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Lesson: Two Mughal Paintings Essential
Lesson: Two Mughal Paintings This lesson is accompanied by a handout, Visual Analysis: Four Steps toward Critically Thinking about Art. Essential Question: What role does the visual language of Mughal painting play in the expression of royal power and dynastic legitimacy? Learning Experience: Students will examine two paintings from the Mughal dynasty (1526-1828). One depicts an emperor watching an elephant fight. The second portrays another emperor seated with ten of his ancestors. Students will learn how painters of the Mughal royal workshops used art to express a vision of absolute power. Anticipatory Set: Do we encounter visual symbols or forms of architecture in our daily lives that not only tell us how to behave, but also that we must behave in certain ways? Context: At its height the Mughal Empire controlled most of the Indian subcontinent. Its founder, Babur (1483-1530), was from Central Asia, born in what is today Uzbekistan. He was a Turk, a member of one of the many Central Asian tribes speaking Turkic languages such as Uzbek, Kazakh, Turkish, etc. Babur was the great-great-great grandson of Timur (1336-1405, known as “Tamerlane” in the West). The Timurid dynasty (1370-1405) for a time ruled much of what is today Iran and Central Asia. On his mother’s side Babur claimed descent from Chinggis Khan, the great Mongol conqueror (“Mughal” derives from “Mongol”). The early Mughal rulers emphasized both their descent from Timur and their Chinggisid lineage through Babur’s mother; they were known equally as the Mughals and the Later Timurids. .Just as Timur’s descendants claimed that Timur had outdone Chinggis Khan, so Babur and his descendants recorded those aspects of Babur’s career which had surpassed the achievements of Timur (Manz 2002: 9). -
Proposal to Encode the 'Fravahar' Symbol in Unicode
L2/15-099 2015-03-30 Proposal to Encode the ‘Fravahar’ Symbol in Unicode Anshuman Pandey Department of Linguistics University of Californa, Berkeley Berkeley, California, U.S.A. [email protected] March 30, 2015 1 Introduction This is a proposal to encode a symbol associated with Zoroastrianism and the cultural legacy of Iran in Unicode. The character is proposed for inclusion in the block ‘Miscellaneous Symbols and Pictographs’ (U+1F300). Basic details of the character are as follows: glyph code point character name U+1F9xx FRAVAHAR The representative glyph is derived from an image available on Wikimedia Commons, which was released into the public domain: http://commons.wikimedia.org/wiki/File:Faravahar-Gold.svg. The actual code point will be determined if the proposal is approved. 2 Background In the proposal “Emoji Additions” (L2/14-174), authored by Mark Davis and Peter Edberg, five ‘religious symbols and structures’ among symbols of other categories were proposed for inclusion as part of the Emoji collection in Unicode. Shervin Afshar and Roozbeh Pournader proposed related symbols in “Emoji and Symbol Additions – Religious Symbols and Structures” (L2/14-235). These characters were approved for inclusion in the standard by the UTC in January 2015. No mention was made of symbols associated with Zoroastrianism, but these do exist. This proposal seeks to encode the , one of the most important and recognizable of Zoroastrian symbols. Encoding the in Unicode will enable Zoroastrians worldwide to represent a motif of their religious tradition on digital platforms on par with adherents of other religions. 1 Proposal to Encode the ‘Fravahar’ Symbol in Unicode Anshuman Pandey 3 Description The symbol proposed here is commonly known as fravahar in the Zoroastrian community in Iran and the Parsi community in India (Zoroastrians in India are commonly known as ‘Parsi’). -
Mah Tir, Mah Bahman & Asfandarmad 1 Mah Asfandarmad 1369
Mah Tir, Mah Bahman & Asfandarmad 1 Mah Asfandarmad 1369, Fravardin & l FEZAN A IN S I D E T HJ S I S S U E Federation of Zoroastrian • Summer 2000, Tabestal1 1369 YZ • Associations of North America http://www.fezana.org PRESIDENT: Framroze K. Patel 3 Editorial - Pallan R. Ichaporia 9 South Circle, Woodbridge, NJ 07095 (732) 634-8585, (732) 636-5957 (F) 4 From the President - Framroze K. Patel president@ fezana. org 5 FEZANA Update 6 On the North American Scene FEZ ANA 10 Coming Events (World Congress 2000) Jr ([]) UJIR<J~ AIL '14 Interfaith PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF '15 Around the World NORTH AMERICA 20 A Millennium Gift - Four New Agiaries in Mumbai CHAIRPERSON: Khorshed Jungalwala Rohinton M. Rivetna 53 Firecut Lane, Sudbury, MA 01776 Cover Story: (978) 443-6858, (978) 440-8370 (F) 22 kayj@ ziplink.net Honoring our Past: History of Iran, from Legendary Times EDITOR-IN-CHIEF: Roshan Rivetna 5750 S. Jackson St. Hinsdale, IL 60521 through the Sasanian Empire (630) 325-5383, (630) 734-1579 (F) Guest Editor Pallan R. Ichaporia ri vetna@ lucent. com 23 A Place in World History MILESTONES/ ANNOUNCEMENTS Roshan Rivetna with Pallan R. Ichaporia Mahrukh Motafram 33 Legendary History of the Peshdadians - Pallan R. Ichaporia 2390 Chanticleer, Brookfield, WI 53045 (414) 821-5296, [email protected] 35 Jamshid, History or Myth? - Pen1in J. Mist1y EDITORS 37 The Kayanian Dynasty - Pallan R. Ichaporia Adel Engineer, Dolly Malva, Jamshed Udvadia 40 The Persian Empire of the Achaemenians Pallan R. Ichaporia YOUTHFULLY SPEAKING: Nenshad Bardoliwalla 47 The Parthian Empire - Rashna P. -
Dēnkard III Language Variation and the Defence of Socio-Religious Identity in the Context of Early-Islamic Iran
Open Linguistics 2017; 3: 396–418 Research Article Gianfilippo Terribili* Dēnkard III Language Variation and the Defence of Socio-Religious Identity in the Context of Early-Islamic Iran https://doi.org/10.1515/opli-2017-0020 Received January 25, 2017; accepted August 10, 2017 Abstract: The aim of the present paper is to illustrate as a case study, the linguistic and stylistic peculiarities characterizing the third book of the Dēnkard, one of the most authoritative texts in Zoroastrian Pahlavi literature (9th-10 th CE). The analysis will consider these features as part of a coherent system, styled to serve the dialectic strategies pursued by the Zoroastrian high priests in response to the pressures their own community was facing in the early Islamic period. In order to provide a more comprehensive overview on DkIII language distinctiveness, the research will underline the outward/inward dynamics, addressing both the relation of this theological dialectic with the surrounding socio-cultural environment and the leading- role claims of a group within a politically subordinated community. Keywords: Middle Persian, Pahlavi Literature, Iranian Philology 1 Introduction In tune with the present volume, seeking to integrate linguistic data concerning a specific text within the socio-cultural dynamics of the period in which a specific textual production flourished, may yield extremely interesting elements for scholars aiming to survey the development of broader acculturation processes. Within Iranian history, the early Islamic period offers a very rich field of investigation for sociolinguistic studies; the abundance of sources in our possession is in fact due to the activity of the multifaceted constituents of that society, while the presence of various and interacting agents offers a remarkable opportunity to adopt multiple point of views. -
The Hymns of Zoroaster: a New Translation of the Most Ancient Sacred Texts of Iran Pdf
FREE THE HYMNS OF ZOROASTER: A NEW TRANSLATION OF THE MOST ANCIENT SACRED TEXTS OF IRAN PDF M. L. West | 182 pages | 15 Dec 2010 | I.B.Tauris & Co Ltd | 9781848855052 | English | London, United Kingdom The Hymns of Zoroaster : M. L. West : See what's new with book lending at the Internet Archive. Search icon An illustration of a magnifying glass. User icon An illustration of a person's head and chest. Sign up Log in. Web icon An illustration of a computer application window Wayback Machine Texts icon An illustration of an open book. Books Video icon An illustration of two cells of a film strip. Video Audio icon An illustration of an audio speaker. Audio Software icon An illustration of a 3. Software Images icon An illustration of two photographs. Images Donate icon An illustration of a heart shape Donate Ellipses icon An illustration of text ellipses. Full text of " The Hymns Of Zoroaster. West has produced a lucid interpretation of those ancient words. His renditions are filled with insights and empathy. This endeavour is an important contribution toward understanding more fully some of the earliest prophetic words in human history. West's book will be widely welcomed, by students and general readers alike. West resuscitates the notion of Zoroaster as the self-conscious founder of a new religion. In advancing this idea, he takes position against many modern interpreters of these extremely difficult texts. The clarity and beauty of his translation will be much welcomed by students of Zoroastrianism and by Zoroastrians themselves, while his bold interpretation will spark off welcome debate among specialists. -
Review of Translation of “Šahrestānīhā Ī Ērānšahr, a Middle Persian Text on Late Antique Geography, Epic and History I
Critical Studies in Texts & Programs of Human Sciences, Institute for Humanities and Cultural Studies (IHCS) Monthly Journal, Vol. 21, No. 1, Spring 2021, 23-40 Review of Translation of “Šahrestānīhā ī ērānšahr, A Middle Persian Text on Late Antique Geography, Epic and History” in Persian Shima Jaafari Dehaghi* Abstract Šahrestānīhā ī ērānšahr is a Middle Persian treatise about the historical geography of Sasanian cities in Iran. So far, this treatise has been translated and published in Persian by Hedayat, Oriyan, Taffazoli, and Daryaee. In 2002, Daryaee published this text with Persian and English translation, and in 2009, Jalilian translated Daryaee’s book into Persian. In the present study, we examined Jalilian’s translation of this treatise. It is noteworthy that Jalilian mentioned in his book that the translation of the Middle Persian text is from Daryaee himself. To make the review more accurate and to compare it with other translations, Daryaee and Taffazoli’s translations are cited and compared. First, the transliteration of each sentence is mentioned, and then the translation is written in chronological order. Then, the review of the translations is mentioned. It can be concluded that each of the translations of Middle Persian texts into Persian has new points that, in turn, will help us to better understand Middle Persian texts and ancient Iranian thought. Keywords: Šahrestānīhā ī ērānšahr, Middle Persian, Historical Geography * Assistant Professor in Ancient Iranian Languages, Velayat University, Iranshahr, Sistan and Baluchistan, Iran, [email protected] Date received: 2020-11-09, Date of acceptance: 2021-03-06 Copyright © 2010, IHCS (Institute for Humanities and Cultural Studies). -
Zoroastrian Ethics by MA Buch
The Gnekwad Stu<Uc'^ in Rdi/tuii and Plcilu-^oph i/ : /I ZOKOASTRIAN ETHICS IVintod at the Mirfsion Press, Siirat l.y n. K. 8colt, and imblislieil l»y A. G. Wi(l;.'ery the Collej,'e, Baroda. I. V. 1919. ZOROASTHIAN ETHICS By MAGAXLAL A. BUCH, M. A. Fellow of the Seminar for the Comparative Stn<ly of IJelifjioiiP, Barotla, With an Infrnrhicfion hv ALBAN n. WrDGERY, ^f. A. Professor of Philosophy and of the Comparative Study of PiPlii^doiis, Baroda. B A K D A 515604 P n E F A C E The present small volume was undertaken as one subject of study as Fellow in the Seminar for the Comparative Study of Religions established in the College, Baroda, by His Highness the Maharaja Sayaji Eao Gaekwad, K C. S. I. etc. The subject was suggested by Professor Widgery who also guided the author in the plan and in the general working out of the theme. It is his hope that companion volumes on the ethical ideas associated with other religions will shortly be undertaken. Such ethical studies form an important part of the aim which His Highness had in view in establishing the Seminar. The chapter which treats of the religious conceptions is less elaborate than it might well have been, because Dr. Dhalla's masterly volume on Zomasfrirm Theolof/y^ New York, 1914, cannot be dispens- ed with by any genuine student of Zoroastrian- ism, and all important details may be learned from it. It only remains to thank I'rotessor Widgcrv lor writinf,' a L;enoral introduotion and for his continued help thronghont tho process of the work. -
On the Good Faith
On the Good Faith Zoroastrianism is ascribed to the teachings of the legendary prophet Zarathustra and originated in ancient times. It was developed within the area populated by the Iranian peoples, and following the Arab conquest, it formed into a diaspora. In modern Russia it has evolved since the end of the Soviet era. It has become an attractive object of cultural produc- tion due to its association with Oriental philosophies and religions and its rearticulation since the modern era in Europe. The lasting appeal of Zoroastrianism evidenced by centuries of book pub- lishing in Russia was enlivened in the 1990s. A new, religious, and even occult dimension was introduced with the appearance of neo-Zoroastrian groups with their own publications and online websites (dedicated to Zoroastrianism). This study focuses on the intersectional relationships and topical analysis of different Zoroastrian themes in modern Russia. On the Good Faith A Fourfold Discursive Construction of Zoroastrianism in Contemporary Russia Anna Tessmann Anna Tessmann Södertörns högskola SE-141 89 Huddinge [email protected] www.sh.se/publications On the Good Faith A Fourfold Discursive Construction of Zoroastrianism in Contemporary Russia Anna Tessmann Södertörns högskola 2012 Södertörns högskola SE-141 89 Huddinge www.sh.se/publications Cover Image: Anna Tessmann Cover Design: Jonathan Robson Layout: Jonathan Robson & Per Lindblom Printed by E-print, Stockholm 2012 Södertörn Doctoral Dissertations 68 ISSN 1652-7399 ISBN 978-91-86069-50-6 Avhandlingar utgivna vid -
ZOROASTRIANISM Chapter Outline and Unit Summaries I. Introduction
CHAPTER TEN: ZOROASTRIANISM Chapter Outline and Unit Summaries I. Introduction A. Zoroastrianism: One of the World’s Oldest Living Religions B. Possesses Only 250,000 Adherents, Most Living in India C. Zoroastrianism Important because of Influence of Zoroastrianism on Christianity, Islam, Middle Eastern History, and Western Philosophy II. Pre-Zoroastrian Persian Religion A. The Gathas: Hymns of Early Zoroastrianism Provide Clues to Pre- Zoroastrian Persian Religion 1. The Gathas Considered the words of Zoroaster, and are Foundation for all Later Zoroastrian Scriptures 2. The Gathas Disparage Earlier Persian Religions B. The Aryans (Noble Ones): Nomadic Inhabitants of Ancient Persia 1. The Gathas Indicate Aryans Nature Worshippers Venerating Series of Deities (also mentioned in Hindu Vedic literature) a. The Daevas: Gods of Sun, Moon, Earth, Fire, Water b. Higher Gods, Intar the God of War, Asha the God of Truth and Justice, Uruwana a Sky God c. Most Popular God: Mithra, Giver and Benefactor of Cattle, God of Light, Loyalty, Obedience d. Mithra Survives in Zoroastrianism as Judge on Judgment Day 2. Aryans Worship a Supreme High God: Ahura Mazda (The Wise Lord) 3. Aryan Prophets / Reformers: Saoshyants 97 III. The Life of Zoroaster A. Scant Sources of Information about Zoroaster 1. The Gathas Provide Some Clues 2. Greek and Roman Writers (Plato, Pliny, Plutarch) Comment B. Zoroaster (born between 1400 and 1000 B.C.E.) 1. Original Name (Zarathustra Spitama) Indicates Birth into Warrior Clan Connected to Royal Family of Ancient Persia 2. Zoroaster Becomes Priest in His Religion; the Only Founder of a World Religion to be Trained as a Priest 3. -
A Sequel to Essentials of Zoroastrianism
A Sequel To Essentials of Zoroastrianism (1951) Late Dr. Framroze Sorabji Chiniwala B.A., L.M.&S. 2002 Late Dr. F. S. Chiniwala published in 1941 his book in English entitled 'Essentials of Zoroastrianism' for the Parsi public. He followed this up with the manuscript of a sequel, in or about 1950-51, and appended to the said manuscript a note reproduced below: vus ƒ‹†ƒ A.D. eka Nik;yks vaOksÔ ys[kuks vk chîs Hkkx Ns. vk vk[kq …‡‹ ikukuq y[kk.k vaOksÔ Hkkx rjhds Nkiok ekVs y[kk;yq grq ts vkeus vke jgsyq Ns. igsyk ƒŠ ikuk ts Mkdrjuk [kqnuk gkFkuks y[ksy Ns ts Vkbi uFkh rs vaOksÔ Vkbi ys[k ƒ†… ikuk yxhuks Ns rsek eqdsy Ns. Since writing the manuscript a half-century has elapsed and 'rationalism' and 'reform' has taken its toll of the Zoroastrian community and their belief in the 'Message' of Lord Zarathustra. In such circumstances the publication of the book, if it rekindles faith even in a few, the purpose will be fulfilled. Zarthusti Ilme Khshnoom Felavnari Committee 6th August, 2002. FOREWORD This small book containing some main features of the Mazdyasni Zarthosti Daen will be of use to a novice. It will furnish some knowledge about the religion. Special care is taken to present to view the main spiritual aspect of the religion. The mere materialistic view point does not help much, as that view is common in all religions; hence no special mark of demarcation can be drawn by it. It is the spiritual aspect only which gives a vivid picture as it ought to be. -
Iranian-American's Perceptions of Prejudice and Discrimination
Interpersona | An International Journal on Personal Relationships interpersona.psychopen.eu | 1981-6472 Articles Iranian-American’s Perceptions of Prejudice and Discrimination: Differences Between Muslim, Jewish, and Non-Religious Iranian-Americans Shari Paige* a, Elaine Hatfield a, Lu Liang a [a] University of Hawaii at Manoa, Honolulu, HI, USA. Abstract Recent political events have created a political and social climate in the United States that promotes prejudice against Middle Eastern, Iranian, and Muslim peoples. In this study, we were interested in investigating two major questions: (1) How much ethnic harassment do Iranian-American men and women from various religious backgrounds (Muslim, Jewish, or no religious affiliation at all) perceive in their day-to-day interactions? (2) To what extent does the possession of stereotypical Middle Eastern, Iranian, or Muslim traits (an accent, dark skin, wearing of religious symbols, traditional garb, etc.) spark prejudice and thus the perception of ethnic harassment? Subjects were recruited from two very different sources: (1) shoppers at grocery stores in Iranian-American neighborhoods in Los Angeles, and (2) a survey posted on an online survey site. A total of 338 Iranian-Americans, ages 18 and older, completed an in-person or online questionnaire that included the following: a request for demographic information, an assessment of religious preferences, a survey of how “typically” Iranian-American Muslim or Iranian-American Jewish the respondents’ traits were, and the Ethnic Harassment Experiences Scale. One surprise was that, in general, our participants reported experiencing a great deal of ethnic harassment. As predicted, Iranian-American Muslim men perceived the most discrimination—far more discrimination than did American Muslim women. -
South Asian Art a Resource for Classroom Teachers
South Asian Art A Resource for Classroom Teachers South Asian Art A Resource for Classroom Teachers Contents 2 Introduction 3 Acknowledgments 4 Map of South Asia 6 Religions of South Asia 8 Connections to Educational Standards Works of Art Hinduism 10 The Sun God (Surya, Sun God) 12 Dancing Ganesha 14 The Gods Sing and Dance for Shiva and Parvati 16 The Monkeys and Bears Build a Bridge to Lanka 18 Krishna Lifts Mount Govardhana Jainism 20 Harinegameshin Transfers Mahavira’s Embryo 22 Jina (Jain Savior-Saint) Seated in Meditation Islam 24 Qasam al-Abbas Arrives from Mecca and Crushes Tahmasp with a Mace 26 Prince Manohar Receives a Magic Ring from a Hermit Buddhism 28 Avalokiteshvara, Bodhisattva of Compassion 30 Vajradhara (the source of all teachings on how to achieve enlightenment) CONTENTS Introduction The Philadelphia Museum of Art is home to one of the most important collections of South Asian and Himalayan art in the Western Hemisphere. The collection includes sculptures, paintings, textiles, architecture, and decorative arts. It spans over two thousand years and encompasses an area of the world that today includes multiple nations and nearly a third of the planet’s population. This vast region has produced thousands of civilizations, birthed major religious traditions, and provided fundamental innovations in the arts and sciences. This teaching resource highlights eleven works of art that reflect the diverse cultures and religions of South Asia and the extraordinary beauty and variety of artworks produced in the region over the centuries. We hope that you enjoy exploring these works of art with your students, looking closely together, and talking about responses to what you see.