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Now Let Us Come Before Him Nun Laßt Uns Gehn Und Treten 8.8
Now Let Us Come Before Him Nun laßt uns gehn und treten 8.8. 8.8. Nun lasst uns Gott, dem Herren Paul Gerhardt, 1653 Nikolaus Selnecker, 1587 4 As mothers watch are keeping 9 To all who bow before Thee Tr. John Kelly, 1867, alt. Arr. Johann Crüger, alt. O’er children who are sleeping, And for Thy grace implore Thee, Their fear and grief assuaging, Oh, grant Thy benediction When angry storms are raging, And patience in affliction. 5 So God His own is shielding 10 With richest blessings crown us, And help to them is yielding. In all our ways, Lord, own us; When need and woe distress them, Give grace, who grace bestowest His loving arms caress them. To all, e’en to the lowest. 6 O Thou who dost not slumber, 11 Be Thou a Helper speedy Remove what would encumber To all the poor and needy, Our work, which prospers never To all forlorn a Father; Unless Thou bless it ever. Thine erring children gather. 7 Our song to Thee ascendeth, 12 Be with the sick and ailing, Whose mercy never endeth; Their Comforter unfailing; Our thanks to Thee we render, Dispelling grief and sadness, Who art our strong Defender. Oh, give them joy and gladness! 8 O God of mercy, hear us; 13 Above all else, Lord, send us Our Father, be Thou near us; Thy Spirit to attend us, Mid crosses and in sadness Within our hearts abiding, Be Thou our Fount of gladness. To heav’n our footsteps guiding. 14 All this Thy hand bestoweth, Thou Life, whence our life floweth. -
The Psalms in Our Times: an Online Study of the Psalms During the COVID-19 Pandemic
The Psalms in Our Times: An Online Study of the Psalms During the COVID-19 Pandemic Agenda for Weeks 1-3: - Series overview (week 1 only) - Check-in and review - Introduction of the Week’s Psalm(s) - Discussion and Question & Answer Agenda for Week 4: - Check-in and review - Sharing of Psalms (optional) - Wrap-up Sources for Psalm texts: - Book of Common Prayer (Psalter, pages 582-808) - Oremus Bible Browser (bible.oremus.org) Participants are invited to this document and take notes (or not) and work on creating their own Psalm for Session 4 (or not). All videos will be posted to the “St. John’s Episcopal Church Lancaster” YouTube page so participants can review or catch up as needed. Session 1 Psalm 29 Psalm 146 1Ascribe to the Lord, O heavenly beings, 1Praise the Lord! Praise the Lord, O my ascribe to the Lord glory and strength. soul! 2Ascribe to the Lord the glory of his name; 2I will praise the Lord as long as I live; I will worship the Lord in holy splendor. sing praises to my God all my life long. 3The voice of the Lord is over the waters; 3Do not put your trust in princes, in the God of glory thunders, the Lord, over mortals, in whom there is no help. mighty waters. 4When their breath departs, they return to 4The voice of the Lord is powerful; the voice the earth; on that very day their plans of the Lord is full of majesty. perish. 5The voice of the Lord breaks the cedars; 5Happy are those whose help is the God of the Lord breaks the cedars of Lebanon. -
The Musical Heritage of the Lutheran Church Volume I
The Musical Heritage of the Lutheran Church Volume I Edited by Theodore Hoelty-Nickel Valparaiso, Indiana The greatest contribution of the Lutheran Church to the culture of Western civilization lies in the field of music. Our Lutheran University is therefore particularly happy over the fact that, under the guidance of Professor Theodore Hoelty-Nickel, head of its Department of Music, it has been able to make a definite contribution to the advancement of musical taste in the Lutheran Church of America. The essays of this volume, originally presented at the Seminar in Church Music during the summer of 1944, are an encouraging evidence of the growing appreciation of our unique musical heritage. O. P. Kretzmann The Musical Heritage of the Lutheran Church Volume I Table of Contents Foreword Opening Address -Prof. Theo. Hoelty-Nickel, Valparaiso, Ind. Benefits Derived from a More Scholarly Approach to the Rich Musical and Liturgical Heritage of the Lutheran Church -Prof. Walter E. Buszin, Concordia College, Fort Wayne, Ind. The Chorale—Artistic Weapon of the Lutheran Church -Dr. Hans Rosenwald, Chicago, Ill. Problems Connected with Editing Lutheran Church Music -Prof. Walter E. Buszin The Radio and Our Musical Heritage -Mr. Gerhard Schroth, University of Chicago, Chicago, Ill. Is the Musical Training at Our Synodical Institutions Adequate for the Preserving of Our Musical Heritage? -Dr. Theo. G. Stelzer, Concordia Teachers College, Seward, Nebr. Problems of the Church Organist -Mr. Herbert D. Bruening, St. Luke’s Lutheran Church, Chicago, Ill. Members of the Seminar, 1944 From The Musical Heritage of the Lutheran Church, Volume I (Valparaiso, Ind.: Valparaiso University, 1945). -
Study Guides
Study Guides for Singing Our Lives These guides integrate Bible study, prayer, and worship to help us explore how singing can lift our hearts to adore God, awaken us to confess the disorder in our lives, and inspire us to good Christian Reflection work that speaks God’s transforming love into the hurting A Series in Faith and Ethics world. Use them individually or in a series. You may reproduce them for personal or group use. Why We Sing 2 When we come before God in worship, why do we sing rather than merely think or talk with one another? Singing is a language that God has given us to express our deepest longings, greatest joys, and most profound trust in the One who created us and loves us unconditionally. Nurturing the Congregation’s Voice 4 Every congregation is an unmatched creation with lessons to learn about its voice—what music it’s intended to make and what music is meant for another congregation. These lessons can be learned through the disciplines of hearing, joining, sounding, remembering, and coaching its voice. Singing with the Psalter 6 What sets the book of Psalms apart from other Scripture is the sacramental nature of its songs, their ability to mold and transform the believer. Reading or singing the psalms, we lift them to God as our prayers, as though we are speaking our own words rather than recalling an ancient litany. Gifts of New Music 8 A prophetic song that lifts our hearts to adore God, awa- kens us to confess the disorder in our lives, or inspires us to share God’s love for the hurting world is a wonderful gift. -
Daily Devotions in the Psalms Psalm 129-133
Daily Devotions in the Psalms Psalm 129-133 Monday 12th October - Psalm 129 “Greatly have they afflicted me from my youth”— let Israel now say— 2 “Greatly have they afflicted me from my youth, yet they have not prevailed against me. 3 The plowers ploughed upon my back; they made long their furrows.” 4 The Lord is righteous; he has cut the cords of the wicked. 5 May all who hate Zion be put to shame and turned backward! 6 Let them be like the grass on the housetops, which withers before it grows up, 7 with which the reaper does not fill his hand nor the binder of sheaves his arms, 8 nor do those who pass by say, “The blessing of the Lord be upon you! We bless you in the name of the Lord!” It is interesting that Psalm 128 and 129 sit side by side. They seem to sit at odds with one another. Psalm 128 speaks of Yahweh blessing his faithful people. They enjoy prosperity and the fruit of their labour. It is a picture of peace and blessing. And then comes this Psalm, clunking like a car accidentally put into reverse. Here we see a people long afflicted (v. 1-2). As a nation, they have had their backs ploughed. And the rest of the Psalm prays for the destruction of the wicked nations and individuals who would seek to harm and destroy Israel. It’s possible that this Psalm makes you feel uncomfortable, or even wonder if this Psalm is appropriate for the lips of God’s people. -
GLORY to GOD Page 1 of 74
Copyright Holder Index GLORY TO GOD Page 1 of 74 Hymn # FIRST LINE (and/or Copyright line Text permission Music permission Common Title) grantor grantor 1 Holy, Holy, Holy! Lord Korean Trans. The Christian Literature Korean text: The Alfred Publishing God Almighty! Society of Korea. Used by permission. Christian Literature Music Descant © 1948, ren. H. W. Gray Society of Korea. Co., Inc., a div. of Belwin-Mills Publishing English and Spanish: Corp. All rights reserved. Used by public domain permission of Alfred Music Publishing. 2 Come, Thou Almighty Public Domain Public Domain King 3 Womb of Life and Text © 1992 GIA Publications, Inc. All GIA Skinner Chavez- Source of Being rights reserved. Used by permission. Melo Music © 1985, 1991 Skinner Chávez- Melo. All rights reserved. 4 Holy God, We Praise Public Domain Public Domain Your Name 5 God the Sculptor of Text © 1993 John Thornburg. Used by John Thornburg The Copyright the Mountains permission. Music © 1996 Abingdon Company Press (admin. The Copyright Company, Nashville, TN). All rights reserved. International copyright secured. Used by permission. 6 I Bind unto Myself Public Domain Public Domain Today 7 Mothering God, You Text © 1991 Jean Janzen Music © 1995 Jean Janzen Augsburg Fortress Gave Me Birth Augsburg Fortress. Used by permission. 8 Eternal Father, Strong Public Domain Public Domain to Save 9 The Play of the Text © 2002 GIA Publications, Inc. All GIA GIA Godhead rights reserved. Used by permission. Music © 2000 William P. Rowan (admin. GIA Publications, Inc.). All rights reserved. Used by permission. 10 Sing Glory to the Text © 2011 David Gambrell (admin. -
80 Days in the Psalms (Summer 2016)
80 Days in the Psalms (Summer 2016) June 16 Psalm 1, 2 July 6 Psalm 40, 41 July 26 Psalm 80, 81 August 15 Psalm 119 June 17 Psalm 3, 4 July 7 Psalm 42, 43 July 27 Psalm 82, 83 August 16 Psalm 119 June 18 Psalm 5, 6 July 8 Psalm 44, 45 July 28 Psalm 84, 85 August 17 Psalm 119 June 19 Psalm 7, 8 July 9 Psalm 46, 47 July 29 Psalm 86, 87 August 18 Psalm 119 June 20 Psalm 9, 10 July 10 Psalm 48, 49 July 30 Psalm 88, 89 August 19 Psalm 120, 121 June 21 Psalm 11, 12 July 11 Psalm 50, 51 July 31 Psalm 90, 91 August 20 Psalm 122, 123 June 22 Psalm 13, 14 July 12 Psalm 52, 53 August 1 Psalm 92, 93 August 21 Psalm 124, 125 June 23 Psalm 15, 16 July 13 Psalm 54, 55 August 2 Psalm 94, 95 August 22 Psalm 126, 127 June 24 Psalm 17, 18 July 14 Psalm 56, 57 August 3 Psalm 96, 97 August 23 Psalm 128, 129 June 25 Psalm 19, 20 July 15 Psalm 58, 59 August 4 Psalm 98, 99 August 24 Psalm 130, 131 June 26 Psalm 21, 22 July 16 Psalm 60, 61 August 5 Psalm 100, 101 August 25 Psalm 132, 133 June 27 Psalm 23, 23 July 17 Psalm 62, 63 August 6 Psalm 102, 103 August 26 Psalm 134, 135 June 28 Psalm 24, 25 July 18 Psalm 64, 65 August 7 Psalm 104, 105 August 27 Psalm 136, 137 June 29 Psalm 26, 27 July 19 Psalm 66, 67 August 8 Psalm 106, 107 August 28 Psalm 138, 139 June 30 Psalm 28, 29 July 20 Psalm 68, 69 August 9 Psalm 108, 109 August 29 Psalm 140, 141 July 1 Psalm 30, 31 July 21 Psalm 70, 71 August 10 Psalm 110, 111 August 30 Psalm 142, 143 July 2 Psalm 32, 33 July 22 Psalm 72, 73 August 11 Psalm 112, 113 August 31 Psalm 144, 145 July 3 Psalm 34, 35 July 23 Psalm 74, 75 August 12 Psalm 114, 115 September 1 Psalm 146, 147 July 4 Psalm 36, 37 July 24 Psalm 76, 77 August 13 Psalm 116, 117 September 2 Psalm 148, 149 July 5 Psalm 38, 39 July 25 Psalm 78, 79 August 14 Psalm 118 September 3 Psalm 150 How to use this Psalms reading guide: • Read consistently, but it’s okay if you get behind. -
Prelude | Grove Music
Prelude (Fr. prélude; Ger. Vorspiel; It., Sp. preludio; Lat. praeludium, praeambulum) David Ledbetter and Howard Ferguson https://doi.org/10.1093/gmo/9781561592630.article.43302 Published in print: 20 January 2001 Published online: 2001 updated and revised, 1 July 2014 A term of varied application that, in its original usage, indicated a piece that preceded other music whose tonic, mode, or key it was designed to introduce; was instrumental (the roots ludus and Spiel mean ‘played’ as opposed to ‘sung’); and was improvised (hence the French préluder and the German präludieren, meaning ‘to improvise’). The term ‘praeambulum’ (preamble) adds the rhetorical function of attracting the attention of an audience and introducing a topic. The earliest notated preludes are for organ, and were used to introduce vocal music in church. Slightly later ones, for other chordal instruments such as the lute, grew out of improvisation and were a means of checking the tuning of the instrument and the quality of its tone, and of loosening the player’s fingers (as was the Tastar de corde). The purpose of notating improvisation was generally to provide models for students, so an instructive intention, often concerned with a particular aspect of instrumental technique, remained an important part of the prelude. Because improvisation may embrace a wide range of manners, styles, and techniques, the term was later applied to a variety of formal prototypes and to pieces of otherwise indeterminate genre. 1. Before 1800. David Ledbetter The oldest surviving preludes are the five short praeambula for organ in Adam Ileborgh’s tablature of 1448 (ed. -
Complete Song Book (2013 - 2016)
James Block Complete Song Book (2013 - 2016) Contents ARISE OH YAH (Psalm 68) .............................................................................................................................................. 3 AWAKE JERUSALEM (Isaiah 52) ................................................................................................................................... 4 BLESS YAHWEH OH MY SOUL (Psalm 103) ................................................................................................................ 5 CITY OF ELOHIM (Psalm 48) (Capo 1) .......................................................................................................................... 6 DANIEL 9 PRAYER .......................................................................................................................................................... 7 DELIGHT ............................................................................................................................................................................ 8 FATHER’S HEART ........................................................................................................................................................... 9 FIRSTBORN ..................................................................................................................................................................... 10 GREAT IS YOUR FAITHFULNESS (Psalm 92) ............................................................................................................. 11 HALLELUYAH -
Asterius on Psalm 11 Homily 2 As Is Well Known, the Tenth Century Hebrew Masoretic Text (MT) Used for Modern Bible Translations
Asterius On Psalm 11 Homily 2 As is well known, the tenth century Hebrew Masoretic Text (MT) used for modern Bible translations has 150 psalms whereas the Psalter in the Septuagint (LXX) has 151 psalms. This homily is based on Psalm 11 LXX which is Psalm 12 MT. Most psalms have a title or superscription which may include names of composers or people to whom a psalm is committed, situational details, genre, and liturgical directions.1 Whether these superscriptions were part of the original composition is unknown. In any case, the superscriptions are incorporated into the psalm text in the Hebrew MT, such that when the text was versified in the sixteenth century, they were counted as the first verse. This incorporaton is already evident in some of the psalm fragments found among the Dead Sea Scrolls. For example, the oldest fragment 4QPsa (= 4Q83, mid second century BCE) shows ‘no special separation between title and text’.2 More tellingly, 4QpPsa (= 4Q171 Pesher Psalms) which contains commentary on Psalm 45, includes commentary on its superscription, as if it were part of the psalm proper.3 Early Christians who used the LXX also considered the psalm title or superscription to be part of scripture and would exegete it as such. The superscription for Psalm 11 LXX in the Hebrew MT reads: ‘To the leader: according to The Sheminith. A Psalm of David.’ In the Greek LXX it reads: ‘To the end, upon the eighth. A Psalm of David’.4 Asterius spends considerable time in the first part of the homily expounding this title, and in particular the significance of the eighth day in redemption history. -
A Brief Survey of Plucked Wire-Strung Instruments, 15Th-18Th Centuries - Part Two
The Wire Connection By Andrew Hartig A Brief Survey of Plucked Wire-Strung Instruments, 15th-18th Centuries - Part Two Wire-Strung Instruments in the 16th Century ment and was used in a multitude of countries and regions. Al- Most of the wire-strung instruments from the 15th century though most players today think of the cittern as a single type of discussed in part one — such as the harpsichord, psaltery, and instrument, there were in fact many different types, each signifi- Irish harp — continued to be used on a regular basis throughout cantly different enough from the others so as to constitute separate the 16th century (and they would continue to be used into the 18th). instruments. However, almost all citterns have in common a tuning The major exception to this was the Italian cetra, which disap- characterized by the intervals of a 5th between the third and second peared at the end of the 15th century only to evolve into many dif- courses and a major 2nd between the second and first courses, and ferent forms of citterns. one or more re-entrantly tuned strings. Historically, the 16th century heralds the beginning of ma- jor shifts in thinking that led to experimentation and innovation Diatonic 6- and 7-Course Cittern in many aspects of life. Times were changing: from the discovery This was the earliest form of cittern used, possibly devel- of the “New World” that had begun at the end of the 15th century, oped from the cetra late in the 15th or early in the 16th century, and to the shifts in politics, power, religion, and gender roles that oc- it was definitely still in use into the 17th century. -
Seven Sevenfold Purifications of the Words of the LORD
Seven Sevenfold Purifications of The Words of the LORD Introduction Attention is drawn to the familiar passage Psalm 12:6 “The words of the LORD are pure words: as silver tried in a furnace of earth, purified seven times.” Sister Riplinger and others have shown that the Lord has fulfilled Psalm 12:6 for sevenfold purifications of “The words of the LORD” as fol- lows1, 2, five in all thus far. From the ancient Biblical languages to the 1611 AV1611 From the pre-English and early English Bibles to the 1611 AV1611 From the Greek Textus Receptus New Testament Editions to the final TR in English as the 1611 AV1611. This study has been attached for information. From the 16th century English Protestant Reformation Bibles e.g. Tyndale etc. to the 1611 AV1611 From the 1611 AV1611 through its major editions to the 1769 i.e. 2015+ AV1611. It is realistic to consider that the Lord would have implemented seven sevenfold purifications for “The words of the LORD.” This is so because Revelation 5:1, 6-7 refer to “a book written within and on the backside, sealed with seven seals” and “a Lamb as it had been slain, having seven horns and seven eyes, which are the seven Spirits of God sent forth into all the earth And he came and took the book out of the right hand of him that sat upon the throne.” Revelation 8:1-2 state “And when he had opened the seventh seal...I saw the seven angels which stood before God; and to them were given seven trumpets.” The successive opening of the seven seals by the Lamb with seven horns and seven eyes that are the seven Spirits of God and the sounding by the seven angels of the seven trumpets finally perfect God’s revelation in the form of “the little book” Revelation 10:8, 9, 10 that is hand-held and associated with “seven thunders” Revelation 10:3, 4 i.e.