1002 Scripture Passages Related to Hymns
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Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Daily Devotions in the Psalms Psalm 129-133
Daily Devotions in the Psalms Psalm 129-133 Monday 12th October - Psalm 129 “Greatly have they afflicted me from my youth”— let Israel now say— 2 “Greatly have they afflicted me from my youth, yet they have not prevailed against me. 3 The plowers ploughed upon my back; they made long their furrows.” 4 The Lord is righteous; he has cut the cords of the wicked. 5 May all who hate Zion be put to shame and turned backward! 6 Let them be like the grass on the housetops, which withers before it grows up, 7 with which the reaper does not fill his hand nor the binder of sheaves his arms, 8 nor do those who pass by say, “The blessing of the Lord be upon you! We bless you in the name of the Lord!” It is interesting that Psalm 128 and 129 sit side by side. They seem to sit at odds with one another. Psalm 128 speaks of Yahweh blessing his faithful people. They enjoy prosperity and the fruit of their labour. It is a picture of peace and blessing. And then comes this Psalm, clunking like a car accidentally put into reverse. Here we see a people long afflicted (v. 1-2). As a nation, they have had their backs ploughed. And the rest of the Psalm prays for the destruction of the wicked nations and individuals who would seek to harm and destroy Israel. It’s possible that this Psalm makes you feel uncomfortable, or even wonder if this Psalm is appropriate for the lips of God’s people. -
Complete Song Book (2013 - 2016)
James Block Complete Song Book (2013 - 2016) Contents ARISE OH YAH (Psalm 68) .............................................................................................................................................. 3 AWAKE JERUSALEM (Isaiah 52) ................................................................................................................................... 4 BLESS YAHWEH OH MY SOUL (Psalm 103) ................................................................................................................ 5 CITY OF ELOHIM (Psalm 48) (Capo 1) .......................................................................................................................... 6 DANIEL 9 PRAYER .......................................................................................................................................................... 7 DELIGHT ............................................................................................................................................................................ 8 FATHER’S HEART ........................................................................................................................................................... 9 FIRSTBORN ..................................................................................................................................................................... 10 GREAT IS YOUR FAITHFULNESS (Psalm 92) ............................................................................................................. 11 HALLELUYAH -
Copy UPDATED KAREOKE 2013
Artist Song Title Disc # ? & THE MYSTERIANS 96 TEARS 6781 10 YEARS THROUGH THE IRIS 13637 WASTELAND 13417 10,000 MANIACS BECAUSE THE NIGHT 9703 CANDY EVERYBODY WANTS 1693 LIKE THE WEATHER 6903 MORE THAN THIS 50 TROUBLE ME 6958 100 PROOF AGED IN SOUL SOMEBODY'S BEEN SLEEPING 5612 10CC I'M NOT IN LOVE 1910 112 DANCE WITH ME 10268 PEACHES & CREAM 9282 RIGHT HERE FOR YOU 12650 112 & LUDACRIS HOT & WET 12569 1910 FRUITGUM CO. 1, 2, 3 RED LIGHT 10237 SIMON SAYS 7083 2 PAC CALIFORNIA LOVE 3847 CHANGES 11513 DEAR MAMA 1729 HOW DO YOU WANT IT 7163 THUGZ MANSION 11277 2 PAC & EMINEM ONE DAY AT A TIME 12686 2 UNLIMITED DO WHAT'S GOOD FOR ME 11184 20 FINGERS SHORT DICK MAN 7505 21 DEMANDS GIVE ME A MINUTE 14122 3 DOORS DOWN AWAY FROM THE SUN 12664 BE LIKE THAT 8899 BEHIND THOSE EYES 13174 DUCK & RUN 7913 HERE WITHOUT YOU 12784 KRYPTONITE 5441 LET ME GO 13044 LIVE FOR TODAY 13364 LOSER 7609 ROAD I'M ON, THE 11419 WHEN I'M GONE 10651 3 DOORS DOWN & BOB SEGER LANDING IN LONDON 13517 3 OF HEARTS ARIZONA RAIN 9135 30 SECONDS TO MARS KILL, THE 13625 311 ALL MIXED UP 6641 AMBER 10513 BEYOND THE GREY SKY 12594 FIRST STRAW 12855 I'LL BE HERE AWHILE 9456 YOU WOULDN'T BELIEVE 8907 38 SPECIAL HOLD ON LOOSELY 2815 SECOND CHANCE 8559 3LW I DO 10524 NO MORE (BABY I'MA DO RIGHT) 178 PLAYAS GON' PLAY 8862 3RD STRIKE NO LIGHT 10310 REDEMPTION 10573 3T ANYTHING 6643 4 NON BLONDES WHAT'S UP 1412 4 P.M. -
Cruz's Cell Phone Content and Internet Searches
11/8/2018 Cruz’s Cell Phone Content and Internet Searches Special Agent Randy Camp Special Agent Chuck Massucci Sergeant John Suess 1 Cruz’s Cell Phone Content and Internet Searches • Phone contents prior to February 01, 2018 • Phone contents from February 01 – 14 • Phone content and Cruz’s travels on February 14 • Nikolas Cruz’s weapons • Excerpts from interview with Snead family • James - Father • Kimberly - Mother • Jameson “JT” – friend of Cruz 2 1 11/8/2018 Nikolas Cruz’s Cell Phone Data without a timestamp or prior to February 01, 2018 3 Cruz’s Cell Phone – Searches • November 14, 2017: • “shooting people massacre” • November 15, 2017: • “rape caught on video” • “armed robber gets shot buy every customer” 4 2 11/8/2018 Cruz’s Cell Phone – Notes December 30, 2017 at 10:27 pm “Control your breathing and trigger pull. Your the one who sights in the rifle for yourself.adjust the scope to your shooting ability. Keep that adjustment every time.you have to shoot to yourself only to one self.my trigger squeeze is my ones ability.samething every time.” 5 Cruz’s Cell Phone – Notes January 20, 2018 at 5:58 pm “basketball court full of Targets still thinking of ways to kill people” 6 3 11/8/2018 Cruz’s Cell Phone – Notes January 21, 2018 at 3:35 pm “My life is a mess idk what to do anymore. Everyday I get even more agitated at everyone cause my life is unfair. Everything and everyone is happy except for me I want to kill people but I don't know how I can do it. -
AN INDEX of PSALM HYMNS in MAJOR HYMNALS ©2001 By
AN INDEX OF PSALM HYMNS IN MAJOR HYMNALS ©2001 by Elizabeth Liebert, San Francisco Theological Seminary San Anselmo, CA 94960 Use this index to find hymn versions of all 150 Psalms as published in major Protestant and Roman Catholic hymnals. Key to Hymnals Cited: G Gather: Comprehensive. 1994. Chicago: GIA Publications. G&P Glory and Praise. Second Edition. 1997. Portland, OR: OCP Publications. HEC The Hymnal 1982: According to the Use of the Episcopal Church. New York: Church Hymnal Corp. LEV Lift Every Voice and Sing: An African American Hymnal. 1993. New York: Church Hymnal Corp. LBW Lutheran Book of Worship. 1982. Minneapolis: Augsburg. NCH New Century Hymnal. 1995. Cleveland: The Pilgrim Press. PC The Psalter: Psalms and Canticles for Singing. 1993. Louisville: Westminster/John Knox. PH Presbyterian Hymnal. 1990. Louisville: Westminster/John Knox. UMH United Methodist Hymnal: Book of United Methodist Worship. 1989. Nashville: United Methodist Publishing House. W Worship: A Hymnal and Service Book for Roman Catholics. Third Edition. 1986. Chicago: GIA Publications. WOV With One Voice: A Lutheran Resource for Worship. 1995. Minneapolis: Augsburg. This index is a companion to A Retreat with the Psalms: Resources for Personal and Communal Prayer, John C. Endres and Elizabeth Liebert, Paulist Press, 2001. An Index of Psalm Hymns, Elizabeth Liebert 2 Ps Titles Tune PH PC UMH NCH W G HEC LBW WOV LEV G&P 1 The One is Blest Dunfirmline CM 158 1 Psalm 1 (1-4, 6) Hopson 1 1 Happy Are They Haas 18 1 Happy Are They Dufford 167 1 My Delight Hunnicutt P 1 2 Why are Nations Raging Salzburg 7.7.7.7 D 159 2 Psalm 2 Hopson 2 2 Happy Are All Jennings P 2 4 Psalm 4 St. -
Jerry Garcia Song Book – Ver
JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106. -
Hymnody of Eastern Pennsylvania German Mennonite Communities: Notenbüchlein (Manuscript Songbooks) from 1780 to 1835
HYMNODY OF EASTERN PENNSYLVANIA GERMAN MENNONITE COMMUNITIES: NOTENBÜCHLEIN (MANUSCRIPT SONGBOOKS) FROM 1780 TO 1835 by Suzanne E. Gross Dissertation submitted to the Faculty of the Graduate School of The University of Maryland in partial fulfillment of the requirements for the degree of Doctor of Philosophy 1994 Advisory Committee: Professor Howard Serwer, Chairman/Advisor Professor Carol Robertson Professor Richard Wexler Professor Laura Youens Professor Hasia Diner ABSTRACT Title of Dissertation: HYMNODY OF EASTERN PENNSYLVANIA GERMAN MENNONITE COMMUNITIES: NOTENBÜCHLEIN (MANUSCRIPT SONGBOOKS) FROM 1780 TO 1835 Suzanne E. Gross, Doctor of Philosophy, 1994 Dissertation directed by: Dr. Howard Serwer, Professor of Music, Musicology Department, University of Maryland, College Park, Maryland As part of an effort to maintain their German culture, the late eighteenth-century Mennonites of Eastern Pennsylvania instituted hymn-singing instruction in the elementary community schoolhouse curriculum. Beginning in 1780 (or perhaps earlier), much of the hymn-tune repertoire, previously an oral tradition, was recorded in musical notation in manuscript songbooks (Notenbüchlein) compiled by local schoolmasters in Mennonite communities north of Philadelphia. The practice of giving manuscript songbooks to diligent singing students continued until 1835 or later. These manuscript songbooks are the only extant clue to the hymn repertoire and performance practice of these Mennonite communities at the turn of the nineteenth century. By identifying the tunes that recur most frequently, one can determine the core repertoire of the Franconia Mennonites at this time, a repertoire that, on balance, is strongly pietistic in nature. Musically, the Notenbüchlein document the shift that occured when these Mennonite communities incorporated written transmission into their oral tradition. -
The Songs of Bob Dylan
The Songwriting of Bob Dylan Contents Dylan Albums of the Sixties (1960s)............................................................................................ 9 The Freewheelin’ Bob Dylan (1963) ...................................................................................................... 9 1. Blowin' In The Wind ...................................................................................................................... 9 2. Girl From The North Country ....................................................................................................... 10 3. Masters of War ............................................................................................................................ 10 4. Down The Highway ...................................................................................................................... 12 5. Bob Dylan's Blues ........................................................................................................................ 13 6. A Hard Rain's A-Gonna Fall .......................................................................................................... 13 7. Don't Think Twice, It's All Right ................................................................................................... 15 8. Bob Dylan's Dream ...................................................................................................................... 15 9. Oxford Town ............................................................................................................................... -
Yachad, Yashab, and Yarad in Psalm 133
Obsculta Volume 10 Issue 1 Article 14 5-17-2017 "Dwelling Together" and Descending to Ascend: Yachad, Yashab, and Yarad in Psalm 133 Aidan J. Putnam OSB College of Saint Benedict/Saint John's University, [email protected] Follow this and additional works at: https://digitalcommons.csbsju.edu/obsculta Part of the Biblical Studies Commons ISSN: 2472-2596 (print) ISSN: 2472-260X (online) Recommended Citation Putnam, Aidan J. OSB. 2017. "Dwelling Together" and Descending to Ascend: Yachad, Yashab, and Yarad in Psalm 133. Obsculta 10, (1) : 127-143. https://digitalcommons.csbsju.edu/obsculta/vol10/iss1/14. This Article is brought to you for free and open access by DigitalCommons@CSB/SJU. It has been accepted for inclusion in Obsculta by an authorized administrator of DigitalCommons@CSB/SJU. For more information, please contact [email protected]. OBSCVLTA “Dwelling TogeTher” anD DescenDing To ascenD: yachad, yashab, anD yarad in Psalm 133 Aidan Putnam To what extent can Psalm 133 be read as a generic commentary on community (reflecting anthropological claims), and to what extent must it be read as a prescription for cultic practices (reflecting theological claims)? Perhaps the images of community, worship, and sacred places can legitimately be interpreted metaphorically. That is, these images are used as symbols of blessing; symbols which could be transposed across community worship practices. But what would allow for that interpretation, and what would limit it? To explore these parameters and perimeters, this paper will consider the penultimate “Song of Ascent” in relation to its canonical cluster and the lexical linkages it shows across prophetic and wisdom literature. -
Bluesletter-January-2020-Web.Pdf
THE BI-MONTHLY MAGAZINE OF THE SAINT LOUIS BLUES SOCIETY Jan/Feb 2020 Number 99 St. Louis Blues Society Board Election and Annual Membership Meeting Information Bob Baugh's Blues Beat, Dave Beardsley with 6 Questions for Little Dylan Triplett 3 STLBS Board Elections and Annual Membership Meeting 5 The Blues Beat by Bob Baugh 19 in 19 by Bob Baugh 8-11 photos courtesy of Paul Niehaus IV Dave Beardsley with Six Questions for Little Dylan Triplett 12 photo by Reed Radcliffe 15 St. Louis Musicians Listing Happy New Year! 2020 has all the makings of being a huge year for the St. Louis Blues Society and the commu- nity that surrounds it! For many years now we have been hard at work fulfilling our mission: to preserve and perpetuate St. Louis Blues Music and the people who create it. As the new year rolls out, look for more information on new programing, content and ways to get involved. The first project of the year will be the next installment of our compilation CDs,19 IN 19! When the CD is released we will have featured 85 St. Louis groups performing never released original songs on five CDs! HUGE thanks to Paul Niehaus for producing this outstanding record at Blue Lotus Studio. Make sure your membership is up to date, so you receive the new CD as soon as it comes out! Elections for the STLBS Board of Directors are also coming up. Current members should have all received ballots in the mail. Make sure you get yours sent in ASAP. -
Copyright by Gary Dean Beckman 2007
Copyright by Gary Dean Beckman 2007 The Dissertation Committee for Gary Dean Beckman Certifies that this is the approved version of the following dissertation: The Sacred Lute: Intabulated Chorales from Luther’s Age to the beginnings of Pietism Committee: ____________________________________ Andrew Dell’ Antonio, Supervisor ____________________________________ Susan Jackson ____________________________________ Rebecca Baltzer ____________________________________ Elliot Antokoletz ____________________________________ Susan R. Boettcher The Sacred Lute: Intabulated Chorales from Luther’s Age to the beginnings of Pietism by Gary Dean Beckman, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2007 Acknowledgments I would like to acknowledge Dr. Douglas Dempster, interim Dean, College of Fine Arts, Dr. David Hunter, Fine Arts Music Librarian and Dr. Richard Cherwitz, Professor, Department of Communication Studies Coordinator from The University of Texas at Austin for their help in completing this work. Emeritus Professor, Dr. Keith Polk from the University of New Hampshire, who mentored me during my master’s studies, deserves a special acknowledgement for his belief in my capabilities. Olav Chris Henriksen receives my deepest gratitude for his kindness and generosity during my Boston lute studies; his quite enthusiasm for the lute and its repertoire ignited my interest in German lute music. My sincere and deepest thanks are extended to the members of my dissertation committee. Drs. Rebecca Baltzer, Susan Boettcher and Elliot Antokoletz offered critical assistance with this effort. All three have shaped the way I view music.