Dupe mosquitoes in a water jar (33:51); Mosquitoes in a water jar (34:32). Porpoise Sounds. 28D R190 [Letter in tape box explains recording, (15:13)]. S. Birds. 8D C135 [Side A only, (6:36). Outdoor, natural sounds] Solo whale and Narration. 25D R109 [Track 1, (17:08); Track 2, (14:43)].

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Description Box No. Item No. Sounds of Insects. 33D R298 20 tracks: Cicada, Etc. (3:07); Wasp Chewing, Etc. (4:37); Katydids (0:48); Longhorn Beetle Walking (0:35); Longhorn Beetle Shriek (0:34); Viceroy Butterfly Walking (0:41); Viceroy Butterfly in Flight (0:49); Harpalas Beetle (1:17); Fly on Flypaper [1:35]; Underwing Moth (1:17); Grape Leaf Beetle (1:51); Dragonfly (0:37); Mud-Dauber (Wasp) (1:40); Crabro Argus (Wasp) (0:42); Deerfly (1:01); Japanese Beetle (1:04); Dronefly (0:57); Bumblebee (1:03); Cicada Song (3:39); Spider Walking (1:09). Tucson region/Insects. 28D R171 Sounds of the American Southwest - Tucson Region, Sounds of the Wet Season, Miscellaneous Sounds (20:47); Insect Sounds (16:24). Ultrasonic Recording of Bats. 30D R227 [Tape also contains brainwave recordings; Track 1, (22:16); Track 2, (22:42). Ultrasonic pulses, electronic sounds.] Wasp chewing. 26D R130 (48:36) Whale and porpoise voices. 14D C277 Recorded by William Schevill and William Watkins (22:08). Whale Trio. 25D R110 [Track 1, (16:52); Track 2, (15:24)]. Whales [1]. 22D R60 (24:18) Whales [2]. 22D R61 (23:38) Whales [3]. 27D R164 *Note on tape box, “Copy of April 24, ’69, Tape #3, R. Payne”; (21:16)+.

Earth Sounds Caltech earthquake recordings. 30D R241 (16:29), Mono. [Amplified seismometer] David Tudor Earth Vibes (Back-Up). 19D DAT3 [Track 1, (31:41); Track 2, (31:56); Track 3, (31:37)]. [Earth Vibes]. 11D C215_a Side A, Earth Vibes, L slo R normal (31:01); Side B, Earth Vibes, slo stereo C215_b (31:18). [Similar to C214.] Earth Vibes, L slo R normal. 11D C214 [Copy of master DAT backup; Side A only, (30:52)]. Earth vibes, Regular. 25D R107 (48:17)

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Description Box No. Item No. Earth Vibes, slow. 28D R168 (33:44) Earth Vibes, stereo [1]. 12D C216 [Side A only, (31:13)]. Earth Vibes (stereo) [2]. 29D R221_a [Track 1 of R221], (24:28). [Track 2 listed separately in this inventory and contains: Grenoble curtain and fountain; ½.] Earth vibrations #8. 25D R112 (48:05) Earth vibrations from Nevada, provided by Alan Ryall. 30D R242 (49:35), 4 track. 12/12/69. Earth vibrations, Slow. 25D R106 (48:17) Earthquake, Partial. 25D R108 (48:13)

Storm Sounds Modified storm. 25D R113 (48:17) Modified Storm [Source Tape]. 27D R156 (15:25) Thunderstorm and Flashflood. 25D R116 (48:31) Thunder and Wind. 25D R117 (48:06) Storm, double speed [1]. 24D R100 (48:34) Storm, Double Speed [2]. 27D R157 (22:40)

Water Sounds A Symphony of Ice, 1994. 11D C200 [Side A only, (29:52)]; 1994. Water sounds.] Ann’s Drain *1+. 26D R140 [Object bobbing in water (38:42)] Ann’s Drain *2+. 26D R143 [Bobbing object in water (41:30)]

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Description Box No. Item No. Ann’s Drain *3+. 26D R144 [Bobbing object in water (44:45)] Ann’s Drain *4+. 26D R145 [Bobbing object in water (41:50)] Ann’s Drain *5+. 26D R146 [Bobbing object in water (43:11)] Ann’s Drain *6+. 27D R147 [Bobbing object in water (40:39)] Ann’s Drain *7+. 27D R148 [Bobbing object in water (36:37)] Ann’s Drain *8+. 27D R149 [Bobbing object in water (44:19)] Ann’s Drain *9+. 27D R150 [Bobbing object in water (39:01)] Deep water sounds, 2000 meters - ambient. 11D C201 From Monterey Bay Aquarium [Side A only, (46:25)]; 1994. Dupe USS Pargo. 23D R76 [Letter in tape box explains recording, which is of under-ice noises, recorded from submarine; (30:38)]. Ice noise, USS Pargo. 27D R163 [Water and ship sounds (29:09)] M (Water). 9D C164 [Side A (30:27), Side B (30:20). Stitched together in reformatting for continuity, total timing (01:00:47).] [Monterey Bay Aquarium sounds]. 14D C273_a Side A, deep underwater sounds, waves (46:14); Side B, shallow water sounds, C273_b from Monterey Bay Aquarium (46:17). Natural Marineland [?]. 28D R175 [Note: writing on tape box does not appear to be related to contents of recording. Tom Erbe’s Notes: Track 1, “Unidentified recording - possibly a piece, composed of recordings of whales, recordings of conversations at a zoo or aquarium, and electronically processed sound” (11:37). Track 2, “Unidentified recording - a recording of a group of children, in an informal improvisation on piano, accordion, voice, and tambourine” (18:28).+ Navstad 4-90 CAN unclassified [ocean bios]. 6D C96_a Unclassified [Tape 1 of 1. Side A, (41:02); Side B, (41:14).] C96_b Navstad 3-89 CAN unclassified [ocean bios]. 6D C97_a Unclassified [Tape 1 of 1. Side A, (24:10); Side B, (24:12).] C97_b

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Description Box No. Item No. Navstad 4-89 CAN unclassified [ocean bios]. 6D C98_a Unclassified [Tape 1 of 1. Side A, (34:14); Side B, (34:00).] C98_b Navstad 3-90 CAN, unclassified [ocean bios]. 7D C127_a Unclassified [Side A, (23:43); Side B, (22:08).] C127_b Navy Hydrophone Ocean Noise Tape. 12D C241_a Dr. Clyde Nishimura, Naval Research Laboratory, Code 7420 [Side A (45:23), C241_b Side B (30:41)]; 1994. Ocean Dubs #1, Dubs from David Tudor Reels. 13D C242_a Side A, “Sounds of the Sea”, not continuous, “Sea Sounds”, continuous C242_b (41:09); Side B, rain, thunderstorm and flash flood, rainforest (46:43); 1994. Ocean Encounter, Authentic Nature Sounds, Surf. 11D C202_a Side A: Haena Beach, Hawaii (29:40); Side B: Lumahai Beach, Hawaii (29:31); C202_b 1992. [Ocean voices]. 14D C278 Side A: Bearded seals, sea ice, Beluga whales, ringed seals, bowhead whales (28:50); Side B: Ocean voices continuous (29:12). [Stitched together in reformatting, continuous recording.] Rhythm orig. 15D C283_a [Water sounds, with object bobbing in water.] [Side B listed separately in this inventory and contains: Kite String - dd.] (2:24) River Archive. 20D R7 Track 1, Cymtillery Stream, Wales (7:54); Track 2, River Awe, Scotland (12:18); Track 3, River Orchy, Scotland (3:34). ½ track. Sea sounds. 27D R159 [11 items, listed on insert notes with copies; Total timing, (22:22)]. Sea Sounds #10. 25D R101 (48:19) Sounds on Ocean Acoustic Tape. 6D C93 [From Dr. Junbo Xie, Institute of Ocean Sciences, Sidney, BC, Canada, (30:00)]. Sounds of the Sea - Tape 29. 9D C154 [Side A only, (39:08)]. Unidentified Recording [Recording of dripping water]. 34D R340 [Object bobbing in water, similar to Ann’s Drain (23:07)+ Water, Air:dt 3.30/teph. 3 pp 2. 11D C195_a [Side A (4:30), Side B (11:59). Water sounds.] C195_b Woods Hole Oceanographic Institution, 1994. 9D C162 Underwater earthquakes [Side A only, (3:30)]; 1994.

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Description Box No. Item No.

Other Sounds

Electronic Sounds 1 K Tone/5 Tone. 19D DAT4 (57:50). [Alpha AM-FM slo, modified nightjar slo; Monkey slo/insect slo]. 12D C222_a Side A, left channel, Alpha AM-FM slo, right channel, modified C222_b nightjar slo (31:11); Side B, left channel, monkey slo/insect slo (31:25) [electronic sounds] Alpha norm +; Mod. N.J. slo. 11D C208_a [Side A, Alpha norm + (10:38)]; Side B, Mod. N.J. slo (8:00)]. C208_b Alpha slo +; BRK 2 +. 10D C175_a [Side A (7:53), Side B (8:30)]; 1971? C175_b Alpha Waves. 27D R158 [Recording by Dr. Joe Kamiya of brainwaves; Track 1, (19:47); Track 2, (37:05); Track 3, (4:19); Track 4, (3:44). For EAT; Electronic sounds.] Alpha waves, AM-FM. 26D R133 (48:13) Alvin. 13D C243 [Side A only, (31:31). Amplified tones, unidentified sounds.] [Ascent, Descent]. 14D C282_a Side A, Ascent slo, Ascent fast (11:19); Side B, Descent slo, Descent C282_b fast (13:13). [Brain waves, beetle walking; Wasp chewing slow, mosquito in 12D C223_a test tube norm]. C223_b Side A, left channel, brain waves, right channel, beetle walking (31:26); Side B, left channel, wasp chewing slow, mosquito in test tube norm. (31:45). [Electronic sounds] [Brain waves normal, modified nightjar; Demodulated alpha, 12D C224_a wasp chewing modified] C224_b Side A, left channel, brain waves normal, right channel, modified nightjar (31:18); Side B, left channel, demodulated alpha, right channel wasp chewing modified (31:29). [Electronic sounds] Brain waves, regular. 26D R135 (48:30)

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Description Box No. Item No. [Brain waves, right channel, beetle walking]. 12D C220_a Side A, left channel, brain waves, right channel, beetle walking (31:09).] *Side B listed separately in this inventory and contains: “Untitled (Homage to Toshi Ichiyanagi”, Study 2.+ Brain waves, slow. 26D R136 (48:05) [Brain waves slow, Alpha AM-FM normal; EEG, nerves firing]. 12D C225_a Side A, left channel, brain waves slow, right channel, Alpha AM-FM C225_b normal (31:09); Side B, left channel, EEG (norm., slo mix), right channel, nerves firing (31:14). [Electronic sounds] Cat nerves. 30D R243 Track 1, pulse type nerve firing in cat’s brain (3:55); Track 2, nerve firings in cat from movement of the eyes (4:57). [Electronic sounds, pulses.] Cat’s eye. 26D R139 [Electronic sounds, pulses (48:16)] Cats Eye Slo-; Mos. WJ Norm+. 17D CU38 Track 1, Cats Eye Slo- (8:16); Track 2, Mos. WJ Norm+ (8:16). [Amplified, electronic sounds] Cells, C1. 15D C284_a [Side A, unidentified field recording, (25:03); Side B, modulated C284_b sine tones, (20:39)]. Chandra, 1 ½, 3 ¾; mod. eeg slo/norm. 12D C218 [Side A only, (30:06)]. [Collage of sound effects recordings]. 32D R286 [Unidentified recording. Collage of sound effects recordings. Track 1, (32:58); Track 2, (32:58). Electronic sounds.] Computer - CTC data point terminal. 8D C142_a [Side A of C142, (33:22); 1971.] [Side B listed separately in this inventory and contains: Bklyn. Canfield, 7 Haiku.] [Computer data]. 16D CU27 [Track 1, (4:56); Track 2, (6:15)]. Cortical and Oscillatory Neurons. 10D C189 (01:30:27) [Demo tape of Keypax]. 29D R219 [Untitled. Electronic sounds, demo tape of Keypax (8:10)]

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Description Box No. Item No. Demodulated alpha waves. 26D R127 [Electronic sounds (48:17)] Demonstration of envelope controller, and other examples. 29D R211 (7:00), ½ track. [Electronic sounds and pulses] E.E.G. 26D R134 (48:05) E.E.G. Dreaming. 27D R161 [7 tracks, total timing, (01:36:54)]. E.E.G. REM Sleep. 27D R160 [25 tracks, total timing, (01:36:51)]. [Electronic sounds 1] 14D C260_a Side A, Pulses (31:02); Side B, left channel, modified nightjar, slow, C260_b right channel, modified nightjar, normal (31:02). [Electronic sounds 2] 30D R240 Track 1, EEG on subcarriers, 1.3kHz-5.4 kHz (20:00); Track 2, EMG biceps (11:35); Track 3, ECG heart (15:43); Mono. Experimental recording of dance floor via seismometer. 3D C37_a Experimental recording of dance floor via seismometer [Side A, C37_b (22:55); Side B, (37:08). Amplified sounds on dance floor.] Experiments in sound modification. 29D R212 [sound modification tests (9:14)] F:DT 3+, tcph 3, C/F 3; R: EQ 2’, c/f 2’, pp + EQ 2’, SD + EQ 2’, SD + 9D C160_a tcph 2’, SD + fp 2’, SD = tp 2’. C160_b R: EQ 2’, c/f 2’, pp + EQ 2’, SD + EQ 2’, SD + tcph 2’, SD + fp 2’, SD = tp 2’ *Side A (10:40), Side B (15:43)+. F. Whistle; Exc. VH -6db. 17D CU39 Track 1, F. Whistle (12:22); Track 2, Exc. VH -6db (9:10). Fan Delay; Maxwell Wind. 17D CU37 Track 1, Fan Delay (8:24); Track 2, Maxell Wind (8:12) [amplified, electronic sounds.] Haiku [Recording of breathing]. 23D R87 [Recording of breathing, (17:00). Amplified breathing sounds] Ionosphere #1. 25D R103 [Amplified, modified sounds (48:16)] Ionosphere (from LP 5012B). R246 *Amplified, electronic sounds (“pulses”), with some talking (27:28)+ Jet Sleep; Exc. Hi. 10D C183_a Side A, Jet Sleep (8:05); Side B, Exc. Hi. (11:21). C183_b

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Description Box No. Item No. Left channel, Mod. NJ slo invert; right channel, Mod. NJ norm. 10D C176 Invert. Side A only: left channel, Mod. NJ slo invert; right channel, Mod. NJ norm. Invert (31:09); 1971? M (Axial) 366. 10D C177_b Side B of C177, M (Axial) 366 (31:04). [Side A listed separately in this inventory and contains: L Animals 3, 4, R Animals 11, 12.] Modified nightjar, 2 speeds. 29D R220 [Electronic sounds, slow, then fast (15:43).] Modified nightjar, regular. 26D R126 [Electronic sounds (48:17)] Modified nightjar, slow. 26D R125 [Electronic sounds (01:06:13)] [Modulated oscillators]. 32D R265 [Unlabeled tape [recording of modulated oscillators]. Track 1, (33:20); Track 2, (24:23). Amplified, electronic sounds] Mos. W.J. Norm/2x Frog chorus. 12D C217_a Side A of C217 (45:40). [Side B listed separately in this inventory and contains: Signals, March 21, 1981.] MTT S. 11D C207 [Side A only, (31:38)]. Muscles and nerves. 27D R165 Track 1, 60% EEG Subcarries (20:26); Track 2, 40 % Muscle Nerves (11:45). [Electronic sounds, amplified sounds] NASA recordings. 30D R237 [58 tracks in total, contents and timings listed on tape and CD inserts, approximate total timing (86:00). Compilation signals from space. Same as R173] NASA telemetry - commentary. 28D R173 NASA Telemetry; NASA Tape C-1 Commentary (43:15). [Same as R237] Nerves +; Mos. T.t. slo. 10D C186_a Side A, Nerves + (5:27); Side B, Mos. T.t. slo (9:45). C186_b *Listed in original inventory as C185. Inventory’s tape C186 seems to be an extra listing for Side B of this tape?] Nerves firing [1]. 26D R138 [Electronic sounds, pulses (48:03)]

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Description Box No. Item No. Nerves firing [2]. 28D R170 Track 1, bicep nerve (16:08); Track 2, cat’s brain nerve ends firing (3:53); Track 3, cat’s eye nerve (4:48). *Amplified pulses+ NTS. 23D R73 [Series of laboratory experiments logged in right channel, and nerve signals recorded in left channel. Notes for this tape and for R71 and R72 originally included with R72; transcriptions enclosed with reformatted copies of R71, R72, and R73.] NTS - June 27. 23D R71 [Series of laboratory experiments logged in right channel, and nerve signals recorded in left channel. Notes for this tape and for R72 and R73 originally included with R72; transcriptions enclosed with reformatted copies of R71, R72, and R73; (10:59)]. NTS 9-20-78. 23D R72 [Series of laboratory experiments logged in right channel, and nerve signals recorded in left channel. Notes for this tape and for R71 and R73 originally included with R72; transcriptions enclosed with reformatted copies of R71, R 72, and R73]. Pulsars; Jupiter; Sun. 29D R197 Track 1, Pulsars (7:12); Track 2, Pulsars (3:17); Track 3, Jupiter (1:23); Track 4, Solar Noise Storm (2:13). [Radio signals/electronic pulses from pulsars, Jupiter, and the Sun] Pulsers, Pepscillator, Delay Invert. 10D C178 [Side A only, (31:09); 1971? Amplified, electronic sounds. Similar to C179. Does not appear to include Pepscillator piece.] Pulses. 29D R204 (32:36), Mono. [Electronic sounds and pulses] Pulses (L) invert, BRK 2 (R) invert. 10D C179 Pulses (L) invert, BRK 2 (R) invert [Side A only, (29:52)]; 1971? [Similar to C178] Reel 1, Video. 31D R264 [Electronic sounds, similar to R266 (01:05:49)] [Reel 2, Video] [?]. 32D R266 Unlabeled tape; Note on reel: “II-V”; electronic sounds very similar to those on R264, “Reel 1, Video”; “II-V” possibly means “Reel 2, Video”? (27:52). *Electronic sounds+ [Rising tone]. 34D R324 Unidentified recording [Recording of a rising tone]. (12:15)

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Description Box No. Item No. Science Fiction Sound Effects. 20D R17 [Compilation of scifi sound effects, mostly electronic sounds (28:51).] Source material: BK 2. 11D C205 [Side A only, (30:31)]. Spacings, Doubles. 9D C156_a Side A, Spacings, Doubles, 3/16/86 [Kosugi; 4 channel; (18:35)]; C156_b Side B, Spacings, Doubles, 3/19/86 [4 channel; (27:31)]; 1986. Subject. WN 750. 17D CU28 [Amplified, electronic sounds (3:08)] Subject. Alpha N.250 -2.5db. 17D CU29 [Amplified, electronic sounds (3:09)] Subject. WN 3.5k -5db. 17D CU30 [Amplified sounds (3:07)] Subject. WN SUB2 +4.5db. 17D CU31 [Amplified sounds (3:08)] Subject. NJS 125 0db. 17D CU32 [Amplified, electronic sounds (3:10)] Subject. Alpha N.125 -5db. 17D CU33 [Amplified, electronic sounds (3:11)] Subject. MOS.WJ Soft, Fast no Sample. 17D CU34 [Amplified, electronic sounds (3:10)] Subject. WN. SUB1 -2.5db. 17D CU35 [Amplified sounds (3:11)] Subject. WN 250 +3db. 17D CU36 [Amplified sounds (3:11)] Telemetry #4. 25D R102 [Electronic sounds (48:20).] [Test recording; Modulated sine tones]. 16D CU8 [Track 1, test recording (1:39); Track 2, modulated sine tones (0:53)]. [“Tudor. A: M-S”+. 34D R334 [Unidentified. Note on tape reel, “Tudor. A: M-S”, (20:29). Amplified, electronic sounds] Tudor Source 1. 12D C231 [Side A only, (18:08). Amplified, Electronic sounds] Tudor Source 2. 12D C232 [Side A only, (18:11). Amplified, Electronic sounds]

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Description Box No. Item No. [Unidentified Electronic Sounds]. 34D R337 (7:32) Untitled Tape 3. 12D C233 [Side A only, (20:34). Amplified, Electronic sounds] Video 3, “05”, Jet Sleep, EEG, Wasp Chewing - modified, Mos. t.t. 10D C185 slo. Side A: Video 3, “05 *beginning+” (46:16); Side B: “05 *end+”, Jet Sleep, EEG, Wasp Chewing - modified, Mos. t.t. slo (46:22); (1971?) [Listed in original inventory as C184? Amplified, electronic sounds, followed by a section similar to C163 and C171, followed by electronic sounds. Stitched together because “05” was continuous+ VSR 3/90, 1990. 5D C86 David Tudor, VSR 3/90 [Side A only, (46:21)]; 1990. [Xerox cassette, XR-1550]. 14D C261 [Repeated electronic noise, possibly data recording?].

Natural Sounds 317, Footsteps. 8D C143 [Side A only; 317 (29:14), Footsteps (8:19)]. 5.30-7.30 AM; [unidentified]. 13D C244_a Side A, 5.30-7.30 AM (45:31); Side B, [unidentified] (37:23). C244_b Air (C) (orig.). 11D C196 [Outdoor sounds (6:57)] [Airplane or glider flight]. 16D CU25 [Recording of airplane or glider flight (14:12)] Bells, floor stool. 8D C144 [Side A: (29:26), Side B: (30:32). Stitched together because they are continuous] Beograd mirror, Sadler’s Wells walk; Koln ‘72. 10D C170_a Side A: Beograd mirror, Sadler’s Wells walk, (31:18); Side B, Koln C170_b ‘72 (30:45); 1972. Bhutan 1st Reel [village sounds]. 22D R63 [Village sounds; 22 tracks, total timing, (38:14)]. Birdtree, Sadler’s Wells buzzer; Restaurant/Rotation/Telefreq., 14D C265_a etc. C265_b Side A, Birdtree, Sadler’s Wells buzzer (25:09); Side B, Restaurant/Rotation/Telefreq., etc. (31:16). [Large pauses of what appears to be almost silence left intact.]

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Description Box No. Item No. Bluff [recording of wind]. 14D C268_a [Side A, (22:00); Side B, (23:05). Appears to be near silent.] C268_b Bob Duffis - sound effects [Tape 1]. 29D R209 [Tracks 1-16 from original reel 209, (24:06)]. Bob Duffis - sound effects [Tape 2]. 29D R210 [Tracks 17-25 from original Reel 210, (24:06)]. Breathing and Laughing. 25D R105 (48:26) BRK1/BRK2. 8D C149_a [Side A (29:03), Side B (30:38)]. C149_b [Brooklyn kids; Canfield]. 9D C169_a Side A, Brooklyn kids (12:07); Side B, Canfield, Chicago ’71 (19:50); C169_b 1971. Canfield. 8D C138_a Canfield. Side A, Storrs Canfield (31:08); Side B, York pump to 40 C138_b Perc 42-54 (23:25). [Water sounds, people talking in background] *Canfield, Brooklyn ‘69+. 10D C172_a Side A, Canfield, Brooklyn ‘69 (24:33); 1969. *Side B listed separately in this inventory and contains: York Rehearsal.] Canfield, UCLA. 9D C165_b [Side B of C165], Canfield, UCLA (28:43). [Side A listed separately in this inventory and contains: unidentified.] [Chiricahua region sounds]. 28D R172 Sounds of the Chiricahua Mountain region. Sounds of the American Southwest; Chiricahua Mountain Region; Sounds of the Dry Season; Sounds of the Wet Season (27:55). Clam Room. 24D R88 [Track 1, (16:58); Track 2, (2:08). April 13, 1970. Outdoor ambiance, followed by spoken word.] David’s Tape. 13D C253_a [Side A (1:33), Side B (1:21). Outdoor ambiance, some spoken word C253_b in background.] David Tudor: “Metro”. 14D C264 [Side A only, (30:40)]. Dupe of #27, #28. 30D R239 [Track 1, sounds of insects, (33:26); Track 2, rainforest, (25:11)].

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Description Box No. Item No. Federation of Ontario Naturalists Presents “Sounds of Nature”: a 21D R29 Day in Algonquin Park. Track 1, morning and afternoon (21:13); Track 2, evening (18:26). ½ track, mono. Fenice ’72. 10D C173_a [Side A, (31:16); Side B, (31:25); 1972. People talking in C173_b background.] [Field recording of walking through leaves, water, and birds]. 16D CU21 (17:15) [Field recordings]. 9D C166_a Side A, Zoo to 55 - field recording (30:21); Side B, Khmer - field C166_b recording (47:03). [Fireworks]. 16D CU16 [Recording of fireworks (10:28)] Floor Loop, Gravel Dump. 24D R89 (01:36:18) Floor Loop - Sandpaper. 23D R81 (01:36:20) Floor loop, Stairs. 24D R90 [Footsteps (01:36:24)] Floor Loops, Asphalt, Motorcycle Passing. 24D R92 (01:36:19) Footsteps, “Continuous”. 25D R104 (48:06) Funny tape. 26D R128 [Miscellaneous sounds, recorded at random (48:26)]. [Grenoble]. 13D C250_a Side A: Grenoble, curtain, fountain, and theatre atmosphere C250_b (31:30); Side B: Grenoble, under platform (31:28). Grenoble curtain and fountain. 29D R221_b [Track 2 of R221; ½ (32:51). Stereo. Track 1 listed separately in this inventory and contains: Earth Vibes (stereo).] Gyuto monks and Prismatic Flute. 14D C269 [6 tracks, total timing, (52:43); See inserts with copies for details.]. Harper Chicago Smitty Wind. 34D R330 [(32:03), This tape seems almost completely blank. Air ambiance?] Heart; Boats. 27D R162 Side 1, “Heart” (27:19); Side 2, “Boats” (9:41). *Heart sounds, with some spoken word. Boat sounds]

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Description Box No. Item No. Ketjak; Train. 8D C141_a [Ketjak, Side A: (19:39); Train, Side B: (8:17)]. C141_b Lawrence Shove: #11 Natural Machinery. 27D R151 Tracks 1 and 3 (45:02). [Sound library - nature sounds with introductions.] Ludwig Koch Nature Recordings. 27D R155 [Track 1, (26:31); Track 2, (15:58)]. Ludwig Koch Continued. 23D R80 [Track 1, (10:25); Track 2, (25:12)]. Miscellaneous human and natural [sounds]. 25D R111 [Sounds listed on inserts with reformatted copies; Track 1, (27:44); Track 2, (17:25)]. Miscellaneous Sounds - Duffis. 27D R152 *Note on reel: “Dupe of Bob Duffis Tapes”; 25 items, listed, with timings, on insert notes with copies; Total timing, (19:56). Fire, footsteps, singing scales, and more.] Natural, Human, Machinery. 28D R176 Track 1, Wind, Rain (5:29); Track 2, Thunder Storm (5:38); Track 3, Lion, Elephant, Monkeys (5:24); Track 4, Jungle, Birds, Crickets, and Natterjacks (5:24); Track 5, Female Footsteps, Etc. (5:17); Track 6, Man’s Agonized Scream, Etc. (4:45); Track 7, Door Slam, Start and Depart, Etc. (2:08); Track 8, Start, Rev, and Stop, Etc. (2:14); Track 9, Heavy and Light Factory Machinery (4:25); Track 10, Road Crew, Power Lawn Mower, Power Drill (4:11). NG. 14D C272_a [Side A, (46:07); Side B, (46:03). Different ambiances.] C272_b Odeon walk, ’70. 8D C140_a Side A, Odeon walk, ’70 (31:04); Side B, Odeon water, traffic, ’70 C140_b (30:59); 1970. [Outdoor ambiance]. 6D C95_b [Side B of Item C95; recording of outdoor ambience and footsteps, (27:56).] [Side A listed separately in this inventory and contains: Forestspeech - Dub.] [Parade]. 16D CU18_a [Recording of a parade. Side A, (30:43); Side B, (30:45).] CU18_b Rain. 25D R114 (48:12)

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Description Box No. Item No. Rain Forest. 25D R115 *Note on tape box: “#11 Rain Forest Continuous from #28”; (48:19).] Rainstorm; Earthquake; Ionosphere. 28D R177 Track 1, Rainstorm [5:41]; Track 2, Earthquake [16:18]; Track 3, Ionosphere [26:14]. Room Tone. 34D R328 (37:24) Schubert/Amsterdam floor cleaning ‘70/BAM outside ’70. 10D C174_a [Side A (21:41), Side B (30:59)]; 1970. C174_b SFX record. 30D R228 [Includes sounds such as rain, people talking, bells, carnival music, music box. (14:59)] Sound Effects [1]. 23D R85 [Note in tape box lists effects recorded, (20:20). Misc sounds and ambiances.] Sound Effects [2]. 24D R99 [Track 1, duck pond, (2:06); Track 2, duck pond, edited, (0:47); Track 3, crowd - Massey Hall, (2:20)]. 1962. Sound Effects Recording. 34D R333 [Track 1, (32:46); Track 2, (9:47)]. Sounds of a tropical rain forest in America. 28D R174 Track 1, the dry season (11:57); Track 2, the rainy season (13:11). [Source material]. 13D C257_a Side A, Source material, Fish orig. (3:42); Side B, Source material, C257_b “W: dd, pp, CF” (12:54). Source tape dupe, #25, #26. 30D R238 [Track 1, sounds of American Southwest, (26:36); Track 2, sounds of Tucson, and insect sounds, (33:28)]. Stereo, ¼ track. Source Tape Dupe: Dupe 29, 30, 31. 33D R297 Track 1, Tape #29 (22:30); Track 2, Tape #30 (11:21); Track 3, Tape #31 (24:50). Spoleto, ’70. 8D C139_a Side A, Spoleto workers (29:27); Side B, Spoleto stairs, door, C139_b Erinathus bearded seal (28:37); 1970. Surf Storm. 27D R154 [Track 1, (11:06); Track 2, (15:53); Track 3, (19:15)].

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Description Box No. Item No. Surf Traffic Children. 27D R153 1, Light Surf, Heavy Surf (4:35); 2, Gentle Stream, Waterfall (4:22); 3, Heavy City and Light Suburban Traffic (2:20); 4, Heavy Trucks, “Victorian Street Atmosphere” (6:53); 5, Three Month Old Baby Crying, Etc. (3:10); 6, Children in Classroom, Etc. (6:01); 7, Horse Walking on Road, Etc. (6:04); 8, Horses and Carriages, Etc., (3:08); 9, Explosions, Etc. (1:44); 10, Fireworks, Burning Building (5:30). Tesla; Beograd, Sadler’s Wells Walk. 13D C246_a Side A Tesla (10:44); Side B, Beograd, Sadler’s Wells Walk (31:24). C246_b Trains in Sydney. 30D R224 (15:21) [Unidentified collage of sounds]. 16D CU23 [Track 1, Collection, or collage, of sound effect recordings, (30:30); Track 2, possibly underwater recording? (24:55)]. [Track 1: Outdoor sounds, amplified, electronic sounds. Track 2: Amplified, electronic sounds] Village Cries, Miscellaneous tape 1. 20D R2 Miscellaneous, tape 1 (30:33). 1 and 3. Whales/Arnhem ‘70/Breda ’70 rehearsal/Rotterdam ’70. 9D C168_a [Side A (25:00), Side B (24:09)]; 1970. C168_b Whistles. 13D C249 [Side A only (45:19)] Wind. 25D R118 (48:11) Wind Rec. Experiment, 1/3. 20D R3 1 and 3 (11:33). [First half of tape seems to be recorded-over with singing/music; second half seems almost blank - probably of wind.]

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IV. David Tudor performances

This group of audio recordings includes recordings of performances by David Tudor. They have been divided into two groups: Historical Recordings and Other Recordings.

The Historical Recordings from the David Tudor Papers consist of recordings of David Tudor performing piano pieces. Included in this group are recordings (transferred from audio cassette tapes donated to the repository by John Holzaepfel in 2001) of David Tudor’s performances at the Internationale Ferienkurse für Neue Musik Darmstadt, 1956, 1958, 1959, 1961. They were recorded by IFNM, Darmstadt 1994, 2001. N.B. For these particular tapes, Tudor performs on all pieces, except where noted: i.e. Christian Wolff performing Cage piece (without Tudor). Other performers with Tudor are noted.

Other Recordings consists of recordings of David Tudor performing electronic and/or prepared piano pieces.

Description Box No. Item No.

Historical Recordings “Historical Recording” *1+. 4D C66_a Sides A & B, piano music, possibly various composers, from 50s and 60s; [Side C66_b A (38:19), Side B (42:03); appears to be a duplicate of C67]. “Historical Recording” *2+. 4D C67_a David Tudor, “Historical Recording”; piano music, possibly various composers, C67_b from 50s and 60s [Side A (37:33), Side B (44:13); appears to be a duplicate of C66]. David Tudor, Piano 1956 Ferienkurse. 18D CI Stefan Wolpe: Passacaglia for piano (?) (14:17); Pierre Boulez: Sonatine pour flûte et piano, Severino Gazzelloni, fl., (11:09); Pierre Boulez: (Aufführung) Sonatine pour flûte et piano, (11:38); Olivier Messiaen: Le merle noir, Severino Gazzelloni, fl, (6:29); Karlheinz Stockhausen: Klavierstücke V + VIII, (6:00); Gladys Nordenstron: Rondo for flute and piano, Severino Gazzelloni, fl., (5:07). [See also Holzaepfel tape CADD 2001]. David Tudor, Piano 1958 Ferienkurse. 18D CADD Stefan Wolpe: Passacaglia for piano, (12:28). [See also Holzaepfel tape CI]. David Tudor, Piano 1958 Ferienkurse I. Teil. 18D CIIA_a Earle Brown: Four Systems for two Pianos, John Cage and David Tudor, (3:38); John Cage: Music for two pianos, John Cage and David Tudor (7:33); John Cage: Variations 2 Klaviere und 2 Radiogeräte, (10:19); John Cage: Winter music, (10:11); Morton Feldman: Two pianos, John Cage and David Tudor, (10:04).

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Description Box No. Item No. David Tudor, Piano 1958 Ferienkurse II. Teil [1]. 18D CIIA_b Christian Wolff: Duo II; John Cage and David Tudor, (14:36); Christian Wolff: Duo for Pianists, Christian Woff and John Cage (without Tudor), (4:05); John Cage: Variations 1st version, (2:04); John Cage: Variations, Konzert 2nd version, (5:14); John Cage: Variations, Aufnahme ohne Pulikum: 2nd version, (5:12); Stockhausen: Klavierstück XI, version 1, (5:59); Stockhausen: Klavierstück XI, version 2, (8:30). David Tudor, Piano 1958 Ferienkurse II Teil [2]. 18D CIIB Christian Wolff: For piano with preparation [sic], (10:28); Bo Nilsson: Quantitäten, (3:51); Earle Brown: Pentathis for nine solo instruments, (8:44); Franco Evangelisti: Proiezione Sonore Struttura per piano solo, (4:17); Bo Nilsson: Bewegungen, (5:55). David Tudor, Piano 1959 Ferienkurse [1]. 18D CIII_a Pierre Boulez: Premiere sonate pour piano, (9:05); Stockhuasen: Klavierstück VI, (14:52); Bo Nilsson: Bewegungen, (5:10); Bo Nilssson: Quantitäten, (3:11); Sylvano Bussotti: Piano pieces for David Tudor, nos. 3, 2, and 5, (11:24). David Tudor, Piano 1959 Ferienkurse [2]. 18D CIII_b Earle Brown: Hodograph I, (3:40); Hodograph I, 2nd version, (3:56); Bruno Maderna: Klavierkonzert 1959, (17:20); Stockhausen: Kreuzspiel, (9:50). David Tudor, Piano 1961 Ferienkurse I. Teil. 18D CIIIA_a Stockhausen: Kalvierstück XI, (1:31); Stockhausen: Kontakte, (33:16); David Behrman: Canons, (4:15). David Tudor, Piano 1961 Ferienkurse II. Teil [1]. 18D CIIIA_b George Brecht: Incidental Music Urauffürung, (3:14); John Cage: 26’55.988, (26:13); John Cage: The wonderful widow of eighteen springs for voice and closed piano, (2:58). David Tudor, Piano 1961 Ferienkurse II. Teil [2]. 18D CIIIB Toshi Ichiyangi: Stanzas, (14:56); La Monte Young: To Henry Flynt, (12:30); Terry Riley: Envelope for violin and piano, (9:11).

Other Recordings David Tudor: Performance at Alternative Museum, April 19, 1989. 1D C7_a David Tudor, Performance at Alternative Museum, April 19, 1989; C7_b Sides A (46:34) & B (24:42); 1989. [Unidentified piece. Not a piano piece. Amplified, electronic piece.]

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Description Box No. Item No. Event, June 24, 1988. 3D C36_a Event, June 24, 1988. Leverkusen, with David Tudor, Kosugi, Pugliese; Event C36_b (for Merce Cunningham), Leverkusen, June 24, 1988. Performed by David Tudor, Takehisa Kosugi, Michael Pugliese. [Side A, (46:33); Side B, (43:07)]. 1988. [Not a piano piece. Amplified, electronic piece] David Tudor with Jackie Monnier. 5D C76 David Tudor with Jackie Monnier; February 28, 1988 at “Imaginary Landscapes” concert at The Kitchen *Night 4 of “Imaginary Landscapes”. Side A (45:30) an d Side B (35:44) stitched together in reformatting for continuity, total running time (01:21:15); 1988. Night 4. Not a piano piece. Amplified, electronic piece.] EAT: David Tudor performance at Xenon, NYC, March 1, 1979. 6D C90_a Ref # 140, 141 [Side A, (28:22); Side B, (28:15); 1979. Unidentified piece. Not a C90_b piano piece. Amplified, electronic sounds.] Tudor. 29D R203 [Unidentified piece (15:54)] David Tudor - Piano Recording Session Tape, June 14, 1960. 31D R263 Track 1, Take 1 (8:30); Track 2, Take 2 (9:51); Track 3, Take 3 (3:00). [Piano music, possibly with electronic components? Difficult to tell.]

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V. Other musical works

This group of audio recordings is divided into unidentified, and miscellaneous and compilations of musical works, both instrumental and electronic.

Description Box No. Item No.

Unidentified [Unidentified] [1]. 16D CU10 [Recording of prepared piano, or other percussive instrument, (2:03). Amplified sounds? Similar to CU11] [Unidentified] [2]. 16D CU11 [Recording of prepared piano, or other percussive instrument, (13:34). Amplified sounds? Similar to CU10] [Unidentified] [3]. 9D C163_a Side A, 01 (46:20); Side B, 02 (46:20). [Unidentified performance of a piece? C163_b Similar to C171.] [Unidentified] [4]. 10D C171_a Side A, 03 (30:57); Side B, 04 (30:55). [Unidentified performance of a piece? C171_b Similar to C163.] [Unidentified] [5]. 9D C165_a [Side A of C165, unidentified (3:11). Possibly amplified? Side B listed separately in this inventory and contains: Canfield, UCLA.] Unidentified American Folk Singing. 23D R83 [Track 1, (22:23); Track 2, (22:21)]. Unidentified Bandoneon Music. 23D R74 [9 tracks, total timing, (37:35)]. [Unidentified collage recording] [1]. 28D R179 [Tape consists of edited bits of recorded music; track listings correspond to sections of tape separated by leader tape; Track 1, (1:29); Track 2, (0:59); Track 3, (1:09); Track 4, (0:34); Track 5, (1:54); Track 6, (1:56); Track 7, (2:40). Various music pieces, spoken word.] [Unidentified collage recording] [2]. 28D R189 [Recorded music in a room, and counting in French. Part of tape recorded at double speed, (20:27). Spoken word over recorded collage of music; section that seems to be recorded while at fast forward; Amplified, electronic sounds.] [Unidentified collage recording] [3]. 34D R339 [Appears to be test recordings; Track 1, (5:43); Track 2, (3:27). Collage piece of music, singing, spoken word; Testing mics out]

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Description Box No. Item No. Unidentified fragments. 24D R96 *8 tracks: 6 unidentified fragments, total timing (1:09); “Strange Death of Adolf Hitler (43), (22:12), film soundtrack; spoken material, (9:51). Recorded bits of music/tv productions, amplified, electronic sounds, spoken word] [Unidentified piano music]. 34D R331 [Unidentified Recording; Recording of piece for piano; Track 1, (22:39); Track 2, (25:26).] [Unidentified prepared piano piece]. 12D C238 *Original cassette labeled “Rainforest”, but recording is actually of an unknown work for prepared piano; Side A only, (15:08). Amplified, electronic piece]

Miscellaneous, compilations A Piece for Prepared Piano. 22D R66 [Piano music (6:08)] Accordion. 22D R65 *Notes on box: “Accordion”; “Handel - Royal Fireworks Overture”: “God Save the Queen at End”; (24:17)+. Bonus selection. 29D R218 Tape 1: Special “Rainforest of the Month” tape (15:10). ½ track, 2 channel, mono. [Musical piece?] Concepts of Sound - Harmonialoscilitoralization. 7D C118 [6 tracks, total timing, (18:57); See inserts with copies for details; Notes on label insert of original cassette: “Sound as a concept”, “Concepts of Sound”; “Brian Cole”; “Thomas Connors”. Electronic sounds and spoken word.] Confluence, 1977. 6D C99 [9 tracks: I Brake for Slopers, (3:21); Troons in Love, (7:17); Torch Song, (5:17); Cadenza, (13:19); Chocolate Duble, (2:17); Square Pegs Fit Better, (9:26); Crystal Itch, (3:44); Rocking Chair, (2:51); Saturn Express, (11:27)]; [Tom Nunn, Prent Rodgers, David Puyou Row, Bill Brooks]. CPE/Tudor @ Mills, 5/3/94. 19D DAT2_t1 Track 1, Bouquet I, II, III, IV by Steed Cowart (4:42); Track 2, Chromatic Canon DAT2_t2 by James Tenney (9:04); Harmonium by James Tenney (11:36); [Track 4 listed DAT2_t3 separately in this inventory and contains: Neural Synthesis No. 3 by David Tudor (57:42).] David Holzman, pianist [1]. 7D C117 [8 tracks, total timing, (67:10); Composer and date for each item given on cassette label insert - see inserts with copies for details. Personal letter from David Holzman to David Tudor in original cassette box].

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Description Box No. Item No. David Holzman, pianist [2]. 13D C259_a Side A, Schoenberg, Pleskow, Beethoven [3 items, total timing, (46:02); Side B, C259_b Wolpe, Griffes [2 items, total timing, (41:27); See inserts with copies for details.]. [Demonstration of TC1210 effects processor]. 16D CU26 [Recording of demonstration of TC1210 effects processor. Track 1, (6:10); Track 2, (6:09). Synthesizer music.] Demonstration tape from Sanyo of “canned” background music. 15D C286 Track 1, Hot Escort (3:12); Track 2, Give Me the Music (3:11). [Synthesizer music] Disques Holiday. 30D R225 Track 1, Les Anges (3:06); Track 2, Jesus Accepte La Souffrance (3:11); Track 3, Le Petit Ane Blanc (2:16); Track 4, Allegro Barbaro (2:20). [Donauschingen Music Festival, Oct. 17, 1954] [Tape 1 of 8]. 28D R180 [Reels 180-187 identified by patron Volker Straebel, in reader’s note, June 24, 2011, as 7.5 ips copies of the tapes John Cage and David Tudor used for their concert at Donauschingen Music Festival on Oct. 17, 1954. They contain three works: Morton Feldman - Intersection for Magnetic Tape (3:30); Earle Brown - Octet (3:30); John Cage - Williams Mix (4:30). This seems to be the only surviving copy of the eight track version of Earle Brown’s “Octet”.] [Donauschingen Music Festival, Oct. 17, 1954] [Tape 2 of 8]. 28D R181 [Reels 180-187 identified by patron Volker Straebel, in reader’s note, June 24, 2011, as 7.5 ips copies of the tapes John Cage and David Tudor used for their concert at Donauschingen Music Festival on Oct. 17, 1954. They contain three works: Morton Feldman - Intersection for Magnetic Tape (3:30); Earle Brown - Octet (3:30); John Cage - Williams Mix (4:30). This seems to be the only surviving copy of the eight track version of Earle Brown’s “Octet”.+ [Donauschingen Music Festival, Oct. 17, 1954] [Tape 3 of 8]. 28D R182 [Reels 180-187 identified by patron Volker Straebel, in reader’s note, June 24, 2011, as 7.5 ips copies of the tapes John Cage and David Tudor used for their concert at Donauschingen Music Festival on Oct. 17, 1954. They contain three works: Morton Feldman - Intersection for Magnetic Tape (3:30); Earle Brown - Octet (3:30); John Cage - Williams Mix (4:30). This seems to be the only surviving copy of the eight track version of Earle Brown’s “Octet”.+

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Description Box No. Item No. [Donauschingen Music Festival, Oct. 17, 1954] [Tape 4 of 8]. 28D R183 [Reels 180-187 identified by patron Volker Straebel, in reader’s note, June 24, 2011, as 7.5 ips copies of the tapes John Cage and David Tudor used for their concert at Donauschingen Music Festival on Oct. 17, 1954. They contain three works: Morton Feldman - Intersection for Magnetic Tape (3:30); Earle Brown - Octet (3:30); John Cage - Williams Mix (4:30). This seems to be the only surviving copy of the eight track version of Earle Brown’s “Octet”.+ [Donauschingen Music Festival, Oct. 17, 1954] [Tape 5 of 8]. 28D R184 [Reels 180-187 identified by patron Volker Straebel, in reader’s note, June 24, 2011, as 7.5 ips copies of the tapes John Cage and David Tudor used for their concert at Donauschingen Music Festival on Oct. 17, 1954. They contain three works: Morton Feldman - Intersection for Magnetic Tape (3:30); Earle Brown - Octet (3:30); John Cage - Williams Mix (4:30). This seems to be the only surviving copy of the eight track version of Earle Brown’s “Octet”.+ [Donauschingen Music Festival, Oct. 17, 1954] [Tape 6 of 8]. 28D R185 [Reels 180-187 identified by patron Volker Straebel, in reader’s note, June 24, 2011, as 7.5 ips copies of the tapes John Cage and David Tudor used for their concert at Donauschingen Music Festival on Oct. 17, 1954. They contain three works: Morton Feldman - Intersection for Magnetic Tape (3:30); Earle Brown - Octet (3:30); John Cage - Williams Mix (4:30). This seems to be the only surviving copy of the eight track version of Earle Brown’s “Octet”.+ [Donauschingen Music Festival, Oct. 17, 1954] [Tape 7 of 8]. 28D R186 [Reels 180-187 identified by patron Volker Straebel, in reader’s note, June 24, 2011, as 7.5 ips copies of the tapes John Cage and David Tudor used for their concert at Donauschingen Music Festival on Oct. 17, 1954. They contain three works: Morton Feldman - Intersection for Magnetic Tape (3:30); Earle Brown - Octet (3:30); John Cage - Williams Mix (4:30). This seems to be the only surviving copy of the eight track version of Earle Brown’s “Octet”.+ [Donauschingen Music Festival, Oct. 17, 1954] [Tape 8 of 8]. 28D R187 [Reels 180-187 identified by patron Volker Straebel, in reader’s note, June 24, 2011, as 7.5 ips copies of the tapes John Cage and David Tudor used for their concert at Donauschingen Music Festival on Oct. 17, 1954. They contain three works: Morton Feldman - Intersection for Magnetic Tape (3:30); Earle Brown - Octet (3:30); John Cage - Williams Mix (4:30). This seems to be the only surviving copy of the eight track version of Earle Brown’s “Octet”.+

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Description Box No. Item No. Dreamsound - R.I.P. Hayman. 7D C121 [Track 1, Dream Waves, (32:22); Track 2, Sleep Song, (8:02); Track 3, Snore Sonata, (4:04); Track 4, Yawn Quartet, (10:01). Electronic piece. From Discogs.com: “Dreamsound is a subliminal event for sleeping audience which encourages relaxation, comfortable sleep, and pleasant dreams. A variety of audio and visual media provide impetus to dream images. The event has been performed in many venues including the New Music America Festival and as an overnight radio concert.”] Electronic Soundmaker and Computer Music, May 1995. 8D C136_a [Recording given away with specified issue of magazine of this title - contains C136_b pieces by various artists, as listed on insert label of original cassette; Side A: (29:42), Side B: (29:35). Computer/synthesizer music.] Feb. 14, ‘79/Feb. 15, ’79, H. Shliewe Gallery *?+. 9D C155_a Feb. 14, ‘79/Feb. 15, ’79, H. Shliewe Gallery *?+; *Side A (41:58), Side B (35:30); C155_b 1979. Amplified, electronic piece.] Fantastica - Music from Outer Space. 24D R97 [Printed leaflets in tape box describe sounds on tape; 12 tracks, total timing, (37:35). Instrumental music] [Gottschalk; Philipp; Verdi]. 20D R5 Track 1, Gottschalk: Brazilian National Anthem (3:47); Track 2, Gottschalk, Brazilian National Anthem [continued] (4:34); Track 3, Philipp: Feux-Follets (1:54); Track 4, Verdi: La Traviata [part only] (43:59). [Piano music; orchestral music + singing.] Horowitz concert. 22D R53 [9 items, by Chopin, Debussy, Scriabin, etc. Total timing, (01:04:33). Piano music] Imaginary Landscapes - New Electronic Music. 10D C191 [Compilation tape. Insert label of original cassette gives details of each piece, and of compilation; 13 tracks, total timing, (01:05:38). Electronic music.] In March for Ann, 7/67. 28D R192 [Electronic sounds piece (5:26)] Indian Background Music and Sounds. 22D R62 [Note: tape box contains letter from Dextra Frankel to Peter Poole, and “Catalog Information Sheet”; (02:09:08)+. La Bone, August 11, 1978. 13D C255 Track 1, Four Systems (8:16); Track 2, Studies for Prepared Marimba #2 and #5 (4:14); Track 3, EV-GX (4:18); Track 4, Second Ratchet Variations (12:03); Track 5, Neortonith (5:31); Track 6, No. 3 for Household Use Only (12:30). [Sound pieces]

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Description Box No. Item No. La Bone at ARC Gallery, Chicago, August 11, 1978. 20D R8 Track 1, Second Ratchet Variation - Carrot (12:34); Track 2, Studies for Prepared Marimba - Bowers (4:24); Track 3, EV-GX - Thomas (4:27); Track 4, Four Systems - Brown (8:50); Track 5, No. 3 for Household Use Only (11:06). [Sound pieces] Lakeview Assembly, 1958-1959. 20D R16 (35:33). ½ track. [Choral piece] Live Improvisation at Zuckerman’s, NYC, April 1990. 17D CU42 [Side A (40:02), Side B (19:06). Piano music] Musica Instrumentalis [Probably Lowell Cross?]. 30D R223 [Music, some electronic or amplified (17:35)] [Native American Music]. 26D R141_t2 [Track 2 of R141, Recording of Native American Music (13:36).] Track 1 listed separately in this inventory and contains: Lecture by B.F. Skinner.] NC210. 13D C252_a [Side A: recording of instrumental music & singing (3:00); Side B: unidentified C252_b piano music (15:21).] [Piano Phase; Reed Phase] 21D R32 Track 1, “Piano Phase”, Arthur Murphy and Steve Reich, pianos (12:50); Track 2, “Reed Phase”, Jon Gibson, soprano Saxophone, and two channel tape (9:32). 2 track, stereo. [Note: a letter to David Tudor, possibly from Steve Reich, is in tape box.] Recording of KPFA Broadcast of Concert featuring pieces by John Cage, 25D R119 David Tudor, and Lamont Young. [1958? (34:02). Miscellaneous pieces, with introduction] Rhythm Studies. 21D R36 [8 tracks, total timing, (30:21)]. Mono. [Piano music] Saaz Raag Aur Taal, Vol. I. 15D C288 Instrumental music of India [13 tracks, total timing, (01:00:48)]. SaazRaag Aur Taal, Vol. II. 15D C290 Instrumental Music of India [21 tracks, total timing, (56:59)]. Signals, March 21, 1981. 12D C217_b Side B of C217, Signals, March 21, 1981 (19:50). [Piano piece + misc sounds? followed by recording of orchestral piece (similar to a tv/film score). Seems to be a piece of piano music + found sounds.] [Side A listed separately in this inventory and contains: Mos. W.J. Norm/2x Frog chorus.]

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Description Box No. Item No. Sounding the I Ching. 10D C190_a [Side A (34:14), Side B (22:48). C190_b South Indian classical, Tape 2. 29D R215 [Track 1, (18:39); Track 2, (7:43); Track 3, (6:24); Track 4, (12:37); Track 5, (6:34); Track 6, (6:02); Track 7, (6:39)]. South Indian instrumental, Tape 1. 30D R226 [Track 1, (20:54); Track 2, (12:19); Track 3, (4:35); Track 4, (19:56); Track 5, (6:51)]. “Sweet Mystery of Life”. 34D R329 *Recording of 78 rpm, or Edison, record of “Sweet Mystery of Life”, (17:08). Recording of song, plus some static/tones interference (?)] Tellus, The Audiocassette Magazine, #9 - Music with Memory. 8D C146 Contributing editor, John Driscoll; 1985; [7 tracks, total timing, (34:45). Electronic sounds and music.] The Key [1958 production]. 24D R98 [1958 production, (25:29). Appears to be a recording of a tv production?] U.S. Steel Cello Ensemble, 1st night, ’78. 14D C262_a [Side A, (27:55), Side B, (29:23)]. C262_b Welt II. 22D R51 [Recording of electronically modulated piano]; (8:14).

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VI. Spoken word

This group of audio recordings consists of interviews, speeches, and miscellaneous spoken word.

Description Box No. Item No. 1 & 2 Dinner S.D. 2/71. 9D C167_a [Dinner chat. Side A (30:00), Side B (30:34)]; 1971. C167_b A message from Roger Sutherland, July 1992. 11D C198_a [Date in inventory; date on cassette label is 1996?; Roger Sutherland speaking, C198_b followed by performance of unidentified work. Side A (44:30), Side B (44:11)]. Audio letter to John Cage. 28D R178 [Track 1, (16:26); Track 2, (16:33). Spoken word with some music excerpts.] Cecil Coker [Recording of Speech about phonetics]. 23D R84 (02:02:22)]. David Tudor with Charles Amirkhanian, on KPFA, 7/17/95. 8D C133 [Side A only, (28:41); 1995. Radio program.] Diane Wakoski Reading a Selection of Her Own Poetry, San Francisco, 1960. 31D R249 (40:22) Episode 2, The Hitch Hiker’s Guide to the Galaxy. 12D C239_b [Side B of C239 (27:18).] [Side A listed separately in this inventory and contains: David Moss: “Terrain”.+ Every Wulf, Variation 2. 7D C125_a [Side A, (31:49); Side B, (28:20). Spoken word piece] C125_b Field recordings and dictation. 15D C285_a [Side A, (46:41); Side B, (18:15)]. C285_b Floor Loops for Whales. 24D R93 [Track 1, Hiromi and Harry, (3:42); Track 2, brains, (2:53); Track 3, sound under water, (3:07). Spoken word about whales] Inventor of Genius: John Cage. 8D C145 [BBC Radio 3 production, 12/12/89. Letter from Andrew Cheevers of the BBC to David Tudor enclosed with original cassette; Side A (29:11), Side B (29:02). Interview. Similar to C132. Sides A and B stitched together in reformatting for continuity, total running time (57:48).] [Japanese Vocalists; English Language Course]. 23D R86 Track 1, Studio Performance, with 2 Japanese Vocalists and Echo (18:40); Track 2, English Language Course [?] (11:48). Japanese Welcome Hiromi [Loop of Japanese greeting]. 23D R82 [Loop of Japanese greeting, (01:36:20)].

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Description Box No. Item No. John Cage In Memoriam, WBAI, 8/17/92. 8D C132 [Prod. Raphael Mostel; Side A: (01:00:50), Side B: (59:35); 1992. Interview. Similar to C145. Sides A and B stitched together in reformatting for continuity, total running time (02:00:05).] John Test [John Cage speaking, electronically processed]. 20D R15 [Spoken word, tests with electronics (9:21)] Lecture by B.F. Skinner. 26D R141_t1 [Track 1 of R141, (01:05:12).] [Track 2 listed separately in this inventory and contains: Recording of Native American Music.] Material collected for a showing of the artist Fanny Schoning. 3D C34_a Side A, From a recording of a discussion with Merce Cunningham (37:16); Side C34_b B, (About) Merce Cunningham, 1988-89 (28:44); 1988-89. [Discussions at perhaps a dance rehearsal?] NASA Commentary/Outer Space Treaty. 28D R167 (46:00) Newstrack Executive Tape Service. 15D C292 [Side A (9:26) and Side B (9:26) stitched together in reformatting for continuity, total running time (18:56).] Pathescope-Berlitz French Listening Comprehension Tests, Reel 1. 24D R94 [Backwards, (01:51:10). French language] Pathescope-Berlitz French Listening Comprehension Tests, Reel 2. 24D R95 [Backwards, (01:51:10). French language] Snack Bar Meeting. 30D R235 [About certain financial aspects of Pepsi Pavilion project]. [Tudor talk, 1995] [1]. 14D C280_a Side A, Tudor talk with John D.S. Adams, September 5, 1995 (36:03). Side B, C280_b Tudor talk with John Holzaepfel, November 4, 1995 (46:05). [Tudor talk, 1995] [2]. 14D C281_a Side A, Tudor talk with Peter Zaparinuk, November 30, 1995 (57:31). Side B, C281_b Tudor talk with John D. S. Adams, December 21, 1995 (15:54). Workshop, Tudor, etc., 14/6/88, Radio 100, I & II. 9D C157 Dolby B [Side A (43:58), Side B (44:11)); 1988. Radio program. Spoken word and music excerpts. Sides A and B stitched together in reformatting for continuity, total running time (01:27:51).] Workshop, Tudor, etc., 14/6/88, Radio 100, III & IV. 9D C158 Dolby B [Side A only (28:57); 1988. Radio program. Spoken word with music excerpts.]

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Description Box No. Item No. Workshop, Tudor, etc., 14/6/88, Radio 100, V & VI. 9D C159 Dolby B [Side A (43:58), Side B (37:31); 1988. Radio program. Spoken word with music excerpts. Sides A and B stitched together in reformatting for continuity, total running time (01:16:57).] York Rehearsal [1]. 10D C172_b Side B, York Rehearsal (28:20); 1969. [Side A listed separately in this inventory and contains: Canfield, Brooklyn ’69.+ York rehearsal [2]. 13D C251 [Side A (31:17) and Side B (19:44) stitched together in reformatting for continuity. Total running time (50:49).]

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VII. Missing recordings, blank tapes

Several audio items referred to in the original inventory refer to items that were not included in the collection once received. Other items referred to in the original inventory were found to be blank. These items are noted here, listed in order of Item No. (beginning with cassettes, followed by reel-to- reel tapes).

Description Box No. Item No. David Tudor: Rainforest IV. n/a C26 Rainforest IV [Recorded in Philadelphia, April 7, 1979. Binaural tape (Sides A & B)]; 1979. [Item C26. Missing when collection was first received.] David Tudor: Rainforest IV, 1974/1975. n/a C43 Rainforest IV. Side A, David, Tudor, Rainforest IV, Santa Clara, November, 1975 [Mixdown, 45 minutes. Performers: David Tudor, John Driscoll, Philip Edelstein, Bill Viola.]; Side B, David Tudor, Rainforest IV, Synapse, March 1974 [Mixdown. Performers: David Tudor, John Driscoll, Bill Viola, Linda Fisher, Ralph Jones.]. 1974/1975. [Item C43. Missing when collection was first received.] David Tudor: Microphone, 1973. n/a C64 Mix 2 AB; 1973. [Although labeled as indicated above, both sides of this cassette are actually blank.] David Tudor: Microphone, 1973. n/a C65 Side A, Mix A, 27’30”; Side B, Mix B, 27’30” *Copy of Cramps LP+; 1973. [Missing when collection was first received.] David Tudor: Dialects, March 15, 1984. n/a C69 [PCM 16 bit dub, recorded by John Driscoll]; 1984. [Missing when collection was first received.] C184. n/a C184 [There is no tape #184; the tape listed as such in the original inventory seems actually to be tape #185] [Blank tape] n/a CU1 [Blank tape] n/a CU2 [Blank tape] n/a CU3 [Blank tape] n/a CU4 [Blank tape] n/a CU5 [Blank tape] n/a CU7 [Blank tape] n/a CU9 [Blank tape] n/a CU12 [Blank tape] n/a CU14 [Blank tape] n/a CU19

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Description Box No. Item No. [Blank tape] n/a CU20 [Blank tape] n/a CU22 [Blank tape] n/a CU24 Floor Loop. n/a R77 [This tape is actually blank.] [Blank tape] n/a R142 Room Tone - Wednesday. n/a R314 [This tape is actually blank.] [Blank tape] n/a R317 [Blank tape] n/a R318 [Blank tape] n/a R319 [Blank tape] n/a R320 [Blank tape] n/a R321 [Blank tape] n/a R322 Scotch 207, 14.30 (at 15). n/a R336 [This tape is actually blank.]

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B. Video Recordings

The video recordings in the David Tudor Papers consist of 14 video tapes. Tapes were reformatted by John D.S. Adams and Tom Erbe, 1999-2002. Box numbers refer to the location of the physical Use Copies. Contact the repository for information regarding access.

Times are approximate and stated in (HH:MM:SS) format, where HH is number of hours, MM is number of minutes, and SS is number of seconds.

Description Box No. Item No. David Tudor. Sea Tails, 1983, with Jackie Monnier, Molly Davies (22:39) VHS; 36D V1 NTSC. 1983. David Tudor and Friends, Friday May 17, ’94 (02:10:02). VHS; PAL. 1994. 36D V2 Bill Viola. The Passing. VHS; NTSC. 1991. [commercially published] 36D V3 Beach Birds for Camera. Choreography: Merce Cunningham; Music: John 36D V4 Cage; Directed by Elliot Caplan. VHS; NTSC. 1993. [commercially published] Cage, Cunningham. VHS; NTSC. [commercially published] 36D V5 Rainforest 1, VTR 2. ½ inch; open reel. [Use copy only; originals too badly 36D V6 damaged to create Betacam SPs or Digital Betacam copies] Rainforest 2, VTR 2. ½ inch; open reel. [Use copy only; originals too badly 36D V7 damaged to create Betacam SPs or Digital Betacam copies] Kiyohiko Sano performing (20:34). ¾ inch. 1979. 36D V8 Rainforest - David Tudor - Composer’s Forum. Recorded at Synapse cable TV, 36D V9 with: John Driscoll, Linda Fisher, Ralph Jones, David Tudor, Bill Viola (8:44). ¾ inch. Rainforest, by David Tudor. Produced by George Bolling; c. 2 (20:00). ¾ inch; 37D V10 U-matic. 1981. Rainforest - Synapse. Dub from ½ inch, color, 60 min., stereo (01:02:35). ¾ 37D V11 inch; U-matic. 1974. Brazos River (58:44). ¾ inch; U-matic. 37D V12 Brazos River—First trial composite [mailed from Mark Birnbaum to David 37D V13 Tudor] (58:16). ¾ inch; U-matic. Brazos River—Viola Farber, David Tudor, Robert Rauschenberg. Brazos River 6 37D V14 (57:45). ¾ inch; U-matic.

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