ANNOUNCEMENTS 1. the Vacancy at the University of Calgary Which
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CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CANADIAN MUSIC SINCE 1940: a QUESTION of NATIONALISM a Thesis Submitted in Partial Satis
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CANADIAN MUSIC SINCE 1940: A QUESTION OF NATIONALISM A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Music by Ronald Frederick Erin August, 1983 J:lhe Thesis of Ronald Frederick Erin is approved: California StD. te Universi tJr, Northridge ii PREFACE This thesis represents a survey of Canadian music since 1940 within the conceptual framework of 'nationalism'. By this selec- tive approach, it does not represent a conclusive view of Canadian music nor does this paper wish to ascribe national priorities more importance than is due. However, Canada has a unique relationship to the question of nationalism. All the arts, including music, have shared in the convolutions of national identity. The rela- tionship between music and nationalism takes on great significance in a country that has claimed cultural independence only in the last 40 years. Therefore, witnessed by Canadian critical res- ponse, the question of national identity in music has become an important factor. \ In utilizing a national focus, I have attempted to give a progressive, accumulative direction to the six chapters covered in this discussion. At the same time, I have attempted to make each chapter self-contained, in order to increase the paper's effective- ness as a reference tool. If the reader wishes to refer back to information on the CBC's CRI-SM record label or the Canadian League of Composers, this informati6n will be found in Chapter IV. Simi- larly, work employing Indian texts will be found in Chapter V. Therefore, a certain amount of redundancy is unavoidable when interconnecting various components. -
October 8, 1982 Concert Program
NEW MUSIC CONCERTS 1982-83 CONTEMPORARY ENCOUNTERS. CANADIAN MUSIC. GOOD MUSIC. On Sale now from the Canadian Music Centre are: CMC 1 Canadian Electronic Ensemble. Music composed and performed by Grimes, Jaeger, Lake and Montgomery. CMC 0281 Spectra - The Elmer Iseler Singers. Choral music by Ford, Morawetz and Somers. CMC 0382 Sonics - Antonin Kubalek. Piano solo music by Anhalt, Buczynski and Dolin. CMC 0682 Washington Square - The London Symphony Orchestra. Ballet music by Michael Conway Baker. CMC 0582 ‘Private Collection - Philip Candelaria, Mary Lou Fallis, Monica Gaylord. The music of John Weinzweig. CMC 0482 Folia - Available October 1, 1982. Wind quintet music by Cherney, Hambraeus, Sherman and Aitken, performed by the York Winds. In production: Orders accepted now: CMC 0782 2x4- The Purcell String Quartet. Music by Pentland and Somers. CMC 0883 Viola Nouveau - Rivka Golani-Erdesz. Music by Barnes, Joachim, Prévost, Jaeger and Cherney. Write or phone to place orders, or for further information contact: The Canadian Music Centre 1263 Bay Street Toronto, Ontario MSR 2C!1 (416) 961-6601 NEW MUSIC CONCERTS Robert Aitken Artistic Director presents COMPOSERS: HARRY FREEDMAN LUKAS FOSS ALEXINA LOUIE BARBARA PENTLAND GUEST SOLOISTS: ERICA GOODMAN BEVERLEY JOHNSTON MARY MORRISON JOSEPH MACEROLLO October 8, 1982 8:30 P.M. Walter Hall, Edward Johnson Building, University of Toronto EER IONG..R AM REFUGE (1981) ALEXINA LOUIE JOSEPH MACEROLLO, accordion ERICA GOODMAN, harp BEVERLEY JOHNSTON, vibraphone COMMENTA (1981) BARBARA PENTLAND ERICA -
Brian Cherney Et Bruce Mather : La Clairvoyance Du Compositeur Solitaire Brian Cherney and Bruce Mather : the Clairvoyance of the Solitary Composer Jacques Desjardins
Document généré le 30 sept. 2021 00:49 Circuit Musiques contemporaines Brian Cherney et Bruce Mather : la clairvoyance du compositeur solitaire Brian Cherney and Bruce Mather : the clairvoyance of the solitary composer Jacques Desjardins Les racines de l’identité Résumé de l'article Volume 10, numéro 2, 1999 Deux compositeurs d’origine ontarienne mais ayant élu domicile à Montréal sont présentés par un ancien élève. Leurs démarches présentent certaines URI : https://id.erudit.org/iderudit/004660ar similitudes. Par exemple, ils ne se soucient pas des modes et entretiennent des DOI : https://doi.org/10.7202/004660ar liens étroits avec le milieu de la création européenne et québécoise d’avant-garde. L’auteur insiste sur la personnalité contemplative de Brian Aller au sommaire du numéro Cherney et l’admiration qu’il porte au poète allemand Rainer Maria Rilke, sentiment qu’il partage d’ailleurs avec son collègue Bruce Mather, comme lui professeur à la Faculté de musique de l’université McGill, à Montréal. Les influences de Bartók, de Carter et de Bruce Mather ont été déterminantes sur Éditeur(s) l’évolution de Brian Cherney en tant que compositeur. Quant à Bruce Mather, il Les Presses de l'Université de Montréal nous est présenté comme un esthète d’une grande culture, amateur averti de grands vins français et disciple du compositeur Wyschnegradsky, dont il a fait la connaissance en 1974. Plusieurs de ses oeuvres témoignent de son intérêt ISSN pour la musique microtonale mais aussi pour la poésie. Il aime composer pour 1183-1693 (imprimé) des interprètes choisis, sensibles à son esthétique et il n’hésite pas à faire 1488-9692 (numérique) connaître ses opinions sur la création musicale contemporaine. -
Electronic Music in Toronto and Canada in the Analogue Era
A Toronto Section 40th Anniversary Retrospective Electronic Music in Toronto and Canada in the Analogue Era Presenter Bios David Jaeger is a music producer, composer and broadcaster, who has produced several dozen records on the Point Music, CBC Records, Centrediscs, Naxos, Novadisc, Opening Day, York Fine Arts, and Trappist labels. He was a Master of Music student in composition at the University of Toronto from 1970 - 1972, working under Prof. John Weinzweig & Prof. Gustav Ciamaga. In 1971 he was a co-founder of the Canadian Electronic Ensemble. He has been a member of the CBC Radio Music department since 1973, and in 1978 he created one of the world's most celebrated new music programs, "Two New Hours", which was heard on the national CBC Radio Two network until spring, 2007. In 1990 his Centrediscs double-CD "Schafer:5" (String Quartets of R. Murray Schafer with the Orford String Quartet) won two Juno awards. In 1997 & ‘98, Point Music released his productions of the music of the world-famous English composer, Gavin Bryars, featuring the Hilliard Ensemble and The Gavin Bryars Ensemble. In 2002 David Jaeger was elected President of the International Rostrum of Composers, and was the first non-European ever to be named to this post in the 55-year history of that organization. See http://www.thecanadianencyclopedia.com/index.cfm?PgNm=TCE&Params=U1SEC836693 Dennis Patrick is a member of the Theory and Composition Division of the Faculty of Music and is the Director of the Electroacoustic Music Studio. In addition to teaching core theory courses, his interests include musical acoustics, music technology, and computer applications in music. -
An Annotated Bibliography of Canadian Oboe Concertos
An Annotated Bibliography of Canadian Oboe Concertos Document Presented in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Oboe in the Performance Studies Division of the University of Cincinnati College-Conservatory of Music January 11, 2016 by Elizabeth E. Eccleston M02515809 B.M., Wilfrid Laurier University, 2004 M.M., University of Cincinnati, 2007 D.M.A. Candidacy: April 5, 2012 256 Major Street Toronto, Ontario M5S 2L6 Canada [email protected] ____________________________ Dr. Mark Ostoich, Advisor ____________________________ Dr. Glenn Price, Reader ____________________________ Professor Lee Fiser, Reader Copyright by Elizabeth E. Eccleston 2016 i Abstract: Post-World War II in Canada was a time during which major organizations were born to foster the need for a sense of Canadian cultural identity. The Canada Council for the Arts, the Canadian Broadcasting Corporation and the Canadian Music Centre led the initiative for commissioning, producing, and disseminating this Canadian musical legacy. Yet despite the wealth of repertoire created since then, the contemporary music of Canada is largely unknown both within and outside its borders. This annotated bibliography serves as a concise summary and evaluative resource into the breadth of concertos and solo works written for oboe, oboe d’amore, and English horn, accompanied by an ensemble. The document examines selected pieces of significance from the mid-twentieth century to present day. Entries discuss style and difficulty using the modified rating system developed by oboist Dr. Sarah J. Hamilton. In addition, details of duration, instrumentation, premiere/performance history, including dedications, commissions, program notes, reviews, publisher information and recordings are included wherever possible. -
Soundstreamscatalogue Lowr
LAWRENCE CHERNEY Artistic Director Directeur Artistique CHRIS LORWAY Executive Director Directeur Général JORGE AYALA Digital Community Manager Gestion des Communications Numériques SARAH BAUMANN Director of Marketing & P.R. STAFF Directrice, Marketing et Relations Publiques KYLE BRENDERS Artistic Associate Adjoint Artistique AMBER EBERT Outreach Programs Manager Gestion des Programmes de Diffusion CHRISTINA NIEDERWANGER Director of Development Directrice du Développement CAITLIN WELD Associate Producer Productrice Adjointe Lawrence Cherney, ARTISTIC DIRECTOR NEW DIRECTIONS IN MUSIC JORGE AYALA Digital Community Manager Gestion des Communications Numériques SARAH BAUMANN Director of Marketing & P.R. Directrice, Marketing et Relations Publiques SOUNDSTREAMS CATALOGUE KYLE BRENDERS Artistic Associate Commissioned Works Adjoint Artistique 1982-2012 AMBER EBERT Outreach Programs Manager Gestion des Programmes de Diffusion CHRISTINA NIEDERWANGER NEW DIRECTIONS IN MUSIC Director of Development Directrice du Développement CAITLIN WELD Associate Producer Productrice Adjointe PREFACE The works in this catalogue represent thirty years The catalogue’s purpose is not to sell the works it lists of commissions by Soundstreams, an organization but to promote them. Many of these compositions have dedicated to the creation and performance of new been heard only once; we seek to begin remedying that musical compositions. Naturally, each individual work situation by opening a dialogue about them, so please included here embodies its composer’s distinct voice feel free to contact us at Soundstreams. We are proud to and style; yet taken as a whole, the collection also present this unique compendium of musical excellence, reflects the particular aesthetic of Soundstreams and we invite you to help us bring these remarkable Artistic Director Lawrence Cherney. Listen to several works to the much wider audience that they deserve. -
1 Modernisms on the Air: CBC Radio in the 1960S Jeremy Strachan
Modernisms on the Air: CBC Radio in the 1960s Jeremy Strachan, Cornell University To reflect a nation’s culture—and help create it—a broadcasting system must not minister solely to the comfort of the people. It must not always play safe. Its guiding rule cannot be to give the people what they want, for at best this can be only what the broadcasters think the people want; they may not know, and the people themselves may not know. One of the essential tasks of a broadcasting system is to stir up the minds and emotions of the people, and occasionally to make large numbers of them acutely uncomfortable. —Report of the Committee on Broadcasting (the Fowler Report), 19651 Introduction In the 1960s, contemporary music became a more audible part of Canadian life. The Canadian Music Centre and the Canada Council for the Arts had emerged as bulwarks of support for Canadian composers, who had relied on patchwork networks for resources, promotion, and advocacy2; adventurous independent presenters such as Ten Centuries Concerts in Toronto and the Société de musique contemporain du Québec in Montreal had begun to stake out territory on concert stages, programming concerts of new and “unheard of” musics;3 and, the centennial celebrations of 1967 produced nearly 130 new musical works by Canadian composers.4 Throughout the decade, CBC Radio and Radio-Canada5 played a central part in disseminating musical modernisms with weekly programs such as World of Music (until 1963) and Music of Today (from 1964 through to 1977), in addition to special programs, live concert broadcasts, and in 1967, Canada’s centennial year, the ambitious seventeen-LP series Music and Musicians of Canada produced by the CBC’s International Service in partnership with RCA Victor. -
Case Studies of Women and Queer Electroacoustic Music Composers
Graduate Theses, Dissertations, and Problem Reports 2019 Music Technology, Gender, and Sexuality: Case Studies of Women and Queer Electroacoustic Music Composers Justin Thomas Massey West Virginia University, [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Musicology Commons, and the Music Performance Commons Recommended Citation Massey, Justin Thomas, "Music Technology, Gender, and Sexuality: Case Studies of Women and Queer Electroacoustic Music Composers" (2019). Graduate Theses, Dissertations, and Problem Reports. 7460. https://researchrepository.wvu.edu/etd/7460 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Music Technology, Gender, and Sexuality: Case Studies of Women and Queer Electroacoustic Music Composers Justin T. Massey A Dissertation submitted To the College of Creative Arts At West Virginia University In partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Saxophone Performance Michael Ibrahim, DMA, Chair Evan MacCarthy, PhD, Research Advisor Jared Sims, DMA Matthew Heap, PhD Jonah Katz, PhD School of Music Morgantown, West Virginia 2019 Keywords: Music Technology, Electroacoustic Music, Feminist Studies, Queer Studies, New Music, Elainie Lillios, Jess Rowland, Carolyn Borcherding Copyright © 2019 Justin T. -
Jules Léger Prize | Prix Jules-Léger
Jules Léger Prize | Prix Jules-Léger Year/Année Laureates/Lauréats 2020 Kelly-Marie Murphy (Ottawa, ON) Coffee Will be Served in the Living Room (2018) 2019 Alec Hall (New York, NY) Vertigo (2018) 2018 Brian Current (Toronto, ON) Shout, Sisyphus, Flock 2017 Gabriel Turgeon-Dharmoo (Montréal, QC) Wanmansho 2016 Cassandra Miller (Victoria, BC) About Bach 2015 2015 Pierre Tremblay (Huddersfield, UK) Les pâleurs de la lune (2013-14) 2014 Thierry Tidrow (Ottawa, ON) Au fond du Cloître humide 2013 Nicole Lizée (Lachine, QC) White Label Experiment 2012 Zosha Di Castri (New York, NY) Cortège 2011 Cassandra Miller (Montréal, QC) Bel Canto 2010 Justin Christensen (Langley, BC) The Failures of Marsyas 2009 Jimmie LeBlanc (Brossard, QC) L’Espace intérieur du monde 2008 Analia Llugdar (Montréal, QC) Que sommes-nous 2007 Chris Paul Harman (Montréal, QC) Postludio a rovescio 2006 James Rolfe (Toronto, ON) raW 2005 Linda Catlin Smith (Toronto, ON) Garland 2004 Patrick Saint-Denis (Charlebourg, QC) Les dits de Victoire 2003 Éric Morin (Québec, QC) D’un château l’autre 2002 Yannick Plamondon, (Québec, QC) Autoportrait sur Times Square 2001 Chris Paul Harman (Toronto, ON) Amerika Canada Council for the Arts | Conseil des arts du Canada 1-800-263-5588 | canadacouncil.ca | conseildesarts.ca 2000 André Ristic (Montréal, QC) Catalogue 1 (bombes occidentales) 1999 Alexina Louie (Toronto, ON) Nightfall 1998 Michael Oesterle (Montréal, QC) Reprise 1997 Omar Daniel (Toronto, ON) Zwei Lieder nach Rilke 1996 Christos Hatzis (Toronto, ON) Erotikos Logos 1995 John Burke (Toronto, ON) String Quartet 1994 Peter Paul Koprowski (London, ON) Woodwind Quintet 1993 Bruce Mather (Montréal, QC) YQUEM 1992 John Rea (Outremont, QC) Objets perdus 1991 Donald Steven (Montréal, QC) In the Land of Pure Delight 1989 Peter Paul Koprowski (London, ON) Sonnet for Laura 1988 Michael Colgrass (Toronto, ON) Strangers: Irreconcilable Variations for Clarinet, Viola and Piano 1987 Denys Bouliane (Montréal, QC) À propos.. -
The Weinzweig School: the Flute Works of Harry Freedman, Harry Somers, R
The Weinzweig School: The flute works of Harry Freedman, Harry Somers, R. Murray Schafer, Srul Irving Glick and Robert Aitken A Document Submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music 2012 by Jennifer Brimson Cooper B.M., Wilfrid Laurier University, 2006 M.M., Royal Northern College of Music, 2007 Advisor: Dr. Brett Scott Readers: Dr. Matthew Peattie and Randy Bowman, B.M. ABSTRACT This document studies a generation of students of Canadian pedagogue John Jacob Weinzweig (1913-2006) who have written for the flute. R. Harry Freedman (1922-2005), Harry Somers (1925-1999), R Murray Schafer (b.1933), Srul Irving Glick (1934-2002) and Robert Aitken (b.1939) have all contributed substantial works to the canon of Canadian flute repertory. The purpose of this document is to show the artistic aims and scope of these composer’s works, exploring their respective approaches to writing for the flute. By synthesizing analytic and aesthetic approaches to composition and through the study of available literary history and criticism this document will broaden the perspective on Canadian flute literature. Pieces to be examined in detail include: Harry Freedman, Soliloquy (1971); Harry Somers, Etching from the Vollard Suite (1964); R. Murray Schafer, Sonatina (1958); Srul Irving Glick, Sonata for Flute and Piano (1983) and Robert Aitken, Icicle (1977). BLANK PAGE ACKNOWLEDGEMENTS I would like to acknowledge Dr. Brett Scott for his help with the generation of the document proposal and for his guidance through the writing and editing stages of this document, and the members of my committee, Dr. -
AMERICAN CLASSICS George CRUMB Vox Balaenae
559205 bk Crumb US 14/9/06 10:40 Page 8 George AMERICAN CLASSICS CRUMB (b. 1929) George 1 Vox Balaenae (1971) for Three Masked Players 18:50 (Amplified Flute, Amplified Cello, and Amplified Piano) CRUMB Federico’s Little Songs for Children (1986) 13:24 Vox Balaenae 2 1. La Señorita del Abanico (Señorita of the Fan) 2:13 3 2. La Tarde (Afternoon) 1:49 (Voice of the Whale) 4 3. Canción Cantada (A Song Sung) 1:19 5 4. Caracola (Snail) 2:36 New Music Concerts Ensemble • Robert Aitken 6 5. El Lagarto está Llorando! (The Lizard is Crying) 2:06 7 6. Cancioncilla Sevillana (A Little Song from Seville) 1:51 8 7. Canción Tonta (Silly Song) 1:31 9 An Idyll for the Misbegotten (Images III) (1986) 9:51 0 Eleven Echoes of Autumn (Echoes I) (1965) 17:36 for Violin, Alto Flute, Clarinet and Piano This recording was made possible by the generous support of The Herbert Green Family Charitable Foundation Inc. 8.559205 8 559205 bk Crumb US 14/9/06 10:40 Page 2 George Crumb (b. 1929) Ryan Scott Vox Balaenae • Federico’s Little Songs for Children • An Idyll for the Misbegotten • Eleven Echoes of Autumn Ryan Scott is an acclaimed marimba and multi-percussion soloist. He also plays with the Toronto Symphony George Crumb’s reputation as a composer of hauntingly (1977), for soprano, solo trombone, antiphonal Orchestra, the Canadian Opera Company Orchestra, Esprit Orchestra, New Music Concerts, the Composers’ beautiful scores has made him one of the most children’s voices, male speaking choir, bell ringers and Orchestra, the Bob Becker Ensemble, Soundstreams Canada, Continuum, ArpaTambora, and the Evergreen Club. -
Music and Belonging / Musique Et Appartenance
Canada 150: Music and Belonging / Musique et appartenance Joint meeting / Congrès mixte Canadian Association of Music Libraries, Archives and Documentation Centres / Association canadienne des bibliothèques, archives et centres de documentation musicaux Canadian Society for Traditional Music / Société canadienne pour les traditions musicales Canadian University Music Society / Société de musique des universités canadiennes International Association for the Study of Popular Music, Canada Branch Faculty of Music University of Toronto 25-27 May 2017 / 25-27 mai 2017 Welcome / Bienvenue The Faculty of Music at the University of Toronto is pleased to host the conference Canada 150: Music and Belonging / Musique et appartenance from May 25th to May 27th, 2017. This meeting brings together four Canadian scholarly societies devoted to music: CAML / ACBM (Canadian Association of Music Libraries, Archives and Documentation Centres / Association canadienne des bibliothèques, archives et centres de documentation musicaux), CSTM / SCTM (Canadian Society for Traditional Music / Société canadienne pour les traditions musicales), IASPM Canada (International Association for the Study of Popular Music, Canada Branch), and MusCan (Canadian University Music Society / Société de musique des universités canadiennes). We are expecting 300 people to attend the conference. As you will see in this program, there will be scholarly papers (ca. 200 of them), recitals, keynote speeches, workshops, an open mic session and a dance party – something for everyone. The multiple award winning Gryphon Trio will be giving a free recital for conference delegates on Friday evening, May 26th from 7:00 to 8:15 pm. Visitors also have the opportunity to take in many other Toronto events this weekend: music festivals by the Royal Conservatory of Music and CBC; concerts by Norah Jones, Rheostatics, The Weeknd, and the Toronto Symphony; a Toronto Blue Jays baseball game; the Inside Out LGBT Film Festival, and a host of other events at venues large and small across the city.