DOCSLIB.ORG

Author/Composer Title Publisher Year

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Author/Composer Title Publisher Year Backlog of items - Scores and Books Rupert Edwards Library Current as of 02/03/2016 Author/Composer Title Publisher Year Principal Instrument Notes Adaskin, Murray Diversion for Orchestra National Arts Centre 1969 Orchestra - Score Aitken, Robert Spiral Canadian Music Centre 1975 Orchestra - Score Suite da Musiche Liutistiche del 500' per Arpa Concertante e Orchestra Angelis, Ugalberto De da Camera Casa Musicale Sonzogno di Piero Ostali 1961 Orchestra - Score Angelis, Ugalberto De Epitaffio per Orchestra Casa Musicale Sonzogno di Piero Ostali Orchestra - Score Anhalt, Istvan Symphony BMI Canada Limited 1958 Score Erste Orchester-Sinfonie for 2 flutes, 2 oboes, 2 horns, strings and Bach, C.P.E. basso continuo Schott Co. Ltd. 1970 Orchestral Score Bach, J. S. Christmas Oratorio, BWV 248 C. F. Peters 1955 Vocal Score Bach, J. S. Cantata no. 203, BMV 203 C. F. Peters Vocal Score Bach, J. S. St. John Passion Novello 1929 Vocal Score Sinfonia Concertante for Flute, Oboe, Violin, Cello, and Orchestra in C Bach, J.C. major Ernst Eulenburg 1961 Orchestra - Miniature Bach, J.C. Piano Concerto in Eb major Ernst Eulenburg Orchestra - Miniature Bach, J.C. Sinfonia Concertante for 2 Violins in Eb major Ernst Eulenburg 1970 Orchestra - Miniature Bach, J.C. Sinfonia Concertante J Major Ernst Eulenburg 1973 Miniature Score Bach, J.C. Symphony in Bb major, op. 18 no. 2 Ernst Eulenburg 1971 Miniature Score Bach, J.C. La Clemenza di Scipione Overture Verlag Doblinger 1970 Orchestral Score Bach, J.S. St. Matthew Passion Ernst Eulenburg Orchestra - Miniature Bach, J.S. Concerto for Harpsichord, Flute, Violin, and Strings, BWV 1044 Ernst Eulenburg 1976 Orchestra - Miniature Bach, J.S. Violin Concerto in E major Ernst Eulenburg 1929 Orchestra - Miniature Bach, J.S. Christmas Oratorio Ernst Eulenburg Orchestra - Miniature Bach, J.S. Suite No.2 in B minor Boosey & Hawkes Miniature Score Bach, J.S. Suite No. 1 in C major Boosey & Hawkes Miniature Score Bach, J.S. Kantate Nr. 32, BWV 32 Breitkopf & Hartel 1961 Score Bach, J.S. Choral Works, The Passion According to St. Matthew G. Schirmer 1932 Piano Reduction Vocal Score Bach, J.S. Solo Suites for Viola Boosey & Hawkes 1954 Miniature Score Bach, J.S. Violin - Concerto a minor, No. 711 Ernst Eulenburg Miniature Score Bach, J.S. Suite No. 4 in D Major Boosey & Hawkes Miniature Score Bach, J.S. Kantate No. 212, No. 1006, mer hahn en neue Oberkeet Ernst Eulenburg Miniature Score Bach, J.S. Kantate 127, No. 1065, Thou who, a God, as man yet came Ernst Eulenburg 1964 Miniature Score Bach, J.S. Kantate 51, Praiseye God thruout Creation, No. 1038 Ernst Eulenburg Miniature Score Bach, J.S. Kantate 32, Dearest Jesus, sore I need Three, No. 1052 Ernst Eulenburg 1964 Miniature Score Bach, J.S. Cantata No. 56, I will the Cross with Gladness carry, No. 1008 Ernst Eulenburg Miniature Score Bach, J.S. Kantate Nr. 199 Mein Herze schwimmt im Blut, BWV 199 Breitkopf & Hartel 1941 Vocal Score Bach, J.S. Orchestral Suite (Ouverture) in C major Barenreiter 1983 Full Score Bach, J.S. Brandenfurgisches Konzert Nr. 2, BWV 1047 Peters 1934 Full Score Suite (Ouverture) No. 3 for trumpets, 2 oboes, timpani, strings and Bach, J.S. continuo Breitkopf & Hartel 1942 Full Score Bach, J.S. Was mir behagt ist mur die muntre jagd BWV 208 Barenreiter 1966 Miniature Score Bach, J.S. Cantata No. 155 Mein Gott, Wie lang, ach lange Ernst Eulenburg Miniature Score Bach, J.S. Kantate No. 158 Der Friede sei mit dir Ernst Eulenburg Miniature Score Kantate Nr. 159 Sehet, wir gehn hinauf gen Jerusalem, Come ye, our Bach, J.S. way is up to Jerusalem Ernst Eulenburg Miniature Score Cantata No.161 Komm du susse Todesstunde, Come, thou lovely Hour Bach, J.S. of Dying Ernst Eulenburg Miniature Score Bach, J.S. Wo gehest du Hin BWV 166 Barenreiter 1962 Miniature Score Copy 1 Bach, J.S. Wo gehest du Hin BWV 166 Barenreiter 1962 Miniature Score Copy 2 Bach, J.S. Vereingte zwietracht der Wechselnden Saiten BWV 207 Barenreiter 1963 Miniature Score Cantata No. 11 Lobet Gott in seinen Reichen, Praise to God on High in Bach, J.S. Heaven Ernst Eulenburg Miniature Score Bach, J.S. Kantate 12 Weinen, Klagen, Wailing, Sighing Ernst Eulenburg Miniature Score Kantate 17 Wer Dank opfert, der preiset mich, By praise offered ye Bach, J.S. honor me Ernst Eulenburg Miniature Score Bach, J.S. Kantate 21 Ich hatte viel Bekummernis, My Spirit was in Heaviness Ernst Eulenburg Miniature Score Backlog of items - Scores and Books Rupert Edwards Library Current as of 02/03/2016 Author/Composer Title Publisher Year Principal Instrument Notes Cantata No. 23 Du wahrer Gott und Davids Sohn, Thou very God and Bach, J.S. David's Son Ernst Eulenburg Miniature Score Bach, J.S. Kantate 29 Wir danken dir, Gott, wir danken dir, We thank Thee, Lord Ernst Eulenburg Miniature Score Bach, J.S. Cantata No. 34 O ewiges Feuer, O Light everlasting Ernst Eulenburg Miniature Score Bach, J.S. Schwingt Freudig euch Empor BWV 36 Barenreiter 1957 Miniature Score Bach, J.S. Gleich wie der Regen und Schnee vom himmel Fallt BWV 18 Barenreiter 1953 Miniature Score Bach, J.S. Ein Herz, das seinen Jesum leben weiss BWV 134 Barenreiter 1958 Miniature Score Kantate 68 Also hat Gott die Welt geliebt, For God Has Loved the Bach, J.S. World so Well Ernst Eulenburg Miniature Score Bach, J.S. Kantate No. 62 Nun komm, der Heiden Heiland Ernst Eulenburg Miniature Score Cantata No. 55 Ich armer Mensch, ich Sundenknecht, A feeble Soul, a Bach, J.S. Slave of Sin Ernst Eulenburg Miniature Score Cantata No. 54 Widerstehe doch der Sunde, Unto Sin oppose Bach, J.S. Resistance Ernst Eulenburg Miniature Score Cantata No. 53 Schlage doch, gewunschte Stunde, Strike oh strike, Bach, J.S. awaited Hour Ernst Eulenburg Miniature Score Bach, J.S. Cantata No. 46 Schauet doch und sehet, Look ye then and see Ernst Eulenburg Miniature Score Kantate 37 Wer da glaubet und getauft wird, Who believe and are Bach, J.S. baptised Ernst Eulenburg Miniature Score Sechstes Brandenburgisches Konzert, Sixth Brandenburg Concerto Bach, J.S. BWV 1051 Barenreiter 1966 Miniature Score Kantate 117, Sei Lob und Her' dem hochsten Gut, All glory to the Lord Bach, J.S. of Lords Eulenberg Miniature Score Cantata No. 123 Liebster Immanuel, Herzog der Frommen, Dearest Bach, J.S. Immanuel, Lord of the Faithful Ernst Eulenburg Miniature Score Bach, J.S. Nimm, was dein ist, und gehe him BWV 144 Barenreiter 1958 Miniature Score Bach, J.S. Concerto for Piano, Violin and Flute Ernst Eulenburg 1930 Miniature Score Bach, J.S. Kantaten Breitkopf & Hartel Orchestral Score Bach, J.S. Magnificat Ernst Eulenburg Miniature Score Bach, J.S. Cantata No. 202 Edwin F. Kalmus Score Bach, J.S. The Passion of Our Lord according to St. Matthew G. Schirmer 1959 Vocal Score Bachmann, Arthur Marc Zum Lauten for symphony orchestra AMBR Studios 2003 Orchestra - Score Baird, Tadeusz Four essays for orchestra (Cztery eseje na orkiestre) Polskie Wydawnictwo Muzyczne 1958 Orchestra - Miniature Baird, Tadeusz Four Dialogues for oboe and chamber orchestra Polskie Wydawnictwo Muzyczne 1965 Orchestra - Miniature Baird, Tadeusz Tomorrow, Musical Drama in one act Polskie Wydawnictwo Muzyczne 1966 Vocal Score Four Love Sonnets to Words by William Shakespeare for baritone, Baird, Tadeusz strings and harpsichord Polskie Wydawnictwo Muzyczne 1971 Miniature Score Ekspresje na skrzypce I orkiestre, Espressioni varianti per violino e Baird, Tadeusz orchestra Polskie Wydawnictwo Muzyczne 1959 Miniature Score Baird, Tadeusz Four Novelettes for Chamber Orchestra Polskie Wydawnictwo Muzyczne 1968 Full Score Barber, Samuel Despite and Still - Song cycle for voice and piano G. Schirmer, Inc. 1969 Vocal Score Barber, Samuel Third Essay for Orchestra G. Schirmer, Inc. 1978 Orchestra - Score Barber, Samuel Knoxville: Summer of 1915 G. Schirmer 1949 Vocal Score Barber, Samuel Adagio for Strings G. Schirmer 1939 Score Barber, Samuel Concerto for Violin and Orchestra, op. 14 G. Schirmer 1949 Score Barraud, Henry Symphonie Concertante pour Trompette et Orchestre Boosey & Hawkes 1969 Orchestra - Miniature Bartok, Bela Musik fur Saiteninstrumente, Schlagzeug und Celesta Boosey & Hawkes 1937 Orchestra - Miniature Bartok, Bela Viola Concerto, op. posth. Boosey & Hawkes 1950 Orchestra - Miniature Bartok, Bela Hungarian Pictures Editio Musica Budapest 1953 Orchestra - Miniature Bartok, Bela Tanz-Suite Philharmonia Partiteur - Universal Edition 1924 Orchestra - Miniature Bartok, Bela Divertimento for String Orchestra Boosey & Hawkes 1940 Orchestral Score Bartok, Bela Concerto I for piano and orchestra Boosey & Hawkes Miniature Score Bartok, Bela Second Rhapsody for Violin and Orchestra Boosey & Hawkes 1949 Miniature Score Bartok, Bela Divertimento Boosey & Hawkes 1940 Miniature Score Bartok, Bela Divertimento Boosey & Hawkes 1940 Miniature Score Backlog of items - Scores and Books Rupert Edwards Library Current as of 02/03/2016 Author/Composer Title Publisher Year Principal Instrument Notes Bedfor, David a dream of the seven lost stars Universal Edition 1971 Miniature Score Bedford, David Symphony no. 1 Universal Edition 1985 Full Score Bedford, David The Vally-Shaper, the Children, the Snakes and the Giant Universal Edition 1984 Full Score Beecroft, Norma Improvvisazioni concertanti no. 2 for chamber orchestra Leeds Music 1974 Orchestra - Score Beecroft, Norma Improvvisazioni concertanti No. 1 for Flute and Orchestra Leeds Music 1973 Orchestra - Score Beethoven, Ludwig van Five Piano Concertos Edwin F. Kalmus Orchestra - Miniature Beethoven, Ludwig van Romances for Violin and Orchestra - Nos. 1 and 2 Ernst Eulenburg Orchestra - Miniature Beethoven, Ludwig van Overture to Prometheus, op. 43 Boosey & Hawkes Orchestra - Miniature Beethoven, Ludwig van Symphony no. 9, op. 125 Ernst Eulenburg Orchestra - Miniature Beethoven, Ludwig van Symphony no. 6, op. 68 Heugel 1951 Orchestra - Miniature Beethoven, Ludwig van Samtliche Lieder Edition Peters 1936 Vocal Score Beethoven, Ludwig van Romance Cantabile fur Piano Flute, Bassoon and String Orchestra Breitkopf & Hartel 1952 Orchestra - Score Beethoven, Ludwig van Symphonie Nr.
Load more

Recommended publications
  • Student Recital
    Student Recital Room 106 Schaefer Fine Arts Center Gustavus Adolphus College Saturday, July 21st, 2007 9:00:AM Program » Quintet Op. 77 in G Major Antonin Dvorak (1841-1904) Angela Xie, violin Julia Johnson, violin Elizabeth Johnson, violin Bjorn Hovland, cello Matt Minteer, bass Bourrie 1 from Suite 43 inC Major Johann Sebastian Bach (1685-1750) John Sholund, bass guitar . Preguntale a Las Estrellas Latin American Folk Song Arr, Edward Kilenyi Christine Hoffman, mezzo-soprano Galina Zisk, piano Intorno all’idol mio Marco Antonio Cesti z (1623-1669) Christine Mennicke, soprano Galina Zisk, piano a a i a We ask that all members of the audience refrain from photographing or recording the performance. Please be sure that a all cell phones, beepers, alarms, and similar devices are turned off. cm A high-fidelity recording of this performance may be ordered. A @ brochure will be available following the performance. = You are invited to attend the next events of a The 2007 Lutheran Summer Music Festival: = Student Recitals a Christ Chapel & Room 214, and Room 106 Schaefer Fine Arts Center = Gustavus Adolphus College = Saturday, July 21st, 2007 10:30 AM, 12:00 PM, and 2:30 PM | al Jazz Ensemble Concert Bjérling Recital Hall «a Schaefer Fine Arts Center e Gustavus Adolphus College Saturday, July 21st, 2007 ea 1:00 PM e Festival Orchestra Concert e Christ Chapel a Gustavus Adolphus College Saturday, July 21st, 2007 e 7:00 PM = e This concert is the thirty-eighth event of = Lutheran Summer Music Festival 2007 = = «a «= ee se «= LUTHERAN. UMIME Ro ~~__ACADEMY & FESTIVAL Collegium Musicum S.
    [Show full text]
  • Vol. 49, No. 5, September-October 2007
    Z P R Á V Y SPOLEČNOSTI PRO VĚDY A UMĚNÍ CZECHOSLOVAK SOCIETY OF ARTS AND SCIENCES, INC. ISSN SVU Volume XXXXIX. September - October 2007 No.5 President: Secretary General: Treasurer: Karel F. Raska Zdenek David Vlado Kysucky St. Peters Univ. Hospital 517 13th St., N.E. 605 W. 112th St., #2E 254 Easton Ave. Washington, DC 20002 New York, NY 10025 New Brunswick, NJ 08901 Tel: 202 396-8108 Tel: 917 680-9959 Tel: 732 745-8504 Fax: 202 691-4001 212 543-5646 Fax: 732 828-3858 [email protected] [email protected] [email protected] www.svu2000.org 24th WORLD CONGRESS OF SVU CZECHOSLOVAK SOCIETY OF ARTS AND SCIENCES Celebrating SVU: 50 Years of Promoting Czech and Slovak Culture and Science Worldwide September 8th - 14th of 2008 at the CATHOLIC UNIVERSITY Ruzomberok, Slovakia Co-Sponsors of the congress are: The Catholic University, Ruzomberok and The City of Ruzomberok Please SAVE THE DATES for this Festive Event in the Beautiful Slovak Mountains!! PRELIMINARY PROGRAM OF THE 24TH WORLD CONGRESS Sept. 7th, 2008 Registration and Welcome Party Sept. 8th, 2008 Formal Opening, Reception and Plenary Session Sept. 9th-12th, 2008 Academic Sessions and Exhibits Sept. 12th, 2008 General Assembly Meeting, Closing Ceremonies and Banquet Sept. 13th, 2008 Visit to Unesco Registry Village of Vlkolinec with Music and Barbecue (Optional) Sept. 14th, 2008 Visit to High Tatras or Bešeňová Thermal Spa (Optional) Sept. 14th-19th, 2008 6 Day Tour of the Treasures of Slovakia (Optional) There will be several cultural events during the meeting. Lodging: Rooms have been reserved in several hotels and pensions in Ružomberok.
    [Show full text]
  • June 2015 Broadside
    T H E A T L A N T A E A R L Y M U S I C ALLIANCE B R O A D S I D E Volume XV # 4 June, 2015 President’s Message Are we living in the Renaissance? Well, according to the British journalist, Stephen Masty, we are still witnessing new inventions in musical instruments that link us back to the Renaissance figuratively and literally. His article “The 21st Century Renaissance Inventor” [of musical instruments], in the journal “The Imaginative Conservative” received worldwide attention recently regard- ing George Kelischek’s invention of the “KELHORN”. a reinvention of Renaissance capped double-reed instruments, such as Cornamuse, Crumhorn, Rauschpfeiff. To read the article, please visit: AEMA MISSION http://www.theimaginativeconservative.org/2015/05/the-21st-centurys-great-renaissance-inventor.html. It is the mission of the Atlanta Early Music Alli- Some early music lovers play new replicas of the ance to foster enjoyment and awareness of the histor- Renaissance instruments and are also interested in playing ically informed perfor- the KELHORNs. The latter have a sinuous bore which mance of music, with spe- cial emphasis on music makes even bass instruments “handy” to play, since they written before 1800. Its have finger hole arrangements similar to Recorders. mission will be accom- plished through dissemina- tion and coordination of Yet the sound of all these instruments is quite unlike that information, education and financial support. of the Recorder: The double-reed presents a haunting raspy other-worldly tone. (Renaissance? or Jurassic?) In this issue: George Kelischek just told me that he has initiated The Capped Reed Society Forum for Players and Makers of the Crumhorn, President ’ s Message page 1 Cornamuse, Kelhorn & Rauschpfeiff.
    [Show full text]
  • The Rai Studio Di Fonologia (1954–83)
    ELECTRONIC MUSIC HISTORY THROUGH THE EVERYDAY: THE RAI STUDIO DI FONOLOGIA (1954–83) Joanna Evelyn Helms A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2020 Approved by: Andrea F. Bohlman Mark Evan Bonds Tim Carter Mark Katz Lee Weisert © 2020 Joanna Evelyn Helms ALL RIGHTS RESERVED ii ABSTRACT Joanna Evelyn Helms: Electronic Music History through the Everyday: The RAI Studio di Fonologia (1954–83) (Under the direction of Andrea F. Bohlman) My dissertation analyzes cultural production at the Studio di Fonologia (SdF), an electronic music studio operated by Italian state media network Radiotelevisione Italiana (RAI) in Milan from 1955 to 1983. At the SdF, composers produced music and sound effects for radio dramas, television documentaries, stage and film operas, and musical works for concert audiences. Much research on the SdF centers on the art-music outputs of a select group of internationally prestigious Italian composers (namely Luciano Berio, Bruno Maderna, and Luigi Nono), offering limited windows into the social life, technological everyday, and collaborative discourse that characterized the institution during its nearly three decades of continuous operation. This preference reflects a larger trend within postwar electronic music histories to emphasize the production of a core group of intellectuals—mostly art-music composers—at a few key sites such as Paris, Cologne, and New York. Through close archival reading, I reconstruct the social conditions of work in the SdF, as well as ways in which changes in its output over time reflected changes in institutional priorities at RAI.
    [Show full text]
  • Study Guides
    Study Guides for Singing Our Lives These guides integrate Bible study, prayer, and worship to help us explore how singing can lift our hearts to adore God, awaken us to confess the disorder in our lives, and inspire us to good Christian Reflection work that speaks God’s transforming love into the hurting A Series in Faith and Ethics world. Use them individually or in a series. You may reproduce them for personal or group use. Why We Sing 2 When we come before God in worship, why do we sing rather than merely think or talk with one another? Singing is a language that God has given us to express our deepest longings, greatest joys, and most profound trust in the One who created us and loves us unconditionally. Nurturing the Congregation’s Voice 4 Every congregation is an unmatched creation with lessons to learn about its voice—what music it’s intended to make and what music is meant for another congregation. These lessons can be learned through the disciplines of hearing, joining, sounding, remembering, and coaching its voice. Singing with the Psalter 6 What sets the book of Psalms apart from other Scripture is the sacramental nature of its songs, their ability to mold and transform the believer. Reading or singing the psalms, we lift them to God as our prayers, as though we are speaking our own words rather than recalling an ancient litany. Gifts of New Music 8 A prophetic song that lifts our hearts to adore God, awa- kens us to confess the disorder in our lives, or inspires us to share God’s love for the hurting world is a wonderful gift.
    [Show full text]
  • Compact Discs by 20Th Century Composers Recent Releases - Spring 2020
    Compact Discs by 20th Century Composers Recent Releases - Spring 2020 Compact Discs Adams, John Luther, 1953- Become Desert. 1 CDs 1 DVDs $19.98 Brooklyn, NY: Cantaloupe ©2019 CA 21148 2 713746314828 Ludovic Morlot conducts the Seattle Symphony. Includes one CD, and one video disc with a 5.1 surround sound mix. http://www.tfront.com/p-476866-become-desert.aspx Canticles of The Holy Wind. $16.98 Brooklyn, NY: Cantaloupe ©2017 CA 21131 2 713746313128 http://www.tfront.com/p-472325-canticles-of-the-holy-wind.aspx Adams, John, 1947- John Adams Album / Kent Nagano. $13.98 New York: Decca Records ©2019 DCA B003108502 2 028948349388 Contents: Common Tones in Simple Time -- 1. First Movement -- 2. the Anfortas Wound -- 3. Meister Eckhardt and Quackie -- Short Ride in a Fast Machine. Nagano conducts the Orchestre Symphonique de Montreal. http://www.tfront.com/p-482024-john-adams-album-kent-nagano.aspx Ades, Thomas, 1971- Colette [Original Motion Picture Soundtrack]. $14.98 Lake Shore Records ©2019 LKSO 35352 2 780163535228 Music from the film starring Keira Knightley. http://www.tfront.com/p-476302-colette-[original-motion-picture-soundtrack].aspx Agnew, Roy, 1891-1944. Piano Music / Stephanie McCallum, Piano. $18.98 London: Toccata Classics ©2019 TOCC 0496 5060113444967 Piano music by the early 20th century Australian composer. http://www.tfront.com/p-481657-piano-music-stephanie-mccallum-piano.aspx Aharonian, Coriun, 1940-2017. Carta. $18.98 Wien: Wergo Records ©2019 WER 7374 2 4010228737424 The music of the late Uruguayan composer is performed by Ensemble Aventure and SWF-Sinfonieorchester Baden-Baden. http://www.tfront.com/p-483640-carta.aspx Ahmas, Harri, 1957- Organ Music / Jan Lehtola, Organ.
    [Show full text]
  • An Analysis of Honegger's Cello Concerto
    AN ANALYSIS OF HONEGGER’S CELLO CONCERTO (1929): A RETURN TO SIMPLICITY? Denika Lam Kleinmann, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2014 APPROVED: Eugene Osadchy, Major Professor Clay Couturiaux, Minor Professor David Schwarz, Committee Member Daniel Arthurs, Committee Member John Holt, Chair of the Division of Instrumental Studies James Scott, Dean of the School of Music Mark Wardell, Dean of the Toulouse Graduate School Kleinmann, Denika Lam. An Analysis of Honegger’s Cello Concerto (1929): A Return to Simplicity? Doctor of Musical Arts (Performance), May 2014, 58 pp., 3 tables, 28 examples, 33 references, 15 titles. Literature available on Honegger’s Cello Concerto suggests this concerto is often considered as a composition that resonates with Les Six traditions. While reflecting currents of Les Six, the Cello Concerto also features departures from Erik Satie’s and Jean Cocteau’s ideal for French composers to return to simplicity. Both characteristics of and departures from Les Six examined in this concerto include metric organization, thematic and rhythmic development, melodic wedge shapes, contrapuntal techniques, simplicity in orchestration, diatonicism, the use of humor, jazz influences, and other unique performance techniques. Copyright 2014 by Denika Lam Kleinmann ii TABLE OF CONTENTS Page LIST OF TABLES………………………………………………………………………………..iv LIST OF MUSICAL EXAMPLES………………………………………………………………..v CHAPTER I: INTRODUCTION………..………………………………………………………...1 CHAPTER II: HONEGGER’S
    [Show full text]
  • The André Prévost Fonds the ANDRÉ PRÉVOST FONDS
    The André Prévost Fonds THE ANDRÉ PRÉVOST FONDS NUMERICAL LIST by STÉPHANE JEAN Ottawa 1997 Canadian Cataloguing in Publication Data National Library of Canada The André Prévost fonds : numerical list Issued also in French under title: Le fonds-André- Prévost, répertoire numérique. Includes index. ISBN 0-662-25324-8 CCG cat. no. SN3-316/1997E-IN 1. Prévost, André, 1934- --Archives--Catalogs. 2. National Library of Canada. Music Division--Archives-- Catalogs. I. Jean, Stéphane, 1964- II. Title. ML136.O88P945 1997 016.78’092 C97-900182-X Cover: Prélude pour deux pianos of André Prévost, D4,65 Cover design: Denis Schryburt © Her Majesty the Queen in Right of Canada (1997), as represented by the National Library of Canada. This publication may be reproduced without permission provided the source is fully acknowledged. However, reproduction of this publication, in whole or in part, for the purpose of resale or redistribution requires prior written permission from the National Library of Canada, Ottawa, Canada K1A 0N4. Cat. no. SN3-316/1997E-IN ISBN 0-662-25324-8 2 “...now men can only sing out their anguish and somehow sublimate it with hope; for they have acquired the certain knowledge that their sole salvation lies in acceptance and losing themselves in the world. They triumph over their condition by facing it.” (translation) André Prévost, Fantasmes, 1963. 3 4 TABLE OF CONTENTS Page INTRODUCTION 7 A TRIBUTE... 9 ABBREVIATIONS AND ACRONYMS 11 ABOUT THE FONDS 13 DESCRIPTION OF THE FONDS 17 MUS 264/A Correspondence 17 MUS 264/B Studies 24
    [Show full text]
  • CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CANADIAN MUSIC SINCE 1940: a QUESTION of NATIONALISM a Thesis Submitted in Partial Satis
    CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CANADIAN MUSIC SINCE 1940: A QUESTION OF NATIONALISM A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Music by Ronald Frederick Erin August, 1983 J:lhe Thesis of Ronald Frederick Erin is approved: California StD. te Universi tJr, Northridge ii PREFACE This thesis represents a survey of Canadian music since 1940 within the conceptual framework of 'nationalism'. By this selec- tive approach, it does not represent a conclusive view of Canadian music nor does this paper wish to ascribe national priorities more importance than is due. However, Canada has a unique relationship to the question of nationalism. All the arts, including music, have shared in the convolutions of national identity. The rela- tionship between music and nationalism takes on great significance in a country that has claimed cultural independence only in the last 40 years. Therefore, witnessed by Canadian critical res- ponse, the question of national identity in music has become an important factor. \ In utilizing a national focus, I have attempted to give a progressive, accumulative direction to the six chapters covered in this discussion. At the same time, I have attempted to make each chapter self-contained, in order to increase the paper's effective- ness as a reference tool. If the reader wishes to refer back to information on the CBC's CRI-SM record label or the Canadian League of Composers, this informati6n will be found in Chapter IV. Simi- larly, work employing Indian texts will be found in Chapter V. Therefore, a certain amount of redundancy is unavoidable when interconnecting various components.
    [Show full text]
  • Musique, Théâtre, Causeries Analysis of Radio Programming Broadcast in Québec Between 1922 and 1939 : Music, Theatre and Talks Marie-Thérèse Lefebvre
    Document généré le 27 sept. 2021 22:18 Les Cahiers des dix Analyse de la programmation radiophonique sur les ondes québécoises entre 1922 et 1939 : musique, théâtre, causeries Analysis of Radio Programming broadcast in Québec between 1922 and 1939 : music, theatre and talks Marie-Thérèse Lefebvre Numéro 65, 2011 Résumé de l'article Élément essentiel de la modernisation du Québec, la radio a-t-elle été URI : https://id.erudit.org/iderudit/1007776ar également un véhicule des idées nouvelles qui se développent dans les années DOI : https://doi.org/10.7202/1007776ar 1930 ? L’analyse de la programmation de la musique, du théâtre et des causeries démontre que les choix d’émissions ont obéi davantage à la logique Aller au sommaire du numéro marchande qu’à la volonté de participer aux changements qui ont marqué ces années. Éditeur(s) Les Éditions La Liberté ISSN 0575-089X (imprimé) 1920-437X (numérique) Découvrir la revue Citer cet article Lefebvre, M.-T. (2011). Analyse de la programmation radiophonique sur les ondes québécoises entre 1922 et 1939 : musique, théâtre, causeries. Les Cahiers des dix, (65), 179–225. https://doi.org/10.7202/1007776ar Tous droits réservés © Les Éditions La Liberté, 2011 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal.
    [Show full text]
  • Mv'3 Modern Music Ensemble "Inverted Space"
    l 0 M ptA cr OH7G Mv'3 1 '\rl\? SCHOOL OF MUSIC {...O (3 "" UNIVERSITY of WASHINGTON 2013-2014 non C lie.. c.. Ci#f 7{CN::;?? ~ presents Modern Music Ensemble "Inverted Space" Z-v 7:30PM / November®20 13 Floyd and DeloresJones Playhouse PROGRAM {MA)(S)SACRII.EGIOND'HORREUR (2004) ........ HEINZ HOLUGER (b. 1939) U.S. Premiere -:::;- ~ z- t;; . Piccolos Daria Binkowski, Colleen McElroy*, ElizabethJolly, Natalie Ham Joyce Lee, Mona Sangesland, Sabrina Bounds, Alex Hoelzen Tenor Drums Mel Voytovich, Deven Inch, Declan Sullivan, Marijke Keyser Z- OCTANDRE (1923) ..........1:.:~.:!:? ............... EDGARD VARESE (1883-1965) Colleen McElroy,jlute*; Bhavani Kotha, oboe; David Bissell, clarinet; Jamael Smith, bassoon; Trevor Cosby, hom; David Sloan, trumpet; Rebecca Musselwhite, trombone*; Kelsey Mines, double bass Dan McDonald, conductor 1. ~ "'2..:;' ::;, LEMARTEAUSANSMAI7RE (1953/1955) ........ PIERRE BOULEZ (b. 1925) II. Commentaire I de "bourreaux de solitude" (first commentary on "hangmen ofsolitude") III. "L'artisanatfurieux ll (lithe furious craftsmanship") IV. Commentaire IIde "bourreaux de solitude II (second commentary on "hangmen ofsolitude") VI. "Bourreaux de solitude II ("hangmen ofsolitude") Daria Binkowski,jlute; Luke Fitzpatrick, violin; JeffBowen, guitar; Mel Voytovich, vibraplwne; Deven Inch, xylorimba*; Chris Trirnis, percussion; Kristin Lindenmuth, soprano Yigit Kolat, Phillip Tschopp· , conductors L'artisanatforieux 'Theforious crqftsmanship La roulette rouge au bard du dou The red caravan on the edge ofthe Et cadaver dans Ie panier nail Et chevaux de labours dans Ie fer And corpse in the basket acheval And plowhorses in the horseshoe Je reve la tete sur la pointe' de man I dream the head on the point ofmy couteau Ie Perou. knife Peru. Bourreaux de solztude Hangmen ofsolitude Le pas s'est eloigne Ie marcheur The step has gone away, the walker s'est tu has fallen silent.
    [Show full text]
  • אוסף מרמורשטיין the Marmorstein Collection
    אוסף מרמורשטיין The Marmorstein Collection Brad Sabin Hill THE JOHN RYLANDS LIBRARY UNIVERSITY OF MANCHESTER Manchester 2017 1 The Marmorstein Collection CONTENTS Acknowledgements Note on Bibliographic Citations I. Preface: Hebraica and Judaica in the Rylands -Hebrew and Samaritan Manuscripts: Crawford, Gaster -Printed Books: Spencer Incunabula; Abramsky Haskalah Collection; Teltscher Collection; Miscellaneous Collections; Marmorstein Collection II. Dr Arthur Marmorstein and His Library -Life and Writings of a Scholar and Bibliographer -A Rabbinic Literary Family: Antecedents and Relations -Marmorstein’s Library III. Hebraica -Literary Periods and Subjects -History of Hebrew Printing -Hebrew Printed Books in the Marmorstein Collection --16th century --17th century --18th century --19th century --20th century -Art of the Hebrew Book -Jewish Languages (Aramaic, Judeo-Arabic, Yiddish, Others) IV. Non-Hebraica -Greek and Latin -German -Anglo-Judaica -Hungarian -French and Italian -Other Languages 2 V. Genres and Subjects Hebraica and Judaica -Bible, Commentaries, Homiletics -Mishnah, Talmud, Midrash, Rabbinic Literature -Responsa -Law Codes and Custumals -Philosophy and Ethics -Kabbalah and Mysticism -Liturgy and Liturgical Poetry -Sephardic, Oriental, Non-Ashkenazic Literature -Sects, Branches, Movements -Sex, Marital Laws, Women -History and Geography -Belles-Lettres -Sciences, Mathematics, Medicine -Philology and Lexicography -Christian Hebraism -Jewish-Christian and Jewish-Muslim Relations -Jewish and non-Jewish Intercultural Influences
    [Show full text]