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Jon Phetteplace Papers

Finding aid prepared by Special Collections & Archives Special Collections & Archives, UC San Diego 9500 Gilman Drive La Jolla, California, 92093-0175 858-534-2533 [email protected] Copyright 2008

Jon Phetteplace Papers MSS 0135 1 Descriptive Summary Title: Jon Phetteplace Papers Identifier/Call Number: MSS 0135 Contributing Institution: Special Collections & Archives, UC San Diego 9500 Gilman Drive La Jolla, California, 92093-0175 Languages: English Physical Description: 15.0 Linear feet (6 archives boxes, 6 records cartons, 2 card file boxes and 52 oversize folders) Date (inclusive): 1885 - 1991 (bulk 1965 - 1991) Abstract: Papers of Jon Phetteplace, and performer of contemporary music. The papers include drafts, transparencies, and Ozalid prints of his own scores, as well as materials for the performance of works by others; correspondence with and friends in English and Italian; programs from Phetteplace's activity with and small ensembles; miscellaneous appointment books, calendars, and journals; photographs; subject files; notebooks; and audio recordings of his work and the work of others. One of the strengths of the collection is the extensive documentation of his time in , both in terms of his own work and that of others. Creator: Phetteplace, Jon, 1940- Scope and Content of Collection The Jon Phetteplace Papers contain the scores of Phetteplace's musical compositions, in manuscript and printed versions, in addition to notes and sketches which document his major activities from 1965 to 1991. There are also materials for the performance of works by others, including printed scores and annotations. Sometimes, the performances involved composing a score for the performance itself, and these are also included. There is a slight amount of correspondence, the content of which occasionally, as in the case of 's Rozart Mix, directly relate to questions of performance. There are also photographs that document various activities, including photo-projections, and a large number of audiotapes, which document performances of both Phetteplace's work and that of his contemporaries. From 1968 to 1972, Phetteplace was very active as a composer and performer of new music, which is well-documented in the collection. The papers also include later materials, such as journals and notebooks. Arranged in eight series: 1) CORRESPONDENCE, 2) MUSICAL WORKS BY PHETTEPLACE, 3) MUSICAL WORKS BY OTHERS, 4) EPHEMERA, 5) PHOTOGRAPHS, 6) WRITINGS, 7) MISCELLANEOUS, and 8) AUDIO RECORDINGS. Biography Jon Dale Phetteplace was born February 4, 1940, in Fullerton, California. He studied cello with Frieda Belinfante before graduating from Fullerton High School in 1958, and after a year in , Austria (1959-1960), he moved to , Italy, where he took masterclasses at the Accademia Chigiana. He then studied with Mario Bianchi and Pietro Grossi at the Conservatorio Luigi Cherubini in , where, with Grossi, he began to study and composition. After returning briefly to the United States, Phetteplace moved back to Italy, where in 1965 he again studied cello and electronic music in Florence and worked in the Studio Fiorentino di Fonologica Musicale (S2FM). He also worked with Sylvano Bussotti, creating photographic projections for Bussotti's opera Passion selon Sade. By 1966, he was active as a performer in Italy, and moved to Rome in 1967, where, until 1968, he was associated with Musica Elettronica Viva (MEV), a group known for performing live electronic music. MEV is also known for not having any fixed set of members, although, according to Phetteplace, the original was constituted by Allan Bryant, Alvin Curran, Carol Plantamura, Frederic Rzewski, Ivan Vandor, and himself. Phetteplace participated in many of the concerts that MEV gave throughout Europe, and these concerts sometimes featured his music. He also participated in The Contraband, an offshoot of MEV, which also featured a rotating set of members, including Steve Lacy and Richard Teitelbaum, both of whom also collaborated with MEV. Phetteplace left Italy in 1969, returning to Southern California, where he continued to be active as a composer, although there is a shift in emphasis away from composition after 1972. In the early 1970s, he was active as a cellist in a number of Southern California orchestras and was associated with UC San Diego as a student and employee, working with the tape archives in the Music Library. From 1972 to 1985, he lived in 's former home in Encinitas. He was also active as a photographer, having a one-person show at the Unicorn Gallery in La Jolla in 1973, and producing five books of his own "photo-prints" from 1976-1980. Phetteplace moved from California to Honolulu, Hawaii, in 1985, and in 1988, he moved to Tucson, Arizona. In Tucson, he returned to photography, printing many of the images that he had taken in Europe in the 1960s. Preferred Citation Jon Phetteplace Papers, MSS 0135. Special Collections & Archives, UC San Diego.

Jon Phetteplace Papers MSS 0135 2 Acquisition Information Acquired 1997, 2009. Restrictions Audio recordings in Series 8 are restricted; researchers must request listening copies be produced. Fragile documents have been restricted for preservation reasons; photocopies can be found in place of these originals. Publication Rights Publication rights are held by the creator of the collection. OFF-SITE STORAGE COLLECTION STORED OFF-SITE: ALLOW ONE WEEK FOR RETRIEVAL OF MATERIALS. Subjects and Indexing Terms Phetteplace, Jon, 1940- -- Archives Composers -- United States -- Biography Music -- United States -- 20th century

CORRESPONDENCE Scope and Content of Series Series 1) CORRESPONDENCE: Phetteplace's correspondence from 1965 to 1991, arranged alphabetically by correspondent. The amount of correspondence is not extensive, sometimes consisting of only single letters or postcards. This is the case for , Allan Bryant, Peter Garland, , , and Ned Rorem. There are multiple letters, however, from several correspondents, most particularly, Robert Ashley, Sylvano Bussotti, Alvin Curran, C.F. Peters, John Cage, Giuseppe Chiari, and Pietro Grossi. The correspondence with Bussotti, Chiari, and Grossi is in Italian. The correspondence with C.F. Peters and John Cage documents a dispute over tapes of Cage's Imaginary Landscape No.5 and Where Are We Going? And What Are We Doing? that Phetteplace prepared for performance in 1967.

Box 1, Folder 1 A-Z Miscellaneous Box 1, Folder 2 Andrews, Bruce 1973 Box 1, Folder 3 Ashley, Robert 1972 Box 1, Folder 4 Austin, Larry 1968 Box 1, Folder 5 Bryant, Allan 1970 Box 1, Folder 6 Bussotti, Sylvano 1970 and 1990-1991 Box 1, Folder 7 C.F. Peters Corporation 1965 - 1967 Box 1, Folder 8 Cage, John 1965 - 1972 Box 1, Folder 9 Chiari, Giuseppe 1967-1970 and 1991 Box 1, Folder 10 Curran, Alvin 1969 - 1991 Box 1, Folder 11 Garland, Peter 1972 Box 1, Folder 12 Grossi, Pietro 1969 - 1977 Box 1, Folder 13 Johnson, Maxine-Karen 1986 Box 1, Folder 14 Kosugi, Takehisa 1978 Box 1, Folder 15 Lacy, Steve 1978 and 1990 Box 1, Folder 16 Luening, Otto 1972 Box 1, Folder 17 Lund, Ross 1970 - 1971 Box 1, Folder 18 Oliveros, Pauline 1982 Box 1, Folder 19 Partch, Harry 1972 - 1974 Box 1, Folder 20 Pfeiffer, John F. 1973 - 1991 Box 1, Folder 21 Phetteplace, Dale [Jon Phetteplace's father] 1983 - 1989 Box 1, Folder 22 Rorem, Ned 1983 Box 1, Folder 23 Schloss, Edith undated Box 1, Folder 24 Subotnick, Morton 1970 Box 1, Folder 25 Teitelbaum, Richard 1970 - 1971 Box 1, Folder 26 Wakoski, Diane 1975 and 1989

Jon Phetteplace Papers MSS 0135 3 MUSICAL WORKS BY PHETTEPLACE Musical Compositions

MUSICAL WORKS BY PHETTEPLACE Scope and Content of Series Series 2) MUSICAL WORKS BY PHETTEPLACE. Arranged in two subseries: A) Musical Compositions, and B) Working Materials. A) Musical Compositions: Musical scores, sketches and notes, which take the form of both drafts of works in progress and instructions on performance. B) Working Materials: Drafts of works that remain unfinished, notebooks in which notes for works remain bound with other material, and texts, such as computer routines, which are not clearly defined as works. The notebooks contain details on the planning and execution of performances during the late sixties and early seventies. These notebooks double as a chronicle of performances with MEV and with others. Lastly, there is a significant amount of material for , often consisting of transcriptions of J.S. Bach.

Musical Compositions

Oversize FB-296-01 Accordo (No. 5) - Includes transparency, Ozalid print, and notes 1968 Oversize FB-296-02 Displacements - Includes transparencies, Ozalid prints, photocopy of score, and notes 1967 Oversize FB-296-03 ESA/me, for - Includes letter from Kagel, first draft of score, and photocopy and carbon of the letter to Kagel which includes the score 1967 Box 1, Folder 27 Four-Tape Version of J.S. Bach's Die Kunst Der Fuge - Includes holograph score and photocopies 1984 Oversize FB-296-04 Free Lecture - Notes and Sketches. Includes texts by Aldo Braibanti 1967 - 1970 Oversize FB-296-05 Free Lecture - Scores. Versions I and II. Includes transparencies, Ozalid prints, and photocopies 1967 - 1970 Oversize FB-296-06 Gira-Gira. Includes transparency and Ozalid prints 1967 Oversize FB-296-07 Last Blues - Holograph score or sketch undated Oversize FB-296-08 Mimneogram - Transparency 1968 Oversize FB-296-09 No. 1 - Includes transparencies, graphs, and Ozalid prints 1965 and 1972 Oversize FB-296-10 No. 2 - Includes transparencies, graphs, Ozalid prints, photocopy, and photograph 1965 Oversize FB-296-11 No. 3 - Includes holograph score, photocopies, and sketches 1965 Oversize FB-296-12 No. 4 - Includes transparency and Ozalid print 1967 Oversize FB-296-13 One or Two Instruments or Two or Three Sustaining Instruments with Voice - Holograph score 1971 Oversize FB-296-14 Paesaggio Naturale, I and II - Includes transparency, offset master, Ozalid print, and photocopies 1966 and 1968 Oversize FB-296-15 Partita con Bach - Transparencies 1968 Oversize FB-297-01 Peasant Song - Includes transparencies, Ozalid prints, and photocopies 1972 Oversize FB-297-02 Porism - First Porism, undated; Porism: Quartet, 1972; Porism: Quartet Retrograde, 1972 Box 1, Folder 28 Radio City Music-Haul. Includes holograph score and photocopy 1972 Box 1, Folder 29 Satisfaction - Holograph score 1971 Box 1, Folder 30 - Holograph score undated Oversize FB-297-03 Three Plus Four - Includes transparency, Ozalid print, and photocopy 1967 Oversize FB-297-04 Virulentia - Includes holograph text by Aldo Braibanti, sketches, and notes 1965 - 1968 Oversize FB-297-05 Woyzeck - Includes sketches, notes, and typescripts 1968 - 1969

Working Materials

Bach Transcriptions Languages: English

Jon Phetteplace Papers MSS 0135 4 MUSICAL WORKS BY PHETTEPLACE Working Materials

Box 1, Contrapunctus I and Contrapunctus VIII Folder 31-32 Box 1, Folder 33 Vor Deinen Thron Tret'ich Hiermet 1970 Box 1, Folder 34 Wir Glauben All An Einen Gott and Contrapunctus XII 1970 Oversize FB-297-06 Cello Transcriptions - Various transcriptions, including works of J.S. Bach and Fritz Kreisler Box 2, Folder 1 Computer Music Box 2, Folder 2 Miscellaneous Sketches - Includes drawings by Frederic Rzewski and Giuseppe Chiari Box 2, Folder 3 Notebook - Includes notes for performance of Tf=0,2/R 1,3 (6), No. 4, Displacements, and No. 3. Also includes notes during travel to Turkey 1967 Box 2, Folder 4 Notebook 1967 - 1969 and 1985 Box 2, Folder 5 Notebook and Journal - Includes a version of "Satisfaction" 1969 - 1985 MUSICAL WORKS BY OTHERS Scope and Content of Collection Series 3) MUSICAL WORKS BY OTHERS: Scores that Phetteplace performed, most notably the preparations for making the tape of Cage's Imaginary Landscape No.5. Also included are several scores by Giuseppe Chiari and Pietro Grossi, as well as a performance piece by Takehisa Kosugi, which Phetteplace performed in the early 1970s.

Oversize FB-297-07 Ashley, Robert. In Memoriam; ; Trios Box 2, Folder 6 Behrman, David. Wavetrain Box 2, Folder 7 Bussotti, Sylvano. Rara 1965 and 1967 Cage, John Oversize FB-297-08 Cartridge Music - Includes published score and Phetteplace's realization in ink and watercolor Box 2, Folder 8-9 Imaginary Landscape No. 5 and Variations II 1961 Oversize FB-297-09 Variations IV - Includes published score and transparencies and Ozalid prints of Phetteplace's realization Box 2, Folder 10 Cardew, Cornelius. The Great Digest - Includes photocopy of score and working materials Oversize FB-297-10 Chiari, Giuseppe - Includes Ave Maria Di Schubert; Le Corde; La Folla Solitaria; Lyndon Johnson; La Luce; N.6; Per Arco; Pubblico; Teatrino. Consists of scores, translations, and typescripts Oversize FB-298-03 Curran, Alvin. Three Illustrated Lectures 1968 Oversize FB-298-04 Feldman, Morton. Durations 2 - Annotated score Oversize FB-298-05 Grossi, Pietro. Attimi di Homeart; Compositioni N.3, 11, 12; Tre Pezzi - Annotated scores Box 2, Folder 11 Kosugi, Takehisa. For Mr. M - Holograph score 1967 Box 2, Folder 12 Orchestral Scores - Traditional music Box 2, Folder 13 Paredes, Robert. Flowerchordia 1975 Box 2, Folder 14 Schnebel, Dieter. Aus Auschlage-Ausschlage Box 2, Young, La Monte - Death Chant and Trio for Strings Folder 15-16 EPHEMERA Scope and Content of Series Series 4) EPHEMERA: Announcements, programs and posters for many concerts which featured Phetteplace, either as a performer or composer, between 1963 to 1988. There are also Italian newspaper articles which document concerts in Italy from 1965 to 1969.

Box 2, Folder 17 Clippings about performances Programs Box 2, Folder 18 1959 - 1965 Box 3, Folder 1-5 1966 - 1990 and undated Oversize FB-298-06 Posters

Jon Phetteplace Papers MSS 0135 5 PHOTOGRAPHS

PHOTOGRAPHS Scope and Content of Series Series 5) PHOTOGRAPHS: Photographic prints of Jon Phetteplace and his family, and of musicians and composers in the United States and Italy. Many of the photographs were taken or printed by Phetteplace. In June 1990, before giving his papers to UC San Diego, Phetteplace dictated an inventory describing the numbered prints. A transcription of the photography portion of the inventory is found in the Index file. Names in the transcript may be spelled phonetically. Additional notes by Phetteplace can be found on the backs of the prints. The series also includes several photograms created by Phetteplace. Arranged by print number, with photographs from the 2009 accession at the end of the series.

Box 3, Folder 6 Index - Descriptions of prints 1-98 (transcript, 1990) Box 3, Folder 7 P1-P2: Sylvano Bussotti 1965 - 1966 Box 3, Folder 8 P3: Vittorio Gelmetti and Frederic Rzewski 1967 Oversize FB-298-01 P4-P6: Frederic Rzewski, Jon Phetteplace, Giuseppe Chiari, and Alvin Curran. Accademia Filarmonica Romana 1966 - 1967 Oversize FB-298-02 P7: Bill Hupfer, Carnegie Hall 1965 Box 3, Folder 9 P8-P9: Gaspar Cassado cello class, 1961. Gaspar Cassado and Cheiko Hara wedding, 1959 Box 3, Folder 10 P10: Sylvano Bussotti and Jon Phetteplace 1965 Box 3, Folder 11 P11: Alfred Cortot 1960 Box 3, Folder 12 P12: Pablo Casals, Jon Phetteplace and class at Palazzo Chigi 1961 Box 3, Folder 13 P12a-P13: Jon Phetteplace 1965-1973 Box 3, Folder 14 P14-P15: Sylvano Bussotti and Jon Phetteplace 1965-1966 Box 3, Folder 15 P16-P21: Jon Phetteplace 1940 - 1970 Box 3, Folder 16 P22-P29: Jon Phetteplace and family, Deana Takadean, and David Hemphill 1950-1976 Box 3, Folder 17 P30a-P30b: Pierre Clementi and Jon Phetteplace in Partner 1968 Box 3, Folder 18 P31-P32: Jon Phetteplace 1942-1947 Box 3, Folder 19 P33, P35-P36: Jon Phetteplace, student recital undated Box 3, Folder 20 P34, P38: Jon Phetteplace and Fred Gualda, San Diego Marathon 1979 Box 3, Folder 21 P37: Jon Phetteplace ca. 1944 Box 3, Folder 22 P39: Musica Electronica Viva (MEV) collage undated Box 3, Folder 23 P40-P41: Dialoghi musical score, page 1 undated Box 3, Folder 24 P42: Vittorio Gelmetti and Frederic Rzewski 1967 Box 3, Folder 25 P43-P44: Janos Starker and Robert LaMarchina, 1985. Sylvano Bussotti, undated Box 3, Folder 26 P45: Sylvano Bussotti and Buell Neidlinger 1965 Box 3, Folder 27 P46: Sylvano Bussotti multiple exposure 1965 Box 3, Folder 28 P47-P51: Jon Phetteplace ca. 1942 - 1967 Box 3, Folder 29 P52-P55: Jon Phetteplace and Frederic Rzewski at Accademia Filarmonica Romana undated Box 3, Folder 30 P56: Schulte family, Anaheim (Phetteplace's grandparents) ca. 1885 Box 3, Folder 31 P57-P58: Jon Phetteplace with Vuillaume cello 1977 Box 3, Folder 32 P59-P62: Jon Phetteplace, family members, and Deana Takadean 1943 - 1973 Box 3, Folder 33 P63: Sylvano Bussotti undated Box 3, Folder 34 P64-P68: Jon Phetteplace 1958 - 1983 Box 3, Folder 35 P69: Bruno Walter 1937 Oversize FB-298-07 P70-P71: Sylvano Bussotti 1966 Oversize FB-298-08 P72: Jon Phetteplace self-portrait 1966 Oversize FB-298-09 P73: Raymond Lewenthal 1965 Oversize FB-298-10 P74: Takehisa Kosugi, Tender Music, 1967. Includes "Story of Tender Music" (essay, 1991) Oversize FB-550-01 P75: Jon Phetteplace, Giuseppe Chiari, and Vittorio Gelmetti undated Oversize FB-550-02 P76: Photogram, Cartridge Music musical score, page 1 1965 Oversize FB-550-03 P77: Raymond Lewenthal at Webster Hall, Alkan recording 1965 Oversize FB-550-04 P78: First Porism, photogram of musical score with self-portrait and text by Rimbaud 1966 - 1973

Jon Phetteplace Papers MSS 0135 6 PHOTOGRAPHS

Oversize FB-550-05 P79: Piatigorsky Thinks, photogram with musical score and portrait of Gregor Piatigorsky ca. 1973 Oversize FB-550-06 P80: , Canal Street, New York 1965 Oversize FB-550-07 P81: Alvin Curran, Rome 1966 Oversize FB-550-08 P83-P87: La Passion selon Sade, and Romano Amadea 1966 Oversize FB-550-09 P88-P89: La Passion selon Sade, Cathy Berberian and Romano Amadea 1966 Oversize FB-550-10 P90-P91: Tender Music, Kosugi Sequence IV and V 1967 Oversize FB-550-11 P92-P93: Tender Music, Kosugi Sequence I and III 1967 Oversize FB-550-12 P94: Tender Music, Kosugi Sequence II 1967 Oversize FB-550-13 P95: John Cage/ Rozart Mix/Cartridge Music/Morel Mushrooms 1965 Box 3, Folder 36 P96: Pablo Casals 1961 Box 3, Folder 37 P97: Vladimir Horowitz 1982 Box 3, Folder 38 P99: Unidentified man 1966 Box 3, Folder 39 Jon Phetteplace 1991 and undated WRITINGS Scope and Content of Series Series 6) WRITINGS. Arranged in two subseries: A) Miscellaneous Writings and B) Appointment Books, Calendars, and Training Logs A) Miscellaneous Writings: Notebooks and manuscript drafts, including an essay written by Phetteplace and Francis J. Busco, a collaborator on some of Phetteplace's computer music compositions, on the notation of computer music, and a translation of an article by Giuseppe Chiari. The notebooks include observations, inventories, notes, and lesson plans. B) Appointment Books, Calendars, and Training Logs: Annotated calendars and appointment books, many of which contain journal entries and running logs. Earlier journal entries were kept in notebooks that were used primarily for creative work; these are found in the Working Materials subseries of MUSICAL WORKS BY PHETTEPLACE. Arranged chronologically.

Miscellaneous Writings

Box 4, Folder 1 Chiari, Giuseppe. "Music and Its Gestures" - Translated by Phetteplace 1967 Box 4, Folder 2 COMBAC: Report on a Keypunch Method of Encoding Music for Real-Time Programs. With Francis J. Busco 1972 Box 4, Folder 3-6 Notebooks - Answers to Adages; Encinitas: Inventories and Stories; Ideas, Poems, and Observations; Lessons 1979-1986 Box 4, Folder 7 Program notes

Appointment Books, Calendars, and Training Logs

Box 4, Folder 8-15 1973 - 1980 Box 5, Folder 1-2 1980 - 1981 Oversize FB-298-11 1982 Box 5, Folder 3-12 1983 - 1988 Oversize FB-298-12 1988 Oversize FB-298-13 1989 MISCELLANEOUS Scope and Content of Series Series 7) MISCELLANEOUS: Biographical materials, such as Phetteplace's passport and a photocopy of his birth certificate; curricula vitae; brief autobiographical writings; files on the Olympic torch relays of 1980 and 1984 (Phetteplace was an alternate torch runner); subject files; and information on the musical instruments that Phetteplace owned. Arranged alphabetically.

Box 5, Folder 13 Acoustics articles Box 5, Folder 14 Address books Box 6, Folder 1 Biographical documents

Jon Phetteplace Papers MSS 0135 7 MISCELLANEOUS

Box 6, Folder 2 Casals, Pablo - Clippings Box 6, Folder 3 Cello Playing - Lessons with Frieda Belinfante Box 6, Folder 4 Curricula vitae Box 6, Folder 5 Genealogies of the Phetteplace Family Oversize FB-298-14 Gregor Piatigorsky interview, Los Angeles Times West 1972 - 1973 Box 6, Folder 6 Indian music Box 6, Folder 7 La Jolla Civic/University ; San Diego Chamber Orchestra Box 6, Folder 8 Miscellaneous Box 6, Folder 9 Musical instruments Box 6, Olympics Torch Relay 1980 - 1984 Folder 10-11 Box 6, Folder 12 Revox tape recorder Box 6, Folder 13 Tonality AUDIO RECORDINGS Restrictions Original audio recordings are restricted. Researchers may request user copies be produced. Scope and Content of Series Series 8) AUDIO RECORDINGS: Sound recordings of musical performances in which Phetteplace participated, and of performances of his compositions and those of other composers. Most of the recordings are on reel-to-reel tape, although some were also transferred, by Phetteplace, to cassette tape. There are also examples of concrete music that he recorded in and elsewhere, and recordings of music that Phetteplace made by taping Italian radio. Some works are found only in the AUDIO RECORDINGS series, such as "Symphony" (1957) and "Sound City" (1973). Occasionally, the boxes include notes for performance, or lists of contents, if none are provided on the packaging. The score for "Sound City" is housed with the tape. Original audio recordings are restricted; researchers may request user copies be produced. Arranged in five subseries: A) Index to Audio Recordings, B) Reel-to-Reel by Phetteplace, C) Reel-to-Reel by Others, D) Audiocassette Recordings by Phetteplace, and E) Audiocassette Recordings by Others. A) Index to Audio Recordings: Transcript of Phetteplace's 1990 oral inventory of his audio recordings. This inventory sometimes provides details that are not always available in the notations on the tapes themselves. B) Reel-to-Reel by Phetteplace: Reel-to-reel audio recordings of performances by, or compositions by Phetteplace, 1955-1984. Arranged chronologically. C) Reel-to-Reel by Others: Reel-to-reel audio recordings by Phetteplace of performances of the work of other composers or musicians. Arranged alphabetically. D) Audiocassette Recordings by Phetteplace: Cassette audio recordings of performances by, or compositions by Phetteplace. Arranged alphabetically. E) Audiocassette Recordings by Others: Cassette audio recordings by Phetteplace of performances of the work of other composers or musicians. Arranged alphabetically.

Index to Audio Recordings

Box 6, Folder 14 Transcript 1990

Reel-to-Reel by Phetteplace

Box 7, Folder 1 My Voice and First Recordings: Chopin, Tchaikovsky. 5" reel 1955 Box 7, Folder 2 Unpredictable Symphony; Musique Verite. 7" reel 1957 Box 7, Folder 3-5 No.1, First Position, Electronic Version for ; First Position; No.1, Positions 1, 2 and 4. 7" reels 1965 Box 7, Folder 6 Material for Schoenberg TF. 4" reel 1966 Box 7, Folder 7 Matrix for TF - 0.2, R - 1.3, Six Examples. 4" reel 1966

Jon Phetteplace Papers MSS 0135 8 AUDIO RECORDINGS Reel-to-Reel by Phetteplace

Box 7, Folder 8-11 No.1, 3rd Position. Voice 2; Voice 2 and 3. 7" reels 1966 Box 7, No.1, 1965 4th and 2nd Positions. 7" reels Folder 12-13 Box 7, Folder 14 Natural Landscape (mono); LBJ (stereo). 5" reel 1966 Box 7, Folder 15 Paesaggio Naturale. 5" reel 1966 Box 7, Folder 16 Casper (Gira-Gira). 7" reel 1967 Box 7, Folder 17 No.4. 7" reel 1967 Box 7, Folder 18 Displacements, Rehearsals and Premiere Performance. 10" reel 1967 Box 7, No.1, 1965, Position 1; 13' 54" (Work in Progress). Position 2. Position 4, 50/60, Folder 19-21 corrected master. 7" reels Box 7, Folder 22 No.4, 1967; No.3, 3rd Position; No.3, 3rd Positions Modulated by No.4. 7" reel Box 7, Folder 23 No.1, 1965, Position 4. 7" reel Box 7, Folder 24 Three Plus Four. 5" reel 1967 Box 7, No.3, 1965: 3 PM - 4 PM. Voices A, B, C, and D. Chiara, G: Lyndon Johnson. 10" Folder 25-28 reels Box 7, Folder 29 Musica Verita, with Performance Instructions. 7" reel 1967 Box 7, Folder 30 Lyndon Johnson. 7" reel. Chiari, G. 1967 Box 7, Folder 31 No.3: 4 - 5 PM: Voices A and B. 10" reel 1967 Box 8, Folder 1 No.3, 1965. 7" reel Box 8, Folder 2 No.3: 4 - 5 PM, Voices C and D. 10" reel 1967 Box 8, Folder 3-5 Paesaggio Naturale. 7" and 4" reels Box 8, Folder 6 Church Service. 5" reel 1967 Box 8, Folder 7 Vocalise "Live." 7" reel 1967 Box 8, Folder 8 Flush, (Ch 1). 7" reel 1967 Box 8, Folder 9 Duo: Monteverdi: 6th L. Marenzio. Bussotti, Sylvano: Due Voci, Soprano and . 7" reels 1967 Box 8, Folder 10 3 and 4 modulated 4 and 3; Partita on Bach. 10" reel 1967 Box 8, Folder 11 Partita con Bach. 7" reel 1968 Box 8, Paesaggio Naturale. 5" and 7" reels 1968 Folder 12-13 Box 8, Folder 14 Church Music. 7" reel 1968 Box 8, Folder 15 Partita con Bach. 7" reel 1968 Box 8, Folder 16 Processions. 7" reel 1968 Box 8, Folder 17 Accordo, No.5. 7" reel 1968 Box 8, Folder 18 Suttman Job No.1. 7" reel. Contraband (Steve Lacy, Richard Teitelbaum and Jon Phetteplace) 1968 Box 8, Folder 19 Contraband (Steve Lacy, Richard Teitelbaum and Jon Phetteplace). 7" reel 1968 Box 8, Folder 20 Suttman Job No.2. Contraband (Steve Lacy, Richard Teitelbaum and Jon Phetteplace). 7" reel 1968 Box 8, Free Lecture. 7" reels 1968 Folder 21-22 Box 8, Folder 23 Play. 7" reel. Contraband (Steve Lacy, Richard Teitelbaum and Jon Phetteplace) 1968 Box 8, Folder 24 Free Lecture, Tape for Parts 2-6. 7" reel 1968 Box 8, Folder 25 Work In Progress. 7" reel 1969 Woyzeck Box 8, Intervallo and Death Chant. Tour copy, tape 1 of 2. Dance Scene, with Steve Folder 26-31 Lacy. Scene 2, Explicit Rosarium, Loop A, Loop B and Death Chant. Safety copy, tapes 1 & 2. 7" reels 1969 Box 9, Folder 1 Tour copy, tape 2 of 2. 7" reel 1969 Box 9, Folder 2-3 Free Lecture, Players 7 and 8. 7" reels 1969 Box 9, Folder 4 Free Lecture, Premiere. Grossi, P.: Ricerca Tempo; Rapporti; Battimenti. 7" reel 1969 Box 9, Folder 5 I Wonder What Time It Is. Walker, J. 7" reel 1969 Box 9, Folder 6-7 Sound City, tapes 1 and 2 (with score). 7.5 ips stereo, 7" reels 1973 Box 9, Folder 8 Paesaggio Naturale. Musica ex Machina: RAI Fonologia 5-7. Bryant, A.: Pitch Out. Krenek, E.: Spiritus Intelligentia Sanctus. Stockhausen, K.: Gesang der Juenglinge. Dallapicola, L.: Interview with Pietro Grossi. 10" reel 1975

Jon Phetteplace Papers MSS 0135 9 AUDIO RECORDINGS Reel-to-Reel by Phetteplace

Box 9, Folder 9 Work In Progress III. 4" reel in 7" box 1984 Box 9, Folder 10 Work In Progress IV, with notes. 7" reel 1984 Box 9, Folder 11 Cage Concert Intermission. 5" reel undated Box 9, Folder 12 Contraband (Steve Lacy, Richard Teitelbaum and Jon Phetteplace). 7" reel undated Box 9, Folder 13 Death Chant; Sax for Woyzeck. Bach, J.S.: Suite, Cello, E Major - Prelude; Suite, Cello, D Minor - Minuet, Prelude, Allemande. 5" reel undated Box 9, Free Lecture. Player 8. 7" reels undated Folder 14-15 Box 9, Folder 16 Last Blues; Paessagio Naturale. 7" reel undated Box 9, No.1, Positions 1 and 2, (tour copies). Positions 3 and 4, (tour copies). 7" reels Folder 17-18 undated Box 9, Folder 19 No.1, 1965, 1st Position (Stereo). Chiari, G,: Il Cielo e la Terra; Omaggio a Rene Clair. Grossi, P.: Progetti II e III. (mono) undated Box 9, No.1, Positions 2 and 4. 5" reels undated Folder 20-21 Box 9, No.3, 1965. 3 - 4 PM. 7" reels undated Folder 22-23 Box 9, Folder 24 Photograms 2: Sounds of Venice, Italy. 5" reel undated Box 9, Folder 25 Processions. Feldman, M.: Durations. 5" reel undated Box 9, Folder 26 Various unidentified pieces. 10" reel undated Box 9, Folder 27 Three Plus Four, 3. 7" reel undated Box 9, Woyzeck, Excerpts and Intervalo. 7" reels undated Folder 28-29

Reel-to-Reel By Others

Box 10, Folder 1-2 Battimenti: Tapes 1 & 2. 7" reels Box 10, Folder 3 Boulez, Pierre: Structures; Electronic Etude #2. Barraque, J. Concrete Etude. Auder, A.: Jazz E Jazz. Stockhausen, K.: . Schoenberg, A.: Variations For Orchestra, Op.31. 7" reel Box 10, Folder 4 Brown, E.: Synergy. Cage, J.: 26" 1.1499" for a String Player. Chiari, G.: Per Arco. Stockhausen, K.: Plus Minus. Ichiyanagi, T.: Duet II. 7.5 ips mono, 7" reel. Box 10, Folder 5-7 Bussotti, Sylvano - Memoria. Phrase a Trois. Pour Voix de Femme; Due Voci; Mit Einem Gewissen Sprechenden Ausdruck.. Setti Folgi. Chadabe, J.: Three Ways of Looking At a Square. Brown, E.: Hodograf 1. Feldman, M.: Intersection 2. 7.5 ips., 7" reels Cage, John Box 10, Folder 8 45'00" For a Speaker. 7" reel Box 10, Folder 9 Aria and Solo, Cello, 2 Rehearsals, 1967. 7" reel Box 10, Folder 10 Cartridge Music; For Second Player. 3" reel Box 10, Folder 11 Concerto, Prepared and Orchestra. Reich, S: Piano Phase. 7" reel Box 10, Imaginary Landscape #5 - IA (M1 + M2), IB, IM, M1-5. 4" and 5" reels Folder 12-20 Box 10, Intermission I-II. 7" reels Folder 21-22 Box 10, Folder 23 Intermission Piece, Tape 1. 7" reel Box 10, Folder 24 String Quartet In Four Parts; 0'00" Solo with . 7" reel Box 10, Where Are We Going? And What Are We Doing? Parts 1 and 4. German. Italian. Folder 25-29 Wo Gehen Wir Hin? Was Tun Wir? - Part 3. 7" reels Chiari, Giuseppe Box 10, La Folla Solitaria. La Luce. Lyndon Johnson. 4" and 7" reels Folder 30-34 Box 11, Folder 1-3 Per Arco. Quando il Cinema e Lontano. Omaggio a Rene Clair; Woody; Triste (Ramona); Il Cielo e la Terra. Teatrino. 5" and 7" reels Box 11, Folder 4 Club d'ascolto: Gruppo "Musica Elettronica Viva" - Gelmetti, Vittorio: Traumdentung. Curran, A.: La Lista del Giorna. Rzewski, F.: For 2. Bryant, A.: Pitch Out. Vandor, I.: Project Deux. 7" reel Box 11, Folder 5 Curran, Alvin: La Lista del Giorno, Speeded Up a Fragment. 5" reel

Jon Phetteplace Papers MSS 0135 10 AUDIO RECORDINGS Reel-to-Reel By Others

Box 11, Folder 6 Eaton, John: Synket Piece with Voice - Smith, W.O.: Synket Piece with , Percussion and Bass. Ketoff, G.: Synket Improvisation. Krenek, E.: Spiritus Sanctus. Stockhausen, K.: Gesang der Junglinge. Hausmann, R.: Lautgedichte (1918). Clementi, A.: Collage No.3, "Dies Irae." Vandor, I.: Project Deux. Also works by Francois, Klauss, Heissig, Guacerro, Gomez and Arrigo. 10" Hub only Box 11, Folder 7-9 Gelmetti, Vittorio - Modulazioni per Michelangelo, 1965 - Nous Irons a Tahiti. Prossimamente (Treni d'onda a modula 2 d'intensita). Untitled - Riedl, ?.: Composition #3. Schalf, P.: Utrecht. Grossi, P.: Collage 3. Interviews with Pietro Guaccero and Aldo Clementi. 7" reels Box 11, Grossi, Pietro - Algorhythms. Arrangements of Works of Bach and Paganini; Folder 10-25 Composizione 11. Calcolatore; Computer Arrangements of Webern and Paganini. Computer Music = Transcriptions of Bach, Paganini and Webern; Algorhythms. OM, Channels 1 - 6. OM, Parts 3, 4, 5 and 6. OM, Tracks 1 and 2 of 6. Progetto 2; Progetto 3; RF 2; RF 1.9. Research on the Program Structures; 6 Canons of J.S. Bach. RF 1; S2FM: Battimenti a 5. S2FM: R1, 7, a 1, 2, e Parte a 3. Tetrafono - Verdi, G.: La Traviata, Rehearsals Conducted by Toscanini. Zulian: Ricerca Tempo. 5" and 7" reels Box 11, Folder 26 Halffter, Cristobal: Lineas y Puntas - Ligeti, G.: Lontano. Kelemen, M.: Composee. Penderecki, K.: Capriccio, and Orchestra. Malecz, I.: Orale. 7" reel Box 11, Folder 27 Kosugi Concert, Rome 1967 - Kosugi, Takehisa: Monodharma; Tender Music; Bis. 7" reel Box 11, Folder 28 Ligeti, Gyorgy: Apparitions; Atmospheres - Lehmann, ?.: Quanti I. Nilsson, B.: Szene 1. Ionesco, E.: Il Salone Dell'automobile. 7" reel Box 11, Folder 29 Maderna, Bruno: Invenzioni Per Una Voce Sola - Berio, L.: Chemins, Harp and Orchestra. 7" reel Musica Elettronica Viva (MEV) Box 11, 2 Improvisations, 1968. Improvisation 5, Tapes 1 and 3. 7" reels Folder 30-32 Box 12, Folder 1-6 Improvisation No.7: Spacecraft. Improvisations 8. London 1, 2, 3 & 4. 7" and 10" reels Box 12, Folder 7 Musica ex Machina: Fonologia 3 and 4 - Ussachevsky, V.: King Lear. Blomdahl, K.: Arianna. Macchi: Anno Domini. Pousseur, H.: Electra, Excerpt. Also Works by Schaeffer, Nono, N.P.S and Zaffari. 10" reel Box 12, Folder 8 Nilsson, Bo: Quantitaeten - Boulez, P.: Pli Selon Pli. Berg, A.: Concerto, Violin. 7" reel Box 12, Pfeiffer, John - Office Routine; Toad Tango. Electronic Variations on a February 4th Folder 9-11 Theme - Moment; Experimental Film Sequences (Winter Sports), with dedication card. Algorhythms - Alpha Modulation; Violin and Reflection; Convolution 62; Rhythm Solo; 2 Formant Preparations; Vocalise on a Spiritual; Office Routine; Toad Tango. 7" reels Box 12, Rapporti - 1 and 2. Channels 3-6. 7" reels Folder 12-14 Box 12, Folder 15 Raxach, Enrique: Summer Music - Berio, L.: Syncronie. Wolff, C.: Summer. Schoenberg, A.: Vier Lieder, op.22. Stockhausen, K.: . 7" reel Box 12, Rzewski, Frederic - Glass Piece; Composition for Two. Impersonation, first Folder 16-22 performance and rehearsals, with program. Requiem - Bryant, A.: Masses. Chiari, G.: Fuer Elise. Gelmetti, Vittorio: Organum Quadruplum. For 2. 5" and 7" reels 1967 Box 12, Folder 23 Schnebel, Dieter: Amn - Kagel, M.: Tre Pezzi da Sonant, Guitar. Cage, J.: Solo for Voice 1. Bense, M.: Rosenschuttplatz. 7" reel Box 12, Folder 24 Varese, Edgard: Deserts - Kagel, M.: Sonant. Rzewski, Frederic: Phi. Offrandes - Rzewski, Frederic: Impersonation, Rehearsal 1. 7" reels Box 12, Venice. Venice 1 - 4. Venice 7 and 8 - American Sailor Songs; Gondole 2 AM. Folder 26-31 Venice 9 and 10 - First American Sailor Songs; S. Marco Orchestra. 5" reels

Audiocassette Recordings by Phetteplace

Box 13, Folder 1 Accordo materials - Woyzeck, rehearsal

Jon Phetteplace Papers MSS 0135 11 AUDIO RECORDINGS Audiocassette Recordings by Phetteplace

Box 13, Folder 2 Campo Santo Stefano - Venice, Italy; Musique Verite 1967 Box 13, Folder 3-6 Hours and Quarters - 1-7. Penderecki, K.: Sonata, Cello and Orchestra Box 13, Folder 7 Improvisation 7 - Musique Verite Box 13, Folder 8-9 Last Blues, 1969. Natural Landscape, 1966; Imaginary Landscape #5, 1966; Church Music, 1967 Box 13, Folder 10 Music for Radios, Tape and Record Player - Unpredictable Symphony; Hypnosis Episode; No.1, 1965, position 1, 2, 3 and 4; Imaginary Landscape #5 Box 13, Folder 11 Natural Landscape - Cage, J.: Aria Box 13, Paesaggio Naturale - Kagel, M.: Match. Musica Elettronica Viva: Improvisation 5 Folder 12-13 Box 13, Folder 14 Sound City, Tape 3, 1973 Box 13, Folder 15 Symphony (1957) - No.1, 1965, positions 1 - 4; Landscape; Free Lecture Box 13, Folder 16 Vocalise - Breath; Espressivo Box 14, Folder 1 Vocalise, "Live" - Flush Box 14, Folder 2-6 Woyzeck - Fiera "B" - Grossi, P.: Battimenti. First Performance, 1969. Performance of February 28, 1969. Turina Rehearsals

Audiocassette Recordings by Others

Box 14, Folder 7 Cage, John: Where Are We Going? What Are We Doing? (German and Italian) - Tape 1 of 2 Box 14, Folder 8 The Contraband: Doors Box 14, Folder 9 Musica Elettronica Viva: Improvisation 5 Box 14, Stockhausen, Karlheinz: , Regions 1-4 Folder 10-11 Box 14, Turkey Notes 1-6 Folder 12-15

Jon Phetteplace Papers MSS 0135 12