The Evolution of Social Values and Practices in Soviet Schools, 1953 – 1968
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Arkady Gaidar's Timur and His Squad As an Example O
Soviet Literature in Primary Schools in the People’s Republic of Poland: Arkady Gaidar’s Timur and His Squad as an Example of Political School Readings Anna Bednarczyk University of Łódź, Poland The ideological policy of a state may influence not only the choice of texts to be translated but also the ways they are translated in order to load them with propagandist meanings. In such a context the translator’s voice may be manipulated to carry the messages an authority (e.g. a totalitarian state) requires that the translator convey. An analysis of the Polish translations of Arkady Gaidar’s Timur and His Squad suggests, however, that political manipulation may occur less through translation strategies than through editorial choices about the material presentation of the works being studied. Key words: Gaidar, Timur, Russian literature, Polish translations, ideology Les politiques idéologiques d’un état peuvent influencer non seulement le choix des textes traduits, mais aussi la façon dont ils sont traduits dans le but de consolider leur portée idéologique. Dans ce type de contexte, la voix du traducteur peut être manipulée afin qu’elle exprime des messages qui sont conformes aux exigences des autorités (d’un état totalitaire). Une analyse des traductions polonaises de Timur et son équipe d’Arkady Gaidar’s suggère, toutefois, que la manipulation peut se faire moins au niveau des stratégies de traduction qu’à celui de la présentation matérielle des textes étudiés. Mots clés : Gaidar, Timur, littérature russe, traductions polonaises, idéologie Russian Works in Polish Schools After the Second World War, when the newly formed People’s Republic of Poland became one of the satellites of the Soviet Union, Russian was introduced into Polish schools as an obligatory foreign language. -
Growing up Soviet in the Periphery
Growing Up Soviet in the Periphery: Imagining, Experiencing and Remembering Childhood in Kazakhstan, 1928-1953 by Mehmet Volkan Kaşıkçı A Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Approved October 2020 by the Graduate Supervisory Committee: Laurie Manchester, Chair Agnes Kefeli Adrienne Edgar Anna Holian ARIZONA STATE UNIVERSITY December 2020 ABSTRACT This dissertation discusses children and childhood in Soviet Kazakhstan from 1928 to 1953. By exploring images of, and for, children, and by focusing on children’s fates during and after the famine of 1930-33, I argue that the regime’s success in making children socialist subjects and creating the new Soviet person was questionable throughout the 1930s. The reach of Soviet ideological and cultural policies was limited in a decade defined by all kinds of shortcomings in the periphery which was accompanied by massive violence and destruction. World War 2 mobilized Central Asians and integrated the masses into the Soviet social and political body. The war transformed state- society relations and the meaning of being Soviet fundamentally changed. In this way, larger segments of society embraced the framework for Soviet citizenship and Soviet patriotism largely thanks to the war experience. This approach invites us to reconsider the nature of Sovietization in Central Asia by questioning the central role of ideology and cultural revolution in the formation of Soviet identities. My dissertation brings together images of childhood, everyday experiences of children and memory of childhood. On the one hand, the focus on children provides me an opportunity to discuss Sovietization in Central Asia. -
Cultural Influences Upon Soviet-Era Programmatic Piano Music for Children
UNLV Theses, Dissertations, Professional Papers, and Capstones 5-1-2017 Cultural Influences upon Soviet-Era Programmatic Piano Music for Children Maria Pisarenko University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Education Commons, Fine Arts Commons, and the Theatre and Performance Studies Commons Repository Citation Pisarenko, Maria, "Cultural Influences upon Soviet-Era Programmatic Piano Music for Children" (2017). UNLV Theses, Dissertations, Professional Papers, and Capstones. 3025. http://dx.doi.org/10.34917/10986115 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. CULTURAL INFLUENCES UPON SOVIET-ERA PROGRAMMATIC PIANO MUSIC FOR CHILDREN By Maria Pisarenko Associate of Arts – Music Education (Piano Pedagogy/Performance/Collaborative Piano) Irkutsk College of Music, City -
1 Life Between Two Panels Soviet Nonconformism in the Cold War Era
Life Between Two Panels Soviet Nonconformism in the Cold War Era DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Clinton J. Buhler, M.A. Graduate Program in History of Art * * * * * The Ohio State University 2013 Dissertation Committee: Dr. Myroslava M. Mudrak, Advisor Dr. Kris Paulsen Dr. Jessie Labov Dr. Aron Vinegar 1 Copyright by Clinton J. Buhler 2013 2 Abstract Beneath the façade of total conformity in the Soviet Union, a dynamic underground community of artists and intellectuals worked in forced isolation. Rejecting the mandates of state-sanctioned Socialist Realist art, these dissident artists pursued diverse creative directions in their private practice. When they attempted to display their work publicly in 1974, the carefully crafted façade of Soviet society cracked, and the West became aware of a politically subversive undercurrent in Soviet cultural life. Responding to the international condemnation of the censorship, Soviet officials allowed and encouraged the emigration of the nonconformist artists to the West. This dissertation analyzes the foundation and growth of the nonconformist artistic movement in the Soviet Union, focusing on a key group of artists who reached artistic maturity in the Brezhnev era and began forging connections in the West. The first two chapters of the dissertation center on works that were, by and large, produced before emigration to the West. In particular, I explore the growing awareness of artists like Oleg Vassiliev of their native artistic heritage, especially the work of Russian avant-garde artists like Kazimir Malevich. I look at how Vassiliev, in a search for an alternative form of expression to the mandated form of art, took up the legacy of nineteenth-century Realism, avant-garde abstraction, and Socialist Realism. -
In and out of the School Canon Marta Kaźmierczak This
Translated literature: In and Out of the School Canon Marta Kaźmierczak This paper discusses translated books for children and teenagers present in – and absent from – the Polish school curricula. A translation may be quite popular with readers, yet not included in the curriculum. The author tries to ascertain the reasons behind the positive and negative choices of school canon makers and the patterns such choices reveal. Factors examined include: un/suitability for the target-culture taste, setting good/bad example, political expectations, attitude towards the source culture, genre characteristics, date of translation (with respect to the appearance of other literary works), and translation quality. Examples from various traditions (German, Russian, Swedish, Anglo-Saxon, Italian, Hungarian) are given and connections are made with translational issues. Key words: translation, reading lists, changes in the canon, ideology, literary values, literature for young readers Cet article étudie les œuvres traduites pour enfants et adolescents, présentes dans le cursus éducatif polonais ou bien absentes de celui-ci. Une traduction peut jouir du succès chez les lecteurs sans toutefois être inclus dans le programme scolaire. Cet article analyse les raisons qui motivent les choix positifs et négatifs des responsables de ces programmes et les modèles de sélection qui s’en dégagent. Différents facteurs sont examinés : (in)compatibilité avec le goût littéraire de la culture d’arrivée, éventualité de constituer un mauvais/bon exemple, attentes politiques, opinion à l’égard de la culture-source, genre littéraire, date de parution (compte tenu d’autres ouvrages littéraires), qualité de la traduction. Les exemples sont puisés dans diverses traditions (allemande, russe, suédoise, anglo-saxonne, italienne et hongroise). -
Dissertation
DISSERTATION Titel der Dissertation “Making a viable city: visions, strategies and practices”. Verfasserin Elena Nuikina, MA angestrebter akademischer Grad Doktorin der Philosophie (Dr.phil.) Wien, 2014 Studienkennzahl lt. Studienblatt: A 784 452 Dissertationsgebiet lt. Studienblatt: Geographie Betreuer: Univ. – Prof. Dr. Heinz Faßmann This manuscript is dedicated to my family. STATEMENT OF ACCESS I, the undersigned author of this work, understand that University of Vienna will make this thesis available for use within the University Library for use elsewhere. I understand that, as an unpublished work, a thesis has significant protection under the Copyright Act and; I do not wish to place any further restriction on access to this work. 17.08.2014 Elena Nuikina STATEMENT OF SOURCES I declare that this thesis is my own work and has not been submitted in any form for another degree or diploma at any university or other institution of tertiary education. Information derived from the published or unpublished work of others has been acknowledged in the text and a list of references is given. 17.08.2014 Elena Nuikina ABSTRACT OF THE DISSERTATION Functioning, sustainable and efficient development of urban areas is the principal goal of urban planners, decision-makers and urban economists worldwide. Social characteristics and economic factors that contribute to the well-being of inhabitants are the two explanations of local success. Taking one step farther, this dissertation explores how situatedness of a settlement in the extra-local economic networks and power relations shapes strategies, practices of and views on the city development. The theoretical contribution of the present work to the urban geography is the application of the concept of city viability in conjunction with the concepts of positionality and path dependence to improve our understanding of how the notion city viability is constructed, perceived and implemented in general. -
Thesis Template
The Nonsovereign Subject and Sexual Violence in Contemporary North American and Russian Culture by Irina Sadovina A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Centre for Comparative Literature University of Toronto © Copyright by Irina Sadovina 2018 The Nonsovereign Subject and Sexual Violence in Contemporary North American and Russian Culture Irina Sadovina Doctor of Philosophy Centre for Comparative Literature University of Toronto 2018 Abstract Through stories about sexual violence, societies confront the condition of nonsovereignty that underlies the reality of suffering, self- and other-inflicted, in the lives of sexed beings. Analyzing theoretical, fictional, and popular media texts, written in the United States, Canada, and Russia from the 1980s to the 2010s, this dissertation formulates a structural approach to narratives about sexual violence and nonsovereignty. This approach avoids naturalizing the opposition between the “progressive” West and “traditional” Russia, enabling more informed discussions of cultural narratives about sexual violence and a more critical use of the discursive tools available for dealing with it. I identify three modes of approaching the problem of sexual violence: reparative, radical and prosaic. These modes shape subject positions and patterns of power relations. Each chapter analyzes the structure of a particular mode, its manifestations in cultural myths and in specific texts, and ultimately, its limitations. Chapter 1 discusses the reparative mode, which aims to heal the subject or the world, and its manifestations: the Western speakout model in Sapphire’s Push (1996) and Laurie Halse Anderson’s Speak (1999), and the Russian ideal of kenosis in Viktor ii Astafiev’s “Lyudochka” (1989) and Guzel Yakhina’s Zuleikha Opens Her Eyes (2015). -
Opinions of Film Critics and Viewers
Alexander Fedorov 100 most popular Soviet television movies and TV series: opinions of film critics and viewers Moscow, 2021 Fedorov A.V. 100 most popular Soviet television movies and TV series: opinions of film critics and viewers. Moscow: "Information for all", 2021. 144 p. What does the list of the hundred most popular Soviet television films and TV series look like? How did the press and viewers evaluate and rate these films? In this monograph, for the first time, an attempt is made to give a panorama of the hundred most popular Soviet television films and serials in the mirror of the opinions of film critics, film critics and viewers. The monograph is intended for high school teachers, students, graduate students, researchers, film critics, film experts, journalists, as well as for a circle of readers who are interested in the problems of cinema, film criticism and film sociology. Reviewer: Professor M.P. Thselyh. © Alexander Fedorov, 2021. 2 TABLE OF CONTENTS Introduction ………………………………….................................................................................... 4 100 most popular Soviet television movies and TV series: opinions of film critics and viewers ……………………………........................................................................................... 5 Interview on the release of the book "One Thousand and One Highest Grossing Soviet Movie: Opinions of Film Critics and Viewers"…………………………………………………………….. 119 List of "100 most popular Soviet television films and TV series.......................................... 125 About -
'Perestroika' in the Russian Provinces1
149 ARTICLES Sergei Alymov ‘Perestroika’ in the Russian Provinces1 Due to the efforts of Western historians studying the Soviet period, over the course of the last decade the concept of ‘Soviet subjectivity’ has established itself firmly in the lexicon of scholars. Through their analysis of ‘sources of personal origin’ such as diaries and auto- biographies, Jochen Hellbeck, Igal Halfin and other historians have shown that Soviet ideology was a constituent factor in establishing the historical subject and its perception of self and the world [Halfin, Hellbeck 2002; Hellbeck 2006]. Thanks to works of this kind, it has become clear how deeply Soviet ideological language was internalised by wide swathes of the population. Similarly, applying the ideas of Michel Foucault to Russian material, Oleg Khar khordin describes the Party and educational practices in the USSR in terms of techniques for the production of the self [Kharkhordin 1999]. Yet, whereas the case for the interaction or even the harmonious unity of ‘subjectivity’ and ‘So- Sergei Alymov vietness’ looks quite convincing with regard to Institute of Ethnology the 1920s and 1930s, with regard to more recent and Anthropology, times, the picture is rather more complex. Russian Academy of Sciences, Moscow It would seem that the ‘Thaw’ and the Brezhnev [email protected] years can be better understood as a process of 1 The Russian version of this article fi rst appeared in Antropologicheskii forum No. 15 online. The translator and the editors would like to thank Sergei Alymov with his help in checking the translation and illuminating various tricky passages, particularly in the interviews. -
Evolving Notions of Childhood: an Example of Kazakhstan Anel
Evolving notions of childhood: an example of Kazakhstan Anel Kulakhmetova Supervisor: Dr. Shailaja Fennell Centre of Development Studies Department of Politics and International Studies Clare Hall, University of Cambridge This dissertation is submitted for the degree of Doctor of Philosophy January 2017 Evolving notions of childhood: an example of Kazakhstan Anel Kulakhmetova Abstract This research is aimed at understanding versatile and evolving perceptions of childhood in Kazakhstan after the independence of the country. It draws on a variety of primary data including in-depth interviews and surveys with young people and representatives of non- governmental organisations working with young people. This research employs two concepts of sociology of childhood, which address the socio-historical condition of childhood as a social experience. It explores the role children played in traditional Kazakh families in the mid-19th- beginning of the 20th century. It also addresses state policy concerning children in Kazakhstan after independence. This research presents an analysis of how young participants perceive categories of ‘child’ and ‘adult.’ The question is raised whether traditional thresholds of childhood like education, marriage, and financial independence still play a role in understanding the transition from childhood to adulthood. Further, it presents a dialogue between young participants of this research with their older contemporaries on the characteristics of the young generation born after the independence. Finally, it sheds more light on discrimination of young females in the family and society. II Declaration I declare that this thesis is substantially my own work and no part of the dissertation has been previously submitted to any university for any degree, diploma or other qualification. -
Young Voices from the Field and Home Front World War II As Depicted in Contemporary Children’S Literature
Young Voices from the Field and Home Front World War II as Depicted in Contemporary Children’s Literature WENDY STEPHENS romoting support for Allied Forces was a central theme of contemporary children’s literature in the eve of and Sidney Lazarus envisions an ominously taloned bird in Nila Arah P during World War II; the body of work captures a sur- Mack’s Animal Allies (1942). prisingly complex and conflicted view of armed conflict and nationhood. they discovered. I began to wonder how contemporary young people constructed the conflict intellectually and emotionally Amid the expected imperatives that American children scav- and, indeed, how much they might have known about the situ- enge scrap metal for war bonds and cozy stories of English chil- ation in Europe. It seemed a topic that might be best explored dren evacuated to safety in North America, there is nostalgia through the range of contemporary children’s literature about for pastoral Russia and an unabashed celebration of the Soviet the war, and the Baldwin Collection holds the second-largest collective effort. In one of the most charged depictions, a pair of collection of historical children’s books in the country. dachshunds forced to wear Nazi uniforms outwit their master. An Austrian refugee, the creation of a refugee writer, pointedly I began by isolating the books in the collection with the subject informs a naïve French peasant boy: “There are a great many heading “World War II, 1939–1945” and looked exclusively at Germans who hated the Nazis, didn’t you know that?”1 before books published those same years to ensure I wasn’t getting a revealing his father was a prisoner at Dachau. -
Friday, November 21, 2014 Session 4 – Friday – 8:00-9:45 Am
Friday, November 21, 2014 Registration Desk: 7:00 a.m. - 5:00 p.m. - Registration Desk 2 Cyber Café Hours: 7:00 a.m. - 6:45 p.m. - Atrium Lounge Exhibit Hall Hours: 9:00 a.m. - 6:00 p.m. - Grand Ballrooms E & F Session 4 – Friday – 8:00-9:45 am Committee on Libraries and Information Resources Subcommittee on Copyright Issues - (Meeting) - Conference Suite 544 International Association for the Humanities - (Meeting) - Conference Suite 514 Soyuz-The Research Network for Post-Socialist Studies - (Meeting) - Grand Ballroom Salon L 4-01 Trade, Development and Institutions: Late Imperial Russia and the Soviet Union - Conference Room 1 Chair: Susan J. Linz, Michigan State U Papers: Theocharis Grigoriadis, Free U of Berlin (Germany) "Geography, Diversity and Underdevelopment: Evidence from the Russian Empire" Martin Kragh, Uppsala U (Sweden) "From Roving to Stationary Bandit? Soviet Expropriation Patterns 1917-1941" Marvin Suesse, Humboldt U of Berlin (Germany) "Breaking the Unbreakable Union: Nationalism, Trade Disintegration and the Soviet Economic Collapse" Disc.: Walter Downing Connor, Boston U 4-02 Electoral Change and Democratic Consolidation in Albania and Kosovo - Conference Room 2 Sponsored by: Society for Albanian Studies Chair: Nicholas C. Pano, Western Illinois U Papers: Ioannis Armakolas, U of Cambridge (UK) and Dimitri A. Sotiropoulos, U of Athens (Greece) "The 2013 Parliamentary Elections in Albania: A Real Milestone for Democratic Institutions or More of the Same?" Afrim Krasniqi, Albanian Institute of Sociology (Albania) "Near and Far: A Comparative View of the Institution of the Elections in Albania and Kosovo" Marta Joanna Kolczynska, Ohio State U "In Internationals We Trust: Elections Monitoring Missions in Albania and Kosovo and their Reports" Disc.: Elez Biberaj, Voice of America 4-03 Slavic Folklore in Russian Literature - Conference Room 3 Chair: Olga Lyanda-Geller, Purdue U Papers: Erin M.