My Days with the Institute of Chinese Studies
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Culture and Sport
CULTURE AND SPORT Culture and Sport Eastern and western cultures have co-existed in Macao for over 400 years. A wide variety of cultural traditions, languages, values, religious beliefs, and customs have all existed side by side and influenced one another. Out of this melting pot, a regional culture unique to Macao has gradually developed into its present richness. Macao’s culture is thus a diverse mixture, with traditional Chinese culture as its heart, and it has assimilated Western, particularly Portuguese, cultural influences in perfect harmony. Following its policy of promoting Chinese culture while preserving the unique pluralistic cultural heritage of Macao, the Government has hosted various cultural and artistic activities invited art troupes from mainland China and overseas, as well as Macao, to perform. These have created opportunities for audiences to learn more about the history, society, and culture of different regions, as well as enhancing cultural exchange and the quality of cultural life of Macao’s residents. Cultural Affairs Bureau The Cultural Affairs Bureau is a Government department that sets out the Government’s key objectives in cultural matters. The bureau is responsible for protecting cultural heritage, giving guidance on aesthetic appreciation, supporting community organisations, nurturing talent in arts and culture, developing local cultural industries, as well as organising cultural entertainment programmes, such as concerts, exhibitions, seminars, music classes, dance, drama courses, Macao International Parade, Macao International Music Festival, Macao Arts Festival, Macao City Fringe Festival, China Cultural Heritage Day, Macao Youth Music Competition and Macao Annual Visual Arts Exhibition. It also provides subsidies for different cultural and art programmes as well as scholarships to support the publication of research and advanced studies about arts. -
ACMR Newsletter Association for Chinese Music Research 中國音樂研究會通訊
ACMR Newsletter http://acmr.info/ Association for Chinese Music Research 中國音樂研究會通訊 Volume 20, number 1 May 2014 MESSAGE FROM THE PRESIDENT Membership Dues Spring greetings meeting also appears in this issue if you to the ACMR were unable to join us. community! I hope you enjoy I encourage all of our members (old and this latest issue new) to take the time to read the tribute of the ACMR to one of our founding members, Rulan Newsletter; our Chao Pian, in commemoration of her newsletter team passing late last year. I look forward to has been work- celebrating her contributions to our com- ing hard to munity when we gather in Pittsburgh this compile infor- fall. Lei Ouyang mation that will Bryant be useful and Our two established prizes (Rulan Chao engaging to our Pian and Barbara Barnard Smith) continue members. As always, we encourage eve- to receive numerous submissions and I ryone to regularly submit updates on their will announce the 2014 winners this fall at research and scholarship. Please continue our annual meeting. As discussed at the to let our Newsletter Editors know of any 2013 meeting, a new student travel prize items you would like to see appear in our (Ruby Chao Yeh Student Travel Award), Inside this issue: newsletter. is under development. More news will be coming out shortly regarding this new I greatly enjoyed our gathering in Indianap- prize. olis for our 2013 annual meeting in con- Announcements, junction with the Society for Ethnomusi- Finally, the ACMR officers are finalizing 2 prize winners cology. It was a pleasure to meet old and the constitution and bylaws and will be new colleagues and provide the oppor- contacting you shortly for your input and People and places tunity for us to come together to discuss eventually to bring the documents to the 3-4 Recent work our shared research interests. -
Ms Ng Wing-Mui DOCTOR of HUMANITIES Honoris Causa Citation
Ms Ng Wing-mui DOCTOR OF HUMANITIES honoris causa Citation Ms Ng Wing-mui, well known as “Mui E” (Auntie Mui), is a master singer in both Cantonese operatic song yuetkuk and Cantonese narrative singing naamyam. Mui E began singing these two genres in her teens. Having been a professional singer since she was seven, Mui E made a name when she was thirteen. Since the 1930s, she has made music with all of the celebrated artists of Cantonese music of the time. With eighty years of practice and performance experience, Mui E excels in the two genres of yuetkuk and naamyam and is now considered a grand master artist of shiniang qiang (style of the blind female singers). In her early years she learnt from gushi (blind male singers) Liu Jiu and shiniang Renxin and Yinjiao, capturing the essence of Cantonese naamyam singing. In addition to being a gifted singer, Mui E is also a very talented instrumental performer. She is especially skilled in two musical instruments, the long-neck plucked lute qinqin and the hammered dulcimer yangqin. In the late 1930s and early 1940s, the prominent Hong Kong Cantonese musician, Siu Tit- hung, composed the famous piece “Flowing Water and Moving Clouds”. Chan Luk-ping of Macau set this melody with lyrics and turned it into a well-known piece of Cantonese operatic song yuetkuk, “My Man Returns Late”. At thirteen, Mui E premiered the song and immediately gained a reputation in Hong Kong and Macau. Knowing of Mui E’s talent and fame, Siu went to Macau and played his musical instruments to Mui E’s singing. -
Culture and Sport
CULTURE AND SPORT Culture and Sport Culture and Sport Eastern and western cultures have co-existed in Macao for over 400 years. A wide variety of cultural traditions, languages, values, religious beliefs, and customs have all existed side by side and influenced one another. Out of this melting pot, a regional culture unique to Macao has gradually developed into its present richness. Macao’s culture is thus a diverse mixture, with traditional Chinese culture as its heart, and it has assimilated Western, particularly Portuguese, cultural influences in perfect harmony. Following its policy of promoting Chinese culture while preserving the unique pluralistic cultural heritage of Macao, the Government has hosted various cultural and artistic activities invited art troupes from mainland China and overseas, as well as Macao, to perform. These have created opportunities for audiences to learn more about the history, society, and culture of different regions, as well as enhancing cultural exchange and the quality of cultural life of Macao’s residents. Cultural Affairs Bureau The Cultural Affairs Bureau is a Government department that sets out the Government’s key objectives in cultural matters. The bureau is responsible for protecting cultural heritage, giving guidance on aesthetic appreciation, supporting community organisations, nurturing talent in arts and culture, developing local cultural industries, as well as organising cultural entertainment programmes, such as concerts, exhibitions, seminars, music classes, dance, drama courses, Macao International Parade, Macao International Music Festival, Macao Arts Festival, Macao City Fringe Festival, Chinese Culture and Natural Heritage Day, Macao Youth Music Competition and Macao Annual Visual Arts Exhibition. It also provides subsidies for different cultural and art programmes as well as scholarships to support the publication of research and advanced studies about arts. -
Curriculum Vitae Bell Yung Professor of Music University of Pittsburgh (January 2011)
Bell Yung’s CV 1 Curriculum Vitae Bell Yung Professor of Music University of Pittsburgh (January 2011) Home Address 504 N. Neville St., Pittsburgh, PA 15213 Tel: (412) 681-1643 Office Address Room 206, Music Building University of Pittsburgh, Pittsburgh, PA 15260 Tel: (412) 624-4061; Fax: (412) 624-4186 e-mail: [email protected] Education Ph.D. in Music, Harvard University, 1976 Ph.D. in Physics, Massachusetts Institute of Technology, 1970 B.Sc. in Engineering Physics, University of California, Berkeley, 1964 Piano performance with Kyriana Siloti, 1967-69 Piano pedagogy at Boston University Summer School at Tanglewood, 1967 Performance studies of various instruments in the Javanese gamelan ensemble, particularly on gender barung (metal xylophone) with Pak Djokowaluya, Yogyakarta, summer 1983. Performance studies of various Chinese instruments; in particular qin (seven-string zither) with Masters Tsar Teh-yun of Hong Kong, from 1978 on, and Yao Bingyan of Shanghai, summer of 1980, 81, 82. Academic Employment University of Pittsburgh Professor of Music, 1994 (On leave 1996-98, and on leave half time 98-02) Associate Professor of Music, 1987 Assistant Professor of Music, 1981 University of Hong Kong Kwan Fong Chair in Chinese Music, University of Hong Kong, 1998.2 – 2002.7. Reader in Music, University of Hong Kong, 1996.8-1998.2 (From February 1998 to 2002, I held joint appointments at the University of Pittsburgh and the University of Hong Kong, teaching one term a year at each institution.) University of California at Davis, Visiting Associate -
Sing Me a Story
CHINA DAILY | HONG KONG EDITION Friday, November 15, 2019 | 11 Heritage Sing me a story ven before people learned Neil Li finds out about the forgotten art of naamyam singing and to write, stories would be passed down verbally from recent attempts to enhance its appeal among newer audiences. one generation to another. EThese tales were sometimes delivered by a singer, accompanied by one or recording along with a reinterpreted through spoken words and at other two instruments. The melodic for- version that combines elements from times through song, with the latter mulas are simpler than those found electronic music. resulting in the emergence of some in Cantonese opera. “When you use new technology truly unique art forms, such as that Naamyam is always sung in Can- and audio systems to listen to those of naamyam.. tonese as its music is intrinsically old recordings from the seventies, Naamyam is a form of narrative linked to the language. “Any kind of they feel very different. I’m very excit- singing that originated in Guangdong narrative singing is very much relat- ed to be able to use new technology and was commonly heard in restau- ed to its language or dialect,” says to interpret these wonderful (works rants, tea houses and brothels in the Chan. “I always tell my students that of) music for everyone to listen to,” early to mid-20th century. Perfor- there is no national style in Chi- says Woo. mances were typically accompanied nese music, but there are a lot of Through these productions, Woo by string and percussion instruments regional styles. -
Mainlanders Trash Baidu Over Bogus Travel Agency P7 Xinhua
G2E ASIA RETURNS WITH MACAU A POSSIBLE FIX TRUMP KIM BI-LEVEL EXHIBITOR SPACE IN CHINA-US TENSIONS , G2E Asia is returning May 21 to 23 Lawyer Alexander Kocsis says END SUMMIT to the Venetian Macao, introducing Macau, ‘philosophically halfway’ WITH STANDOFF a bi-level exhibitor space for an between China and the U.S., can OVER EASING US expected 18K visitors plug the gap in misunderstanding SANCTIONS P2 P4 P12,13 FRI.01 Mar 2019 T. 19º/ 23º C H. 75/ 98% facebook.com/mdtimes + 13,000 MOP 8.00 3239 N.º HKD 10.00 FOUNDER & PUBLISHER Kowie Geldenhuys EDITOR-IN-CHIEF Paulo Coutinho www.macaudailytimes.com.mo “ THE TIMES THEY ARE A-CHANGIN’ ” AD MACAU-HK SCAMMERS Mainlanders trash Baidu over bogus travel agency P7 XINHUA WORLD BRIEFS CHINA-US Security experts say the U.S. government is likely exaggerating the Huawei threat. Not only is the U.S. case short on specifics, they say, it glosses over the fact that the Chinese don’t need secret access to Huawei routers to infiltrate global networks that already have notoriously poor security. CHINA A prominent Chinese human rights lawyer Jiang Tianyong disappeared on the day of his scheduled release from prison yesterday and was reportedly taken away by unknown persons. More on p11 AP PHOTO PAKISTAN A temporary closure of air space over Pakistan snarled air traffic especially between Asia and Europe, though some OUT TODAY airlines adjusted by rerouting their flights. In Bangkok, an important and busy hub for transcontinental flights, Gaming revenue thousands of travelers were stranded. -
Listening to Chinese Music
Listening to Chinese Music 1 Listening to Chinese Music This article is an English translation of part of the book Listening to Chinese Music 《中國音樂導賞》edited by Chuen-Fung Wong (黃泉鋒) and published by the Hong Kong Commercial Press in 2009 as a project of the Chinese Music Archive of the Chinese University of Hong Kong. With the permission by the Chinese Music Archive, this article is uploaded onto the Education Bureau’s website for teachers’ and students’ reference. As for the recordings of selected music, please refer to the CDs accompanying the printed copy of the Chinese version. © The Chinese Music Archive, the Chinese University of Hong Kong. All rights reserved. No part of this publication can be reproduced in any form or by any means. 2 Contents Foreword…………………………………………………………………………………..5 Translator’s Preface……………………………………………………………………….6 Chapter 1 Modern Chinese Orchestra ............................................................................. 8 Section 1 The Rise of the Modern Chinese Orchestra ......................................................... 9 Section 2 Instruments Used in the Modern Chinese Orchestra .......................................... 10 Section 3 The Characteristics of Chinese Orchestral Music and Its Genres ....................... 11 Section 4 The “Improvement” of Chinese Instruments ...................................................... 13 Section 5 The Development of Modern Chinese Orchestra ............................................... 15 Listening Guide ................................................................................................................... -
Acss Book 2014
1 2 THE ORGANISING COMMITTEE Principal Organisers TAN See Kam, University of Macau Gary BETTINSON, Lancaster University Tony SCHIRATO, University of Macau Coordinator XU Xiaying, Richard Co-directors GENG Li, Monique HUANG Yawen, Wendy KONG Mengxun, Carol YANG Liu, Sylvia ZHANG Xiaoyi, Sherry Secretarial Support Jenny LOU Barbara CHIN Conference Helpers CHEN Shuping, Jasmine DING Junxiao, Tony HU, Janice LIANG Ni, Mary LIANG Xinyuan, Angela LIN Han, Catherine LIN Xiaoying, Carmen LIN Xinrui LIU Chenxi, Ban LIU Wenhui LIU, Wencheng, Vinson O.S. EMMANUEL QIAN Qiao, Ted SUN Zhichu, Vincent TZENG, Karmen XIAO Yu, Sherry YAN Xi, Max ZHANG Guonan, Garland 3 ACSS CONFERENCES: Past and Present Asian Cinema Studies Society (ACSS) was launched in the United States in 1984 by Mira BINFORD, with help from a coterie of Asian cinema scholars. It initiated a newsletter and held successful conferences in Athens, Ohio, USA (1988), Melbourne, Australia (1990), and New York City, USA (1992). In 1994, a second conference was held at Athens, Ohio. John A. LENT was elected chair and editor-in-chief of Asian Cinema , which had evolved from a newsletter to a periodical. Lent turned Asian Cinema in an academic journal. In 2012 he stepped down as Chair of ACSS and Editor of Asian Cinema which by then has published through to Vol. 22 (2011) with a total of 32 numbers, each issue averaging 250-300 pages. Intellect Books (UK) now publishes Asian Cinema which is a doubly blind reviewed journal dedicated to promoting and building Asian cinemas communities and scholarship. During this period, ACSS has conducted five more international conferences: Peterborough, Canada (1997), Norman, Oklahoma, USA (2000), Jeonju, Korea (2002), Seattle, Washington, USA (2003), Beijing/Shanghai, China (2005), and Hong Kong SAR (2012). -
Performance Report on the “Convention on the Protection And
The Government of the Macao Special Administrative Region Report on Measures to Protect and Promote the Diversity of Cultural Expressions Summary Macao is a unique city with deep multi-cultural roots. It has for a long time served as a cultural crossroad and a bridge between different cultures. People of different races live harmoniously in this small city in accordance with their traditional cultural patterns of life, which has precipitated a unique cultural identity out of this cultural integration. The protection and promotion of the diversity of cultural expressions has always been one of the core cultural policies for the Macao SAR Government. To ensure its sustainable development, the Macao SAR Government, with strong support from the Central People’s Government of The People’s Republic of China, has implemented a series of related policies and measures in this field within the past four years. Through a strong combination of actions and resources, these policies and measures are used to encourage and promote individual and group participations so that there is sufficient space and freedom to express culture in many different forms, thereby ensuring its sustainable development. The cultural heritage and cultural diversity of mankind is not only expressed, promoted and transmitted through a variety of rich cultural expressions, but also relies on various methods and techniques of artistic creation, production, dissemination, distribution and consumption. To this end, the Macao SAR Government has adopted a multi-angle, multi- level (ranging from vertical development to horizontal consolidation and from focus changing to extensive support) approach to the cultural undertakings in investing considerable resources, with the aim of creating a world of sustainable development in different cultural areas, allowing for projects to flourish from generation to generation. -
Culture and Sport
CULTURE AND SPORT Culture and Sport Culture and Sport Eastern and western cultures have co-existed in Macao for over 400 years. A wide variety of cultural traditions, languages, values, religious beliefs, and customs have all existed side by side and influenced one another. Out of this melting pot, a regional culture unique to Macao has gradually developed into its present richness. Macao’s culture is thus a diverse mixture, with traditional Chinese culture as its heart, and it has assimilated Western, particularly Portuguese, cultural influences in perfect harmony. Following its policy of promoting Chinese culture while preserving the unique pluralistic cultural heritage of Macao, the Government has hosted various cultural and artistic activities invited art troupes from mainland China and overseas, as well as Macao, to perform. These have created opportunities for audiences to learn more about the history, society, and culture of different regions, as well as enhancing cultural exchange and the quality of cultural life of Macao’s residents. Cultural Affairs Bureau The Cultural Affairs Bureau is a Government department that sets out the Government’s key objectives in cultural matters. The bureau is responsible for protecting cultural heritage, giving guidance on aesthetic appreciation, supporting community organisations, nurturing talent in arts and culture, developing local cultural industries, as well as organising cultural entertainment programmes, such as concerts, exhibitions, seminars, music classes, dance, drama courses, “Parade through Macao, Latin City”, Macao International Music Festival, Macao Arts Festival, China Cultural Heritage Day, Macao Youth Music Competition and Macao Annual Visual Arts Exhibition. It also provides subsidies for different cultural and art programmes as well as scholarships to support the publication of research and advanced studies about arts. -
數頌香港 M Celebrating the Literary, Dramatic, and Musical Masters and Masterpieces of Hong Kong
香港中文大學新亞書院第二十三屆錢賓四先生學術文化講座 (片.•• 2010 Ch'ien Mu Lecture in History and Culture, New Asia College, The Chinese University of Hong Kong 、i;^: 數頌香港 m Celebrating the Literary, Dramatic, and Musical Masters and Masterpieces of Hong Kong 6 I B9 曾教授 i ) 大學音樂系教授 45156 DIO I ssor Bell Yung roTessor of Music, University of Pittsburgh ;I- 香港中文大學新亞書院第二十三屆錢賓四先生學術文化講座 2010 Ch'ien Mu Lecture in History and Culture, New Asia College, The Chinese University of Hong Kong 講者:榮鴻曾教授 Speaker: Professor Bell Yung 1st Lecture 香港人蹄香港戲:粵劇與文化權 Hong Kong's Own Theater: Cantonese Opera and Cultural Rights 三下香香 丨三 Date: March 10,2010 (Wednesday) Time: 5:30 p.m. Recital Hall, 3/F, The Hong Kong 主任I Academy for Performing Arts r: Mr. Christopher Pak, Acting Head of Academic Studies in Music, HKAPA 2nd Lecture 重視民間音樂、認識本土文化:瞽師杜煥唱香港 Folk Music and Local Culture: Blind Dou Wun sings about Hong Kong 三上香香 March 12,2010 (Friday) 夫書 11:30 a.m. Sir Run Run Shaw Hall, The Chinese University of Hong Kong Moderator: Professor Henry N.C. New Asia College, CUHK 3rd Lecture 香港文人蔡德允女史 Master Tsar Teh-yun: An Exemplar of Hong Kong's Literati Tradition Date: March 16,2010 (Tuesday) TiniG* 4*30 p m ISgilSI 溫― Moderator: Professor Michael McClellan, Chairman, Department of Music, CUHK J—L 歌頌香; Celebrating the Literary, Dramatic, and Musical Masters and Masterpieces of Hong Kong 目錄 CONTENTS 自現代物理到現代音樂學:....口 一 P1 From Modern Physics to Modern Musicology: Professor Bell Yung Hung Zeng 香港人蹄香港戲:粵劇與文化權 Hong Kong's Own Theater: Cantonese Opera and Cultural Rights 第二講 2nd Lecture 重視民問音樂、認識本土文化:瞽師杜煥唱香港