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March 5, 2017 Concert Program Booklet
North Shore Choral Society Psalms, New and Old March 5, 2017 St. John Brebeuf Church Niles, Illinois Psalms, New and Old Julia Davids, Music Director Nathan Ward, tenor William Lewis, treble Sharon Peterson, organ and piano Showers of Blessings Psalm 147:7-8 ..................................................... Joseph Stone The Heavens Are Telling, from The Creation, Psalm 19 ................................. F.J. Haydn Jean Joslyn, soprano Tom Olkowski, tenor Scott Paine, bass Der 23. Psalm ................................................................................... Franz Schubert My Shepherd Will Supply My Need Psalm 23 .............................arr. Virgil Thomson The Lord Is My Shepherd Psalm 23 .................................................. Howard Goodall William Lewis, treble rd The 23 Psalm ................................................................................Bobby McFerrin Tantum Ergo ........................................................................................Gabriel Fauré Nathan Ward, tenor Biblické písně (Biblical Songs)......................................................... Antonin Dvořák Nathan Ward, tenor IV Hospodin jest muj pastýr Psalm 23:1-4 VIII Popatriž na mne a smiluj se nade mnou Psalm 25:16-18,20 IX Pozdvihuji ocí svých k horám Psalm 121:1-4 Haleluyaw Psalm 111 .......................................................................... Salomon Sulzer Nathan Ward, tenor ~ Intermission ~ Dorchester Canticles .......................................................................... -
Copyright by Gary Dean Beckman 2007
Copyright by Gary Dean Beckman 2007 The Dissertation Committee for Gary Dean Beckman Certifies that this is the approved version of the following dissertation: The Sacred Lute: Intabulated Chorales from Luther’s Age to the beginnings of Pietism Committee: ____________________________________ Andrew Dell’ Antonio, Supervisor ____________________________________ Susan Jackson ____________________________________ Rebecca Baltzer ____________________________________ Elliot Antokoletz ____________________________________ Susan R. Boettcher The Sacred Lute: Intabulated Chorales from Luther’s Age to the beginnings of Pietism by Gary Dean Beckman, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2007 Acknowledgments I would like to acknowledge Dr. Douglas Dempster, interim Dean, College of Fine Arts, Dr. David Hunter, Fine Arts Music Librarian and Dr. Richard Cherwitz, Professor, Department of Communication Studies Coordinator from The University of Texas at Austin for their help in completing this work. Emeritus Professor, Dr. Keith Polk from the University of New Hampshire, who mentored me during my master’s studies, deserves a special acknowledgement for his belief in my capabilities. Olav Chris Henriksen receives my deepest gratitude for his kindness and generosity during my Boston lute studies; his quite enthusiasm for the lute and its repertoire ignited my interest in German lute music. My sincere and deepest thanks are extended to the members of my dissertation committee. Drs. Rebecca Baltzer, Susan Boettcher and Elliot Antokoletz offered critical assistance with this effort. All three have shaped the way I view music. -
Dvorˇák Songs, Including Gypsy Melodies, Op
TOCCATA CLASSICS DVORˇ ÁK ‘Songs My Great-Grandfather Taught Me’ Transcriptions by Josef Suk of 30 Dvorˇák songs, including Gypsy Melodies, Op. 55 Love Songs, Op. 83 Biblical Songs, Op. 99 Josef Suk, violin and viola Vladimir Ashkenazy, piano FIRST RECORDINGS DVORˇ ÁK 30 Song Transcriptions for Violin and Viola and Piano Gypsy Songs, Op. 55 12:12 1 No. 1, ‘My song of love rings through the dusk’ 2:58 2 No. 2, ‘Hey! Ring out my triangle’ 0:55 3 No. 3, ‘All around the woods are still’ 2:23 4 No. 4, ‘Songs my mother taught me’ 2:09 5 No. 5, ‘Come and join the dancing’ 0:59 6 No. 6, ‘Wide the sleeves and loose the trousers’ 1:10 7 No. 7, ‘Give a hawk a ine cage’ 1:38 In Folk Tone, Op. 73: Nos. 1 and 3 5:01 8 No. 1, ‘Goodnight’ 2:23 9 No. 3, ‘Oh nothing, nothing can change for me’ 2:38 Love Songs, Op. 83 12:55 10 No. 1, ‘Never will love lead us to that glad goal’ 1:49 11 No. 2, ‘Death reigns in many a human heart’ 1:55 12 No. 3, ‘I often wander past that house’ 1:04 13 No. 4, ‘I know that on my love to you’ 1:56 14 No. 5, ‘Nature lies peaceful in sleep and dreaming’ 1:24 15 No. 6, ‘Lonely in the forest I stand’ 1:47 16 No. 7, ‘When your sweet glances fall on me’ 1:37 17 No. 8, ‘Oh, my only dear one, but for you’ 1:23 18 Four Songs, Op. -
Bible & Reference Catalog 2021-2022
BIBLE & REFERENCE CATALOG KJV 2021-2022 Holman Bibles publishes high quality Bibles and reference products that are trustworthy, accessible, and useful for the pursuit of lifelong discipleship HOLMAN LEATHER BIBLES ARE GUARANTEED to last a lifetime. If any Holman bonded or genuine leather Bible is defective or falls apart, Holman will replace it with a comparable Bible free of charge. Simply provide your customer with a replacement Bible, return the defective Bible to Holman, and we will send you a replacement copy for your stock. CONTENTS CSB ........................................................................................................................2-74 KJV ..................................................................................................................... 75-98 CUV & NIV ..................................................................................................... 99-104 REFERENCE .................................................................................................105-130 KIDS BIBLES ...................................................................................................131-152 SPANISH BIBLES .........................................................................................153-172 TEXT SAMPLES ..................................................................................................................................................173-174 GLOSSARY................................................................................................................................................................. -
Section 3 Classified Index Teil 3 Systematisches Verzeichnis
SECTION 3 CLASSIFIED INDEX TEIL 3 SYSTEMATISCHES VERZEICHNIS 301 302 Classified Index Orchestra / Orchester...............................................................................................................................305 Chamber Orchestra / Kammerorchester...............................................................................................310 String Orchestra / Streichorchester ........................................................................................................312 Wind Orchestra / Blasorchester..............................................................................................................312 Brass Band / Blaskapelle...........................................................................................................................313 String Ensemble / Streichensemble........................................................................................................313 Wind Ensemble / Bläserensemble ..........................................................................................................313 Brass Ensemble / Blechbläserensemble.................................................................................................314 Percussion Ensemble / Schlagzeugensemble ........................................................................................314 Mixed Ensemble / Gemischtes Ensemble.............................................................................................314 String Quartets / Streich-Quartett ..........................................................................................................315 -
Singing with the Psalter
Singing with the Psalter What sets the book of Psalms apart from other Scripture is the sacramental nature of its songs, their ability to mold and trans- form the believer. Reading or singing the psalms, we lift them to God as our prayers, as though we are speaking our own words Christian Reflection rather than recalling an ancient litany. A Series in Faith and Ethics Prayer Scripture Readings: Psalms 100, 22, and 30 Silent Meditation Keep praising God with hymns, and meditating continually, and so lighten the burden of the temptations that attack you. Focus Article: A traveler carrying a heavy burden stops from time to time to Singing with the Psalter take deep breaths, and so makes the journey easier and the (Singing Our Lives, burden light. pp. 19-27) Sayings of the Desert Christians (fourth century) † Reflection Suggested Articles: Scripture resounds with singing. Moses sings to the people of Is- Make a Joyful Noise rael (Exodus 15:1-18), and his song echoes through the courts of (Singing Our Lives, heaven (Revelation 15:3-4). Job mournfully laments being forsa- pp. 36-37) ken by God, but an angel joyfully proclaims the Savior’s birth to Bethlehem shepherds. Although biblical songs have inspired the Exuberant Praise Church’s singing over the centuries, the inexhaustible muse has (Singing Our Lives, been the Psalter, the worship and prayer book of Israel. pp. 38-42) “Psalm singing chases fiends, excites angels to our help, removes sin, pleases God,” Richard Rolle wrote admiringly in the fourteenth century. “It shapes perfection, removes and de- stroys annoyance and anguish of soul. -
Author/Composer Title Publisher Year
Backlog of items - Scores and Books Rupert Edwards Library Current as of 02/03/2016 Author/Composer Title Publisher Year Principal Instrument Notes Adaskin, Murray Diversion for Orchestra National Arts Centre 1969 Orchestra - Score Aitken, Robert Spiral Canadian Music Centre 1975 Orchestra - Score Suite da Musiche Liutistiche del 500' per Arpa Concertante e Orchestra Angelis, Ugalberto De da Camera Casa Musicale Sonzogno di Piero Ostali 1961 Orchestra - Score Angelis, Ugalberto De Epitaffio per Orchestra Casa Musicale Sonzogno di Piero Ostali Orchestra - Score Anhalt, Istvan Symphony BMI Canada Limited 1958 Score Erste Orchester-Sinfonie for 2 flutes, 2 oboes, 2 horns, strings and Bach, C.P.E. basso continuo Schott Co. Ltd. 1970 Orchestral Score Bach, J. S. Christmas Oratorio, BWV 248 C. F. Peters 1955 Vocal Score Bach, J. S. Cantata no. 203, BMV 203 C. F. Peters Vocal Score Bach, J. S. St. John Passion Novello 1929 Vocal Score Sinfonia Concertante for Flute, Oboe, Violin, Cello, and Orchestra in C Bach, J.C. major Ernst Eulenburg 1961 Orchestra - Miniature Bach, J.C. Piano Concerto in Eb major Ernst Eulenburg Orchestra - Miniature Bach, J.C. Sinfonia Concertante for 2 Violins in Eb major Ernst Eulenburg 1970 Orchestra - Miniature Bach, J.C. Sinfonia Concertante J Major Ernst Eulenburg 1973 Miniature Score Bach, J.C. Symphony in Bb major, op. 18 no. 2 Ernst Eulenburg 1971 Miniature Score Bach, J.C. La Clemenza di Scipione Overture Verlag Doblinger 1970 Orchestral Score Bach, J.S. St. Matthew Passion Ernst Eulenburg Orchestra - Miniature Bach, J.S. Concerto for Harpsichord, Flute, Violin, and Strings, BWV 1044 Ernst Eulenburg 1976 Orchestra - Miniature Bach, J.S. -
Utilizing North American Art Song Settings of Psalm Texts In
UTILIZING NORTH AMERICAN ART SONG SETTINGS OF PSALM TEXTS IN WORSHIP SERVICES: AN ANNOTATED GUIDE FOR SINGERS, VOICE INSTRUCTORS, AND MUSIC MINISTERS Kyle Siddons Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2014 APPROVED: Stephen Austin, Major Professor and Chair of the Division of Vocal Studies Stephen Dubberly, Committee Member Elvia Puccinelli, Committee Member James Scott, Dean of the College of Music Mark Wardell, Dean of the Toulouse Graduate School Siddons, Kyle. Utilizing North American Art Song Settings of Psalm Texts in Worship Services: An Annotated Guide for Singers, Voice Instructors, and Music Ministers. Doctor of Musical Arts (Performance), May 2014, 115 pp., 3 tables, bibliography, 35 titles. This dissertation provides a guide for appropriate use of North American art song settings of biblical psalms for solo voice written after 1950 in the worship services of Christian faiths. The songs analyzed are for all voice parts and a variety of accompanying ensembles. The placement of each song on a specific calendar day is guided by the individual church calendars and lectionaries, on the prevalent themes of the text, and the characteristics of the musical setting. Performance of these songs only in a concert setting limits their usefulness for singers, voice teachers, and music directors alike. A new and worthy performing context can be established by analyzing the text and musical settings. Copyright 2014 by Kyle Siddons ii TABLE OF CONTENTS Page CHAPTER 1. INTRODUCTION ....................................................................................................1 -
Morning-Siddur-2009.Pdf
zayl zixgy zlitz Shabbat Morning Service Edited and translated by Rabbi Ariel Edery Published by Beth Shalom Congregation, 5713 Yates Mill Pond Rd., Raleigh, NC 27606 USA www.bethshalomnc.org Acknowledgments and copyrights may be found on page 70 - iii - The publication of this Siddur was made possible through the generosity of Hal & Sally Zenick & Steve & Sue Weitzman “And I shall bless thee, and thou shalt be a blessing” (Genesis 12:2) - iv - The Beth Shalom Siddur A “New” Siddur? Over the centuries, Jewish communities have developed thousands of poems, prayers, meditations and songs with which to approach God, to celebrate Shabbat, and to unite as a community of faith and purpose. The Siddur is an anthology, a selection of those words and passages that best inspired us and that capture in the most beautiful ways the values, wisdom and the message of Judaism. Many different siddurim exist: there are Ashkenazi and Sephardic ones, combinations of both, and also a wide variety of Siddurim within each of these traditions. There are Orthodox, Conservative, Reconstructionist and Reform ones, and there are many different versions within each of these denominations, as in other movements within contemporary Judaism. All Jewish communities have received a Siddur from their predecessors, and most have transmitted their own variations to their successors. The Eastern European Hassidic communities, the Medieval Spanish Jewry, the liberal and conservative American and European Jews - all have shaped and adapted the Siddur in their unique ways. But all had the same goal: to maintain it as a living guide, capable of educating and inspiring them as they came to celebrate and to pray. -
Alan Hovhaness: a Discography
Alan Hovhaness: A Discography DEC 2016 8 March 1911 - 21 June 2000: In Memoriam compiled by Eric Kunze 1 TABLE OF CONTENTS 1. Alphabetic Listing 3 2. Appendix A: Labels and Numbers 226 3. Appendix B: Chronology of Releases 233 4. Appendix C: Want List 235 5. Appendix D: By Opus Number 240 2 ALAN HOVHANESS: A DISCOGRAPHY (OCT 1996; revised DEC 2016) (Library of Congress Card No. 97-140285) Compiled by Eric Kunze, 8505 16th Ave NE, Seattle, WA 98115, USA, e-mail [email protected], phone 206-280-6374 with much-appreciated assistance from Mr. Alan and Mrs. Hinako Hovhaness ne Fujihara, Robert Jordan, Stephen Trowell, Marco Shirodkar, Martin Berkofsky, Glenn Freeman, Marvin Rosen, Nicola Giosmin, Stephen Ellis, Maris Kristapsons, Joel Salsman, Jim Robinson of Gramma's Attic, Larry Bright, David Canfield of Ars Antiqua, Leslie Gerber of Parnassus Records and Byron Hanson. Corrections and additions can be sent to Eric Kunze. He also seeks to fill in any question marks and add the * items, summarized in Appendix C, to his collection. New performances on commercial labels are denoted ►, on small labels and private issues ►. Gray entries are reissues. Of 434 listed opuses, about 208 have not been recorded, including all of his operas, 32 symphonies and numerous large choral works. By far the most recorded of Alan Hovhaness's works is his Prayer of St. Gregory, op. 62b, an excerpt from his opera Etchmiadzin, with 68 total releases (1 78, 15 LP, 53 CD). It has been recorded for trumpet and strings, trumpet and brass, trumpet and organ, double bass and organ, and trombone and piano. -
A Discography
Alan Hovhaness: A Discography AUG 2018 8 March 1911 - 21 June 2000: In Memoriam compiled by Eric Kunze 1 TABLE OF CONTENTS 1. Alphabetic Listing 3 2. Appendix A: Labels and Numbers 226 3. Appendix B: Chronology of Releases 233 4. Appendix C: Want List 235 5. Appendix D: By Opus Number 240 2 ALAN HOVHANESS: A DISCOGRAPHY (OCT 1996; revised AUG 2018) (Library of Congress Card No. 97-140285) Compiled by Eric Kunze, 8505 16th Ave NE, Seattle, WA 98115, USA, e-mail [email protected], phone 206-280-6374 with much-appreciated assistance from Mr. Alan and Mrs. Hinako Hovhaness ne Fujihara, Robert Jordan, Stephen Trowell, Marco Shirodkar, Martin Berkofsky, Glenn Freeman, Marvin Rosen, Nicola Giosmin, Stephen Ellis, Maris Kristapsons, Joel Salsman, Jim Robinson of Gramma's Attic, Larry Bright, David Canfield of Ars Antiqua, Leslie Gerber of Parnassus Records and Byron Hanson. Corrections and additions can be sent to Eric Kunze. He also seeks to fill in any question marks and add the * items, summarized in Appendix C, to his collection. New performances on commercial labels are denoted ►, on small labels and private issues ►. Gray entries are reissues. Of 434 listed opuses, about 208 have not been recorded, including all of his operas, 32 symphonies and numerous large choral works. By far the most recorded of Alan Hovhaness's works is his Prayer of St. Gregory, op. 62b, an excerpt from his opera Etchmiadzin, with 68 total releases (1 78, 15 LP, 53 CD). It has been recorded for trumpet and strings, trumpet and brass, trumpet and organ, double bass and organ, and trombone and piano. -
An Investigation of Ancient Hebrew Music During the Time of the Old Testament
Running head: AN INVESTIGATION OF ANCIENT HEBREW MUSIC 1 An Investigation of Ancient Hebrew Music During the Time of the Old Testament Especially the Role of Music in the Lives of Israel’s First Two Kings, Saul and David Holly Delcamp A Senior Thesis submitted in partial fulfillment of the requirements for graduation in the Honors Program Liberty University Spring 2013 AN INVESTIGATION OF ANCIENT HEBREW MUSIC 2 Acceptance of Senior Honors Thesis This Senior Honors Thesis is accepted in partial fulfillment of the requirements for graduation from the Honors Program of Liberty University. ___________________________ Sean Beavers, D.M. Chairman of Thesis ____________________________ Linda Granger, M.M. Committee Member ____________________________ Donald Fowler, Th.D. Committee Member ____________________________ Brenda Ayres, Ph.D. Honors Program Director ____________________________ Date AN INVESTIGATION OF ANCIENT HEBREW MUSIC 3 Abstract Music has always been an inextricable component of Jewish culture from its beginnings. Even before the construction of the Temple, music was used for worship, feasts, festivals, and various other cultural activities. Since much of this music involves the singing of texts, poetry was also a central part of the Jewish music culture. Singing in ancient Israel often involved instrumental accompaniment. The Bible records the texts of much musical activity. Instrumental music, vocal music, and accompanied vocal music are found throughout the Bible. Instrumental music is found in 1 Samuel 16 when David played his harp to soothe Saul and in 1 Samuel 19 when Saul tried to kill David when a troubling spirit came upon him. When men were coming back from battle in 1 Samuel 18, women played instruments and sang songs of David’s greatness.