AMERICAN CLASSICS George CRUMB Vox Balaenae
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Filumena and the Canadian Identity a Research Into the Essence of Canadian Opera
Filumena and The Canadian Identity A Research into the Essence of Canadian Opera Alexandria Scout Parks Final thesis for the Bmus-program Icelandic Academy of the Arts Music department May 2020 Filumena and The Canadian Identity A Research into the Essence of Canadian Opera Alexandria Scout Parks Final Thesis for the Bmus-program Supervisor: Atli Ingólfsson Music Department May 2020 This thesis is a 6 ECTS final thesis for the B.Mus program. You may not copy this thesis in any way without consent from the author. Abstract In this thesis I sought to identify the essence of Canadian opera and to explore how the opera Filumena exemplifies that essence. My goal was to first establish what is unique about Canadian opera. To do this, I started by looking into the history of opera composition and performance in Canada. By tracing these two interlocking histories, I was able to gather a sense of the major bodies of work within the Canadian opera repertoire. I was, as well, able to deeper understand the evolution, and at some points, stagnation of Canadian opera by examining major contributing factors within this history. My next steps were to identify trends that arose within the history of opera composition in Canada. A closer look at many of the major works allowed me to see the similarities in terms of things such as subject matter. An important trend that I intend to explain further is the use of Canadian subject matter as the basis of the operas’ narratives. This telling of Canadian stories is one aspect unique to Canadian opera. -
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CANADIAN MUSIC SINCE 1940: a QUESTION of NATIONALISM a Thesis Submitted in Partial Satis
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CANADIAN MUSIC SINCE 1940: A QUESTION OF NATIONALISM A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Music by Ronald Frederick Erin August, 1983 J:lhe Thesis of Ronald Frederick Erin is approved: California StD. te Universi tJr, Northridge ii PREFACE This thesis represents a survey of Canadian music since 1940 within the conceptual framework of 'nationalism'. By this selec- tive approach, it does not represent a conclusive view of Canadian music nor does this paper wish to ascribe national priorities more importance than is due. However, Canada has a unique relationship to the question of nationalism. All the arts, including music, have shared in the convolutions of national identity. The rela- tionship between music and nationalism takes on great significance in a country that has claimed cultural independence only in the last 40 years. Therefore, witnessed by Canadian critical res- ponse, the question of national identity in music has become an important factor. \ In utilizing a national focus, I have attempted to give a progressive, accumulative direction to the six chapters covered in this discussion. At the same time, I have attempted to make each chapter self-contained, in order to increase the paper's effective- ness as a reference tool. If the reader wishes to refer back to information on the CBC's CRI-SM record label or the Canadian League of Composers, this informati6n will be found in Chapter IV. Simi- larly, work employing Indian texts will be found in Chapter V. Therefore, a certain amount of redundancy is unavoidable when interconnecting various components. -
Spring 2020 Edition the Newsletter of the School of Music at the University of British Columbia UBC High Notes
Spring 2020 Edition The Newsletter of the School of Music at the University of British Columbia UBC High Notes The Queen in Me Soprano Teiya Kasahara (BMus’07) on carving their own path in opera as a queer, multidisciplinary Japanese-Canadian performer www.music.ubc.ca SPOTLIGHT LIBERATING THE QUEEN IN ME Photo: Takumi Hayashi/UBC In their new play The Queen in Me, soprano Teiya Kasahara (BMus’07) liberates one of opera’s most iconic villains — and challenges the industry’s centuries-old prejudices Photo: Tallulah By Tze Liew In The Queen in Me, the Queen of the Night at age 15, after seeing Ingmar Bergman’s film begins to sing her most iconic aria, “Der Hölle version of The Magic Flute. “I saw her perform For more than two centuries, the iconic Queen Rache,” like she would in any Magic Flute show. and was like, Oh God, I want to do that,” they of the Night from Mozart’s Die Zauberflöte But midway through, she halts. “Stopp! Stopp remember. has been thrilling audiences with her vengeful die Musik!” she screams. Breaking the fourth spirit, bloodthirsty drive, and volatile high Fs. wall, she laments the stifling act everyone’s With this as their dream role, Kasahara dove Qualities that make her the ultimate villain, come to see; one she’s been trapped in for headfirst into voice training, made it into fated to eternal doom while the hero and over two centuries. the UBC Opera program, and honed their heroine, demure as lambs, skip off to enjoy craft for four years under the tutelage of their happy ending. -
October 8, 1982 Concert Program
NEW MUSIC CONCERTS 1982-83 CONTEMPORARY ENCOUNTERS. CANADIAN MUSIC. GOOD MUSIC. On Sale now from the Canadian Music Centre are: CMC 1 Canadian Electronic Ensemble. Music composed and performed by Grimes, Jaeger, Lake and Montgomery. CMC 0281 Spectra - The Elmer Iseler Singers. Choral music by Ford, Morawetz and Somers. CMC 0382 Sonics - Antonin Kubalek. Piano solo music by Anhalt, Buczynski and Dolin. CMC 0682 Washington Square - The London Symphony Orchestra. Ballet music by Michael Conway Baker. CMC 0582 ‘Private Collection - Philip Candelaria, Mary Lou Fallis, Monica Gaylord. The music of John Weinzweig. CMC 0482 Folia - Available October 1, 1982. Wind quintet music by Cherney, Hambraeus, Sherman and Aitken, performed by the York Winds. In production: Orders accepted now: CMC 0782 2x4- The Purcell String Quartet. Music by Pentland and Somers. CMC 0883 Viola Nouveau - Rivka Golani-Erdesz. Music by Barnes, Joachim, Prévost, Jaeger and Cherney. Write or phone to place orders, or for further information contact: The Canadian Music Centre 1263 Bay Street Toronto, Ontario MSR 2C!1 (416) 961-6601 NEW MUSIC CONCERTS Robert Aitken Artistic Director presents COMPOSERS: HARRY FREEDMAN LUKAS FOSS ALEXINA LOUIE BARBARA PENTLAND GUEST SOLOISTS: ERICA GOODMAN BEVERLEY JOHNSTON MARY MORRISON JOSEPH MACEROLLO October 8, 1982 8:30 P.M. Walter Hall, Edward Johnson Building, University of Toronto EER IONG..R AM REFUGE (1981) ALEXINA LOUIE JOSEPH MACEROLLO, accordion ERICA GOODMAN, harp BEVERLEY JOHNSTON, vibraphone COMMENTA (1981) BARBARA PENTLAND ERICA -
ANNOUNCEMENTS 1. the Vacancy at the University of Calgary Which
ANNOUNCEMENTS 1. The vacancy at the University of Calgary which was announced in v.10, no.2 has been filled by Rita Vine. She will be starting her job on May 1. A former student at the University of Western Ontario, she graduated last spring from the com- bined musicology and M.L.S. program at SUNY Buffalo. CNIB Library is pleased to announce the appointment of Margaret Matheson to the new position of Music Librarian. Miss Matheson has an Honours Bachelor of Music Degree and a Master of Library Science Degree from the University of Toronto. She has worked for the CBC as a cataloguer in Program Archives, and in a variety of summer positions re- lated to music, such as accompanist for string master classes and program coordinator for concerts at the Banff Centre for Continuing Education. Miss Matheson has won numerous awards and scholarships in the fields of library science and music. Her personal interests include singing in the Tallis Choir, and performing on piano and harpsi- chord in chamber music recitals. At CNIB, Miss Matheson will be responsible for organizing the braille music collections in Toronto and Montreal, and in developing transcription and other special services to blind musicians across Canada. Margaret is 26 years old, and plans to marry David Macmillan in June. 3. A workshop entitled "Music Cataloguing for the Non-Musician" will be included in the CLA conference on June 14 in Saskatoon. The speakers will be CAML members Chris Bull, Acadia University Library; Joan Colquhuon, National Library; Jim Whittle, University of Alberta; and Tony Woodward, National Library. -
Alexina Louie's Music, As Demonstrated in Example 4, the Third Movement of Starsrruck, Berceuse Des Étoiles
UNIVERSITY OF ALBERTA ON THE MUSICAL SILK ROUTE: PIANO MUSIC OF ALEXINA LOUE An essay submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Music DEPARTMENT OF MUSIC EDMONTON, ALBERTA SPRING 1997 Acquisitions and Acquisitions et Bibiiographic Servicas - semsbiMiographiques The author has granted a non- L'auteur a accorde une iicence non exclusive licence ailowing the excluSm permettant à la National LiIbrary of Canada to Bibliothèque nationale du Canada de reproduce, loan, disniute or seïi reproduire, prêter, distri%uerou copies of Merthesis by any means vendre des copies de sa thèse de and in any form or format, mahg quelque manière et sous quelque this thesis available to interested forme que ce soit pour mettre des persons. exemplaires de cette thèse a la disposition des personnes intéressées. The author retains ownership of the L'auteur conserve la propriété du copyright in hismer thesis. Ncither &oit d'auteur qui protège sa thèse. Ni the thesis nor substantial extracts la thèse ni des extraits substantiels de f?om it may be p~tedor othewise celle-ci ne doivent être imprimés ou reproduced with the author's autrement reproduits sans son permission. autorisation. TO JESUS AND MY FAMLLY Abstract One of seved outstanding stylistic elements of Alexina Louie's piano music is her extensive use of imaginative figurations. This particular kind of gesture derives from Louie's experience with the Japanese Gagaku ensemble and with the Chinese stringed instrument calIed the ch'in--an experience that wt only infiuences the shape of figurations on the printed page, but also shapes the player's mental and spiritual expedences during the performance of her music. -
Electronic Music in Toronto and Canada in the Analogue Era
A Toronto Section 40th Anniversary Retrospective Electronic Music in Toronto and Canada in the Analogue Era Presenter Bios David Jaeger is a music producer, composer and broadcaster, who has produced several dozen records on the Point Music, CBC Records, Centrediscs, Naxos, Novadisc, Opening Day, York Fine Arts, and Trappist labels. He was a Master of Music student in composition at the University of Toronto from 1970 - 1972, working under Prof. John Weinzweig & Prof. Gustav Ciamaga. In 1971 he was a co-founder of the Canadian Electronic Ensemble. He has been a member of the CBC Radio Music department since 1973, and in 1978 he created one of the world's most celebrated new music programs, "Two New Hours", which was heard on the national CBC Radio Two network until spring, 2007. In 1990 his Centrediscs double-CD "Schafer:5" (String Quartets of R. Murray Schafer with the Orford String Quartet) won two Juno awards. In 1997 & ‘98, Point Music released his productions of the music of the world-famous English composer, Gavin Bryars, featuring the Hilliard Ensemble and The Gavin Bryars Ensemble. In 2002 David Jaeger was elected President of the International Rostrum of Composers, and was the first non-European ever to be named to this post in the 55-year history of that organization. See http://www.thecanadianencyclopedia.com/index.cfm?PgNm=TCE&Params=U1SEC836693 Dennis Patrick is a member of the Theory and Composition Division of the Faculty of Music and is the Director of the Electroacoustic Music Studio. In addition to teaching core theory courses, his interests include musical acoustics, music technology, and computer applications in music. -
Download the TSO Commissions History
Commissions Première Composer Title They do not shimmer like the dry grasses on the hills, or January 16, 2019 Emilie LeBel the leaves on the trees March 10, 2018 Gary Kulesha Double Concerto January 25, 2018 John Estacio Trumpet Concerto [co-commission] In Excelsis Gloria (After the Huron Carol): Sesquie for December 12, 2017 John McPherson Canada’s 150th [co-commmission] The Talk of the Town: Sesquie for Canada’s 150th December 6, 2017 Andrew Ager [co-commission] December 5, 2017 Laura Pettigrew Dòchas: Sesquie for Canada’s 150th [co-commission] November 25, 2017 Abigail Richardson-Schulte Sesquie for Canada’s 150th (interim title) [co-commission] Just Keep Paddling: Sesquie for Canada’s 150th November 23, 2017 Tobin Stokes [co-commission] November 11, 2017 Jordan Pal Sesquie for Canada’s 150th (interim title) [co-commission] November 9, 2017 Julien Bilodeau Sesquie for Canada’s 150th (interim title) [co-commission] November 3, 2017 Daniel Janke Small Song: Sesquie for Canada’s 150th [co-commission] October 21, 2017 Nicolas Gilbert UP!: Sesquie for Canada’s 150th [co-commission] Howard Shore/text by October 19, 2017 New Work for Mezzo-soprano and Orchestra Elizabeth Cottnoir October 19, 2017 John Abram Start: Sesquie for Canada’s 150th [co-commission] October 7, 2017 Eliot Britton Adizokan October 7, 2017 Carmen Braden Blood Echo: Sesquie for Canada’s 150th [co-commission] October 3, 2017 Darren Fung Toboggan!: Sesquie for Canada’s 150th [co-commission] Buzzer Beater: Sesquie for Canada’s 150th September 28, 2017 Jared Miller [co-commission] -
National Arts Centre Orchestra 2004-2005
NATIONAL ARTS CENTRE 04 ORCHESTRA SEASON PINCHAS ZUKERMAN 05 MUSIC DIRECTOR “RICH, LUSTROUS SOUND...” NEW YORK TIMES SUBSCRIBE NOW! www.nac-cna.ca 1.866.850.ARTS 613.947.7000 ext. 620 Dear Friends, I would like to welcome you all to the 2004-2005 National Arts Centre Orchestra season. I am delighted to be back in Ottawa and am looking forward to a season of great music and variety. Thank you to all our patrons, particularly our subscribers, for your loyalty, dedication and continued support of our great Orchestra. As you will see from this brochure, the 04-05 season holds much in store, from Beethoven to Elgar to Sibelius. I will also be making my NAC Pops Series debut playing some of the music I loved to hear Isaac Stern perform. Join us in Southam Hall for a season of wonderful music and great fun. Pinchas Zukerman Music Director SIGNATURE SERIES CONCERTS BEGIN AT 20:00 IN SOUTHAM HALL. JON KIMURA PARKER ILYA GRINGOLTS HUBBARD STREET DANCE PINCHAS ZUKERMAN JONATHAN BISS YEFIM BRONFMAN CHICAGO SPONSORED SEPTEMBER 22-23, 2004 TCHAIKOVSKY 1 BY PINCHAS ZUKERMAN conductor Piano Concerto No. WEDNESDAY-THURSDAY JON KIMURA PARKER piano in B-flat minor, Op. 23 RACHMANINOV Symphony No. 2 in E minor, Op. 27 OCTOBER 27-28, 2004 JEFFREY KAHANE conductor and piano HAYDN Symphony No. 102 in B-flat major WEDNESDAY-THURSDAY ILYA GRINGOLTS violin PROKOFIEV Violin Concerto No. 1 in D major, Op. 19 MOZART Piano Concerto No. 27, in B-flat major, K. 595 JANUARY 12-13, 2005 PINCHAS ZUKERMAN J.S. -
1 Modernisms on the Air: CBC Radio in the 1960S Jeremy Strachan
Modernisms on the Air: CBC Radio in the 1960s Jeremy Strachan, Cornell University To reflect a nation’s culture—and help create it—a broadcasting system must not minister solely to the comfort of the people. It must not always play safe. Its guiding rule cannot be to give the people what they want, for at best this can be only what the broadcasters think the people want; they may not know, and the people themselves may not know. One of the essential tasks of a broadcasting system is to stir up the minds and emotions of the people, and occasionally to make large numbers of them acutely uncomfortable. —Report of the Committee on Broadcasting (the Fowler Report), 19651 Introduction In the 1960s, contemporary music became a more audible part of Canadian life. The Canadian Music Centre and the Canada Council for the Arts had emerged as bulwarks of support for Canadian composers, who had relied on patchwork networks for resources, promotion, and advocacy2; adventurous independent presenters such as Ten Centuries Concerts in Toronto and the Société de musique contemporain du Québec in Montreal had begun to stake out territory on concert stages, programming concerts of new and “unheard of” musics;3 and, the centennial celebrations of 1967 produced nearly 130 new musical works by Canadian composers.4 Throughout the decade, CBC Radio and Radio-Canada5 played a central part in disseminating musical modernisms with weekly programs such as World of Music (until 1963) and Music of Today (from 1964 through to 1977), in addition to special programs, live concert broadcasts, and in 1967, Canada’s centennial year, the ambitious seventeen-LP series Music and Musicians of Canada produced by the CBC’s International Service in partnership with RCA Victor. -
Case Studies of Women and Queer Electroacoustic Music Composers
Graduate Theses, Dissertations, and Problem Reports 2019 Music Technology, Gender, and Sexuality: Case Studies of Women and Queer Electroacoustic Music Composers Justin Thomas Massey West Virginia University, [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Musicology Commons, and the Music Performance Commons Recommended Citation Massey, Justin Thomas, "Music Technology, Gender, and Sexuality: Case Studies of Women and Queer Electroacoustic Music Composers" (2019). Graduate Theses, Dissertations, and Problem Reports. 7460. https://researchrepository.wvu.edu/etd/7460 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Music Technology, Gender, and Sexuality: Case Studies of Women and Queer Electroacoustic Music Composers Justin T. Massey A Dissertation submitted To the College of Creative Arts At West Virginia University In partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Saxophone Performance Michael Ibrahim, DMA, Chair Evan MacCarthy, PhD, Research Advisor Jared Sims, DMA Matthew Heap, PhD Jonah Katz, PhD School of Music Morgantown, West Virginia 2019 Keywords: Music Technology, Electroacoustic Music, Feminist Studies, Queer Studies, New Music, Elainie Lillios, Jess Rowland, Carolyn Borcherding Copyright © 2019 Justin T. -
Jules Léger Prize | Prix Jules-Léger
Jules Léger Prize | Prix Jules-Léger Year/Année Laureates/Lauréats 2020 Kelly-Marie Murphy (Ottawa, ON) Coffee Will be Served in the Living Room (2018) 2019 Alec Hall (New York, NY) Vertigo (2018) 2018 Brian Current (Toronto, ON) Shout, Sisyphus, Flock 2017 Gabriel Turgeon-Dharmoo (Montréal, QC) Wanmansho 2016 Cassandra Miller (Victoria, BC) About Bach 2015 2015 Pierre Tremblay (Huddersfield, UK) Les pâleurs de la lune (2013-14) 2014 Thierry Tidrow (Ottawa, ON) Au fond du Cloître humide 2013 Nicole Lizée (Lachine, QC) White Label Experiment 2012 Zosha Di Castri (New York, NY) Cortège 2011 Cassandra Miller (Montréal, QC) Bel Canto 2010 Justin Christensen (Langley, BC) The Failures of Marsyas 2009 Jimmie LeBlanc (Brossard, QC) L’Espace intérieur du monde 2008 Analia Llugdar (Montréal, QC) Que sommes-nous 2007 Chris Paul Harman (Montréal, QC) Postludio a rovescio 2006 James Rolfe (Toronto, ON) raW 2005 Linda Catlin Smith (Toronto, ON) Garland 2004 Patrick Saint-Denis (Charlebourg, QC) Les dits de Victoire 2003 Éric Morin (Québec, QC) D’un château l’autre 2002 Yannick Plamondon, (Québec, QC) Autoportrait sur Times Square 2001 Chris Paul Harman (Toronto, ON) Amerika Canada Council for the Arts | Conseil des arts du Canada 1-800-263-5588 | canadacouncil.ca | conseildesarts.ca 2000 André Ristic (Montréal, QC) Catalogue 1 (bombes occidentales) 1999 Alexina Louie (Toronto, ON) Nightfall 1998 Michael Oesterle (Montréal, QC) Reprise 1997 Omar Daniel (Toronto, ON) Zwei Lieder nach Rilke 1996 Christos Hatzis (Toronto, ON) Erotikos Logos 1995 John Burke (Toronto, ON) String Quartet 1994 Peter Paul Koprowski (London, ON) Woodwind Quintet 1993 Bruce Mather (Montréal, QC) YQUEM 1992 John Rea (Outremont, QC) Objets perdus 1991 Donald Steven (Montréal, QC) In the Land of Pure Delight 1989 Peter Paul Koprowski (London, ON) Sonnet for Laura 1988 Michael Colgrass (Toronto, ON) Strangers: Irreconcilable Variations for Clarinet, Viola and Piano 1987 Denys Bouliane (Montréal, QC) À propos..