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Greek Vases in the J. Paul Getty Museum, Volume 3, OPA 2

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Greek Vases in the J. Paul Getty Museum, Volume 3, OPA 2 Occasional Papers on Antiquities, 2 Greek Vases InTheJ. Paul Getty Museum THE J . PAUL GETT Y MUSEU M MALIBU, CALIFORNIA VOLUME 3/198 6 Jirí Freí , Senior Curator fo r Research , an d Marion True , Curator of Antiquities, Editors Sandra Knudsen Morgan, Managing Editor Bénédicte Gilman, Manuscript Editor Lynne Dean, Advisory Editor Karen Schmidt, Production Coordinato r Elizabeth Burke, Photograph Coordinato r Patrick Dooley, Designer Patricia Inglis, Assistant Designe r Kathe Flynn, Production Artist Typography b y Typographic Servic e Co., Los Angeles Printed b y Gardner/Fulmer Lithograph , Los Angeles Photographs reproduce d i n this book hav e been provided b y the institutio n that owns th e objec t unless otherwis e specified . Greek Vase s 3/198 6 © 198 6 The J. Paul Getty Museum 17985 Pacifi c Coast Highway Malibu, California 90265-579 9 (213) 459-761 1 Information abou t other Getty Museum Publica- tions ma y b e obtained b y writing to th e Book- store, The J. Pau l Getty Museum, P.O. Box 2112, Santa Monica, California 9040 6 Cover: Red-figure cu p b y th e Briséi s Painter . Malibu, The J. Paul Getty Museum 86.AE.293 . Detail of side B. See article p. 35. Library of Congress Cataloging-in-Publicatio n Data (Revised fo r vol. 3) : Greek vase s in the J. Paul Getty Museum. (Occasional papers on antiquities ; v. 1 , ) English ari d German. Vol. 3 edited b y Jirí Fre l and Marion True . Includes bibliographica l references. 1. Vases, Greek. 2. Vase-painting, Greek— Themes, motives . 3 . Vases, Etruscan. 4 . Vase- painting, Etruscan—Themes, motives . 6 . Vases- California—Malibu. I . Frel, Jirí. II . True, Marion. III . Series. NK4623.M37J2 198 3 738.3 ,0938,074019493 82-4902 4 ISBN 0-89236-058- 5 (pbk . : v. 1 ) ISBN 0-89236-078- X (pbk . : v. 3 ) Contents Etrusko-korinthische Vase n in Malibu 1 Jdnos Gy Szildgyi Some Plastic s in Malibu 1 7 William R. Biers A Kyli x an d Fragment s by th e Borea d Painte r 2 9 Cynthia Hoyt-Grimes Booners 3 5 Donna Carol Kurtz and John Boardman Two Pelika i b y th e Pa n Painte r 7 1 Martin Robertson ov yàp r)v àfiio: A Chou s by th e Oionokle s Painter 9 1 Elfriede R. Knauer Polygnotos: An Iliupersis Scene a t th e Gett y Museum 10 1 Susan B. Matheson Some Gnathi a Potter y i n th e J. Paul Getty Museu m 11 5 J. R. Green A Clusiu m Group Duck-Askos in Malibu 13 9 Mario A. Del Chiaro Dipping a s a Glazing Technique i n Antiquity 14 3 Toby Schreiber This page intentionally left blank D. M. Ronald Dik Etrusko-korinthische Vasen in Malibu Jdnos Gy Szildgyi Schon vor eine m Jahrhundert ware n sic h die Erforsche r archàologischen un d kunstgeschichtliche n Methode n ein - der antike n Kerami k de r Tatsach e bewufit , daf i di e au s zelne Produktionszentren, Werkstatten , Schule n und Mei- Korinth, de m grofite n Export-Zentru m griechische r sterhànde z u isolieren , u m di e Chronologi e un d di e bemalter Tonvase n i m 7 . Jh. v . Chr. , auc h nac h Etrurie n Stilgeschichte de r etrusko-korinthische n Kerami k rekon - massenweise transportierte n Gefâfi e a n Or t un d Stell e in struieren z u konnen : " a tas k which would b e bi g and no t lokalen Werkstatten nachgeahm t wurden. Kriterie n fu r di e very attractive , bu t on e whic h i t i s t o b e hope d wil l b e genaue Unterscheidun g griechische r Produkt e un d ihre r accomplished b y degrees"—wi e e s 196 0 ein hervorragende r etruskischen Nachahmunge n z u finden , schie n au s prak - englischer Etruskolog e ausdriickte. 4 tischen wi e au s wissenschaftliche n Gründe n wichtig . Um Der Impor t vo n korinthischen bemalten Vase n in Etru - 1880 begannen zwei einheimisch e Meister in Tarquinia die rien geh t au f da s 8 . Jh., da s Jahrhundert de r Gebur t de r in de n antike n Gràber n gefundene n korinthische n sowi e eigentlichen etruskische n Kultur , zuriick . Spatesten s u m andere griechisch e Vase n nachzuahmen. 1 Die s gescha h 700 gab e s einheimische Nachahmungen di e ser Gefàfie , di e urspriinglich in ehrlicher Absicht: ab und z u war auc h ihr e aber in de r protokorinthische n Période , d . h . bi s um 625 , Signatur au f den Vase n zu lesen. Spate r abe r verschwande n überwiegend mi t einfache n ornamentale n Motive n ver - die Signaturen, und e s wurde typisc h fiir di e Unsicherheit , ziert ware n un d einstweile n fii r ein e kunstgeschichtlich e die i n de r Beurteilun g de r Echthei t korinthische r Vase n Klassifizierung wenig e Anhaltspunkt e bieten . I n diese r herrschte, daf i man diejenigen , di e nich t ohn e weitere s al s Période ha t di e etruskisch e Keramik—ebens o wi e ander e korinthisch klassifizierba r waren , fii r etruskisch e Nach - Bereiche de r etruskische n Kultur—verschieden e Einfliiss e ahmungen erklàrte . Damit offnet e sic h ein weites Fel d fii r der orientalischen sowie der grofien griechischen Kunstzen- Fàlscher, un d ohn e di e genau e Kenntnis de r Eigenschafte n tren aufgenomme n un d mi t italische n Traditione n ver - der etrusko-korinthischen Vase n lafit sic h nicht vermeiden , schmolzen. I m letzte n Vierte l de s 7 . Jhs . verànder t sic h dafi ma n einfach e Falschunge n korinthische r Vase n fii r dieses Bil d gan z radika l un d unerwartet : i n de r etrus - etrusko-korinthische Original e halt, al s solch e fii r Privâ t - kischen figurale n Vasenmalere i wir d fii r etw a dre i Gene - sammlungen ode r Musee n ankauft , un d si e manchma l rationen da s Korinthisieren , die Nachahmun g korin - sogar in wissenschaftlichen Handbücher n reproduziert. 2 thischer Vorbilder , vorherrschend . Di e Ursache n diese s Die Erforschun g de r etrusko-korinthische n Vasen - Phànomens kônne n wi r nich t gena u angeben , e s ha t abe r malerei ha t abe r auc h ein e andere , wenige r praktisch e zur Ausbildun g einer etrusko-korinthische n figurale n Bedeutung. Ma n hat lángs t de n Quellenwer t diese s Mate- Vasenmalerei gefuhrt , dere n Geschicht e un d Bedeutun g rials fii r di e Kunstgeschicht e de r Etruske r un d fii r di e uns i n grofie n Ziige n bekann t ist. 5 Einig e der wichtigste n Handelsgeschichte de s ganze n Mittelmeere s im 7.-6. Jh. v. Momente diese r Geschicht e konnen auc h durc h di e Vase n Chr. erkannt. 3 Fii r Forschunge n solche r Art war abe r nich t des Gett y Museums beleuchte t werden . genug, zwische n antike n Originale n und moderne n Fal - Am Anfan g de r etrusko-korinthische n figurale n Pro - schungen, zwische n korinthische n Vorbilder n un d ihre n duktion stehe n noc h zwe i Technike n al s gleichberechtig t etruskischen Nachahmunge n z u unterscheiden : ma n sa h nebeneinander: di e polychrom e un d di e schwarzfigurige . sich gezwungen , de n Versuc h z u unternehmen , mi t Gegen 625-620 erscheinen , ungefàh r gleichzeiti g in beiden 1. D . A. Amyx, CalifStClAnt 1 (1968) , 14 , Anm. 3, 27-28; D. v. rung de r etrusko-korinthische n figurale n Vasenmalere i von G. Kuble r Bothmer, Calif StClAnt 3 (1970) , 42. ("Some Etrusca n Version s of Corinthian Ceramics," Marsyas 2 [1942] , 2. Z . B., A. Rumpf, Malerei und Zeichnung der klassischen Antike. 1-15) is t leide r unbeachte t geblieben . Vgl . zuletzt J. G. Szilágyi , Handbuch der Archàologie, Bd. 4 (Miinchen , 1953) , Taf. 14,2 ; A. Hus, Les "Entwurf de r Geschicht e de r etrusko-korinthische n figiirliche n Vasen - siècles d'or de l'histoire étrusque (Briissel , 1976) , Taf. 45,b. malerei," in Romische Frühgeschichte, von A. Alfóldi (Heidelberg , 1976) ; 3. A . BlakewayJRS 25 (1935) , 145 . J. G. Szilágyi, Etruszko-korinthosi vazafestészet [Etrusko-korinthische 4. W . L. Brown, The Etruscan Lion (Oxford, 1960), 52. Vasenmalerei] (Budapest , 1975) , ungarisch . 5. De r erste, verdienstvolle Versuch einer vollstàndige n Klassifizie - 2 Szilαgyi Abb. la. Etrusko-korinthisch e Olpe . Seitenansicht . H : Abb. lb. Vorderansich t de r Olpe , Abb. la. 29 cm. Malibu , Th e J . Pau l Gett y Museu m 86.AE.393. Techniken, di e erste n Vertrete r de s ausgepràgte n Korin - sondern auc h di e ganz e Friihperiod e de r etrusko-korin - thisierens: de r Castellani-Male r und de r Maler der bàrtige n thischen Vasenmalere i rekonstruieren . Diese r bedeutend e Sphingen. De r erster e ha t Vasen , die ausschliefilic h korin- und àufiers t produktiv e Künstle r hat , nac h unsere m heu - thische Forme n aufweisen—iiberwiegen d klein e Arybal - tigen Wissen , gege n 62 5 i n Vulc i sein e erste n Vase n mi t loi —mit eingeritzte n Zeichnunge n un d aufgesetzte n schwarzfigurigen Tierfriese n dekoriert .
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