Theoretically we see the importance of the Psalms in worship, but in practice how often do we use any more than short quotations from the most “user friendly” Psalms? This session will look at different methods of Psalm-singing through the ages, making suggestions for adapting and combining those techniques for modern worship settings.
The Psalms in Modern Worship Greg Scheer
SPOKEN: no music Unison, Responsive and Dramatic readings
CHANT: intoned speech, often using “Psalm Tones” Hear: Mandatum Novum Do Vobis Gregorian (Psalm 133) Anglican
Gelineau/Grail
THROUGH-COMPOSED: compositions that take their text and form from the Psalm
Stravinsky’s Symphony of Psalms, Franck’s “Psalm 100,” etc
RESPONSORIAL: leader chants or speaks; people respond by singing a short refrain Sing: Michael Guimont’s Exalt the Lord In Psalms themselves (“His love endures forever” in Psalm 118) Our God (Psalm 99) Early Church
Post-Vatican II (Gelineau, Guimont)
Sing: METRICAL: text is set to poetic meter with as little change to the original Psalm as All People That on Earth Do Dwell possible (Genevan, Psalm 100)
Genevan Psalter (All People That on Earth Do Dwell-Psalm 100) Diephouse/Scheer’s Thanks Be to God Our Savior (Psalm 107) Sternhold and Hopkins; Tate and Brady (As Pants the Hart-Psalm 42) Indonesian/Diephouse’s Scottish Psalter (The Lord’s My Shepherd I’ll Not Want-Psalm 23; I to the Hills Will Hallelujah! Sing Praise to Your Lift My Eyes-121) Creator (Psalm 148)
PARAPHRASE: the meaning of the whole Psalm is preserved, but not the entire text Sing: Latvian By the Babylonian Rivers Martin Luther (A Mighty Fortress Is Our God-Psalm 46; Out of the Depths-Psalm 130) (Psalm 137)
Isaac Watts (Jesus Shall Reign- Psalm 72; My Shepherd Will Supply My Need- Psalm Scheer’s As the Deer (Psalm 23; O God, Our Help in Ages Past- Psalm 90; From All that Dwell Below the 42/43) Skies-Psalm 117; Joy to the World!-Psalm 98)
Charles Wesley (Praise the Lord Who Reigns Above-Psalm 150; O for a Heart to Praise
My God-Psalm 51) Post-Vatican II (Haugen, Haas, et al)
John Bell
Sing: EXTRACT: short sections or particular images are extracted from the Psalm Taize’s Bless the Lord My Soul Scripture Songs (As the Deer) (Psalm 103)
Praise and Worship (Better Is One Day)
Taizé Sing: Scheer’s Rest in the Lord (Psalm 127) HYBRID: combination of forms Scheer’s Hear My Words, O Lord (Psalm 5) [email protected] • http://www.gregscheer.com Why should we sing the Psalms?
1. They give us vocabulary to express our faith.
2. They connect us to the historic and global church.
3. They disconnect us from our cultural and personal perspective.
How do we sing the Psalms?
Joseph Gelineau’s model for worship music:
WORD MUSIC Chant Meditation Hymn Proclamation Acclamation Ordinary Speech Vocalization/Instr.
Gelineau’s model adapted to Psalmody:
WORD MUSIC Responsorial Through-composed Metrical Cantillation/Chant Paraphrase Spoken Extract
The Psalms in Modern Worship, page 2 Michael Guimont’s Exalt the Lord Our God (Psalm 99)
The Psalms in Modern Worship, page 3 All People That on Earth Do Dwell (Psalm 100, Genevan)