The Psalms and Hymns of Isaac Watts
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Isaac Watts (1674-1748)
Isaac Watts (1674-1748) Isaac Watts was an English minister, writer, and poet and has been called the "father of British hymnody." Part of his claim to that title is the fact that he is credited with writing some 750 hymns, of which 7 are represented in our Hymnal (14, if you count multiple tunes using Watts' words.) Let's start by singing Hymn 213. Hymn 213 (all verses) Born in Southampton, England, Watts was the eldest of 9 children of a father who ran a boarding school. An avid learner, Watts was passionate about books almost from infancy and began to learn Latin at the age of 4. He eventually learned Latin, Greek and Hebrew as part of the classical education of the time, and before becoming a pastor at the age of 28, he worked as a private tutor. Throughout his life he wrote hymns and other poetry, and most of the 750 hymns attributed to him were written when he was just 22 years old. Let's sing another of them: Hymn 320. Hymn 320 (all verses) Watts was a Nonconformist. There was a special meaning to this term in England of the 17th, 18th and even 19th centuries. Nonconformists were those who refused to conform to the ceremonies and dogma of the Church of England, which were established in law in 1662. What it meant was that those who did not "conform" -- and that included Presbyterians, Congregationalists, Baptists, Methodists, non- Christians, and so on -- were prevented from holding public office, from pursuing civil service careers, and even from obtaining university degrees -- for a century and half. -
Psalm 031 Annotated Outline
Psalm 31 "David's Desperate Desire for Divine Deliverance from His Dire Distress" Scripture taken from the NEW AMERICAN STANDARD BIBLE ®, Copyright © 1960, 1962, 1963, 1968, 1971, 1972, 1973, 1975, 1977, by the Lockman Foundation. Used by permission. (www.Lockman.org). Emphasis is the text is mine to highlight the thematic development. For the choir director. A Psalm of David. A1 DAVID'S DESPERATE PLEA 31:1-2 B1 A Plea for Deliverance: {1} In You, O LORD, I have taken refuge; Let me never be ashamed; In Your righteousness deliver me. 31:1 B2 A Plea for Rescue: {2} Incline Your ear to me, rescue me quickly; Be to me a rock of strength,1 A stronghold to save 2 me. 31:2 A2 DAVID'S EXPRESSION OF CONFIDENCE IN YAHWEH 31:3-8 B1 As a Place of Defense: {3} For You are my rock and my fortress; For Your name's sake You will lead me and guide me. 31:3 B2 As a Deliverer from a Snare: {4} You will pull me out of the net which they have secretly laid for me, For You are my strength. 31:4 B3 As the Final Resort of Security: {5} Into Your hand I commit my spirit; 3 You have ransomed me, O LORD, God of truth. 31:5 B4 As Worthy of Trust, in Contrast with Idols: {6} I hate those who regard vain idols, But I trust in the LORD. 31:6 B5 As Promoting Joy Because of His Empathetic Preservation 31:7-8 C1 Promoting Joy in His Loyal Love: {7} I will rejoice and be glad in Your lovingkindness, 31:7 C2 Fostered by Empathy D1 Because You have seen my affliction; D2 You have known the troubles of my soul, 1 31:2 - rock of strength, stronghold (see also rock, fortress in 31:3): David, from his vast military experience compared God to big rocks and actual fortresses, from behind which a group of men might defend themselves from a superior number of enemies. -
Download Companion
THE COMPANION TO THE EDINGTON MUSIC FESTIVAL & beauty came like the setting sun A FESTIVAL OF MUSIC WITHIN THE LITURGY 19–26 AUGUST 2018 Ed18Comp_ED18comp.qxd 22/07/2018 19:25 Page 1 The Priory Church of Saint Mary, Saint Katharine and All Saints Edington, Westbury, Wiltshire THE COMPANION TO THE EDI NGTON MUSIC FESTIVAL Sunday 19 to Sunday 26 August 2018 Ed18Comp_ED18comp.qxd 22/07/2018 19:25 Page 2 Contents Introduction page 3 Festival and general information page 8 Festival participants page 12 Orders of service, texts and translations page 14 Cover Photo credit: British Cemetery at Courcelette at Sunset © Paul Reed Designed and typeset by Nick Flower Researched and edited by Peter Roberts & Tom Bennett Proofread by Ian Aitkenhead Printed in England by Caligraving Ltd 2 Ed18Comp_ED18comp.qxd 22/07/2018 19:25 Page 3 Introduction Richard Pinel Welcome to the 63rd Edington Festival of Music within the Liturgy. After several momentous years that have, amongst other things, seen the commissioning and installation of a fine new organ in the Priory Church, the 60th Festival, and two changes of Director, we look forward to a ‘business as usual’ festival this year. Entitled ‘Beauty came like the setting sun’, this year’s festival commemorates the centenary of the end of World War One, referring to the works of several prominent war poets. Some festival-goers will be aware that Siegfried Sassoon has a connection to this area—his family lived in the nearby village of Heytesbury. Each day during the festival is marked by reference to a particular poem that will be the focus of the sermon for that day. -
Psalm 31 Verses 1-13 Virtual Bible Study
Psalm 31, Verses 1-13, Virtual Bible Study Transcript Hello everyone. We are continuing our study of the Psalms and this week, it is Psalm 31. Psalm 31 is a praise and thanks and prayer and comfort all at the same time. It's a wonderful prayer talking about God being our fortress and our rock. You can almost hear some of the themes of A Mighty Fortress is Our God in this and in several other things about the confidence that we have in God, our Savior. So let us get into it. Psalm 31. The 31st psalm is a universal psalm of thanks, a psalm of prayer, and a psalm of comfort, all at the same time. It is spoken in the person of Christ and of His saints, who, on account of the Word of God, are plagued their entire lives—inwardly with fears and troubles; outwardly with persecutions, slander, and contempt. Yet they are comforted and delivered by God out of all of them. This psalm belongs in the Second and Third Commandments and in the First and Second Petitions. So thus says Luther on Psalm 31. Now, Psalm 31. 1In you, O LORD, do I take refuge; let me never be put to shame; in your righteousness deliver me! 2 Incline your ear to me; rescue me speedily! Be a rock of refuge for me, a strong fortress to save me! 3 For you are my rock and my fortress; and for your name's sake you lead me and guide me; 4 you take me out of the net they have hidden for me, for you are my refuge. -
Daily Devotions in the Psalms Psalm 129-133
Daily Devotions in the Psalms Psalm 129-133 Monday 12th October - Psalm 129 “Greatly have they afflicted me from my youth”— let Israel now say— 2 “Greatly have they afflicted me from my youth, yet they have not prevailed against me. 3 The plowers ploughed upon my back; they made long their furrows.” 4 The Lord is righteous; he has cut the cords of the wicked. 5 May all who hate Zion be put to shame and turned backward! 6 Let them be like the grass on the housetops, which withers before it grows up, 7 with which the reaper does not fill his hand nor the binder of sheaves his arms, 8 nor do those who pass by say, “The blessing of the Lord be upon you! We bless you in the name of the Lord!” It is interesting that Psalm 128 and 129 sit side by side. They seem to sit at odds with one another. Psalm 128 speaks of Yahweh blessing his faithful people. They enjoy prosperity and the fruit of their labour. It is a picture of peace and blessing. And then comes this Psalm, clunking like a car accidentally put into reverse. Here we see a people long afflicted (v. 1-2). As a nation, they have had their backs ploughed. And the rest of the Psalm prays for the destruction of the wicked nations and individuals who would seek to harm and destroy Israel. It’s possible that this Psalm makes you feel uncomfortable, or even wonder if this Psalm is appropriate for the lips of God’s people. -
GLORY to GOD Page 1 of 74
Copyright Holder Index GLORY TO GOD Page 1 of 74 Hymn # FIRST LINE (and/or Copyright line Text permission Music permission Common Title) grantor grantor 1 Holy, Holy, Holy! Lord Korean Trans. The Christian Literature Korean text: The Alfred Publishing God Almighty! Society of Korea. Used by permission. Christian Literature Music Descant © 1948, ren. H. W. Gray Society of Korea. Co., Inc., a div. of Belwin-Mills Publishing English and Spanish: Corp. All rights reserved. Used by public domain permission of Alfred Music Publishing. 2 Come, Thou Almighty Public Domain Public Domain King 3 Womb of Life and Text © 1992 GIA Publications, Inc. All GIA Skinner Chavez- Source of Being rights reserved. Used by permission. Melo Music © 1985, 1991 Skinner Chávez- Melo. All rights reserved. 4 Holy God, We Praise Public Domain Public Domain Your Name 5 God the Sculptor of Text © 1993 John Thornburg. Used by John Thornburg The Copyright the Mountains permission. Music © 1996 Abingdon Company Press (admin. The Copyright Company, Nashville, TN). All rights reserved. International copyright secured. Used by permission. 6 I Bind unto Myself Public Domain Public Domain Today 7 Mothering God, You Text © 1991 Jean Janzen Music © 1995 Jean Janzen Augsburg Fortress Gave Me Birth Augsburg Fortress. Used by permission. 8 Eternal Father, Strong Public Domain Public Domain to Save 9 The Play of the Text © 2002 GIA Publications, Inc. All GIA GIA Godhead rights reserved. Used by permission. Music © 2000 William P. Rowan (admin. GIA Publications, Inc.). All rights reserved. Used by permission. 10 Sing Glory to the Text © 2011 David Gambrell (admin. -
80 Days in the Psalms (Summer 2016)
80 Days in the Psalms (Summer 2016) June 16 Psalm 1, 2 July 6 Psalm 40, 41 July 26 Psalm 80, 81 August 15 Psalm 119 June 17 Psalm 3, 4 July 7 Psalm 42, 43 July 27 Psalm 82, 83 August 16 Psalm 119 June 18 Psalm 5, 6 July 8 Psalm 44, 45 July 28 Psalm 84, 85 August 17 Psalm 119 June 19 Psalm 7, 8 July 9 Psalm 46, 47 July 29 Psalm 86, 87 August 18 Psalm 119 June 20 Psalm 9, 10 July 10 Psalm 48, 49 July 30 Psalm 88, 89 August 19 Psalm 120, 121 June 21 Psalm 11, 12 July 11 Psalm 50, 51 July 31 Psalm 90, 91 August 20 Psalm 122, 123 June 22 Psalm 13, 14 July 12 Psalm 52, 53 August 1 Psalm 92, 93 August 21 Psalm 124, 125 June 23 Psalm 15, 16 July 13 Psalm 54, 55 August 2 Psalm 94, 95 August 22 Psalm 126, 127 June 24 Psalm 17, 18 July 14 Psalm 56, 57 August 3 Psalm 96, 97 August 23 Psalm 128, 129 June 25 Psalm 19, 20 July 15 Psalm 58, 59 August 4 Psalm 98, 99 August 24 Psalm 130, 131 June 26 Psalm 21, 22 July 16 Psalm 60, 61 August 5 Psalm 100, 101 August 25 Psalm 132, 133 June 27 Psalm 23, 23 July 17 Psalm 62, 63 August 6 Psalm 102, 103 August 26 Psalm 134, 135 June 28 Psalm 24, 25 July 18 Psalm 64, 65 August 7 Psalm 104, 105 August 27 Psalm 136, 137 June 29 Psalm 26, 27 July 19 Psalm 66, 67 August 8 Psalm 106, 107 August 28 Psalm 138, 139 June 30 Psalm 28, 29 July 20 Psalm 68, 69 August 9 Psalm 108, 109 August 29 Psalm 140, 141 July 1 Psalm 30, 31 July 21 Psalm 70, 71 August 10 Psalm 110, 111 August 30 Psalm 142, 143 July 2 Psalm 32, 33 July 22 Psalm 72, 73 August 11 Psalm 112, 113 August 31 Psalm 144, 145 July 3 Psalm 34, 35 July 23 Psalm 74, 75 August 12 Psalm 114, 115 September 1 Psalm 146, 147 July 4 Psalm 36, 37 July 24 Psalm 76, 77 August 13 Psalm 116, 117 September 2 Psalm 148, 149 July 5 Psalm 38, 39 July 25 Psalm 78, 79 August 14 Psalm 118 September 3 Psalm 150 How to use this Psalms reading guide: • Read consistently, but it’s okay if you get behind. -
Psalms Commentary
I YOU CAN UNDERSTAND THE BIBLE PSALMS: THE HYMNAL OF ISRAEL BOOK I BOB UTLEY PROFESSOR OF HERMENEUTICS (BIBLE INTERPRETATION) STUDY GUIDE COMMENTARY SERIES OLD TESTAMENT, VOL. 9B BIBLE LESSONS INTERNATIONAL MARSHALL, TEXAS 2012 www.BibleLessonsIntl.com www.freebiblecommentary.org Copyright ©2012 by Bible Lessons International, Marshall, Texas All rights reserved. No part of this book may be reproduced in any way or by any means without the written permission of the publisher. Bible Lessons International P. O. Box 1289 Marshall, TX 75671-1289 1-800-785-1005 ISBN 978-1-892691-37-8 The primary biblical text used in this commentary is: New American Standard Bible (Update, 1995) Copyright ©1960, 1962, 1963, 1968, 1971, 1972, 1973, 1975, 1977, 1995 by The Lockman Foundation P. O. Box 2279 La Habra, CA 90632-2279 The paragraph divisions and summary captions as well as selected phrases are from: 1. The New King James Version, Copyright ©1979, 1980, 1982 by Thomas Nelson, Inc. Used by permission. All rights reserved. 2. The New Revised Standard Version of the Bible, Copyright ©1989 by the Division of Christian Education of National Council of the Churches of Christ in the U. S. A. Used by permission. All rights reserved. 3. Today’s English Version is used by permission of the copyright owner, The American Bible Society, ©1966, 1971. Used by permission. All rights reserved. 4. The New Jerusalem Bible, copyright ©1990 by Darton, Longman & Todd, Ltd. and Doubleday, a division of Bantam Doubleday Dell Publishing Group, Inc. Used by permission. All rights reserved. www.freebiblecommentary.org The New American Standard Bible Update — 1995 Easier to read: } Passages with Old English “thee’s” and “thou’s” etc. -
—Come and See What God Has Done“: the Psalms of Easter*
Word & World 7/2 (1987) Copyright © 1987 by Word & World, Luther Seminary, St. Paul, MN. All rights reserved. page 207 Texts in Context “Come and See What God Has Done”: The Psalms of Easter* FREDERICK J. GAISER Luther Northwestern Theological Seminary, St. Paul, Minnesota “Whenever the Psalter is abandoned, an incomparable treasure vanishes from the Christian church. With its recovery will come unsuspected power.”1 It is possible to agree with Bonhoeffer’s conviction without being naive about the prospect of this happening automatically by a liturgical decision to incorporate the psalms into Sunday morning worship. Not that this is not a good and needed corrective; it is. In many of those worship services the psalms had become nothing more than the source of traditional versicles—little snippets to provide the proper mood of piety in the moments of transition between things that mattered. Yet the Psalter never went away, despite its liturgical neglect. The church called forth psalms in occasional moments of human joy and tragedy, poets paraphrased them for the hymnals, and faithful Christians read and prayed them for guidance and support in their own lives. But now many Christian groups have deliberately re-established the psalms as a constitutive element in regular public worship. What will the effect of this be? Some congregations have found them merely boring-another thing to sit through—which suggests a profound need for creative thinking about how and where to use the psalms so people can hear and participate in the incredible richness and dramatic power of the life within them. -
Complete Song Book (2013 - 2016)
James Block Complete Song Book (2013 - 2016) Contents ARISE OH YAH (Psalm 68) .............................................................................................................................................. 3 AWAKE JERUSALEM (Isaiah 52) ................................................................................................................................... 4 BLESS YAHWEH OH MY SOUL (Psalm 103) ................................................................................................................ 5 CITY OF ELOHIM (Psalm 48) (Capo 1) .......................................................................................................................... 6 DANIEL 9 PRAYER .......................................................................................................................................................... 7 DELIGHT ............................................................................................................................................................................ 8 FATHER’S HEART ........................................................................................................................................................... 9 FIRSTBORN ..................................................................................................................................................................... 10 GREAT IS YOUR FAITHFULNESS (Psalm 92) ............................................................................................................. 11 HALLELUYAH -
Asterius on Psalm 11 Homily 2 As Is Well Known, the Tenth Century Hebrew Masoretic Text (MT) Used for Modern Bible Translations
Asterius On Psalm 11 Homily 2 As is well known, the tenth century Hebrew Masoretic Text (MT) used for modern Bible translations has 150 psalms whereas the Psalter in the Septuagint (LXX) has 151 psalms. This homily is based on Psalm 11 LXX which is Psalm 12 MT. Most psalms have a title or superscription which may include names of composers or people to whom a psalm is committed, situational details, genre, and liturgical directions.1 Whether these superscriptions were part of the original composition is unknown. In any case, the superscriptions are incorporated into the psalm text in the Hebrew MT, such that when the text was versified in the sixteenth century, they were counted as the first verse. This incorporaton is already evident in some of the psalm fragments found among the Dead Sea Scrolls. For example, the oldest fragment 4QPsa (= 4Q83, mid second century BCE) shows ‘no special separation between title and text’.2 More tellingly, 4QpPsa (= 4Q171 Pesher Psalms) which contains commentary on Psalm 45, includes commentary on its superscription, as if it were part of the psalm proper.3 Early Christians who used the LXX also considered the psalm title or superscription to be part of scripture and would exegete it as such. The superscription for Psalm 11 LXX in the Hebrew MT reads: ‘To the leader: according to The Sheminith. A Psalm of David.’ In the Greek LXX it reads: ‘To the end, upon the eighth. A Psalm of David’.4 Asterius spends considerable time in the first part of the homily expounding this title, and in particular the significance of the eighth day in redemption history. -
Seven Sevenfold Purifications of the Words of the LORD
Seven Sevenfold Purifications of The Words of the LORD Introduction Attention is drawn to the familiar passage Psalm 12:6 “The words of the LORD are pure words: as silver tried in a furnace of earth, purified seven times.” Sister Riplinger and others have shown that the Lord has fulfilled Psalm 12:6 for sevenfold purifications of “The words of the LORD” as fol- lows1, 2, five in all thus far. From the ancient Biblical languages to the 1611 AV1611 From the pre-English and early English Bibles to the 1611 AV1611 From the Greek Textus Receptus New Testament Editions to the final TR in English as the 1611 AV1611. This study has been attached for information. From the 16th century English Protestant Reformation Bibles e.g. Tyndale etc. to the 1611 AV1611 From the 1611 AV1611 through its major editions to the 1769 i.e. 2015+ AV1611. It is realistic to consider that the Lord would have implemented seven sevenfold purifications for “The words of the LORD.” This is so because Revelation 5:1, 6-7 refer to “a book written within and on the backside, sealed with seven seals” and “a Lamb as it had been slain, having seven horns and seven eyes, which are the seven Spirits of God sent forth into all the earth And he came and took the book out of the right hand of him that sat upon the throne.” Revelation 8:1-2 state “And when he had opened the seventh seal...I saw the seven angels which stood before God; and to them were given seven trumpets.” The successive opening of the seven seals by the Lamb with seven horns and seven eyes that are the seven Spirits of God and the sounding by the seven angels of the seven trumpets finally perfect God’s revelation in the form of “the little book” Revelation 10:8, 9, 10 that is hand-held and associated with “seven thunders” Revelation 10:3, 4 i.e.